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Piano seul [ 116914 ]
Chorale SATB [ 94846 ]
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1 Piano, 4 mains [ 6734 ]
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Trompette, Piano [ 4326 ]
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Trombone [ 3285 ]
Piano Facile [ 3091 ]
Saxophone [ 2875 ]
2 Pianos, 4 mains [ 2829 ]
Harpe [ 2705 ]
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Flûte à Bec [ 2383 ]
Hautbois [ 2212 ]
Partie séparée [ 2129 ]
Opéra [ 1732 ]
Piano Trio: piano, violon, violoncelle [ 1607 ]
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4 Guitares (Quatuor) [ 1433 ]
Clavier [ 1414 ]
Big band [ 1383 ]
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Tous Les Instruments [ 629 ]
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CD [ 513 ]
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Chorale, Orchestre [ 230 ]
Voix et Orchestre [ 229 ]
Orgue et Orchestre [ 227 ]
2 Violons, Piano [ 224 ]
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Instruments en Sib [ 216 ]
Alto et orchestre [ 215 ]
Flûte, Clarinette (duo) [ 208 ]
Trio à cordes [ 195 ]
Cor, Orchestre [ 193 ]
Ensemble de Trompettes [ 190 ]
Clarinette, Orchestre [ 183 ]
Piano Quintette: piano, 2 violons, alto, violoncelle [ 179 ]
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Instruments en Mib [ 162 ]
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Instruments Sib, Mib et Do [ 146 ]
Saxophone Baryton [ 137 ]
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Hautbois et Orchestre [ 127 ]
Trio de Cuivres [ 123 ]
Clarinette, Violoncelle, Piano (trio) [ 120 ]
Quatuor de Cuivres: 2 trompettes, Cor, trombone [ 119 ]
Orchestre à Plectres [ 117 ]
Batterie-Fanfare [ 114 ]
Mariachi [ 107 ]
Quintette à cordes: 2 violons, 2 altos, violoncelle [ 98 ]
Partitions De Groupes [ 95 ]
Basson, Orchestre [ 90 ]
Hautbois, Violin, Alto et Violoncelle (Quatuor) [ 89 ]
Accordéon et Orchestre [ 86 ]
Quatuor à cordes: 4 violons [ 84 ]
Trompette, Trombone (duo) [ 81 ]
Hautbois, Clarinette, Basson (trio d'anches) [ 76 ]
Quatuor de Flûtes : Flûte, Violon, Alto, Violoncelle [ 74 ]
Clarinette et Cordes [ 71 ]
Flûte, Clarinette et Basson [ 69 ]
Piano Quintette: piano, violon, alto, violoncelle, contre ba… [ 68 ]
4 Percussions [ 66 ]
Quatuor à cordes : 4 altos [ 63 ]
Quintette à cordes : 2 violons, alto et 2 violoncelles [ 61 ]
Quintette à cordes: 2 violons, alto, violoncelle, basse [ 57 ]
Clarinette, Violon, Violoncelle, Piano [ 54 ]
Ensemble de Violons [ 52 ]
Quatuor à Vent : 4 instruments à vents [ 50 ]
Trombone et orchestre [ 47 ]
3 Percussions [ 46 ]
Contrebasse, Orchestre [ 45 ]
Harpe, Orchestre [ 42 ]
Soli et Orchestre [ 42 ]
2 Hautbois et Cor anglais [ 40 ]
Flûte, Violon, Piano [ 40 ]
Piano, Violon, Bandoneon, Guitare, Contrebasse [ 38 ]
Violon, Cor et Piano [ 37 ]
Saxophone et Orchestre [ 36 ]
Ensemble d'Altos [ 35 ]
Cor et Orgue [ 33 ]
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones [ 31 ]
Flûte, alto et harpe [ 30 ]
Quintette de Cuivres: autres combinaisons [ 29 ]
Tuba et Orchestre [ 28 ]
Flûte, Alto et Guitare [ 27 ]
Jazz combo [ 27 ]
Quatuor Instruments Mixtes [ 27 ]
2 Flûtes, Basse continue [ 27 ]
Ensemble de cuivres, Percussion [ 25 ]
Flûte et Trio à cordes [ 24 ]
Hautbois, Basson et Piano [ 24 ]
Voix d'Enfants, Instruments [ 24 ]
Flûte, Hautbois, Piano (trio) [ 23 ]
Trio à Vent: 3 instruments à vents [ 22 ]
Voix et Big Band [ 21 ]
2 Hautbois, 2 Clarinettes, 2 Cors et 2 Bassons [ 20 ]
Flûte, Alto (duo) [ 20 ]
Violon, Alto et Orchestre [ 20 ]
Hautbois, Violoncelle et Piano [ 19 ]
Voix Mezzo-Soprano, Orchestre [ 18 ]
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contreba… [ 18 ]
Clarinette, trompette et piano [ 16 ]
Ensemble de cuivres, Orgue [ 16 ]
Piano Quatuor: piano, 2 violons, violoncelle [ 15 ]
Quatuor de percussions [ 15 ]
Trompette et Quatuor à Cordes [ 15 ]
Marimba et ensemble à vent [ 15 ]
Alto, Violoncelle et Contrebasse [ 14 ]
Guitare, Violon, Alto, Violoncelle [ 14 ]
Trompette, Cor et Piano [ 14 ]
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib [ 14 ]
Orchestre d'harmonie, Percussion [ 13 ]
2 Hautbois et Basson [ 12 ]
Clarinette, Alto et Violoncelle [ 12 ]
Orchestre à Cordes, Percussion [ 12 ]
Guitare, Violon, Alto [ 11 ]
3 Violes de Gambe [ 9 ]
Flûte, Violon, Violoncelle et Piano [ 9 ]
Marimba et Orchestre [ 9 ]
2 Guitares et Orchestre [ 7 ]
Quintet (other) [ 7 ]
Cornet et orchestre [ 6 ]
Guitare et Quintette à Cordes [ 6 ]
Violon, Violoncelle et Contrebasse [ 6 ]
Violon, Clarinette et Guitare [ 5 ]
Quintette : Hautbois, Clarinette, Cor, Basson et Piano [ 5 ]
Sextette: Quatuor à cordes, Clarinette, Piano [ 5 ]
Clarinette, Cor et Basson [ 4 ]
Cor et Harpe [ 4 ]
Harpe, Quatuor à cordes [ 4 ]
Orgue et Ensemble de cuivres [ 4 ]
Piano Quintette: Instruments de chambre mixtes [ 4 ]
Alto, Tuba et Piano [ 3 ]
Clarinette, Basson et Cor [ 3 ]
Guitare, Violon, Piano [ 3 ]
Hautbois, Basson et Basse continue [ 3 ]
Hautbois, Clarinette, Basson et Piano [ 3 ]
Saxophone, Bandoneon, Contrebasse, Piano [ 3 ]
Violon, Basson et Basse continue [ 3 ]
Voix, Quatuor à cordes, Piano [ 3 ]
2 Guitares, ensemble de cordes [ 3 ]
Contrebasse et Quatuor à cordes [ 2 ]
Guitare, Bandoneon, Cordes [ 2 ]
Quintette à cordes : Violon, 2 altos, 2 violoncellee [ 2 ]
2 Clarinettes, 2 Violons, Violoncelle, contrebasse et batter… [ 2 ]
Basson, Violoncelle et Piano [ 1 ]
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Divers (2)
2 Trompettes, Clavier (piano ou orgue) (2)
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2 Hautbois, Cor anglais, basson (2)
Violoncelle (2)
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Sir Malcolm Arnold: English Dances Set 1 Op. 27: No. 1: Brass Band: Score and
61.99
Sir Malcolm Arnold: English Dances Set 1 Op. 27: No. 1: Brass Band: Score and
Ensemble de cuivres
[Conducteur et Parties séparées]
De Haske Publications
Andantino-English Dances Set I opus 27 is a light classic composition that wa...
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Andantino-English Dances Set I opus 27 is a light classic composition that was written for orchestra by the British composer Malcolm Arnold in 1950. The set contains four dances that continue without pause: the individual movements are indicated by the tempo markings. The work came about at the request of Bernard de Nevers at the time the head of publisher Alfred Lengnick and Co. who asked Arnold to write a suite of dances as an English counterpart to Dvo ákâ??s Slavonic Dances and Bartókâ??s Romanian Folk Dances. The première took place in the spring of 1951 played by the London Philharmonic Orchestra conducted by Sir Adrian Boult. Following the success of the first set DeNevers asked the composer to write a second one which Arnold completed the next year (Op. 33). The Andantino from the first set has been skilfully arranged and orchestrated for brass band by Ray Farr. English Dances Set I opus 27 is a light classic composition that was written for orchestra by the British composer Malcolm Arnold in 1950. The set contains four dances that continue without pause: the individual movements are indicated by the tempo markings. The work came about at the request of Bernard de Nevers at the time the head of publisher Alfred Lengnick and Co. who asked Arnold to write a suite of dances as an English counterpart to Dvo ákâ??s Slavonic Dances and Bartókâ??s Romanian Folk Dances. The première took place in the spring of 1951 played by the London Philharmonic Orchestra conducted by Sir Adrian Boult. Following the success of the first set DeNevers asked the composer to write a second one which Arnold completed the next year (Op. 33). The Andantino from the first set has been skilfully arranged and orchestrated for brass band by Ray Farr.
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English Folk Song Medley (SNELL KEITH)
28.60
English Folk Song Medley (SNELL KEITH)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
[Partition]
Uetz Music
Arrangeur: Snell. Par SNELL KEITH. English Folk Song Medley/ Répertoire / Brass...
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Arrangeur: Snell. Par SNELL KEITH. English Folk Song Medley/ Répertoire / Brass Quintette
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John Williams: Harry Potter Symphonic Suite: Orchestra: Instrumental Work
79.50
John Williams: Harry Potter Symphonic Suite: Orchestra: Instrumental Work
Orchestre
[Conducteur et Parties séparées]
Alfred Publishing
The Harry Potter Symphonic Suite arranged for full orchestra by Jerry Brubaker. ...
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The Harry Potter Symphonic Suite arranged for full orchestra by Jerry Brubaker. This medley based on the endearing themes from the box office smash hit Harry Potter and the Sorcerer's Stone weaves the vivid imagery of the film with varied textures to produce a work that will be loved by all. Wonderful symphonic literature certain to be a hit on any concert program. Duration 7:20. Score and all parts. 1 Conductor 1 1st C Flute/C Piccolo (Alto Flute Opt. Recorder) 1 2nd C Flute (Opt. Recorder) 2 Oboe (English Horn) 1 1st Bb Clarinet 1 2nd Bb Clarinet 1 Bb Bass Clarinet 2 Bassoons 1 1st Horn In F 1 2ndHorn In F 1 3rd Horn In F 1 4th Horn In F 1 1st Bb Trumpet 1 2nd Bb Trumpet 1 3rd Bb Trumpet 1 1st Trombone 1 2nd Trombone 1 3rd Trombone 1 Tuba 4 Percussion 1 (Orchestra Bells Xylophone Antique Bells Marimba Glockenspiel) 1 Percussion 2 (Hand Drums Antique Bells Timpani) 4 Percussion 3 (Vibraphone Chimes Small Tuned Drums Tambourine Snare Drum Suspended Cymbal) 4 Percussion 4 (Suspended Cymbal Small Tambourine Small Triangle Tam-Tam Bass Drum Crash Cymbals) 1 Celeste 1 Harp 8 1st Violin 8 2nd Violin 5 Viola 5 Cello 5 String Bass
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Rocky Point Holiday: Concert Band: Score and Parts
Orchestre d'harmonie
[Conducteur et Parties séparées]
Boosey and Hawkes
Symphonic Band (score & parts).1 - Full Score1 - Piccolo3 - Flute 13 - Flute 21 ...
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Symphonic Band (score & parts).1 - Full Score1 - Piccolo3 - Flute 13 - Flute 21 - Oboe 11 - Oboe 21 - English Horn1 - Eb Clarinet4 - Bb Clarinet 14 - Bb Clarinet 24 - Bb Clarinet 32 - Eb Alto Clarinet2 - Bb Bass Clarinet2 - Bassoon 1 & 22 - Eb Alto Saxophone2 - Bb Tenor Saxophone2 - Eb Baritone Saxophone3 - Bb Trumpet 13 - Bb Trumpet 23 - Bb Trumpet 32 - F Horn 1 & 22 - F Horn 3 & 42 - Trombone 12 - Trombone 22 - Trombone 31 - Baritone T.C.2 - Baritone B.C.5 - Tuba1 - String Bass1 - Timpani4 - Percussion 13 - Percussion 21 - Harp1 -Celesta
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Poul Ruders: Final Nightshade - An Adagio Of The Night: Orchestra: Score
60.99
Poul Ruders: Final Nightshade - An Adagio Of The Night: Orchestra: Score
Orchestre
[Partition]
Wilhelm Hansen
Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fish...
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Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fisher Hall Lincoln Center New York City 10th June 2004. Orchestration 3 Flutes 3rd dbl. Piccolo2 Oboes1 English Horn in F3 Clarinets in Bb 3rd dbl. Bas Clarinet in Bb2 Bassoons1 Contra Bassoon4 Horns in F3 Trumpets in Bb3 Trombones1 Tuba1 (set of) Timpani2 Percussion (two players)1: Bass Drum (large) Chinese Cymbal Mark Tree2: TamTam (large) Vibraphone Antique Cymbal1 Harp1 Piano dbl. CelestaStringsAll non-octave transposing instruments are notated in their relevanttranspositions.Horns notated in bass clef sound a fourth above the notated pitch.All accidentals apply to each single note only except tied notes. Naturals for 'safety'. Programme Note This piece marks the conclusion of what could now be called 'The Nightshade Trilogy' three pieces which explore the contrasting worlds of Light and Darkness. As opposed to the earlier chamber work Nightshade which dealt with extremes of high and low pitches and the chamber orchestra composition Second Nightshade a two-fold piece contrasting darkness/anxiety and light/calm Final Nightshade for full symphony orchestra takes us on a journey in which the forces of dark and light struggle - and co-exist - in a predominantly polyphonic web with brooding undertones. The melodic point-of-departure is not surprisingly to be found in either of the two preceding pieces of the Trilogy but in an older piece Corpus Cum Figuris from 1985. Over the ensuing years I've dreamt on and off of 'doing something' with the opening measures of this older work perhaps even building a new composition on that very simple inward-looking time was ripe and there's a nice nostalgia angle to the idea: Corpus Cum Figuris was the first piece of mine to be
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André Waignein: Dunamis: Concert Band: Score & Parts
194.99
André Waignein: Dunamis: Concert Band: Score & Parts
Orchestre d'harmonie
Scherzando
Major Yvon Ducene wanted a new lush and colourful composition for his Guides mil...
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Major Yvon Ducene wanted a new lush and colourful composition for his Guides military band with André Waignein as its composer. Early in 1979 the composer began his assignement and in October of the same year the finished full score was on the music stands of this prestigious military band of the Belgian Army.The introduction (Grave) mirrors an atmosphere full of serenity in which the theme played by the oboes and the English horn is predominant and immediately holds the listener spell-bound. It is taken up again as central element of the slow movement.The Allegro breaks away from the quiet passion of the introduction. Here the band can really show its capabilities to thefull. Based on a very precise rythm an idiom of sudden desperation and adversity develops which fused with a crushing agression culminates in a kind of eruption soom calmed down by a Lento : peace and quiet has returned thanks to a melody by the horns and soon taken over by the clarinets. In the meantime the saxophone - an instrument full of human emotion - express the main spatial dimension in contemporary psyche. Following a harmonic transition the brass-players take up the theme again in forte whilst the basses and the woodwinds interwine in technical arabesques.The movings of the mind and the heart get an audible and almost touchable shape in the ensuing Allegro a movement characterized by a rhythmic dialogue in which the whole orchestra participates and where the exposition contains a wealth of sound and technical contrasts. The Lento finally uses the central theme of the slow movement again with some occasional references to the two allegros. The last page is of unprecedented grandeur. All the instruments display their most beautiful sound which were named by Jacques Ferschotte when speaking about Honneger 'harmonies d'intensités' harmonies of the unmeasurable.
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Stephen Hartke: A Brandenburg Autumn: Orchestra: Score
69.99
Stephen Hartke: A Brandenburg Autumn: Orchestra: Score
Orchestre
Lauren Keiser Music Publishing
Chamber orchestra 16'. Instrumentation: 3 Oboes (all double English Horn) Bass...
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Chamber orchestra 16'. Instrumentation: 3 Oboes (all double English Horn) Bassoon 2 Horns Harpsichord Strings.
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Walter Piston: Three New England Sketches: Orchestra: Study Score
34.99
Walter Piston: Three New England Sketches: Orchestra: Study Score
Orchestre
[Partition]
Associated
Score-Walter Piston's Three New England Sketches for Symphony Orchestra.Commissi...
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Score-Walter Piston's Three New England Sketches for Symphony Orchestra.Commissioned by the Worcester County Musical Association. First performed on October 23 1959 by Detroit Symphony Orchestra atthe Worcester (Mass.) Music Festival Paul Paray Conducting.Instrumentation:Piccolo2 Flutes2 OboesEnglish Horn2 Clarinets In BbBass Clarinet2 BassoonsContrabassoon4 Horns In F3Trumpets In C (Parts in Bb)3 TrombonesTubaTimpaniPercussion (Snare Drum Bass Drum Cymbals Susp. Cymbal Triangle Tam-tam Glockenspiel Tambourine Wood Block)2 HarpsStrings
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William Schuman: Prayer in Time of War: Orchestra: Study Score
23.99
William Schuman: Prayer in Time of War: Orchestra: Study Score
Orchestre
[Partition]
Schirmer
Score-William Schuman's Prayer In Time Of War for Orchestra. Study score.This wo...
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Score-William Schuman's Prayer In Time Of War for Orchestra. Study score.This work was first performed under the title 'Prayer-1943' by the Pittsburg Symphony Orchestra under the direction of Fritz Reiner on February 26 1943.Duration: approx 15 minutes.Instrumentation:3 Flutes (3rd Flute interchangeable with Piccolo)2 OboesEnglish Horn2 Clarinets in B-flat2 Bassoons4 Horns in F3 Trumpets in C3 TrombonesTubaTimpaniPercussion (Bass Drum Cymbals Gong Snare Drum)Violin IViolin IIViolaVioloncelloBass
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Walter Piston: Variations on a Theme by Edward Burlingame Hill: Orchestra: Score
25.99
Walter Piston: Variations on a Theme by Edward Burlingame Hill: Orchestra: Score
Orchestre
[Partition]
Associated
Score-Walter Piston's Variations On A Theme By Edward Burlingame Hill (1963). Fu...
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Score-Walter Piston's Variations On A Theme By Edward Burlingame Hill (1963). Full score.Instrumentation:2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet2Bassoons4 Horns In F2 Trumpets In C3 TrombonesTubaPercussion (Triangle Tambourine Bass Drum)Harp
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Solo Para Ti (DOSS THOMAS)
19.00
Solo Para Ti (DOSS THOMAS)
Concert Band/Harmonie et Corne de Bugle
[Conducteur]
Oktavian Music
Solo for Bb Flugel Horn and Concert Band. Par DOSS THOMAS. Solo Para Ti is a cal...
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Solo for Bb Flugel Horn and Concert Band. Par DOSS THOMAS. Solo Para Ti is a calm and expressive composition for Bb Flugel Horn solo, which can optional be played with English Horn, Eb Alto Saxophone or Bb Trumpet. This work was commissioned by the Bläservereinigung Albachten 1921 in honor of its conductor Philip Watts. / Date parution : 2022-01-18/ Répertoire / Concert Band/Harmonie et Corne de Bugle
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Solo Para Ti (DOSS THOMAS)
114.30
Solo Para Ti (DOSS THOMAS)
Concert Band/Harmonie et Corne de Bugle
[Conducteur et Parties séparées]
Oktavian Music
Solo for Bb Flugel Horn and Concert Band. Par DOSS THOMAS. Solo Para Ti is a cal...
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Solo for Bb Flugel Horn and Concert Band. Par DOSS THOMAS. Solo Para Ti is a calm and expressive composition for Bb Flugel Horn solo, which can optional be played with English Horn, Eb Alto Saxophone or Bb Trumpet. This work was commissioned by the Bläservereinigung Albachten 1921 in honor of its conductor Philip Watts. / Date parution : 2022-01-18/ Répertoire / Concert Band/Harmonie et Corne de Bugle
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Flexible Praise: Concert Band: Part
4.50
Flexible Praise: Concert Band: Part
Orchestre d'harmonie
Curnow Music
Part 2 in F (F Horn English Horn)-Flexible Praise has been designed with the sa...
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Part 2 in F (F Horn English Horn)-Flexible Praise has been designed with the sacred ensemble conductor in mind. Arranged by internationally known composers/arrangers these ten pieces will work well with every instrumental ensemble imaginable including quartets of mixed instruments praise bands full band or orchestra and brass band. Designed to be playable by an average grade 3 (strong middle school or average high school) player each arrangement includes optional descant (fifth part) keyboard (with chords included for guitar) percussion (mostly drum set) and electric bass parts. These parts enhance the overall sound of the arrangements but are not required for performance providing theconductor with unlimited ways to use the arrangements.
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Joaquín Rodrigo: Musica Para Un Codice Salmantino: Mixed Choir: Miniature Score
12.99
Joaquín Rodrigo: Musica Para Un Codice Salmantino: Mixed Choir: Miniature Score
Español
Orchestre
[Conducteur d'étude / Miniature]
Unión Musical Ediciones
Musica Para Un Codice Salmantino one of the most important works in Joquin Rodr...
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Musica Para Un Codice Salmantino one of the most important works in Joquin Rodrigo's search for more objectivity and less nationalism was composed in 1952. Duration approx. 14 minutes. The Orchestration includes: Piccolo Flute English Horn Trumpet Horn Harp Solo Bass Chorus (Soprano Alto Tenor Bass) Strings
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Wachet Auf, Ruft Uns Die Stimme (BACH JOHANN SEBASTIAN)
13.30
Wachet Auf, Ruft Uns Die Stimme (BACH JOHANN SEBASTIAN)
Partition de Poche
[Partition]
Barenreiter
Par BACH JOHANN SEBASTIAN. Wachet auf, ruft uns die Stimme (Wake ye maids! hark,...
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Par BACH JOHANN SEBASTIAN. Wachet auf, ruft uns die Stimme (Wake ye maids! hark, strikes the hour) (BWV 140) Cantata for the 27th sunday after Trinity The Cantata BWV 140 was written in 1731 and first performed in Leipzig on November 25 of that year - the performance was directed by Bach himself. In addition to three vocal soloists and chorus, the work is scored for two Oboes, English Horn, Bassoon, Horn, Violino Piccolo, Strings and Continuo. The Cantata Wachet auf 'Sleepers Awake', is based on a hymn by Philipp Nicolai, also written in 1731 for the 27th Sunday after Trinity. Urtext of the New Bach Edition Study scoreformat 22. 5 x 16. 5cm (TP1140), performance material (BA10140) and vocal score (BA10140-90) available for sale/ Répertoire / Partition de Poche
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Leonard Bernstein: West Side Story - Selections For Orchestra: Orchestra: Score
102.50
Leonard Bernstein: West Side Story - Selections For Orchestra: Orchestra: Score
Orchestre
Boosey and Hawkes
Jack Mason's showcase features six songs skillfully scored for school orchestra....
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Jack Mason's showcase features six songs skillfully scored for school orchestra. This set from Bernstein's timeless West Side Story contains score and seperate parts for Flute I Flute II Piccolo Oboe I Oboe II English Horn Clarinet in B I Clarinet in B II Bassoon I Bassoon II Alto-Sax I Alto-Sax II Tenor-Sax. Baritone-Sax F-Horn I-IV Trompete I-III Posaune I-III Tuba 3 Timpani-Percussion Harp 8 Violin I 8 Violin II 4 Viola 4 Cello and 4 Double Bass.
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For Piano and Winds (PERLE GEORGE)
29.10
For Piano and Winds (PERLE GEORGE)
Flûte Traversière, Cor Anglais, Clarinette en La,
[Conducteur]
Schott
for flute, english horn, clarinet in A, bassoon, french horn and piano. Par PERL...
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for flute, english horn, clarinet in A, bassoon, french horn and piano. Par PERLE GEORGE. / Répertoire / Flûte Traversière, Cor Anglais, Clarinette en La,
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Karel Husa: Concerto for Wind Ensemble: Concert Band: Score and Parts
149.99
Karel Husa: Concerto for Wind Ensemble: Concert Band: Score and Parts
Ensemble à vent
[Partition]
Schirmer
Standard US Set (without european suppl. parts)-Commissioned by the Michigan Sta...
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Standard US Set (without european suppl. parts)-Commissioned by the Michigan State University Alumni Band this three movement work by Karel Husa was the winner of the first Louis Sudler International Wind Band Composition Competition in 1983. A note from thecomposer: 'Divided into three movements this work is a display of virtuoso passages given to solo instruments as well as to the groups of the ensemble. In the Fanfare of the first movement the Brass section concertises in groupsof four Brass quintets (2 Trumpets Horn Trombone and Tuba or Baritone) spread from left to right in back. The Saxophones (SATB) are placed in front of the Brass quintets and the Woodwinds occupy the front of the stage withPercussion on the left and right side. These groups like the Brass quintets play in the concertante style particularly in the first and last movements. 'At the same time each movement contains individual solo passages(for example Timpani and Flute in Movement I - Drum Ceremony and English Horn and other low Woodwinds in Movement II - Elegy). The composition of this piece was prompted by the excellence of Wind and Percussion players today andby the incredible growth of Wind ensembles orchestras and bands in the last 25 years. It is intended for their enjoyment.'
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Karel Husa: Concerto for Wind Ensemble: Concert Band: Score
25.99
Karel Husa: Concerto for Wind Ensemble: Concert Band: Score
Orchestre d'harmonie
[Partition]
Schirmer
Score-Commissioned by the Michigan State University Alumni Band this three move...
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Score-Commissioned by the Michigan State University Alumni Band this three movement work by Pulitzer Prize-winning composer Karel Husa was the winner of the first Louis Sudler International Wind Band Composition Competition in 1983.Previously available only in rental we are proud to offer this important work for publication.A note from the composer: Divided into three movements this work is a display of virtuoso passages given to solo instrumentsas well as to the groups of the ensemble. In the Fanfare of the first movement the brass section “concertizes” in groups of four brass quintets (2 trumpets horn trombone and tuba or baritone) spread from left toright in back. The saxophones (S A T B) are placed in front of the brass quintets and the woodwinds occupy the front of the stage with percussion on the left and right side. These groups like the brass quintets play in theconcertante style particularly in the first and last movements. At the same time each movement contains individual solo passages (for example timpani and flute in Movement I – “Drum Ceremony” andEnglish horn and other low woodwinds in Movement II – “Elegy”). The composition of this piece was prompted by the excellence of wind and percussion players today and by the incredible growth of wind ensembles orchestras and bands in the last 25 years. It is intended for their enjoyment.
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Diamond Dust - Piano Concerto No. 2 (FUJIKURA DAI)
84.60
Diamond Dust - Piano Concerto No. 2 (FUJIKURA DAI)
Orchestre de chambre
-
Intermédiaire/avancé
Ricordi
Piano, flute, oboe, clarinet, horn, trumpet, trombone, percussion, 2 violins, vi...
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Piano, flute, oboe, clarinet, horn, trumpet, trombone, percussion, 2 violins, viola, cello, dbass. Par FUJIKURA DAI. English / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-08/ Répertoire / Ensemble de Chambre
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JBC Band Method Horn in F: Concert Band: Part
12.50
JBC Band Method Horn in F: Concert Band: Part
Orchestre d'harmonie
[Partie séparée]
Yamaha
JBC Band Method Horn in F. English version of the most popular band method edite...
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JBC Band Method Horn in F. English version of the most popular band method edited by Japan Band Clinic Committee. The concept of this method is to provide support "from producing sound to musical expression". It covers everything from individual practice and band ensemble to analysis of music performance and will be helpful for all band directors around the world who teach their students.; Study I: Basic knowledge and individual basikc training; Study II: Making sound ind the band and understanding the music; Study III: Making music.
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Music for Children Vol. 4 (ORFF CARL / KEETMAN GUNILD)
16.41
Music for Children Vol. 4 (ORFF CARL / KEETMAN GUNILD)
Voix, Flûte à Bec et Percussion
[Conducteur]
Schott
Minor: Bordun. Par ORFF CARL / KEETMAN GUNILD. Carl Orff devoted much of his lif...
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Minor: Bordun. Par ORFF CARL / KEETMAN GUNILD. Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of 'Music for Children' by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition 'musik für Kinder', english adaption with additional material by Doreen Hall and Arnold Walter./ Recueil / Voix, Flûte à Bec et Percussion
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Simon Bainbridge: For Miles (For Chamber Ensemble): Chamber Ensemble: Score
10.99
Simon Bainbridge: For Miles (For Chamber Ensemble): Chamber Ensemble: Score
Musique De Chambre
[Partition]
Novello & Co Ltd.
For Miles was commissioned by the Composers’ Ensemble with funds from the ...
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For Miles was commissioned by the Composers’ Ensemble with funds from the London Arts Board. It was first performed on 29th June 1994 by the Composers’ Ensemble at St.John’s Smith Square London. Scored for solo Trumpet Oboe/english horn 2 Clarinets Viola Cello Bass (with C extension). Duration: 11 minutes. Parts available on hire.
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Symphony Nr. 3 Urban Landscapes Op. 55 (CESARINI FRANCO)
31.80
Symphony Nr. 3 Urban Landscapes Op. 55 (CESARINI FRANCO)
Orchestre d'harmonie
Edition Franco Cesarini
for Wind Orchestra, Studyscore. Par CESARINI FRANCO. Fascinated by the beauty of...
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for Wind Orchestra, Studyscore. Par CESARINI FRANCO. Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 ?Urban Landscapes? Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 ?Urban Landscapes? Op. 55: a sumptuous musical portrait of the ?Windy City?./ Répertoire / Concert Band/Harmonie
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Symphony Nr. 3 Urban Landscapes Op. 55 (CESARINI FRANCO)
114.40
Symphony Nr. 3 Urban Landscapes Op. 55 (CESARINI FRANCO)
Orchestre d'harmonie
[Conducteur]
Edition Franco Cesarini
for Wind Orchestra, Full Score. Par CESARINI FRANCO. Fascinated by the beauty of...
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for Wind Orchestra, Full Score. Par CESARINI FRANCO. Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 “Urban Landscapes” Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 “Urban Landscapes” Op. 55: a sumptuous musical portrait of the “Windy City”./ Répertoire / Concert Band/Harmonie
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Ottorino Respighi: The Pines of Rome (Finale): Orchestra: Score & Parts
74.99
Ottorino Respighi: The Pines of Rome (Finale): Orchestra: Score & Parts
Orchestre
[Conducteur et Parties séparées]
Hal Leonard
Full Orchestra-Long considered to be one of the most dramatic symphonic movement...
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Full Orchestra-Long considered to be one of the most dramatic symphonic movements of all time Respighi's finale is arranged to make it accessible and effective for intermediate-level groups. The tension-building final section of this monumentalwork has been carefully scored by Stephen Bulla to give your orchestra the opportunity to perform the triumphant ?ending of all endings.? (English Horn cross-cued)
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Symphony Nr. 3 Urban Landscapes Op. 55 (CESARINI FRANCO)
42.00
Symphony Nr. 3 Urban Landscapes Op. 55 (CESARINI FRANCO)
Orchestre d'harmonie
[Set de Parties séparées]
Edition Franco Cesarini
for Wind Orchestra, Additional European Parts. Par CESARINI FRANCO. Fascinated b...
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for Wind Orchestra, Additional European Parts. Par CESARINI FRANCO. Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 “Urban Landscapes” Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 “Urban Landscapes” Op. 55: a sumptuous musical portrait of the “Windy City”./ Répertoire / Concert Band/Harmonie
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The Girl with the Flaxen Hair (Arr. John Moss)
103.00
The Girl with the Flaxen Hair (Arr. John Moss)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
Hal Leonard
Solo for Alto Sax or English Horn and Band. Par DEBUSSY CLAUDE. / Niveau : 4 ...
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Solo for Alto Sax or English Horn and Band. Par DEBUSSY CLAUDE. / Niveau : 4 / Œuvre solo et Orchestre / Répertoire / Concert Band ou Harmonie
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Hymne A La Joie (BEETHOVEN LUDWIG VAN)
11.79
Hymne A La Joie (BEETHOVEN LUDWIG VAN)
Trio à vent
[Partition]
FLEX Editions
2 Oboes and English Horn. Par BEETHOVEN LUDWIG VAN. / Répertoire / Trio à vent...
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2 Oboes and English Horn. Par BEETHOVEN LUDWIG VAN. / Répertoire / Trio à vent
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Rued Langgaard: Humoreske / Humoresque: Wind Ensemble: Score
Ensemble à vent
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Intermédiaire/avancé
Rued Langgaard Edition
Humoresque - Sextet for Flute Oboe English Horn Clarinet Bassson and Militar...
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Humoresque - Sextet for Flute Oboe English Horn Clarinet Bassson and Military Drum BVN 176 - was composed by Rued Langgaard in 1922-23.
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