Par DOTZAUER JUSTUS JOHANN FRIEDRICH. / Répertoire / Basson, Violon, Alto et Violoncelle

Les motets d?Anton Bruckner couvrent esthétiquement toute la carrière créatrice du compositeur. Ils se rattachent à la fois au mouvement cécilien marqué par un renouvellement de la musique sacrée par référence au style de la Renaissance et à un langage harmonique hérité de Wagner. La foi chrétienne s?y exprime à travers des formes simples et le texte latin y est régulièrement employé. Le texte du graduel Os Justi (1879) provient du Psaume 37 : v. 30-31. Un véritable chef d?œuvre de piété et d?émerveillement.

Les motets d?Anton Bruckner couvrent esthétiquement toute la carrière créatrice du compositeur. Ils se rattachent à la fois au mouvement cécilien marqué par un renouvellement de la musique sacrée par référence au style de la Renaissance et à un langage harmonique hérité de Wagner. La foi chrétienne s?y exprime à travers des formes simples et le texte latin y est régulièrement employé. Le texte du graduel Os Justi (1879) provient du Psaume 37 : v. 30-31. Un véritable chef d?œuvre de piété et d?émerveillement.

Just Brass No. 12-Arranged by John Iveson. Edited by Philip Jones & Elgar Howarth. The Just Brass series is regarded by brass players worldwide as the most important brass ensemble series available. There are more than 100 titles subdivided intoJust Brass (mainstream) Junior Just Brass Just Brass Lollipops and Giant Just Brass. Supplied as score and parts together.

Arr. Wil Van Der Beek. Par DVORAK ANTONIN. The year 2004 marked the 100th anniversary ofthe death of Antonin Dvorák. In 1879 Dvorákwrote this Polonaise as a commission for thecommittee organising the festivities for theirfamous national dance festival. Many famousCzech composers wrote dances specially for thisevent. This Polonaise in three movements, with itsfine melody lines, deserves to be more than just anoccasional work, however. Wil van der Beek’sconcert band arrangement does justice to theoriginal piece. / Niveau : 5 / Répertoire / Concert Band

Overture. Par MOZART WOLFGANG AMADEUS. In 1786, Wolfgang Amadeus Mozart composed his wonderful opera Le Nozzi di Figaro. In the opera Count Almaviva tries to seduce the fiancée of Figaro, his valet. Eventually, through four acts full of complicated intrigue, he is outwitted. In his music, Mozart, at times in a humorous way, reflects the numerous social and erotic intrigues with both empathy and insight. The brilliant overture is just as vivacious and witty as the opera itself. Mozart delightfully anticipates the passion and playful love that is to come. The skillful transcription for concert band by the Japanese composer Tohru Takahashi certainly does justice to this enchanting music. / Niveau : 5 / Transcription / Date parution : 1905-06-27/ Répertoire / Concert Band ou Harmonie

Overture. Par MOZART WOLFGANG AMADEUS. In 1786 Mozart composed his wonderful opera Le Nozze di Figaro (KV 492). The Italian libretto, based on the play Le mariage de Figaro by Beaumarchais, was written by Lorenzo da Ponte who also made the libretti of Mozart’s opera’s Don Giovanni and Così fan tutte. In the opera Le Nozze di Figaro, Count Almaviva tries to seduce the fiancée of Figaro, his valet. Eventually, through four acts full of complicated intrigue, he is outwitted. In his music, Mozart at times in a humorous way reflects the numerous social and erotic intrigues with both empathy and insight. The brilliant overture is just as vivacious and witty as the opera itself. Mozart delightfullyanticipates the passion and playful love that is to come. The skillful transcription for concert band by Tohru Takahashi certainly does justice to this appealing music. / Niveau : 5 / Transcription / Répertoire / Concert Band

Overture. Par MOZART WOLFGANG AMADEUS. In 1786, Wolfgang Amadeus Mozart composed his wonderful opera Le Nozzi di Figaro. In the opera Count Almaviva tries to seduce the fiancée of Figaro, his valet. Eventually, through four acts full of complicated intrigue, he is outwitted. In his music, Mozart, at times in a humorous way, reflects the numerous social and erotic intrigues with both empathy and insight. The brilliant overture is just as vivacious and witty as the opera itself. Mozart delightfully anticipates the passion and playful love that is to come. The skillful transcription for concert band by the Japanese composer Tohru Takahashi certainly does justice to this enchanting music. / Niveau : 5 / Transcription / Date parution : 1905-06-28/ Répertoire / Concert Band

Light Overture - A Symphonic Entertainment was composed by Poul Ruders in 2006. Commissioned by the Alabama Symphony Orchestra and Music Director and Principal Conductor Justin Brown for Alabama Power Company’s 100 Year Anniversary Concert. Light Overture subtitled A Symphonic Entertainment is a short piece for symphony orchestra lasting approximately eight minutes. Light Overture is focusing on two interpretations of the word light: ”light” as in the absence of darkness and “light” as in easily comprehensible; in other words a piece with few or no metaphysicalconnotations. It is just a piece setting a festive mood as is often the case with this sort of short “concert opener”. However the journey through Light Overture is not entirely happy-go-lucky. Once in a while slightly darker colours are introduced for the sake of variety and contrast. And formally the composition is quite strict: an outright Prelude and Fugue the former sliding seamlessly into the latter. The Fugue juggles not only its own tune but also picks up stuff from the Prelude. Poul Ruders May 2006

Beethoven?s sacred works include two settings of the Mass. The ?Mass in C major?, completed and premiered in 1807, has been unjustly described as a preliminary step towards the great ?Missa solemnis?. Yet it is a self-contained and, for its time, decidedly modern piece of church music. Drawing on the rich body of sources, Beethoven specialist Barry Cooper suggests practical solutions to the work?s musical and interpretative problems. His deep study of the sources convinced him to include a fully realized organ part in the score, just as Beethoven envisioned it for the first printed edition. As stated in the sources, the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages. Rounding off this Urtext edition are a Foreword on the work?s genesis and a detailed Critical Commentary. ? Score with realization of the organ part ? Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) ? Idiomatic piano reduction

Preludio and Andante in Swing for Flugel Horn or Trumpet and Concert Band-Raffaello Sanzio better known simply as Raphael was an Italian painter and architect of the High Renaissance. His paintings have been admired and imitated for centuries and his architectural works have had a considerable influence. He is seen as one of the finest painters in the history of Western art as well the supreme master of preliminary drawings for his numerous projects. Raphael’s works have always been appreciated and studied and are regarded as jewels of academic art.This composition is inspired by the great painter and his dazzling works but also the composer’s own brother Rafael or Rafa to who this piece is dedicated. With its entertaining Andante inSwing and peaceful Preludio we have a rich picture of a generous understanding and loving person wholly dedicated to music teaching particularly to younger children. Thanks to his many qualities the young pupils enrich their musical faculties and broaden their knowledge.Like a well chosen metaphor Raphael is dedicated to Rafa whose great achievement is in stimulating and educating the young - and not so young - through his remarkable work at the Allegro Centro Musical (Valencia Spain) with the aim of providing them with a solid musical training in order to become good musicians and well-adjusted people.

Mozart's Requiem in D Minor is a sublime work. The Kyrie is a masterful lesson in fugal writing, requiring the students to 'count like crazy.' Every section of the orchestra plays the syncopated entries, tied rhythms, and running sixteenth note passages. The tempo can be slightly adjusted to suit the technical ability of the ensemble. Eighth notes should be slightly separated, whilst 16th notes are played detaché. This arrangement would make an interestingly contrasted concert item with Loreta Fin's arrangement of the beautiful 'Lacrymosa' from the same Requiem (76-44507). / Orchestre A Cordes

These three short chorales (G major, G minor, G major) are excellent warm-up exercises, but would also be very useful for training ensembles to listen for pure intonation. Vibrato and tone quality could also be focused upon, as well as watching the conductor for pauses and upbeats. Dynamics are suggested to assist with the shaping of phrases. Each chorale can stand alone, as a processional or recessional for special occasions and ceremonies, such as assemblies or parades, or can be performed as one work. Independent reading and accurate counting are essential here. Bowing can also be adjusted if desired. / Orchestre A Cordes

Par MARSH LIN. Junior Songscape is the perfect resource for primary school singing, and prepares the way for Lin Marsh's hugely successful Key Stage 3 songbook Songscape . This is an invaluable collection of twenty-eight songs covering an exciting range of musical styles, from ethnic music, theatre, pop classics and rounds, to Lin Marsh's original pieces. The book is divided into five different sections to provide topic ideas for teachers: seasons, feelings, history, Shakespeare and travel. It also includes Stars, Hide Your Fires from the QCA'S Key Stage 2 Schemes of Work. A tremendous opportunity for bringing confidence into the classroom and for concert singing, with vocal ranges carefully considered for the age group. Several songs have optional additional vocal parts and the keyboard accompaniments are well within the grasp of pianists of moderate ability. The accompanying CD includes complete performances of all the songs - adjusting the balance channel provides piano accompaniments alone. / Niveau : Facile / Répertoire / Matériel D'Orchestre

HL Pop Specials for Strings-Recorded by such diverse artists as Bob Dylan Bon Jovi and Justin Timberlake Hallelujah was also heard in the movie Shrek and most recently during the 2010 Winter Olympics opening ceremony in Vancouver. Robert's setting is justright for string groups who want to perform popular songs from artists they love.