Par MELARTIN ERKKI. Format: DIN A4 / Niveau : Facile / Répertoire / Trio avec Pianos ou Violon ou Violoncelle et Piano

The drum rudiments are the language of drummers. They are to us what scales and chords are to the other instruments. Understanding the rudiments allows the drummer to communicate with other drummers and also have the ability tointerpret terminology and rhythms that are so often seen in music and music publications. This book is designed for drummers of all levels who would like knowledge of the snare drum rudiments but haven’t had the advantage ofstudying them formally. It is a quick simple approach that can be learned by any drummer who can do single strokes and double strokes [strokes using the stick rebound]. While this method is not meant to be a substitute for thetraditional way of learning the drum rudiments which I totally recommend one of the advantages of it is that it is a fast easy alternate method that will give an understanding of the how the rudiments are played and shouldsound. If nothing else this book will improve the drummer’s overall technique and playing. After studying the approach described it will be an easy transition to take the study of the rudiments further learning to play themin the traditional way and apply them to the drumset.

Flexible Arrangements For Junior String Ensemble. Par BROOKER DAVID. David Brooker's arrangements are suitable for string groups from large to small. Children will love playing these pieces which can be played effectively by some or all of the instruments and in different combinations. 'Easy Open Strings' parts are provided for players in their earliest stages perhaps with the piano providing the melody. Other parts can gradually be added. Well-known pieces such as 'Twinkle, Twinkle Little Star”, 'This Old Man”, 'Merrily We Roll Along” with three pieces from David Brooker himself, are included. All parts can be downloaded for free from our website./ Répertoire / Ensemble Flexible, Piano Ad Libitum

Flexible Four-Part Concert Pieces. Par DIVERS AUTEURS / RAE JAMES (ARR.). All together easy Ensemble! is a series of flexible arrangements of well-known pieces for students venturing forth into ensemble playing for the first time. The parts are of equal importance and are written within a comfortable range for each instrument. An optional piano part is included, to enhance the ensemble if necessary and parts are included for a wide range of instrumentations. The 2nd movement of Haydn's 'Surprise' Symphony always raises a smile and of course 'The Blue Danube' is a firm favourite. These, together with the French song 'Sur le Pont D'Avignon' and James Rae's own 'Hot Rock', provide a varied choice of styles for school ensemble sessions and concerts. Very easy arrangements of well-known works for various instrumentations for the first experiences of ensemble playing Ideal for concerts and examinations All parts are of equal importance and any number of players can join each part Includes an optional piano part to support the ensemble For brass ensemble, further brass parts are available as free downloads / Niveau : Facile / Recueil / Ensemble Flexible 4 Parties

This collection of pieces for wind instruments is planned as a continuation of the solo pieces already issued under the title ' Eight Easy Pieces By Classical Composers '.This new selection has the advantage that the pieces may be performed as solos and also as duos with the same piano accompaniment.The instrumental parts are also interchangeable. / Ensemble

15 Selections from the Easy Jazz Ensemble Series. / Jazz / Répertoire / Jazz Ensemble

Ce morceau de piano de Brahms a été soigneusement élaboré dans un morceau de merveilleux ensemble pour cordes avec ce paramètre attrayant par Robert Longfield. Son approche est parfait pour l'enseignement de la mélodie versus harmonie, avec certains placement attentive de la mélodie dans les parties intérieures et inférieure. Dur : 01:40 / Scores

Flexible instrumentation for brass woodwind or combined ensemble. Arranged by Haakon Esplo.InstrumentationScorePiano/Organ2 Flutes2 Oboes3 ClarinetsBassoon2 Horns2 Trumpets3 TrombonesTimpaniPercussion1st Violin2nd Violin3rd Violin - in lieu of Viola4th Violin - easyViolaCelloBassDuration: 8 minutes

Par BACH JOHANN SEBASTIAN. Cantata No. 211: Schweigt stille, plaudert nicht (Be quiet, chatter not) BWV 211. The Coffee Cantata (BA 10211) and the Peasant Cantata (BA 10212) both on librettos by Picander, are among the best-known and most frequently performed of Bach's secular cantatas. Written in or around 1733, the Coffee Cantata deals humorously with the importance of the newly fashionable beverage. This is demonstrated in the soprano aria ; Ah, how sweet the coffee tastes, lovelier than a thousand kisses, milder than Muscatel. Both cantatas reveal Bach's mastery in their unusual subject-matter, formal design, andmusical workmanship. Now they appear in separate editions based on the ; New Bach Edition with straightforward and easy-to-play piano reductions by Andreas Köhs. - Urtext of the ; New Bach Edition. - Straightforward and easy-to-play piano reduction. - Vocal score (BA10211-90), performance material (BA10211) and study score (TP1211) available for sale/ Répertoire / Partition de Poche

Funky, a little greasy, and a joy to play. The tempo is around 132 BPM, with written solos for alto and trombone 1, and a funky piano and bass intro. Lead trumpet range is to written A above the staff. An optional vibes part is available, too! (5:32) / Ensemble De Jazz

for Violin and Orchestra. Par MOZART WOLFGANG AMADEUS. Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773–1779. Especially important are the years 1773 and 1775, which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity are partly that Mozart, who still occupied the post of concertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting with all the new compositional techniques acquiredduring his third trip to Italy and his stay of several months in Vienna from July to September 1773. Urtext of the New Mozart Edition. Full score and performance material (BA4712), Violin and Piano reduction (BA4712-90) and study score format 22. 5 x 16. 5cm (TP20) available for sale. The new Urtext performing editions to Mozart ’s Violin concertos nos. 1-5 contain new easy to play Piano reductions. They offer in addition to the Urtext solo Violin part, an extra Violin part prepared with bowings and fingerings by M. Wulfhorst. A brochure with cadenzas, lead-ins and fermata embellishments by Joseph Joachim, Sam Franko, Leopold Auer, Eugène Ysaye and Martin Wulfhorst is also included./ Répertoire / Partition de Poche

Written to showcase your lead alto this medium-easy ballad is a tribute to the legacy of the great Duke Ellington. All the solos are written out including a strain for the piano in the Duke's own fashionable way.

Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie

Bring the excitement of traditional Latin dance to the string orchestra with this collection. Explore the 'clave,' or rhythmic groove styles, such as the Merengue, Tango, Mambo, and others in a flexible format. All instruments have the melody, a harmony part, and an accompaniment/bass line. Easy hand percussion parts are included for the string players to perform or the optional drumset part can be used. The use of piano and guitar is recommended for authenticity but not necessary. All text appears in both English and Spanish. / Orchestre A Cordes

Here are 19 easy-intermediate arrangements of familiar melodies in classical folk and jazz styles. Each tune is presented as a trio but these ingenious arrangements work equally well as solos or duets - with or without accompaniment. You can even invite other instrumentalists to play along using the Flute Saxophone Clarinet and Violin editions in Book 2 of this series. This highly flexible series of coordinated instrumental books has been designed to give young people the chance to play together in various combinations of numbers and instruments. Perfect for one two or three brass players - with or without accompaniment Mayalso be used with matching arrangements in Book 2 editions of this series for Flute Saxophone Clarinet or Violin Optional Piano Accompaniment book with guitar chord symbols available Ideal for individual or classroom use