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Piano seul [ 116914 ]
Chorale SATB [ 94846 ]
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Piano, Voix [ 35301 ]
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Chorale [ 12896 ]
Quatuor à cordes: 2 violons, alto, violoncelle [ 12470 ]
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Fanfare [ 9917 ]
Ensemble de cuivres [ 8298 ]
CD Chorale [ 7664 ]
Clarinette [ 7471 ]
Chorale TTBB [ 7172 ]
1 Piano, 4 mains [ 6734 ]
Trompette [ 5636 ]
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Accordéon [ 4729 ]
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Trompette, Piano [ 4326 ]
Ensemble à vent [ 3685 ]
Trombone [ 3285 ]
Piano Facile [ 3091 ]
Saxophone [ 2875 ]
2 Pianos, 4 mains [ 2829 ]
Harpe [ 2705 ]
Saxophone Alto [ 2663 ]
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba [ 2605 ]
Quatuor de Saxophones: 4 saxophones [ 2416 ]
Flûte à Bec [ 2383 ]
Hautbois [ 2212 ]
Partie séparée [ 2129 ]
Opéra [ 1732 ]
Piano Trio: piano, violon, violoncelle [ 1607 ]
Piano et Orchestre [ 1458 ]
4 Guitares (Quatuor) [ 1433 ]
Clavier [ 1414 ]
Big band [ 1383 ]
Conducteur de poche, d'étude [ 1370 ]
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Voix d'Enfants [ 1199 ]
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Mandoline [ 929 ]
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Tous Les Instruments [ 629 ]
Orchestre Symphonique [ 617 ]
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Voix Baryton, Piano [ 568 ]
CD [ 513 ]
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Instrumentation Flexible [ 352 ]
Clarinette Basse [ 288 ]
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Piano Quatuor: piano, violon, alto, violoncelle [ 247 ]
2 Violons et Basse continue [ 244 ]
Harpe, Flûte (duo) [ 240 ]
Chorale, Orchestre [ 230 ]
Voix et Orchestre [ 229 ]
Orgue et Orchestre [ 227 ]
2 Violons, Piano [ 224 ]
Ensemble de Cors [ 223 ]
Voix Mezzo-Soprano [ 220 ]
Instruments en Sib [ 216 ]
Alto et orchestre [ 215 ]
Flûte, Clarinette (duo) [ 208 ]
Trio à cordes [ 195 ]
Cor, Orchestre [ 193 ]
Ensemble de Trompettes [ 190 ]
Clarinette, Orchestre [ 183 ]
Piano Quintette: piano, 2 violons, alto, violoncelle [ 179 ]
Violoncelle , Guitare (duo) [ 177 ]
Trio à cordes: 3 violins [ 174 ]
Quatuor de cuivres: 4 trompettes [ 171 ]
Instruments en Mib [ 162 ]
Guitare, Orchestre [ 161 ]
Trio à Cordes: 2 violons, violoncelle [ 155 ]
Instruments Sib, Mib et Do [ 146 ]
Saxophone Baryton [ 137 ]
Quatuor de cuivres: 2 trompettes, 2 trombones [ 132 ]
Trompette, Orchestre [ 128 ]
Hautbois et Orchestre [ 127 ]
Trio de Cuivres [ 123 ]
Clarinette, Violoncelle, Piano (trio) [ 120 ]
Quatuor de Cuivres: 2 trompettes, Cor, trombone [ 119 ]
Orchestre à Plectres [ 117 ]
Batterie-Fanfare [ 114 ]
Mariachi [ 107 ]
Quintette à cordes: 2 violons, 2 altos, violoncelle [ 98 ]
Partitions De Groupes [ 95 ]
Basson, Orchestre [ 90 ]
Hautbois, Violin, Alto et Violoncelle (Quatuor) [ 89 ]
Accordéon et Orchestre [ 86 ]
Quatuor à cordes: 4 violons [ 84 ]
Trompette, Trombone (duo) [ 81 ]
Hautbois, Clarinette, Basson (trio d'anches) [ 76 ]
Quatuor de Flûtes : Flûte, Violon, Alto, Violoncelle [ 74 ]
Clarinette et Cordes [ 71 ]
Flûte, Clarinette et Basson [ 69 ]
Piano Quintette: piano, violon, alto, violoncelle, contre ba… [ 68 ]
4 Percussions [ 66 ]
Quatuor à cordes : 4 altos [ 63 ]
Quintette à cordes : 2 violons, alto et 2 violoncelles [ 61 ]
Quintette à cordes: 2 violons, alto, violoncelle, basse [ 57 ]
Clarinette, Violon, Violoncelle, Piano [ 54 ]
Ensemble de Violons [ 52 ]
Quatuor à Vent : 4 instruments à vents [ 50 ]
Trombone et orchestre [ 47 ]
3 Percussions [ 46 ]
Contrebasse, Orchestre [ 45 ]
Harpe, Orchestre [ 42 ]
Soli et Orchestre [ 42 ]
2 Hautbois et Cor anglais [ 40 ]
Flûte, Violon, Piano [ 40 ]
Piano, Violon, Bandoneon, Guitare, Contrebasse [ 38 ]
Violon, Cor et Piano [ 37 ]
Saxophone et Orchestre [ 36 ]
Ensemble d'Altos [ 35 ]
Cor et Orgue [ 33 ]
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones [ 31 ]
Flûte, alto et harpe [ 30 ]
Quintette de Cuivres: autres combinaisons [ 29 ]
Tuba et Orchestre [ 28 ]
Flûte, Alto et Guitare [ 27 ]
Jazz combo [ 27 ]
Quatuor Instruments Mixtes [ 27 ]
2 Flûtes, Basse continue [ 27 ]
Ensemble de cuivres, Percussion [ 25 ]
Flûte et Trio à cordes [ 24 ]
Hautbois, Basson et Piano [ 24 ]
Voix d'Enfants, Instruments [ 24 ]
Flûte, Hautbois, Piano (trio) [ 23 ]
Trio à Vent: 3 instruments à vents [ 22 ]
Voix et Big Band [ 21 ]
2 Hautbois, 2 Clarinettes, 2 Cors et 2 Bassons [ 20 ]
Flûte, Alto (duo) [ 20 ]
Violon, Alto et Orchestre [ 20 ]
Hautbois, Violoncelle et Piano [ 19 ]
Voix Mezzo-Soprano, Orchestre [ 18 ]
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contreba… [ 18 ]
Clarinette, trompette et piano [ 16 ]
Ensemble de cuivres, Orgue [ 16 ]
Piano Quatuor: piano, 2 violons, violoncelle [ 15 ]
Quatuor de percussions [ 15 ]
Trompette et Quatuor à Cordes [ 15 ]
Marimba et ensemble à vent [ 15 ]
Alto, Violoncelle et Contrebasse [ 14 ]
Guitare, Violon, Alto, Violoncelle [ 14 ]
Trompette, Cor et Piano [ 14 ]
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib [ 14 ]
Orchestre d'harmonie, Percussion [ 13 ]
2 Hautbois et Basson [ 12 ]
Clarinette, Alto et Violoncelle [ 12 ]
Orchestre à Cordes, Percussion [ 12 ]
Guitare, Violon, Alto [ 11 ]
3 Violes de Gambe [ 9 ]
Flûte, Violon, Violoncelle et Piano [ 9 ]
Marimba et Orchestre [ 9 ]
2 Guitares et Orchestre [ 7 ]
Quintet (other) [ 7 ]
Cornet et orchestre [ 6 ]
Guitare et Quintette à Cordes [ 6 ]
Violon, Violoncelle et Contrebasse [ 6 ]
Violon, Clarinette et Guitare [ 5 ]
Quintette : Hautbois, Clarinette, Cor, Basson et Piano [ 5 ]
Sextette: Quatuor à cordes, Clarinette, Piano [ 5 ]
Clarinette, Cor et Basson [ 4 ]
Cor et Harpe [ 4 ]
Harpe, Quatuor à cordes [ 4 ]
Orgue et Ensemble de cuivres [ 4 ]
Piano Quintette: Instruments de chambre mixtes [ 4 ]
Alto, Tuba et Piano [ 3 ]
Clarinette, Basson et Cor [ 3 ]
Guitare, Violon, Piano [ 3 ]
Hautbois, Basson et Basse continue [ 3 ]
Hautbois, Clarinette, Basson et Piano [ 3 ]
Saxophone, Bandoneon, Contrebasse, Piano [ 3 ]
Violon, Basson et Basse continue [ 3 ]
Voix, Quatuor à cordes, Piano [ 3 ]
2 Guitares, ensemble de cordes [ 3 ]
Contrebasse et Quatuor à cordes [ 2 ]
Guitare, Bandoneon, Cordes [ 2 ]
Quintette à cordes : Violon, 2 altos, 2 violoncellee [ 2 ]
2 Clarinettes, 2 Violons, Violoncelle, contrebasse et batter… [ 2 ]
Basson, Violoncelle et Piano [ 1 ]
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Harpe, Violoncelle (duo) (38)
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Flûte traversière (32)
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Piano Quatuor: piano, 2 violons, violoncelle (30)
Chorale 2 parties (30)
Violoncelle, Basse continue (29)
Hautbois, Violin, Alto et Violoncelle (Quatuor) (28)
2 Violons (duo) (25)
Piano Trio: piano, violin, cello (24)
Clarinette (22)
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Ensemble d'École (19)
Conducteur (18)
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Violoncelle, Cordes et Basse Continue (17)
Musique De Chambre (17)
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Cor (16)
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Accompagnement Piano (15)
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Violon, Violoncelle, Clarinette (14)
Accessoire (14)
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Piano, Violon Et Violoncelle (13)
Opéra (13)
2 Violons, Alto, Violoncelle et Contrebasse (13)
Quatuor (12)
Violon, 2 Altos et Violoncelle (12)
Basson, Piano (duo) (12)
Chorale SSAA (12)
Flûte à bec Alto, Basse continue (12)
ENS::Ensemble d'cole (11)
Piano Facile (11)
SATBasse (2 Grands Choeurs Mixtes à 4 Voix Ad Lib… (11)
Tous Les Instruments (11)
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Petit Ensemble Contemporain (10)
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ENS::Ensemble (10)
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2 Violons, 2 Altos Et 2 Violoncelles (9)
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2 Altos (duo) (8)
Saxophone Alto (8)
Violon, Alto, Violoncelle et Contrebasse (8)
Quintette de Clarinette: Clarinette, Quatuor à Co… (8)
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Instrumentation Flexible (8)
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Clavecin, Flûte Traversière, 2 Clarinettes (B), … (7)
2 Flûtes à Bec Alto, Violoncelle et Basse Contin… (7)
2 Flûtes à Bec Alto ou Flûtes Traversières et … (7)
Flûte, Cor (Violoncelle) et Piano (7)
CD (7)
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1 Piano, 4 mains (7)
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Voix d'Enfants, Instruments (6)
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Flûte à Bec (6)
Violoncelle et Marimba (6)
VLC/GTR/VLN::Cello, Guitar, Violin (6)
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Ensemble De Flûte à bec (6)
2 Trompettes, Cordes Et Basse Continue (6)
VLC/FLT/VLN::Cello, Flute, Violin (6)
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Basse electrique (6)
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VLN/VLC/CONT::Violin, Cello, Continuo (5)
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Flûte à bec, Violon, Basse continue (4)
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Basson, Violoncelle et Piano ou 2 Violoncelles et (4)
VLN/VLA/VLC/GTR::Violin, Viola, Cello, Guitar (4)
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Vibraphone et 2 Violoncelles (4)
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Ensemble Jazz (4)
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Clarinette en Sib, Guitare Electrique et Violoncel (4)
Clarinette et 4 Violoncelles (4)
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VLN/VLA/VLC::Violin, Viola, Cello (4)
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2 Violons, 2 Violoncelles et Basse Continue (4)
Guitare, Flûte Traversière et Quatuor à Cordes (4)
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Saxophone (4)
Trompette, Piano (4)
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2 Violons, Alto, Violoncelle ou Contrebasse et Bas (4)
Flûte à Bec Alto ou Flûte Traversière), Basson… (4)
Trompette et Cordes (4)
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2 Violons Hautbois et Orchestre (4)
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Trio de Cordes (4)
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Voix, Violoncelle et Piano (4)
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VLN/VLC::Violon/Violoncelle (4)
Voix seule (4)
VLC/STR ORCH::Violoncelle/Orchestre De Cordes (4)
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Fanfare (3)
1 ou 2 Violoncelles et Piano (3)
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2 Violons, Violoncelle et Basse Continue (3)
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Saxophone Baryton (3)
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Tuba en Do Basse Continue, Tuba en Sib Clé de Sol… (3)
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Flûte, Hautbois, Clarinette, Basson, Cor, Violon,… (3)
2 Trompettes, 2 Violons Et Basse Continue (3)
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4 Violoncelle, Orateur (3)
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Banjo (3)
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VLN/CHAM::Violon, Musique De Chambre (3)
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Trompette Ou Cornet (3)
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Orchestre à Cordes et Clavecin (2)
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Flûte, Violon et Violoncelle (2)
VLC/GTR/VLA/VLN::Cello, Guitar, Viola, Violin (2)
Hautbois, Guitare (duo) (2)
CLT/HN/VLN/VLC/PFC::Clarinette/Cor/Violon/Violonce… (2)
3 Violons, Instruments à Cordes et Basse Continue (2)
Violoncelle ou 2 Violoncelles et Piano (2)
Trompette et Quatuor à Cordes (2)
Choeur d'Enfants et Petit Orchestre/Chant et Piano (2)
Piano 4 Mains Et Flûte (Ou Hautbois Et Clarinette… (2)
FLT/VLG/VLC/CONT::Flute, Viola Da Gamba (Cello), C… (2)
Voix (avec Boîtes d'Accords) (2)
Clarinette, Basson, Trompette, Violon, Violoncell… (2)
Clarinette en Sib et Basson ou Violoncelle (2)
2 Ou 4 Voix Mixtes Et Piano (Ou Orgue) (2)
VLN/VLC/PF DUET::Violon, Violoncelle, Piano Duo (2)
2 Flûtes traversières (duo) (2)
Cor En Fa Ou Mi Ou Violoncelle Et Piano (2)
Alto et orchestre (2)
Flûte traversière, Basse continue (2)
Cor Anglais (2)
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Voix Et Violoncelle (2)
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Flûte à bec Soprano (2)
VCE/VLN/VLC/DB::Voice, Violin, Cello, Double Bass (2)
4 Voix de Femmes (SSSA) et Ensemble (2)
Partition D'etude (2)
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Piano solo, Flûte Traversière Clarinette en Sib,… (2)
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Voix Tenor, Piano (2)
Piano 4 Mains (Transcri Partition Orchestre) (2)
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Formation musicale - Solfège (2)
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Ensemble Divers (2)
Flûte à Bec Alto ou Flûte Traversière et Clavi… (2)
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Flûte Traversière et Autres Instruments (2)
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Orchestre d'harmonie, Chorale-Voix (2)
VLN/VLC/HARP::Violin, Cello, Harp (2)
CLT/TBN/VLC/PF::Clarinette, Trombone, Violoncelle,… (2)
CLT/VLN/VLC/PERC/ELEC::Clarinette, Violon, Violonc… (2)
Voix Tenor (2)
Soprano, Choeur Mixte (SATB), Orchestre Et Orgue (2)
Flûte traversière, Orchestre (2)
Cor Anglais Ou Alto Et Violoncelle (2)
FLT/VLN/VLA/VLC/PFC::Fl–te TraversiŠre, Violon,… (2)
Clarinette Basse, Piano (2)
8 [4] Violoncelles (2)
Voix et Instruments (2)
FLT/OB/CLT/VLC::Flûte/Oboe/Clarinette/Violoncelle (2)
Piano Reduction - Cello and Piano (2)
Violoncelle Et Orchestre (Ou Ensemble) (2)
Violon, Instruments à Cordes et Basse Continue (2)
3 Violoncelles et Piano ad lib (2)
FLT(5)/VLC::Flute (Quintet), Cello (2)
Cloches (2)
ALTO/CLT/VLN/VLC::Alto/Clarinette/Violon/Violoncel… (2)
Hautbois ou Violon Solo et Violoncelle ou Basson S (2)
Quatuor de Flûtes : 4 flûtes (2)
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M/DESC REC/BOUZ/ACDN/VLC::Mezzo-Soprano, Soprano (… (2)
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VLC/PF::Cello, Piano (2)
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CLT/BSN/HN/VLC/DB::Clarinet, Bassoon, French Horn,… (2)
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Flûte, Violon, Violoncelle et Piano (2)
CLT/TPT/VLN/VLC/PFA/PERC::Clarinette/Trompette/Vio… (2)
SOP/CLT/VLA/VLC/DB::Soprano, Clarinette, Viola, Vi… (2)
Ensemble (3 ou plus instruments) (2)
VLN/VLN/VLC::Violon/Violon/Violoncelle (2)
Violon, Clarinette, Piano (trio) (2)
2 Et 3 Violoncelles (2)
CLT/BASS CLT/PERC/VLN/VLC::Clarinet/Bass Clarinet/… (2)
Flûte, Guitare, Violoncelle, Alto (2)
Flute and Cello (2)
Quatuor de Clarinettes: 4 clarinettes (2)
VLN/VLC/PFC::Violin, Cello, Piano Chamber (2)
Mandoline (2)
Basson ou Violoncelle et Basse Continue (2)
Travaux Pour Choeurs (2)
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Flute à Bec (2)
Violoncelle et Clavier (2)
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FLT/TBN(VLC)/PFA/PERC::Flûte/Trombone/Accompagnem… (2)
Euphonium (2)
Violoncelle et Basse (2)
ENS::Ensemble d'École (1)
Piano, Violoncelle Et Flûte (1)
2 Violoncelles et Percussions (1)
SOP/ENS::Soprano, Ensemble (1)
2 Pianos, 4 mains (1)
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Bassoon / Cello (1)
5TET/STR ENS::Quintet, String Ensemble (1)
PF/VLN/VLA/VLC/DB/GTR::Piano, Violon, Viola, Violo… (1)
FLT/VLN/HARP/VLA/VLC/DB::Fl?te Traversi?re, Violon… (1)
Violoncelle, Basse et Accompagnement Piano (1)
VLC/ORC::Violoncelle (1)
VIOLIN DUET, VIOLIN & VIOLA, MIXED STRING TRIO (1)
Flûte à bec Soprano, Basse continue (1)
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Ensemble de Percussions (1)
TEN/FLT/VLN/VLC::Tenor, Fl–te TraversiŠre, Viol… (1)
Choeur Mixte (SSATB) et Instruments Ad Libitum (1)
Mélodie/Vocal/Piano (MVP) (1)
For two Soprano, Tenor and Baritone with Piano red… (1)
DB/VLC::Contrebasse/Violoncelle (1)
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Baryton, 2 Violons, Violoncelle Et Piano (1)
FL/VLC::Violoncelle (1)
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Basse Violoncelle et Contrebasse (1)
HIGH VCE/VLN/VLC/PFA::Voix Haute/Violon/Violoncell… (1)
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VLC/PFA(HARP)::Violoncelle/Accompagnement Piano (1)
Hautbois, Basse continue (1)
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Solistes (STB), Choeur Mixte (SSATB) et Orchestre (1)
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Violon Solo (1)
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OB/VLN/VLC/VLA::Oboe/Violon/Violoncelle/Viola (1)
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2 Voix Elevées Et Violoncelle (1)
Alto, Violon 3 et Ensemble (1)
CD Chorale (1)
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Clavier (1)
11 Instruments (1)
VLN/VLA/VLC/FLT/HARP::Violon/Viola/Violoncelle/Fl… (1)
Cor, Violoncelle et Piano (1)
SOP/CLT/VLC::Soprano/Clarinette/Violoncelle (1)
CLT/TBN/VLC/PFA::Clarinette/Trombone/Violoncelle/A… (1)
VLC/ORCH::Cello, Orchestra (1)
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Arts de la table (1)
Bouzouki (1)
VLC/VLN/PFC::Violoncelle/Violon/Piano De Chambre (1)
AFLT/CLT/BASS CLT/PFC/PERC/VLN/VLC::Fl?te Alto, Cl… (1)
SOP/BAR/VLC::Soprano/Baryton/Violoncelle (1)
CTEN/FLT/SHA/AFLT/VLC/PFC(2)/HARP/PERC::Contreteno… (1)
CLT/HN/PFC/VLN/VLA/VLC::Clarinette, Cor, Piano De … (1)
3 Cors (trio) (1)
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Flöte, Oboe d'amore und Basso continuo (1)
Saxophone Soprano et Piano (1)
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CLT/VLA/VLC/PF::Clarinette, Viola, Violoncelle, Pi… (1)
Flûte/Clarinette/Violon/Viola/Accompagnement Pian… (1)
Choeur SATB et Ensemble Divers/Partie Violoncelle (1)
SOP/FLT/VLC/PFA/CELE/PERC::Soprano/Flûte/Violonce… (1)
Violoncelle et 2 Violons Ad Libitum (1)
Voix D'Homme Et Ensemble (1)
STR INST/VLN/VLA/VLC::String Instruments/Violin/Vi… (1)
AFLT/VIB/VLC::Fl?te Alto, Vibraphone, Violoncelle (1)
VLN/VLC/ELEC::Violon, Violoncelle, Ã?lectroniques (1)
4 Saxophones Identiques (1)
Clarinette, Violon Et Violoncelle (1)
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Harpe ou Piano et Instrument à Cordes (1)
2 Flûtes, Basse continue (1)
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SOP/CTEN/STR QUINTET::Soprano, Countertenor, Strin… (1)
Chamber Ensemble (1)
Clarinette Cor Basson 2 Violons Alto Violoncelle C (1)
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Soprano, Hautbois, Alto Et Violoncelle (1)
4 Parties Mixtes Et Orchestre (1)
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3 Pianos (1)
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Concerto for Cello and Orchestra (Concertstück)
68.50
Concerto for Cello and Orchestra (Concertstück)
Violoncelle, Orchestre
[Partition]
Peters
Original Version. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered ...
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Original Version. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions. ‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Orchestre
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Antonín Dvo?ák: Cello Concerto In B Minor Op.104 (Critical Report): Cello: Score
33.50
Antonín Dvo?ák: Cello Concerto In B Minor Op.104 (Critical Report): Cello: Score
Violoncelle, Orchestre
Barenreiter
Like every other great 19th-century solo concerto Dvorák?s famous Cello Concer...
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Like every other great 19th-century solo concerto Dvorák?s famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák?s autograph score were actually written by the cellist Hanu? Wihan; but Bärenreiter?s edition now reveals that some details in the Orchestral parts are also in his writing showing just how closely the two musicians were working together.The editor Jonathan Del Mar has painstakingly examined all the surviving sources including two that have hitherto been either ignored or crucially undervalued in order to produce anauthoritative edition which restores for the first time since the original edition was published in 1896 - Dvorák?s final and definitive version of the solo Cello part. This differs in details in almost every bar from the version found in all other modern editions while hundreds of corrections have also been made to the Orchestral parts.- With Dvorák?s final and definitive version of the solo Cello part.- With hundreds of corrections in the solo Cello part as well as the Orchestral parts.- With hitherto unknown details regarding the collaboration between Dvorák and Wihan.- With Dvorák?s original Piano reduction.- With Feuermann's and Casals' alternatives to a passage in the first movement.- Full score performance material (BA9045) Cello & Piano (BA9045-90) & Facsimile (BVK1849) available for sale.
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Concerto No. 2: Cello: Study Score
Violoncelle, Orchestre
Schott
Per Violoncello e Orchestra-The Cello Concerto No. 2 is Nino Rota's third contri...
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Per Violoncello e Orchestra-The Cello Concerto No. 2 is Nino Rota's third contribution to the genre but he does not include the early Cello Concerto dating back to 1925 in his own list of works: this composition only received its very much delayed first performance in Milan in November 2010. The much later Cello Concerto No. 2 was created around the same time as Rota???s work on the soundtrack for The Godfather II for which the composer received an Oscar in 1975. Although there are no direct quotations from the film-track in this concerto the section in 6/8-time displays a slight hint of the well-known Sicilian Pastorale.
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Edward Elgar: Concerto: Cello: Instrumental Work
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Edward Elgar: Concerto: Cello: Instrumental Work
Violoncelle, Orchestre
Barenreiter
e minor-Edward Elgar's concerto for violoncello his last major work is a clean...
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e minor-Edward Elgar's concerto for violoncello his last major work is a cleanly structured and emotionally charged composition. It is no wonder that this work is of central importance in the cello literature. Jonathan Del Mar's editorial skills show themselves in the exacting placement of dynamics articulation and expression markings.The edition restores all Elgar's solo cello fingerings and bowings and offers a facsimile of the original solo cello part in the critical commentary. Jonathan Del Mar also documents the performing tradition of the work and its recording under Elgar's baton. This is the last word on this famous work a reference edition for everycellist!First ever critical editionAll existing sources consultedFirst ever critical commentary'I highly recommended this purchase even if you own a well-worn copy of another edition.'(American String Teacher vol. 56 No. 3 August 2006)'Ownership of this fine masterly authoritative and elegantly printed edition coupled with the fascinating Critical Commentary must be obligatory for all cellists!'(ESTA News and Views Autumn 2006)
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Philip Glass: Concerto For Cello And Orchestra: Cello: Score
69.99
Philip Glass: Concerto For Cello And Orchestra: Cello: Score
Violoncelle, Orchestre
[Partition]
-
Intermédiaire/avancé
Dunvagen Music Publishers
Remarkably for a work by Philip Glass the Cello Concerto No 1 or Concerto For ...
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Remarkably for a work by Philip Glass the Cello Concerto No 1 or Concerto For Cello And Orchestra conforms broadly to the three-movement form of classic concerti with fast-slow-fast tempi.This concerto is designated as part ofThe Concerto Project recording series started by Glass in the year 2000 currently in four volumes and including eight concerti.American composer Philip Glass is widely known as one of the most celebrated influential and prolificof the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music with repetitive structures.’ His operas among them the renowned Einstein On The Beach are performedacross the globe and he has created work for small and large ensembles film and experimental theatre and founded his own performing group The Philip Glass Ensemble.
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Cello Concerto (BRYARS GAVIN)
38.80
Cello Concerto (BRYARS GAVIN)
Violoncelle, Orchestre
[Conducteur d'étude / Miniature]
Schott
Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower ...
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Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower string instruments: I am a bass player, my mother is a cellist, as are both my daughters; my own ensemble includes two violas, a cello and a bass, and for the instrumentation of my opera Medea I omit the entire violin section from the orchestra. As I have written a number of works for solo instrument or voice with orchestra I welcomed the opportunity to write a concerto for cello and orchestra and especially one which focuses particularly on the instrument’s lyrical qualities. Although the piece is in one continuous movement, and the soloist is playing almost without a break, it nevertheless falls into distinct sections which are recognisable by a shift of tempo as well as by a change in the music’s character. One of the early ideas Julian Lloyd Webber and I discussed was that it might form a companion piece to one of the Haydn concertos. Given my friendship with some members of the English Chamber Orchestra and my awareness of their repertoire, this suggested a number of particular musical references. The subtitle to the work, for example, combines the subtitles of two idiosyncratic Haydn symphonies and I allude to them in different ways but chiefly through orchestration: for The Philosopher by including a section in the concerto where the orchestration resembles that of the symphony’s first movement (pairs of English and French horns, muted violins and unmuted lower strings); for The Farewell, by the progressive reduction in the orchestration towards the end. Indeed, apart from the orchestral tutti in the last few bars, the last pages of the score are virtually for string quartet. The subtitle also refers to my own background as a philosophy graduate... The piece was commissioned by Philips Classics for Julian Lloyd Webber and is dedicated to him. The first performance was given by Julian Lloyd Webber and the English Chamber Orchestra conducted by James Judd, 21 November 1995, Barbican Hall, London. Gavin Bryars/ Répertoire / Violoncelle et Orchestre
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Per Nørgård: Between - Cello Concerto No. 1: Cello: Score
Violoncelle, Orchestre
[Partition]
-
Intermédiaire/avancé
Wilhelm Hansen
Between - Cello Concerto No. 1 - 3 movements for Violoncello and Orchestra comp...
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Between - Cello Concerto No. 1 - 3 movements for Violoncello and Orchestra composed by Per Nørgård in 1984-85. Premiered by Frances-Marie Uitti and the Danish Radio Symphony Orchestra conducted by Michael Schönwandt August 30th 1985. Programme note: 1. In Between 2. Turning point 3. Among The title of each movement suggests one aspect of the relationship between soloist and orchestra. In the first movement the solist is caught up in a conflict between the expression of inner feelings (solo) and influences from external sources (orchestra) the latter of which the soloist in a simple accompanyingrole but after a turning point in the middle of the movement the soloist assumes a dominating role. In the final movement a balance is finally achieved with the soloist at last being on equal terms with the orchestra. Per Nørgård
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Thomas Agerfeldt Olesen: Cello Concerto: Cello: Score
Violoncelle, Orchestre
[Partition]
Wilhelm Hansen
Cello Concerto was composed by Thomas Agerfeldt Olesen in 2015 (rev. 2017) - 'To...
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Cello Concerto was composed by Thomas Agerfeldt Olesen in 2015 (rev. 2017) - 'To the memory of my mother'. Written to Nicolas Altstaedt on commission from Aarhus Symfoniorkester and Die Duisburger Philharmoniker with support from The Danish Arts Foundation First perfomance in Århus Sept 24 2015. Programme note: This concerto contains a lot of technical and structural stuff that I have forgotten all about now. Without it though the piece would have been a big mess of emotions since it was written while my family and I were taking care of my mother as she was terminally ill. I recognize ithaving become a kind of rondo. The music wanted a place to return to and perhaps it is due to the fact that my mother was always someone I could return to when everything else was exploding. In the end the rondo dies and the music goes somewhere else like all mothers.
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Henri Dutilleux: Henri Dutilleux: Tout Un Monde Lontain: Cello: Study Score
Violoncelle, Orchestre
Heugel
Henri Dutilleux (1916-2013) was greatly influenced by his contemporaries Ravel ...
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Henri Dutilleux (1916-2013) was greatly influenced by his contemporaries Ravel Debussy and Roussel yet implemented his own unique style. His Cello Concerto Tout Un Monde Lontain is considered to be one of the most important 20th century additions to the instrument's repertoire. This Dutilleux Concerto comprises five movements which run seamlessly in to one-another each inspired by the poetry of Charles Baudelaire. The movements are: 1) Énigme (Enigma) 2) Regard (Gaze) 3) Houles (Surges) 4) Miroirs (Mirrors) and 5) Hymne (Hymn). Tout Un Monde Lontain was first performed in July 1970 by Russiancellist Mstislav Rostropovich with the Orchestre de Paris. Dutilleux's Tout Un Monde Lontain remains popular to this day and including the entire orchestral score this edition is essential to the advanced cellist's repertoire.
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John McCabe: Cello Concerto (Songline): Orchestra: Score
24.99
John McCabe: Cello Concerto (Songline): Orchestra: Score
Violoncelle, Orchestre
Novello & Co Ltd.
For Solo Cello And Orchestra
24.99 GBP - vendu par Musicroom GB
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Cello Dreaming (Score) (SCULTHORPE PETER)
16.30
Cello Dreaming (Score) (SCULTHORPE PETER)
Violoncelle, Orchestre
[Partition]
-
Facile
Faber Music Limited
Par SCULTHORPE PETER. Written in 1998, Peter Sculthorpe's calm work draws its in...
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Par SCULTHORPE PETER. Written in 1998, Peter Sculthorpe's calm work draws its inspiration from his own environmental concerns for Northern Australia's so-called 'Top End'. There, along the coastline, Aboriginal and Torres Strait Island cultures mingle with those of Melanesia and Indonesia. Cello Dreaming reflects this plurality. / Niveau : Assez Facile / Répertoire / Conducteur
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Cello Concerto (WALTON WILLIAM)
39.30
Cello Concerto (WALTON WILLIAM)
Violoncelle, Orchestre
[Partition]
-
Avancé
Oxford University Press
William Walton Edition. Par WALTON WILLIAM. This edition of Walton's Cello Conce...
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William Walton Edition. Par WALTON WILLIAM. This edition of Walton's Cello Concerto combines the scholarship of the Wiliam Walton Edition with the practical benefits of a study score, including an introduction by the editor. Written 1956, the work was commissioned by Gregor Piatigorsky and premiered by him the following year. Walton regarded this work as the best of his three solo concertos. / Niveau : Très Avancé / Répertoire / Violoncelle et Orchestre
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Lowell Liebermann: Concerto: Cello
30.95
Lowell Liebermann: Concerto: Cello
Violoncelle, Orchestre
Theodore Presser Co.
for Cello and Orchestra
30.95 GBP - vendu par Musicroom GB
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Cheryl Frances-Hoad: Katharsis: Cello: Study Score
Violoncelle, Orchestre
[Partition]
Cadenza Music
Cheryl Frances-Hoad's Katharsis for Cello and Chamber Orchestra.Duration: 25 min...
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Cheryl Frances-Hoad's Katharsis for Cello and Chamber Orchestra.Duration: 25 minutes
24.99 GBP - vendu par Musicroom GB
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Concerto For Cello (VINE CARL)
43.40
Concerto For Cello (VINE CARL)
Violoncelle, Orchestre
[Partition]
Faber Music Limited
Par VINE CARL. Composed for Steven Isserlis in 2004, Carl Vine's Cello Concerto ...
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Par VINE CARL. Composed for Steven Isserlis in 2004, Carl Vine's Cello Concerto is an exhilarating 20-minute work that traverses a vast emotional palette. The Concerto begins arrestingly, with soloist pitted against orchestra, though as it develops the two factions move towards union. A slow chorale led by the cellist frames the central section, whilst relentless motor rhythms drive the work to its close./ Répertoire / Violoncelle et Orchestre
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Datura op. 57 (YE XIAOGANG)
41.20
Datura op. 57 (YE XIAOGANG)
Flute, Violin, Cello and Piano
[Conducteur et Parties séparées]
Schott
Par YE XIAOGANG. 'Datura was commissioned by Accessible Contemporary Music and w...
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Par YE XIAOGANG. 'Datura was commissioned by Accessible Contemporary Music and was written in a unique way. I composed the piece in installments over the summer of 2006 and emailed them to Seth Boustead who forwarded them on to the ensemble. In this unique way of working I was able to have time between each installment to think about what would come next and to get feedback from the performers about the music. This is a very new and different way for a composer to work. Usually I write the piece in solitude and then hand it to the performers but writing in installments allows more communications between the performers and the composer and allows the audience to hear the piece as its created. Datura is another series of pieces composer written about Asian plants and flowers. Datura is a very common houseplant in south China and very beautiful but it can also be used as a hallucinogen, usually with unpleasant results. In this piece the composer juxtaposed the other beauty of the plant with the intense inner would it can create by using alternately tranquil and intense musical passages.' (Xiaogang Ye)/ Répertoire / Flute, Violin, Cello and Piano
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Christmas Cello-Bration (S/O)
71.40
Christmas Cello-Bration (S/O)
Orchestre à Cordes
Alfred Publishing
Showcase your cellos! This piece, arranged by Bob Phillips, will make them sound...
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Showcase your cellos! This piece, arranged by Bob Phillips, will make them sound great! Featuring 'What Child Is This',' 'Oh Come, Oh Come Emmanuel,' and 'Angels We Have Heard on High.' A perfect training exercise for third and fourth positions for the cellos, this lovely medley also includes a bit of easy third position for the first violins. The melody for the cellos is mostly on the A-string. (3:20) / Orchestre A Cordes
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Trio (MARTINU BOHUSLAV)
63.50
Trio (MARTINU BOHUSLAV)
Trio à Cordes: violon, alto, violoncelle
Heugel
Par MARTINU BOHUSLAV. Bohuslav Martin (1890-1959) was a prolific Czech composer,...
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Par MARTINU BOHUSLAV. Bohuslav Martin (1890-1959) was a prolific Czech composer, writing many large scale works. The composer moved to Paris in 1923 where he began experimenting in a variety of composition styles. His String Trio was published in 1951. Martin himself was a violinist and many of his experiments in composing for solo instruments and small ensembles saw him write for his own instrument and for the familiar strings. String Trio is made up of two movements; 1) Allegro and 2) Poco moderato. With a typical performance lasting about 15 and a half minutes, the String Trio for Violin, Viola and Celloprovides advanced string players with an exciting, challenging and inspiring ensemble work, addressing a variety of musical features. Martin 's String Trio is essential to aspiring string ensembles./ Répertoire / Violon, Alto et Violoncelle
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The Road To Chancellorsville (KIDD BRYAN)
13.10
The Road To Chancellorsville (KIDD BRYAN)
Orchestre d'harmonie
[Conducteur]
-
Facile
Curnow Music
Par KIDD BRYAN. This is one to get excited about! In the style of a “patrol”...
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Par KIDD BRYAN. This is one to get excited about! In the style of a “patrol” march, THE ROAD TO CHANCELLORSVILLE takes us back to that pivotal point in history, the American Civil War. The Battle of Chancellorsville is regarded as Confederate General Robert E. Lee’s most brilliant victory, but the cost was so high that the Secessionist forces never really recovered. They were forced to surrender less than two years later. Opening with light percussion and just two piccolos (substitute two flutes if necessary) this bright and easy march builds relentlessly from beginning to end. March into history with THE ROAD TO CHANCELLORSVILLE. / Niveau : 2 / Marche / Répertoire / Concert Band ou Harmonie
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Bryan Kidd: The Road to Chancellorsville: Concert Band: Score & Parts
69.99
Bryan Kidd: The Road to Chancellorsville: Concert Band: Score & Parts
Orchestre d'harmonie
Curnow Music
This is one to get excited about! In the style of a ?patrol? march THE ROAD TO ...
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This is one to get excited about! In the style of a ?patrol? march THE ROAD TO CHANCELLORSVILLE takes us back to that pivotal point in history the American Civil War. The Battle of Chancellorsville is regarded as Confederate General Robert E. Lee?s most brilliant victory but the cost was so high that the Secessionist forces never really recovered. They were forced to surrender less than two years later.Opening with light percussion and just two piccolos (substitute two flutes if necessary) this bright and easy march builds relentlessly from beginning to end. March into history with THE ROAD TO CHANCELLORSVILLE.
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The Road To Chancellorsville (KIDD BRYAN)
67.20
The Road To Chancellorsville (KIDD BRYAN)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Facile
Curnow Music
Par KIDD BRYAN. This is one to get excited about! In the style of a “patrol”...
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Par KIDD BRYAN. This is one to get excited about! In the style of a “patrol” march, THE ROAD TO CHANCELLORSVILLE takes us back to that pivotal point in history, the American Civil War. The Battle of Chancellorsville is regarded as Confederate General Robert E. Lee’s most brilliant victory, but the cost was so high that the Secessionist forces never really recovered. They were forced to surrender less than two years later. Opening with light percussion and just two piccolos (substitute two flutes if necessary) this bright and easy march builds relentlessly from beginning to end. March into history with THE ROAD TO CHANCELLORSVILLE. / Niveau : 2 / Marche de concert / Répertoire / Concert Band
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The Road To Chancellorsville (KIDD BRYAN)
97.60
The Road To Chancellorsville (KIDD BRYAN)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Facile
Curnow Music
Par KIDD BRYAN. This is one to get excited about! In the style of a “patrol”...
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Par KIDD BRYAN. This is one to get excited about! In the style of a “patrol” march, THE ROAD TO CHANCELLORSVILLE takes us back to that pivotal point in history, the American Civil War. The Battle of Chancellorsville is regarded as Confederate General Robert E. Lee’s most brilliant victory, but the cost was so high that the Secessionist forces never really recovered. They were forced to surrender less than two years later. Opening with light percussion and just two piccolos (substitute two flutes if necessary) this bright and easy march builds relentlessly from beginning to end. March into history with THE ROAD TO CHANCELLORSVILLE. / Niveau : 2 / Marche / Répertoire / Concert Band ou Harmonie
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Laude Cortonese Vol. 3 (BRYARS GAVIN)
35.70
Laude Cortonese Vol. 3 (BRYARS GAVIN)
Voix et Instruments
[Conducteur]
Schott
for voices and instruments. Par BRYARS GAVIN. Laude were short mediaeval devotio...
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for voices and instruments. Par BRYARS GAVIN. Laude were short mediaeval devotional songs to the Virgin Mary, and Gavin Bryars has kept to the pure, lyrical style of the originals. Following the successful publication of Bryars’ first and second volume of laude, which singers around the world have added to their repertoire, this third volume for various combinations of soprano, tenor, viola, cello, double bass and bass clarinet provides new opportunities for performers and audiences to experience these devastatingly beautiful works./ Répertoire / Voix et Instruments
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Konzert Für Violoncello Und Orchester (ELGAR EDWARD)
25.20
Konzert Für Violoncello Und Orchester (ELGAR EDWARD)
Violoncelle, Orchestre
[Partition]
Barenreiter
Par ELGAR EDWARD. Edward Elgar’s concerto for violoncello, his last major work...
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Par ELGAR EDWARD. Edward Elgar’s concerto for violoncello, his last major work, is a cleanly structured and emotionally charged composition. It is no wonder that this work is of central importance in the cello literature. Jonathan Del Mar’s editorial skills show themselves in the exacting placement of dynamics, articulation and expression markings. The edition restores all Elgar’s solo cello fingerings and bowings and offers a facsimile of the original solo cello part in the critical commentary. Jonathan Del Mar also documents the performing tradition of the work and its recording under Elgar’s baton. This is the last word on this famous work, a referenceedition for every cellist! First ever critical edition All existing sources consulted First ever critical commentary Full score & parts (BA9040), cello & piano (BA9040-90) and study score format 22. 5 x 16. 5cm (TP398) available for sale/ Répertoire / Violoncelle et Orchestre
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Fanfares
27.50
Fanfares
Violoncelle, Orchestre
Barenreiter
This study score is based on the score and complete performance material of Dvor...
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This study score is based on the score and complete performance material of Dvorák's famous B minor Cello Concerto (BA 9045) edited by Jonathan Del Mar and published in 2011. In addition the study score contains a Foreword by Dvorák scholar Jan Smaczny.Like every other major 19th-century cello concerto, Dvorák's concerto resulted from a collaboration between the composer and a virtuoso musician. Several passages in Dvorák's autograph were written by the cellist Hanus Wihan but Bärenreiter's edition now reveals that some details in the orchestral parts are also in his writing, showing just how closely the two musicians were working together.The editor Jonathan Del Mar has conscientiously examined every available source, including two that have hitherto been either ignored or crucially undervalued. His research has led to a benchmark edition that reconstructs, for the first time since its initial publication in 1896, Dvorák's definitive version of the solo part. It differs from previous editions in practically every measure and hundreds of corrections have also been made to the orchestral parts. - Includes Dvorák's final and definitive version of the solo cello part - Incorporates new discoveries regarding the collaboration between Dvorák and Wihan - With Feuermann's and Casals's alternative versions of a passage in the first movement - Detailed Foreword (Eng/Cz/Ger) / Violoncelle Et Orchestre
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Peter Maxwell Davies: Economies Of Scale: Chamber Ensemble: Score
19.99
Peter Maxwell Davies: Economies Of Scale: Chamber Ensemble: Score
Clarinette/Violon/Violoncelle/Piano De Chambre
[Partition]
-
Avancé
Chester
This work for Clarinet in A Violin Cello and Piano was premiered in May 2002 i...
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This work for Clarinet in A Violin Cello and Piano was premiered in May 2002 in the Fitzwilliam Museum Cambridge. The piece has a fast rhythmic opening in which the violin and cello answer short statements by the pianowith the clarinet mediating between them. The work is decorated by rhythmic and melodic flourishes on the clarinet violin and cello and development sees the piece pick up in tempo and activity. Score edition of PeterMaxwell Davies 'Economies Of Scale'. Parts available: SOS15774
19.99 GBP - vendu par Musicroom GB
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Concert N01 (SCHNITTKE ALFRED)
66.80
Concert N01 (SCHNITTKE ALFRED)
Violoncelle, Orchestre
[Partition]
Sikorski
für Violoncello und Orchester. Par SCHNITTKE ALFRED. Schnittke’s first cello ...
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für Violoncello und Orchester. Par SCHNITTKE ALFRED. Schnittke’s first cello concerto was written during a near fatal time in his life, after having suffered a severe stroke in 1985, during which his heart stopped three times. Upon recovery he completed the concerto, the music becoming more dissonant and discordant, with the melodies more contorted. The first cello concerto was a monumental endeavor for large orchestra, and approximately 40 minutes in duration. The work was written for Schnittke’s close friend, Russian cellist Natalia Gutman. The solo part is most feverish and virtuosic, exhausting the performer both technically and emotionally. The last, fourth, movement creates an unusual structuralprogression, ending in what feels like a celestial, hymn-like prayer. Schnittke himself said: Suddenly I was given this finale from somewhere, and I’ve just written it down. Available here is the study score for Schnittke’s emotionally and technically demanding Cello Concerto No. 1. This Sikorski edition study score is well presented, and provides an excellent resource for study or perusal use./ Répertoire / Violoncelle et Orchestre
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Richard Wagner: Vascello Fantasma Ouverture: Orchestra: Miniature Score
11.99
Richard Wagner: Vascello Fantasma Ouverture: Orchestra: Miniature Score
Orchestre
Eulenburg
Vascello Fantasma Ouverture
11.99 GBP - vendu par Musicroom GB
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Schoenberg... Est Mort! (SCHAATHUN ASBJORN)
55.10
Schoenberg... Est Mort! (SCHAATHUN ASBJORN)
Trio à Cordes: violon, alto, violoncelle
Wilhelm Hansen
Par SCHAATHUN ASBJORN. In 2017, the Zebra Trio premiered Schönberg...est mort, ...
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Par SCHAATHUN ASBJORN. In 2017, the Zebra Trio premiered Schönberg...est mort, a trio for Violin, Viola and Cello by the Norwegian compoer Asbjørn Schaathun. The world premiere was at the Arnold Schönberg Institute in Vienna. Score available: WH32800 In 2017, the Zebra Trio premiered Schönberg...est mort, a trio for Violin, Viola and Cello by the Norwegian compoer Asbjørn Schaathun. The world premiere was at the Arnold Schönberg Institute in Vienna. Score available: WH32800 / Musique contemporaine / Répertoire / Violon, Alto et Violoncelle
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Mélodie Concertante Pour Violoncelle Et Orchestre (SAUGUET HENRI)
38.00
Mélodie Concertante Pour Violoncelle Et Orchestre (SAUGUET HENRI)
En Français
Violoncelle, Orchestre
[Conducteur]
Chant du Monde
Par SAUGUET HENRI. Henri Sauguet's Mélodie Concertante for Cello and Orchestra....
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Par SAUGUET HENRI. Henri Sauguet's Mélodie Concertante for Cello and Orchestra. Henri Sauguet's Mélodie Concertante for Cello and Orchestra. / Classique / Répertoire / Violoncelle et Orchestre
38.00 EUR - vendu par LMI-partitions
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