Since the 1980s scholarly research into Reger has built up a picture of the diversity, complexity and variety of Reger's work and shown that the composer was the first to depart from the supposed logical evolution of music history. In the musical scene, on the other hand, ideas prevail that are clichéd and based on a small canon of works. This is now about to change.Since the beginning of the twenty-first century a thematic catalogue of the works of Max Reger and their sources has been put together in the Max-Reger-Institut Karlsruhe funded by the Deutsche Forschungsgemeinschaft. This will be a fitting addition to our series of thematic catalogues of the works of Beethoven, Brahms, Chopin and Schumann. It contains in-depth information in a readable form on the complete original works and arrangements, both published and unpublished, completed or fragmentary. Information concerning the genesis, place and state of the handwritten and printed sources are presented comprehensively and reflect the current state of research. Thus not only scholars but also performers, music lovers and concert organizers will be able to get to know Reger's neglected but in many ways surprising works.Numerous indexes will make the Reger Thematic Catalogue easy and clear to use and it has all of the prerequisites to soon become the definitive reference work for Max Reger. / Orchestre

Arr. Philip Sparke. Par REGER MAX. Pendant sa courte vie, Max Reger (1873-1916) était un compositeur prolifique dont la plupart des oeuvres les plus célèbres furent composées pour orgue. Les dix préludes de choral de cette sélection sortent de ses Trente petits Préludes-Choral op. 135a, composés comme morceaux d’orgue pour usage liturgique plutôt qu’à des récitals. Dans ses arrangements, Philip Sparke a gardé cela à l’esprit et chaque prélude peut être interprété avec une instrumentation minimale lors d’évènements où un petit ensemble est nécessaire. Ils conviennent aussi comme pièces d’échauffement ou études en intonation, son et balance. / Niveau : 2.5 / Hymnes et chorals / Répertoire / Brass Band

Arr. Philip Sparke. Par REGER MAX. Max Reger (1873-1916) a composé les 30 petits Préludes de choral pour orgue, op. 135a, dont sont extraits les dix préludes choisis pour cet arrangement pour orchestre d’harmonie. Philip Sparke est resté fidèle aux pièces originales. Le choix de l’instrumentation permet d’interpréter ces dix préludes avec une formation à effectif réduit qui peut être amenée à participer à un office. Ces pièces peuvent également être utilisées pour effectuer une mise en lèvres ou pour travailler l’intonation, le son et l’équilibre entre les différents pupitres. / Niveau : 2.5 / Hymnes et chorals / Répertoire / Concert Band ou Harmonie

Arr. Philip Sparke. Par REGER MAX. During his short lifetime Max Reger (1873-1916) was a prolific composer with many of his best known works being composed for organ. The ten chorale preludes in this selection are from his set of Thirty Short Chorale Preludes Op. 135a composed as short voluntaries for liturgical use rather than for recitals in these arrangements Philip Sparke has kept this in mind and each prelude can be performed with minimal instrumentation for those occasions where a small band is needed. They also make great pieces for band warm-ups or studies in intonation, sound and balance. / Niveau : 2.5 / Hymnes et chorals / Répertoire / Fanfare

Par SENFTER JOHANNA. The number of well-known clarinet quintets is quite small. The only major composers whose clarinet quintets are relatively widespread are Mozart, Brahms, Weber and Reger. The composer Johanna Senfter (1879-1961) from Oppenheim admired the music of Johannes Brahms and of Max Reger who was her teacher. Her chamber music œuvre conveys a certain closeness to the clarinet. She even wrote a Sonata for clarinet, viola, horn and piano, op. 37, a Sonata for clarinet or viola and piano, op. 57, as well as a Trio for clarinet, horn and piano, op. 60. Continuing the historic line of Brahms and Reger, the clarinet quintet is steeped in the harmony, compositional style and expressiveness of her teacher Reger - a style which she developed even further and increased in expressiveness. This quintet is, without doubt, a valuable addition to the repertoire./ Répertoire / Clarinette et Quatuor à Cordes

Par REGER MAX. Ce classique des archives du Bote and Bock est maintenant disponible à nouveau comme une réimpression./ Répertoire / Sextuor à Cordes

Par REGER MAX. Format: New Edition portrait/ Répertoire / 2 Violons, 2 Altos et 2 Violoncelles

Par REGER MAX. Durée: 24', Format: ETP small/ Répertoire / Violon, Alto et Violoncelle