Par DOBSON SIMON. Le DAvailable a été initialement commandé comme l'éprouvette set pour la Section B du championnat 2007 EuAvailableean Brass Band. Le compositeur a depuis certains documents originaux retravaillé et étendu à la pièce, donc en le renommant ' The DAvailable : remixé '. ' La DAvailable : remixé ' tire son inspiration de nombreuses formes de musique, mais surtout de Drum ' ne Bass - bien qu'il ne cite pas directement ou ne sonore comme ce médium lui-même. Dobson a été introduit à ce milieu grâce à des amis qui étaient des DJs et découvert que cette forme d'art est complexe, passionné (dans ses formes les plus souterrains ou none-mainstream) et intimement composée comme toute autre forme de musique. Les travaux commencent avec le tourner sur une platine comme peut être entendu dans le gauchissement de la partie de trombone près de son départ. Le compositeur a essayé d'éviter une forme plus régulière en faveur d'un mélange de styles, de la même façon qu'un DJ serait mélanger des enregistrements de différents styles pour créer le son et l'atmosphère, ils étaient look.../ Répertoire / Brass Band

Par DOBSON SIMON. Commandé pour comme l'éprouvette set pour la Section B du championnat 2007 EuAvailableean Brass Band, ce travail s'inspire de nombreuses formes de musique, mais surtout de Drum ' ne Bass - bien qu'il ne cite pas directement ou ne sonore comme ce médium lui-même. J'ai été récemment présenté à ce milieu grâce à des amis du compositeur, qui étaient des DJs et découvert que cette forme d'art est complexe, passionné (dans ses formes les plus souterrains ou none-mainstream) et intimement composée comme toute autre forme de musique. Les travaux commencent avec le tourner sur une platine comme peut être entendu dans le gauchissement de la partie de trombone près de son départ. Le compositeur a tenté d'éviter une forme plus régulière en faveur d'un mélange de styles, de la même façon que DJ serait mélanger des enregistrements de différents styles pour créer le son et l'atmosphère qu'ils recherchaient nad également essayé de reproduire certaines des techniques utilisées par un spécialiste de la table tournante comme à s'effacer un style, pouls ou brai dans la prochaine comme oppos.../ Répertoire / Brass Band

Words based on 1 Corinthians 13Here is the international sensation that has become a standard in Korea and throughout Europe. James Stevens and Joseph Martin's confident affirmation of love has become an evergreen forAsian weddings and now it is available to choirs everywhere. Beautifully delivering the words of Paul this piece will soon be a standard for your group as well. The absolutely stunning melody is orchestrated by Brant Adams and isavailable in two versions on the accompaniment track to capture the exact vernacular of your worship style.

Original Version. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions. ‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Orchestre

Easy music for string groups. Playstrings provides an enjoyable and varied repertoire for young string orchestras carefully structured in two levels. The ‘Easy’ level does not normally exceed Grade 2 in difficulty with most partsplayable in first position while the ‘Moderately Easy’ level includes some parts of around Grade 3 standard. At easy level alternative parts are provided so that the absence of viola or a double bass does not prevent the piecefrom being performed. Available in score or sets of instrumental parts. There are over 30 titles covering a wide range of styles including classical pieces folk tunes and Christmas collections. Playstrings is an idealintroduction to orchestral playing for young string players.Available here is the Full Score of Light Music as arranged by Barrie Carson Turner for String Orchestra. Parts available on CH55818

Easy music for string groups. Playstrings provides an enjoyable and varied repertoire for young string orchestras carefully structured in two levels. The ‘Easy’ level does not normally exceed Grade 2 in difficulty with most partsplayable in first position while the ‘Moderately Easy’ level includes some parts of around Grade 3 standard. At easy level alternative parts are provided so that the absence of viola or a double bass does not prevent the piecefrom being performed. Available in score or sets of instrumental parts. There are over 30 titles covering a wide range of styles including classical pieces folk tunes and Christmas collections. Playstrings is an idealintroduction to orchestral playing for young string players.Available here is the Full Score for Sounds from Scotland for String Orchestra. Parts are available on CH55724

Orchestral version of 1785. Par HAYDN FRANZ JOSEF. The Seven Last Words Of Our Saviour On The Cross Hob. XX:1A - Orchestral version of 1785. Urtext from Joseph Haydn Werke, G. Henle Verlag Munich. Study score format 22. 5 x 16. 5 cm. The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study Scores, format 16. 5 x 22. 5cm, are ideal for musical analysis, rehearsal purposes and even conducting. The Study Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores atextremely affordable prices! The Vocal version is published as BA4655. Vocal score (BA4655-90) available for sale; full score & performance material available for hire./ Répertoire / Partition de Poche

Organ. Par CURNOW JAMES. Due to careful cueing and skillful arranging, your band can play the Finale from the renowned “Organ Symphony” even if you don’t have a pipe organ or an organist available. The big, powerful sound of this Saint-Saens classic has been faithfully transcribed by James Curnow for your band. What a superb closer for your concert! Imagine the possibilities if you will be performing in a church or anywhere a real pipe organ is available! What an experience for your musicians!This is the ideal tool for work on balance and playing full value notes with a big, beautiful symphonic tone quality. Unlike anything else available for band today, you are sure to enjoy working with this forcefularrangement this year. Indomitable! / Niveau : 3 / Répertoire / Concert Band ou Harmonie

Five well-known Christmas carols simply arranged in Latin American style for classroom ensemble of virtually any size with the optional addition of guitar drum kit or rhythm instruments. They will sound effective simply using xylophones and glockenspiels but recorders flutes or violins may be added if available. The various possibilities are endless and the teacher should plan out each arrangement in advance with consideration of the instruments available the availability of individual players and so on. Invariably though the simplest treatment of the arrangement is the most effective.

From the Josh Groban “Noel” CD comes this tender ballad reminds us to look around at the remember there's so much to be thankful for. Fettke's pairing with “Thanks to God” creates a beautiful choralexpression for any time of thanksgiving. Available separately: SATB ChoirTrax CD. Score and parts (fl ob cl tpt 1-3 hn tbn 1-2 tbn 3/tba perc dm hp rhythm vn 1-2 va vc db) available as a CD-ROM and as a digitaldownload. Duration: ca. 5:00.

for Oboe and Orchestra. Par MOZART WOLFGANG AMADEUS. Oboe Concerto In C Major K. 314. Oboe Solo, Oboe (2), Horn (2), Violin (2), Viola, Violoncello, Double bass. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At the same time, it also serves as an aid to authentic performances. The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study Scores, format 16. 5 x 22. 5cm, are ideal for musical analysis, rehearsal purposes and even conducting. The Study Scoresare distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices!/ Répertoire / Hautbois et Orchestre

Score and Parts - Les anges dans nos campagnes-This sparkling setting is a buoyant celebration of the season. Perform it with the original French text or English and with Piano or chamber ensemble. Available for SATB and SA. Score and Parts for Flute Oboe Hammer Dulcimer Harp and Cello are available separately. Performance Time: Approx. 4:30.

Score-Full Score. Transcribed for Concert Band by Frank M. Hudson. Other scores available: Orchestra (50339360) and Original Ballet Version - Chamber Ensemble (50481467). Performance Materials available on rental. Duration ca. 13minutes.

For use during an Olympic year or anytime during the academic year when inspiration is needed Mark Hayes' and Pamela Martin's fresh voicings of this bugler's theme known around the world is stunning. It has original lyrics set toan outstanding choral arrangement of the familiar tune and is available in a variety of voicings that are sure to accomodate your ensemble. A full orchestration and a StudioTrax CD are available for your library! Availableseparately: SATB SSAB 2-part (opt. SSA) StudioTrax CD Orchestration.

Orchestration-Here is one of the most recorded octavos of all time. This beloved standard is now available with a brilliant orchestration by Brant Adams. Every choir needs to rediscover the timeless beauty of a modern carol that has become partof the Christmas vocabulary of millions around the world. A true classic brought to you by Shawnee Press! Available separately: SATB (opt. snare drums and finger cymbals); SSA (opt. snare drums and finger cymbals); TTBB (opt.snare drums and finger cymbals); SAB (opt. snare drums and finger cymbals); SA (opt. snare drums and finger cymbals); Brass and Timpani parts; Orchestration Score and Parts; StudioTrax CD.