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Hautbois, Basson et Basse continue [ 3 ]
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2 Guitares, ensemble de cordes [ 3 ]
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Tzigane: Violin: Score
31.50
Tzigane: Violin: Score
Orchestre, Violon
Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Jos...
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In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim Jelly D?Aranyi in concert in London. Following the performance Ravel spent the remainder of the evening requesting D?Aranyi to play numerous gypsy tunes on her violin probing her on the technical limits of the instrument. The result of this encounter is Ravel?s virtuoso classic ?Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano producing a sound similar to the rich overtones of the Cimbalon) the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel laterorchestrated ?Tzigane? and both versions remain a ?must? for music-lovers and aspiring violinists today. Jelly D?Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel?s masterpiece. It is published both in the orchestral version complete with full score and performance material as well as in the composer?s earlier version for violin and piano. All known sources including letters have been drawn on for the new edition; one of the available sources consulted for the first time was a copy of ?Tzigane? from the estate of Jelly D?Aranyi which is today part of a private collection. The version for piano and violin contains besides the Urtext part a second violin part as a facsimile with performance instructions by Jelly D?Aranyi. D?Aranyi?s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D?Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.First scholarly-critical Urtext edition of the work Presented are both versions: for violin and orchestra and for violin and pianoIncludes Jelly D?Aranyi?s fingering
31.50 GBP - vendu par Musicroom GB
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Kaija Saariaho: Graal Theatre (Violin Concerto)- Solo Violin Part: Violin: Part
16.99
Kaija Saariaho: Graal Theatre (Violin Concerto)- Solo Violin Part: Violin: Part
Orchestre, Violon
Chester
The two-movement work was inspired by the title of a book by Jacques Roubaud and...
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The two-movement work was inspired by the title of a book by Jacques Roubaud and dedicated to Violinist Gidon Kremer whose playing and musicianship also inspired the work.Kaija Saariaho is a contemporary Finnish composer livingand working in Paris and Graal Thé tre is one of her principal works frequently performed in spite of its ferocious virtuosic requirements. Unlike many of her other works Graal Thé tre has no electronic extensions but exploresthe relationship fully between soloist and Orchestra. She gained international renown for her first opera l?Amour du Loin and continues a prolific compositional life with a wide range of international performances.
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The Greatest Orchestral Masterworks Vol.51-75 Box Set
267.27
The Greatest Orchestral Masterworks Vol.51-75 Box Set
Orchestre d'harmonie
Eulenburg
The most important concert and orchestral works from the Baroque era to the Roma...
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The most important concert and orchestral works from the Baroque era to the Romantic period in the 'Eulenburg Audio Score' series: All scores are presented in a reader-friendly format, including CD with excellent recordings of the masterpieces.NEW: 25 masterpieces in a handy slipcase at the special price of 199.- ? as a complement to the existing set of '50 Masterpieces' (EAS 100-50, 399.- ?).The basis of every music library!The 'Eulenburg Audio Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. - Over 80 volumes of clearly-presented and authoritative scores, with informative prefaces detailing the biographical and creative background- - CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra. Amazing value: almost 50% cheaper than buying each volume separately! This is the perfect gift for any music-lover. 'Eulenburg Audio Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focussing on the fields of opera, orchestral music, chamber music and vocal music, it is the favourite choice of conductors, orchestra musicians, soloists, students, teachers and music lovers generally. The more you read, the more you hear! / Concert Band
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Eulenburg Audio+Scores - Boxed Set
220.89
Eulenburg Audio+Scores - Boxed Set
Orchestre
[Conducteur d'étude / Miniature + CD]
Eulenburg
The 'Eulenburg Audio Score' series contains the orchestral world's greatest musi...
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The 'Eulenburg Audio Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. Each volume is clearly-presented with authoritative scores, informative prefaces detailing the biographical and creative background- - CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra.NEW: This box-set of 25 masterpieces in a handy slipcase containing volumes 51-75 in the series is amazing value: almost 50% cheaper than buying each volume separately!This is the perfect gift for any music-lover. 'Eulenburg Audio Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focusing on the fields of opera, orchestral music, chamber music and vocal music, it is the favoured by conductors, orchestral musicians, soloists, students, teachers and music-lovers generally. The more you read, the more you hear! / Tout Instrument
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Judith Weir: The Bagpiper's String Trio: String Ensemble: Score and Parts
21.99
Judith Weir: The Bagpiper's String Trio: String Ensemble: Score and Parts
Trio à Cordes: violon, alto, violoncelle
[Partition]
-
Avancé
Novello & Co Ltd.
These three pieces form a very short instrumental opera based on the life of Ja...
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These three pieces form a very short instrumental opera based on the life of James Reid a bagpiper in Prince Charlie's Jacobite army who was captured by the English in 1746 and executed after a judge had classified the bagpipes as a weapon. This piece is a string trio version of Sketches from a Bagpiper's Album (1984) for clarinet and piano scored for Violin Cello and Viola. Duration: c. 8 minutes. Score and parts included.
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Franz Berwald: Concerto: Violin: Score
72.50
Franz Berwald: Concerto: Violin: Score
Orchestre
[Partition]
Barenreiter
FRANZ BERWALD (1796-1868) is regarded today not only as one of Sweden's most imp...
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FRANZ BERWALD (1796-1868) is regarded today not only as one of Sweden's most important composers but also due to his symphonies and his chamber music as a leading figure in the history of Northern European music of the 19th century. His compositions include in addition to four symphonies and the chamber music tone poems for orchestra concertos operas ('Estrella di Soria' and 'The Queen of Golconda') cantatas solo songs with piano accompaniment piano music and much more.Berwald's violin concerto in C sharp minor is the work of a young composer. The autograph score bears the date 1820; Berwald was 24 years old at the time.After the firstperformance the violin concerto fell into oblivion and was as far as we know never again performed in Berwald's lifetime. It was not brought to light again until 1903 when on May 19 the first movement was performed at the Annual Celebration of the Academy of Music of Stockholm.Urtext of the Berwald Complete EditionFull score (BA4905) and Violin & Piano reduction (BA4905-90) available for salePerformance material (BA4905-72) available for hire
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Per Nørgård: String Quartet No.8 'Night Descending': String Quartet: Study Score
26.99
Per Nørgård: String Quartet No.8 'Night Descending': String Quartet: Study Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur d'étude / Miniature]
Wilhelm Hansen
This is the Study Score edition of Per Nørgård's String Quartet No.8 'Nigh...
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This is the Study Score edition of Per Nørgård's String Quartet No.8 'Night Descending'. Programme note: This piece is based on 5 sections from my chamber opera Nuit des homme where a string quartet is the leading instrumental ensemble. Even though the subject is The Great War (1st World War) the plot is on a psychological level and follows the development of a couple - in poems of Guillaume Apollinaire. The couple's war enthusiasm in the beginning is replaced by horror and in the end dehumanizing. The five movements of the quartet express phases in this process: from the Eulogy of the prologue praise of the The Sun of Gold above the humananimal - a rhythmic tense and still more and more militaristic movement - to The Journey whose enlargement of conscience due to the exhausting tempo of the new era is suddenly stopped in the fourth movement carrying the title of the piece and expressing the calm before storm not as a blessing of peace but as a latent anxiety. In the epilogue of the fifth movement the theme of the prologue reappears but it is changed from hymn to elegy. The quartet is dedicated to the Zapolsky Quartet who took part in the world premiere of the opera in September 1996. Per Nørgård 1997
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Juan Crisostomo Arriaga: Tres Cuartetos For String Quartet: String Quartet:
26.99
Juan Crisostomo Arriaga: Tres Cuartetos For String Quartet: String Quartet:
Español
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Unión Musical Ediciones
Juan Arriaga was born in Bilbao on January 27 1806 and died in Paris on January...
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Juan Arriaga was born in Bilbao on January 27 1806 and died in Paris on January 17 1826. He was a true musical artist having composed his first work - the 'Ensayo De Octeto Nada y Mucho' when he was 11 years old; when he was 12 an 'Obertura' and when 14 the opera in two acts 'Los Esclavos Felices' and the 'Variaciones La Hungara' - productions of perfect construction.
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Bernard Herrmann: Echoes For String Quartet (Parts): String Quartet: Parts
16.99
Bernard Herrmann: Echoes For String Quartet (Parts): String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Novello & Co Ltd.
This single-movement for String quartet employs some of the more familiar elemen...
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This single-movement for String quartet employs some of the more familiar elements of Herrmannâ??s compositional style: short musical phrases repeated and then repeated again in other positions sharp use of dynamics among them. It is a fascinating sidelight into the work of one of the 20th centuryâ??s most brilliant composers.Bernard Herrmann was among the greatest of all composers of music for cinema and there are many who avow that he was the greatest of all. A very short list of the films for which this award-winning composer created soundtracks includes Citizen Kane The Man Who Knew Too Much Vertigo Jason and Argonauts Fahrenheit 451 Obsession and Taxi Driver. He had along and fertile association with Alfred Hitchcock during the most productive period of Hitchcockâ??s career and with Orson Welles from the time of the Mercury Theatre on the Air. In addition to his conducting and composing work for the entertainment world Herrmann wrote concert pieces including a symphony opera and cantata.
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Franz Joseph Haydn: Streichquartette Op.20: String Quartet: Study Score
22.75
Franz Joseph Haydn: Streichquartette Op.20: String Quartet: Study Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
G. Henle
Joseph Haydn's String Quartets Op.20 were composed in 1772 according to the date...
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Joseph Haydn's String Quartets Op.20 were composed in 1772 according to the date of the autographs. They are the last group in the series of string quartets with the opus numbers 9 17 20 composed a long time after the earlystring quartets in the years around 1770. Following these compositions several years were to pass before once again before Haydn wrote his next string quartets for a long while following completion of Op.20 does not necessarilyimply that he was having a 'crisis'; it might have had to do with the increasing load on Haydn occasioned by the regular performances at the Eszterhaza opera house leaving him with little time for other activities.
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Michael Nyman: String Quartet No. 1 Score: String Quartet: Score
22.99
Michael Nyman: String Quartet No. 1 Score: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
Dedicated to Thurston Dart Michael Nyman?s professor at King?s College London ...
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Dedicated to Thurston Dart Michael Nyman?s professor at King?s College London much of String Quartet No. 1 borrows and is inspired by the works of seventeenth century composer John Bull whosecomplete keyboard works Dart gave Nyman as a birthday present. The other main source of inspiration was Schöneberg?s Second String Quartet from the early 20th century.In his introduction to the piece Nymandescribes his two background ideas when composing the work: first to make an almost ?orchestral? chamber music and second to exorcise the impressive and oppressive history of the String quartet by making his work a compendium ofquotations from the quartet repertoire. Commissioned by the Arditti Quartet and first performed by them in 1985 String Quartet No. 1 has a duration of 25:44 minutes.Michael Nyman is an Englishcomposer of minimalist music pianist librettist and musicologist known for numerous film and his multi-platinum soundtrack album to ?The Piano?. He has additionally written a number of operas six concerti four stringquartets and many other chamber works.
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Tzigane
Orchestre d'harmonie
Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Jos...
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In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane? and both versions remain a 'must? for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition - one of the available sources, consulted for the first time, was a copy of 'Tzigane? from the estate of Jelly D'Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.- First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano- Includes Jelly D'Aranyi's fingering / Harmonie
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Franz Joseph Haydn: Symphony No.8 In G Major Hob.I: Orchestra: Score
27.00
Franz Joseph Haydn: Symphony No.8 In G Major Hob.I: Orchestra: Score
Orchestre
[Partition]
Barenreiter
With 2 violino concertato-Haydn's Symphony No.8 is the final piece in his tripty...
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With 2 violino concertato-Haydn's Symphony No.8 is the final piece in his triptych on the times of the day consisting of the symphonies Le Matin Le Midi and Le Soir (Hoboken I:6-8). The cycle originated in 1761 on a commission from Haydn's patron Prince Anton Esterházy. Whether the Prince was hoping for a counterpart to Vivaldi's famous concertos on the four seasons or pursued a different idea can no longer be determined. It was doubtless the purpose of these concertante symphonies to present to a select audience the Prince's chamber ensemble which had been assembled or expanded that spring as well as its new conductor. The pieces are laid out on a large scale full of pomp andsplendour and the scoring at times divided into thirteen separate parts offers virtually every player an opportunity to display his prowess as a soloist.At that time the Esterházy ensemble was made up of six or seven players of the violin or viola (the seventh was actually retained as a flautist) one player each of the violoncello and violone two oboists doubling on flute two horn players and a bassoonist. This listing includes Haydn himself who conducted the ensemble from the first violinist's desk. Contrary to a widely held belief there was no harpsichord. Indeed the only genres that employed a keyboard instrument at that time in the Viennese area were vocal - namely operas cantatas and church music.Urtext from Joseph Haydn WerkeFull score & parts (BA4673) available for sale
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Symphony No. 2: Orchestra: Score
Orchestre
Wilhelm Hansen
Søren Nils Eichberg's Symphony No. 2 - 'Before Heaven Before Earth' (2010). Co...
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Søren Nils Eichberg's Symphony No. 2 - 'Before Heaven Before Earth' (2010). Commissioned by The Danish National Symphony Orchestra / DR. Parts are available on hire: hire@ewh.dk Programnote Symfoni nr. 2 er kronen på værket af et helt værkkompleks som Søren Nils Eichberg har arbejdet med siden 2008. På et stipendieophold i Italien fik han så mange idéer fra hånden at selv ikke de tre værker han dengang var ved at komponere kunne udnytte dem alle. Stoffet blev brugt til dobbeltkoncerten til en opera og etorkesterværk bestilt af det tyske Ensemble Modern. Og materialet lever videre i hans Symfoni nr. 2 der afslutter en nærmest eksplosiv fase af kreativitet. Man behøver ikke kende de tre andre værker for at få udbytte af symfonien pointerer Søren Nils Eichberg. Det materiale som værkerne har til fælles fremtræder da også også på vidt forskellig måde. I stykket til Ensemble Modern (In Circles) virker idéerne som rastløse og flygtige indfald mens de i Symfoni nr. 2 bliver anvendt på en mere gennemarbejdet facon. Symfonien varer ca. 25 minutter og spilles i ét uafbrudt forløb. Alligevel er den opbygget efter klassisk model hvor man fornemmer en ”1. sats” en ”langsom sats” og en ”finale” undervejs. Det hele udspringer af to kontrasterende temaer der begge præsenteres to gange i begyndelsen. Det er et symfonisk princip der stammer helt tilbage fra symfonigenrens barndom. ”Dobbelt-præsentationen” er særlig nyttig i musik som lytterne ikke kender på forhånd. Symfoniens første tema er en række akkorder der spilles af violiner og bratscher. Kontrasttemaet er en hurtig rytmisk basfigur som
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Cello Concerto (BRYARS GAVIN)
35.52
Cello Concerto (BRYARS GAVIN)
Violoncelle, Orchestre
[Conducteur d'étude / Miniature]
Schott
Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower ...
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Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower string instruments: I am a bass player, my mother is a cellist, as are both my daughters; my own ensemble includes two violas, a cello and a bass, and for the instrumentation of my opera Medea I omit the entire violin section from the orchestra. As I have written a number of works for solo instrument or voice with orchestra I welcomed the opportunity to write a concerto for cello and orchestra and especially one which focuses particularly on the instrument’s lyrical qualities. Although the piece is in one continuous movement, and the soloist is playing almost without a break, it nevertheless falls into distinct sections which are recognisable by a shift of tempo as well as by a change in the music’s character. One of the early ideas Julian Lloyd Webber and I discussed was that it might form a companion piece to one of the Haydn concertos. Given my friendship with some members of the English Chamber Orchestra and my awareness of their repertoire, this suggested a number of particular musical references. The subtitle to the work, for example, combines the subtitles of two idiosyncratic Haydn symphonies and I allude to them in different ways but chiefly through orchestration: for The Philosopher by including a section in the concerto where the orchestration resembles that of the symphony’s first movement (pairs of English and French horns, muted violins and unmuted lower strings); for The Farewell, by the progressive reduction in the orchestration towards the end. Indeed, apart from the orchestral tutti in the last few bars, the last pages of the score are virtually for string quartet. The subtitle also refers to my own background as a philosophy graduate... The piece was commissioned by Philips Classics for Julian Lloyd Webber and is dedicated to him. The first performance was given by Julian Lloyd Webber and the English Chamber Orchestra conducted by James Judd, 21 November 1995, Barbican Hall, London. Gavin Bryars/ Répertoire / Violoncelle et Orchestre
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Meditation From Thais (Score And Parts): Orchestra: Score and Parts
42.50
Meditation From Thais (Score And Parts): Orchestra: Score and Parts
Orchestre
Bosworth
Thais is an opera with music by Jules Massenet and libretto in French by Louis G...
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Thais is an opera with music by Jules Massenet and libretto in French by Louis Gallet based on the novel of the same name by Anatole France. It was first performed in 1894 then revised by the composer and premiered again in 1898. The Meditation is a symphonic intermezzo coming in the middle of Act 2 to provide the turning point of the opera. It was originally scored for solo Violin Orchestra and Chorus and was one of the most renowned Violin solos in the world. It has been arranged here for Orchestra by Alan Arnold.
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Pablo de Sarasate: Carmen Fantasy: Orchestra: Score
12.95
Pablo de Sarasate: Carmen Fantasy: Orchestra: Score
Orchestre
Dover Publications
George Bernard Shaw once remarked that although there are many composers of musi...
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George Bernard Shaw once remarked that although there are many composers of music for the Violin there are only a few composers of Violin music. But where Pablo de Sarasate (1844-1908) is concerned Shaw declared that the Spanish musician's talents as both a performer and composer 'left criticism gasping miles behind him.' Famous for his fiery forceful and passionate playing Sarasate was equally renowned for the sweetness and purity of his tone and his impeccable technique. As a composer steeped in the colorful music of his native land he was well known for his many Violin works inspired by Spanish airs and dances written to display the instrument'scapabilitie. Carmen Fantasy Op. 25 is Sarasate's much-loved Violin fantasy based on Bizet's Carmen. It includes excerpts of different movements from the Carmen suite including the familiar Habanera and opening movement. Sarasate's popular arrangement and variations on the opera's themes are staples of the Violin repertoire. This full-score version stands as the most affordable available and it offers both performers and listeners extra insights into a celebrated work.Reprint of an early authoritative edition.
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Symphony No. 48 In C: Score
29.50
Symphony No. 48 In C: Score
Orchestre
Barenreiter
Haydn?s ?Farewell Symphony? is one of the most frequently played works of the sy...
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Haydn?s ?Farewell Symphony? is one of the most frequently played works of the symphonic repertoire. The popular title did not derive from the composer but refers to the final movement at the end of which (Adagio) the musicians stop playing one after the other leaving only two violins to end the work. According to an anecdote the musicians? exit was a means of making reference to the demands of orchestral work at Esterháza at the end of the season.The publication of Haydn?s ?Sturm und Drang? Symphonies the Farewell Symphony and Symphony No. 48 (the so-called ?Maria Theresia? Symphony) represents a continuation of the cooperation between Bärenreiter and theHenle publishing company for editions of larger choral works operas and symphonic works. The publications are based on the Henle ?Complete Edition of the Works of Joseph Haydn?. Both symphonies (BA 10971 and BA 10972) will be published with a full score and orchestra parts on sale in a large format.
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Symphony No. 45 In F Sharp Minor: Score
23.50
Symphony No. 45 In F Sharp Minor: Score
Orchestre
Barenreiter
Haydn?s ?Farewell Symphony? is one of the most frequently played works of the sy...
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Haydn?s ?Farewell Symphony? is one of the most frequently played works of the symphonic repertoire. The popular title did not derive from the composer but refers to the final movement at the end of which (Adagio) the musicians stop playing one after the other leaving only two violins to end the work. According to an anecdote the musicians? exit was a means of making reference to the demands of orchestral work at Esterháza at the end of the season.The publication of Haydn?s ?Sturm und Drang? Symphonies the Farewell Symphony and Symphony No. 48 (the so-called ?Maria Theresia? Symphony) represents a continuation of the cooperation between Bärenreiter and theHenle publishing company for editions of larger choral works operas and symphonic works. The publications are based on the Henle ?Complete Edition of the Works of Joseph Haydn?. Both symphonies (BA 10971 and BA 10972) will be published with a full score and orchestra parts on sale in a large format.
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Bent Sørensen: Phantasmagoria: Chamber Ensemble: Score and Parts
57.50
Bent Sørensen: Phantasmagoria: Chamber Ensemble: Score and Parts
Orchestre de chambre
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
Wilhelm Hansen
Phantasmagoria for Violin Violoncello and Piano was composed by Bent Sørensen ...
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Phantasmagoria for Violin Violoncello and Piano was composed by Bent Sørensen in 2007. First performance by Trio con Brio 12 Aug 2007 in Roskilde Denmark.Programme note:My Piano Trio “Phantasmagoria” is in five movements. It all began with the fifth movement which originally was a tiny piece for cello and piano. After re-composing this little piece for piano trio I worked composed backwards – The fourth movement – third movement - and I finally got to the beginning of the piece. It all begins with the violin – solo – heavily muted but aggressive and gradually the cello andthe piano enter as shadows of the violin. The first movement ends in a dark shadow of an aria from my opera “Under the Sky”. All five movements are full of shadows of all kinds. Shadows of fragments and traces of movements appear in other movements. Music voices instruments appear behind each other as a play of shadows. “Shadow play” was the first title on my mind but a shadow play can be more physical – the shadow can come alive – alive behind the shadows. Phantasmagoria is a shadow play in darkness where contours of persons and music voices and instruments - create adventures behind each other. “Phantasmagoria” was commissioned by Franz Schubert Society Denmark and dedicated to Trio con Brio Copenhagen. (Bent Sørensen)
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Søren Nils Eichberg: Circles: Ensemble: Score
76.99
Søren Nils Eichberg: Circles: Ensemble: Score
Ensemble d'École
[Conducteur]
Wilhelm Hansen
In Circles - 16 Imaginary Dances for 18 Players (2010). Parts are available on h...
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In Circles - 16 Imaginary Dances for 18 Players (2010). Parts are available on hire: hire@ewh.dk Instr.: FluteOboeClarinet in BbBass ClarinetBassoonHorn2 Trumpets In BbTenor-Bassposaune2 PercussionistsPiano2 ViolinsViola2 CellosDouble Bass Programme note About five years ago the Ensemble Modern commissioned a composition giving me relatively free rein over instrumentation duration and completion date. I was very excited about the opportunity and eager to start work but first I had to finish asymphony and a cello concerto. However when I wanted to begin writing the piece for Frankfurt inspiration became silent and remained silent for the next three years apart from the two works for chamber orchestra: I experienced my first writer’s block. This was not my first commission but the first time that I was seriously worried about a piece and started thinking about the commissioning ensemble and its expectations. If anything I held the Ensemble Modern in too high esteem. The ensemble is notorious for being a group of all-rounders who have already seen and done everything. However it was simply time for me to challenge my self-belief as composer and to search out what kind of composer I really am. Whatever the true reason was I still didn’t get anything down on paper. Nothing would gel. In 2008 a stipend from a New York foundation led me to an Italian lavender-castle from the 15th century far away from everything else deep in Umbria. The deadline for my first opera moved dangerously closer but was barely started. The next commission for an orchestra was also waiting in addition to the piece for EM: only empty sheets. When I came home six weeks later though I hadn’t finished anything the spell was broken. Behind the massive walls drafts had been created for what within the
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Concerto for French Horn and Wind Band, Op. 29 (VAN DOREN THEO) (VAN DOREN THEO)
129.80
Concerto for French Horn and Wind Band, Op. 29 (VAN DOREN THEO) (VAN DOREN THEO)
Cor, Orchestre
Metropolis Music Publishers
Par VAN DOREN THEO. Theo Van Doren was an Antwerp musician, violinist and compos...
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Par VAN DOREN THEO. Theo Van Doren was an Antwerp musician, violinist and composer who, despite many foreign offers, preferred to stay in his own Antwerp. He started his career as a musician in silent movies, then as a soloist, with his own string trio. Later he became solo violinist in the Flanders' Opera Orchestra and conductor. He worked with a.o. Strawinksy, Rubinstein, Stern, etc. He also taught violin for 35 years at the Borgerhout music academy, where he trained many professional musicians. / Date parution : 2022-11-29/ Répertoire / Concert Band et Cor
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Aulis Sallinen: Symphony No.6 'From A New Zealand Diary': Orchestra: Study Score
34.99
Aulis Sallinen: Symphony No.6 'From A New Zealand Diary': Orchestra: Study Score
Orchestre
[Partition]
Novello & Co Ltd.
Aulis Sallinen was born in 1935 in Salmi on the northern shore of Lake Ladoga (w...
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Aulis Sallinen was born in 1935 in Salmi on the northern shore of Lake Ladoga (which the Soviet Union claimed in 1944). His early musical experience was playing the violin. Improvising (including jazz) on the piano led him to write his first compositions as a teenager. After studying with Aarre Merikanto and Joonas Kokkonen at the Sibelius Academy he joined the staff there. He was Administrator of the Finnish Radio Symphony Orchestra (1960-69); Secretary and member of the Board (1958-73) then Chairman (1971-73) of the Finnish Composers' Society; member of the board of TEOSTO (Finnish copyright society) from 1970-84 then Chairman from 1988-90; he also served for severalyears on the Board of the Finnish National Opera.Here is the Facsimile of the Sixth Symphony that was composed over 1989-1990 and commissioned and first performed by the New Zealand Symphony Orchestra.
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Court Studies From The Tempest (ADES THOMAS)
39.43
Court Studies From The Tempest (ADES THOMAS)
Clarinette, Piano, Violon et Violoncelle
[Partition]
Faber Music Limited
Par ADES THOMAS. This suite of exquisite portrait pieces for violin, clarinet, c...
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Par ADES THOMAS. This suite of exquisite portrait pieces for violin, clarinet, cello and piano was composed in 2005 and distils the essence of six numbers from Adès's astonishing opera The Tempest into purely instrumental form./ Répertoire / Clarinette, Piano, Violon et Violoncelle
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Alan Hovhaness: Prayer of St. Gregory: String Orchestra: Score & Parts
54.99
Alan Hovhaness: Prayer of St. Gregory: String Orchestra: Score & Parts
Orchestre à Cordes
Peermusic Classical
Flexible solo with Strings-One of the most popular pieces from Alan Hovhaness P...
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Flexible solo with Strings-One of the most popular pieces from Alan Hovhaness Prayer of St. Gregory is taken from the opera Etchmiadzin and is described as ???a prayer in darkness.??? The original edition for trumpet and orchestra is adapted here for string orchestra with solooptions for violin flute oboe alto saxophone and trumpet.
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Sinfonia N.3 'Organ' Full Scor (SAINT-SAENS CAMILLE)
24.50
Sinfonia N.3 'Organ' Full Scor (SAINT-SAENS CAMILLE)
Orchestre
[Partition]
Dover Publications
in Full Score. Par SAINT-SAENS CAMILLE. Considered throughout much of his career...
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in Full Score. Par SAINT-SAENS CAMILLE. Considered throughout much of his career as the preeminent French composer, Camille Saint-Saëns wrote music that embodies a characteristic French concern for clarity and order, together with his own assured mastery of the composer's craft. These qualities are evident in Saint-Saëns' Symphony No. 3, widely regarded as the composer's major orchestral work, and one of the very few to incorporated the organ as a featured instrument. Saint-Saëns wrote this symphony during the period of his greatest creativity — in the 1870s and '80s — at which time he also produced such important works as the opera Samson et Dalila, Le Carnaval des animaux, the Piano Concerto No. 4, and the Violin Concerto No. 3. Deeply moving and majestic, the 'Organ' Symphony bears all the hallmarks of Saint-Saëns' fluent mastery of orchestral composition. It is reprinted here form an authoritative full-score edition published by Durand et Schoenewerk, Paris. Reprint of the Durand et Schoenewerk, Paris, edition. Widely regarded as the composer's major orchestral work, and one of the few to incorporate the organ as a featured instrument./ Répertoire / Orchestre
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Niels Marthinsen: The Dreamers: Chamber Ensemble: Score and Parts
49.99
Niels Marthinsen: The Dreamers: Chamber Ensemble: Score and Parts
Orchestre de chambre
[Conducteur et Parties séparées]
Wilhelm Hansen
The Dreamers - A Gothic Tale for Horn Trio by Niels Marthinsen. Programme note: ...
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The Dreamers - A Gothic Tale for Horn Trio by Niels Marthinsen. Programme note: The Dreamers for horn violin and piano is the sixth of a series of seven compositions named after Karen Blixen's collection of short stories Seven Gothic Tales. My musical gothic tales are written for very different ensembles - THE SUPPER AT ELSINORE is a saxophone quartet THE OLD CHEVALIER is for bass trombone and piano THE MONKEY is a chamber orchestra work - but they all share musical material in a criss-cross of contextual references reminiscent of Blixen's narrative complexity: Themes and motivs from one pieceappear in others in new and surprising shapes and combinations. Karen Blixen's THE DREAMERS has the most complex narrative structure of all her seven gothic tales. The story is made up of three tales with different narrators but with the same principal caracter in various disguises all three imbedded within a fourth tale that serves as a framework for the entire short story.The main story line unravels the life of a famous opera diva who looses her voice during a terrible fire. Before this her life was perpetual bliss and the tragedy drives her into assuming different personality guises in order to escape reality.Toward the end she is confronted with her true identity and dies.THE DREAMERS isn't 'about' anything. The music is inspired by the artistic content of Blixen's short story - it's emotionalism dramatic construction atmosphere period and settings - but unfolds in time and musical space in ways that are completely independent of the story's narrative progression...except one might say that the three players try their best to either catch or escape each other and that when they finally meet it happens abruptly even tragically - and only barely provides a little consolation.
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Thea Musgrave: Towards The Blue: Ensemble: Score
19.99
Thea Musgrave: Towards The Blue: Ensemble: Score
Quintette de Clarinette: Clarinette, Quatuor à Cordes
[Partition]
Novello & Co Ltd.
For Clarinet solo with wind quartet and string quartet. Score OnlyFirst perform...
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For Clarinet solo with wind quartet and string quartet. Score OnlyFirst performed by Michael Collins Clarinet London Winds and the Endellion String Quartet on 27th January 2011 at the Wigmore Hall London.Scoring:Solo ClarinetFluteOboeBassoonFrench Horn2 ViolinsViolaCelloDuration:circa 13 minutes'During a visit to the exhibition of Francis Bacon at the Tate Gallery in December 2008my eye fell on Figure in a Landscape 1945 which resonated in me powerfully. It is a sceneof devastation and despair and also it seemed to me of latent anger and hostility... butabove it all a serene blue sky beckons. So perhaps even in the darkest moments there is aglimmer of hope - the possibility of change.This idea became the starting point for this work - Towards the Blue - a mini concerto forclarinet who eventually becomes the leader of the group.The work starts without the clarinet and all is desolate yet fiercely argumentative discordant and uncomfortable. Suddenly the offstage clarinet is heard and the players insurprise are quietened. However when the clarinet enters and approaches with a lyricalmusical motif some of the players respond others resist. Gradually the clarinetpersuades the dissident voices to join him in a spirit of co-operation and harmony.A brief memory of the opening desolation casts a momentary shadow which is quicklydispelled by the coda marked Gioioso.'Thea Musgrave (May 13th 2010)Parts available for hire separately
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Ludwig van Beethoven: Leonore Overture No. 3: Orchestra: Score
Orchestre
Barenreiter
Of the four overtures that Beethoven composed for his only opera the ?Leonore O...
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Of the four overtures that Beethoven composed for his only opera the ?Leonore Overture? No. 3 is the most popular. The first reviewer found fault with it for its ?incessant dissonances and overblown fluttering of the violins? (Wiener Theater-Zeitung 1806) but it soon became famous as ?one of the most imposing difficult yet richest and strangest of compositions? (Allgemeine Musikalische Zeitung 1810). This version of the ?Leonore Overture? quickly established itself independently of the stage in the concert hall and has found a lasting place in the symphonic repertoire.
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Pyotr Ilyich Tchaikovsky: Souvenir De Florence Op.70: String Ensemble: Parts
Orchestre à Cordes
Simrock
Tchaikovsky's Souvenir De Florence was commissioned by the St. Petersburg Chambe...
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Tchaikovsky's Souvenir De Florence was commissioned by the St. Petersburg Chamber Music Society in 1887 but the work was not finished until 1892 due to Tchaikovsky turning his attention to his opera Queen of Spades. It has been observed that the final movement in particular is orchestrally conceived rather than in the style of chamber music. The work is fittingly often performed by string orchestras and many believe it to actually more effective in that format. This is the original setting of the piece for String Sextet - 2 Violins 2 Violas and 2 Cellos.
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