SKU: BR.EB-8874
ISBN 9790004184646. 9 x 12 inches. German / English.
The Three Tenors Are ComingOn the opera stage, the tenor is often the most eminent protagonist. Whether as ardent lover or tragic hero, he is in the limelight to show lyrical sensitivity, sonorous euphony and smoothness, a maximum of nuances. The vocal range creates high expectations and provides an extraordinary aura.The three volumes for tenor represent the grand finale of the most comprehensive collection of repertoire for all vocal genres, with 16 volumes.Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling, editors) OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of view with phonetic assistant and text assistant aria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download.
SKU: BR.EB-8876
ISBN 9790004184660. 0 x 0 inches. German / English.
SKU: BR.EB-8875
ISBN 9790004184653. 9 x 12 inches. German / English.
SKU: LO.30-3203L
UPC: 000308140897.
This flexibly voiced anthem illuminates the resurrection in dramatic fashion through the combination of the beloved LANCASHIRE and DIADEMATA. The continuity of the accompaniment provides a solid footing for the vocals, while options for congregation, trumpet, and handbells offer opportunities to involve as many as possible in the triumphant celebration!
SKU: GI.G-017356
Dorothy Day was an American journalist, social activist, generous humanitarian, and devout Catholic convert. This visuallly rich book illustrated by beloved artist Br. Mickey McGrath depicts the fascinating journey of her conversion to the Lord through nature and the beauty around her. Brother Mickey's paintings and sketches are illuminated by a series of historical and inspiring stories exploiting Dorothy's life's work of helping those in need. Dorothy's own inspiration, St. Francis de Sales, is also celebrated along the way with elements of his own spiritual wisdom about life, humility, patience, and other little virtues. An inspiring book revealing past generations of faith and leading the next generation toward a hopeful and optimistic future.
SKU: JK.02027
This spirit-rich accompaniment of I Am a Child of God beautifully illuminates the eternal truth that we have a loving Heavenly Father. Children will have no trouble learning the arrangement as they sing the familiar melody right out of the Primary Songbook. The accompaniment is medium hard in difficulty yet very intuitive to play. The sheet music includes the children's part and accompaniment.Words: Naomi Ward RandallMusic: Mildred Tanner PettitArrangement: Grant GibbonsDifficulty: Easy for Children's Chorus/Medium Hard AccompanimentDuration : approx. 3:30Scripture References: Romans 8:16, Psalm 82:6, Mosiah 4:15, Doctrine and Covenants 14:7I Am a Child of God Song Kit is also available separately HERE. It is a resource designed to facilitate spirit-filled learning of this beloved children's song using beautiful graphics, reverent activities, scriptures, as well as the sheet music.
SKU: FG.55011-895-9
ISBN 9790550118959.
The Urtext edition (2023) of Jean Sibelius’ Five Christmas Songs op. 1 for voice and piano is based on the critical edition presented in the volume VIII/2 Works for Solo Voice Vol. 2 of Jean Sibelius Works (JSW) edited by Jukka Tiilikainen. The lyrics are included in Swedish, Finnish and English.Sakari Ylivuori's introduction illuminates the history of the beloved songs: May 1, 1913 was cold and wet. Jean Sibelius (1865–1957) spent the day at home at Ainola composing two Christmas songs: settings of poems for children by Zachris Topelius. The two songs born on that chilly spring day were Nu står jul vid snöig port (Now stands Yule at the snowy gate) and Nu så kommer julen (Now is Christmas coming). He then put them together with three Christmas carols he had earlier composed and gave the set the imposing Opus number 1. He had previously considered giving the distinction to various other works, but from 1915 onwards the Five Christmas Songs had the honour of heading his catalogue. [...]Contents Nu står jul vid snöig port • Joulu saapuu portin luo • Now stands Yule at the snowy gate [F major]Nu så kommer julen • Tervehtii jo meitä joulu armahin • Now is Christmas coming [e minor]Det mörknar ute • Jo joutuu ilta • O’er hill and dale [F major]Julvisa • En etsi valtaa, loistoa • Christmas song [G major]On hanget korkeat, nietokset • Visst drivor höga som skyn vi ha • The shining snows are driving high [F major].
SKU: CF.CM9774
ISBN 9781491164457. UPC: 680160923359. Key: E major. English. Leslie Grant Scott adapted by Composer.
I Have Heard the Music There for treble voices, optional descant, with piano is a lyrical work that utilizes a reoccurring motif which grows and varies. The developing variation-like use of this theme speaks to the image or notion of growth; the growth of a tree, of a person, or a choir. We may start out small, then vary, change, develop, transform. The vocal line’s slight variation, use of repetition, imitation, and canonic-like movements weave a thread of familiarity through the piano’s tapestry of subtle shifts in timbre, register, and alternation between chorale-like writing and moments of florid flourishing; the music paints the imagery of the text.The text by Leslie Grant Scott illuminates themes of the humanity, solace, and comfort we find in Nature. The forest’s foliage filters out the harshness of the world, and we are calmed by the forest’s heart. To me Nature is also a metaphor for community, or the network of loved ones you may have, over perhaps your choir; together with compassion and kindness we are able to filter the world’s harshness, together we grow, we celebrate, and we listen to the music around us.SILENCE [Leslie Grant Scott, 1912 PD] adpt. M. EmeryI have heard the music thereIn the deep forest's heart, Where filters the sun's rays, In a still, golden haze.I have heard the music there.The breathless silence speaks, Bringing Nature's soft balm And her great soothing calm To all those who will hear.I have heard the music there.
