A ballet in two acts which premiered on the stage of the Royal Danish Theatre Copenhagen on 14th March 1991. Based on the true story of the sister of George III Caroline Mathilde (1751-1775) who at the age of 15 was sent toDenmark to marry the 17-year-old eccentric and schizophrenic Danish King Christian VII. The ballet portrays her unhappy marriage the King's growing madness and her fatal love-affair with Struensee the King's influentialphysician which leads to their arrest his execution and her exile at the age of 20 separated from her two young children.Written for full symphony orchestra and female chorus. Duration c. 2hrs 25mins.

The music from this blockbuster film has captured the imagination of the entertainment world including countless awards and nominations. From the songwriting team who brought us Dear Evan Hansen and La La Land the movie musical The Greatest Showman is based on the true story of P.T. Barnum with Hugh Jackman in the title role. This arrangement for String Ensemble includes 'The Greatest Show' 'A Million Dreams' 'Never Enough' 'This Is Me' and 'Tightrope'.

From the songwriting team who brought us Dear Evan Hansen and La La Land the blockbuster movie musical The Greatest Showman is based on the true story of P.T. Barnum with Hugh Jackman in the title role. This arrangement of the powerful songs from the film is a dynamic musical montage for the concert stage. Includes Come Alive The Greatest Show A Million Dreams Rewrite the Stars and This Is Me.

Full Score-From the songwriting team who brought us Dear Evan Hansen and La La Land the blockbuster movie musical The Greatest Showman is based on the true story of P.T. Barnum with Hugh Jackman in the title role. This arrangement of the powerful songs from the film is a dynamic musical montage for the concert stage. Includes Come Alive The Greatest Show A Million Dreams Rewrite the Stars and This Is Me.

Original Version. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions. ‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Orchestre

Par MUSSORGSKY MODEST. The symphonic poem Night on a Bald Mountain took its inspiration from a story by the well known Russian writer Nicola Gogol. Mussorgsky took no steps to promote his masterpiece and it was only after his death when Rimsky-Korsakov was looking through the enormous stack of manuscripts that the work resurfaced. Written above the score, Mussorgsky gives a brief description of the story of Night on a Bald Mountain: Gathering Witches, their gossip and chit-chat; The Procession of Satan; Pagan Worship of Satan and Witches Sabbath. This transcription for concert band by Tohru Takahasi remains true to the orchestral original. / Niveau : 5 / Répertoire / Concert Band ou Harmonie

With optional Chorus and Narrator. Par HOSAY JAMES L.. A magnificent offering for your Christmas performance! James L. Hosay has taken the story of the birth of Christ, according to the Gospel of Luke, and set it to heart lifting music. A stunning and unforgettable performance can be had with a chorus or with a narrator. Either way, this piece will add to the festive mood of your Holiday concert and help your audience feel the true spirit of Christmas. If you do a concert where a chorus performs half and a concert band performs half, consider programming FOR UNTO YOU IS BORN THIS DAY as a grand finale. If your performance stage is a bit cramped for that many musicians all at once, perhaps having the chorus surround the audiencewill work for you. The “surround-sound” effect can be wonderful. / Niveau : 3 / Répertoire / Concert Band ou Harmonie

This thoughtful and creative arrangement of the classic song of the American West is a rich and sonorous treatment infused with exquisite and unexpected harmonies. You?ve never heard it like this before! Bryan Kidd has managed to bring a true musical adventure to the developing band in his own unmistakably personal way.This is a wonderful chance for your musicians to show that they can be truly expressive. This piece is the perfect tool for a cross-curricular unit with U.S. history. Surprising!