A thoroughly gripping melody of Irish descent constitutes the basis on which this exceedingly beautiful little piece of music rests. Down by the Salley Gardens is a guaranteed heartbreaker on your next concert. Since the lyrics of this Irish traditional are also supplied with the set a combination of band with solo voice or even choir is a definite possibility. The Arranger: Leafing through a song-book containing traditionals etc. I was immediately struck by this song and its exceptionally beautiful and atmospheric melody. I simply had to do something with it. Een meeslepende traditional van Ierse komaf staat aan de basis van dit wonderschone werkje. Down bythe Salley Gardens belooft een hartenbreker te worden op uw eerstvolgende concert. De tekst van deze Ierse traditional wordt meegeleverd en daarmee is een combinatie met zang ook zeer goed mogelijk. De arrangeur: Bladerend door een liedboek met traditionals enz. was ik meteen getroffen door dit nummer en zijn uitzonderlijk mooie en sfeervolle melodie. Ik moest gewoon iets mee doen.

Piano scores for mixed choir solo voice and piano. Soli: ATB – Choir: SATB

The attacks in Brussels on 22 March 2016 created a shockwave throughout Belgium and the rest of the world. Equally the attacks in Paris and Nice led to great public indignation fear and disbelief.What has happened to the western world? Have our cultures grown apart to such an extent that we do not understand each other anymore? Bert Appermont’s intention was to voice certain emotions that these acts of terror have caused: particularly fear grief anger and helplessness. He uses the French children’s song Au Claire de la Lune as a connecting thread throughout the work.This piece is also about hope and faith in another world andis meant to pay homage to all victims resulting in a dignified remembrance. The musical development is presented in four through-composed parts titled Innocence  In Cold Blood  In Memoriam – We Shall Rise Again and A New Day.This work was commissioned by the Brassband Oberösterreich (Brass Band Upper Austria) to be played at the European Brass Band Championships 2017.

My Violin Concerto is scored for a Classical-sized orchestra, with the addition of a harp and celeste, and lasts around 17 minutes. Although the work sets out to explore the lyrical characteristics of the solo instrument, it is only gradually that the violin finds its full, lyric voice, and thence, as the work progresses, a more dominant role. This, in one sense, is the 'journey' of the piece.The work's straightforward formal scheme consists of three movements (roughly fast-slow-fast) framed by a reflective introduction and epilogue. However, these formal divisions exist within a single, unbroken arc. Such an overall symmetrical shape places the slow Arioso (itself divided into three subsections) at the midpoint, sandwiched between the two Allegro movements. The dramaturgy of the piece centres on a twofold search. First there is the ongoing pursuit to 'recapture' the simple melodic material stated by the solo violin - accompanied by the harp's bass register - during the opening bars. Whilst aspects of this melody are invoked frequently throughout (especially in the violin cadenza which closes the Arioso movement), it is only with the final and most important climax of the work that the melody appears again in its complete form, now accompanied by violent, orchestral stabs. The second search is for a tonal resting place, the arrival of which is delayed until the close of the epilogue.The original version of the Violin Concerto, commissioned by the Netherlands Chamber Orchestra, was premiered in Amsterdam in February 2012 with Gordan Nikolic as soloist. The present, revised version was created for Barnabás Kelemen and the Hallé. The piece is dedicated, with admiration, to my friend Oliver Knussen. (Ryan Wigglesworth) / Violon Et Orchestre

From Walt Disney's Brother Bear-The English musician Phil Collins has written six new songs for the animated Walt Disney film Brother Bear. His catchy pop rock is well known and popular with a worldwide audience. In Brother Bear the young Kenai kills a grizzly bear to avenge his brother’s death. Then he is magically transformed into a bear himself and he makes friends with the bear cub Koda. Together they undertake a long exciting journey in search of the mountain where Kenai can become human again. Meanwhile Kenai’s remaining brother hunts them in order to avenge his family. Thus the main themes of Brother Bear are brotherhood and friendship. On My Way gives voice to the courage and the determinationthat characterise Brother Bear. Peter Kleine Schaars has produced an excellent arrangement for band which reflects the original film music very well.

Transcription and arrangement by Andrea Cappellari. Full score & 16 parts : 1) Recorder / 1) C Instr.(Flute Violin) / 1) Bb Instr.(Clarinet Soprano Sax. Trumpet) / 1) Eb Instr.(Alto Sax.) / 2) Recorder / 2) C Instr.(Flute Violin Oboe) / 2) Bb Instr.(Clarinet Soprano Sax. Trumpet) / 2) Eb Instr.Sax.) / 3) C Instr.(Violin Viola) / 3) Bb Instr.(Clarinet) / 3) Eb Instr.(Alto Sax.) / 4) C Instr.(Bass Cello Bassoon) / Guitar / Piano 1 / Piano 2 / Percussion / PLUS Choir (Voice 1 & 2)

Par WOLFF CHRISTIAN. Metal Percussion - Voice and/or Wind Instruments - / Contemporain / Répertoire / Ensemble Mixte

From Walt Disney's Brother Bear-The English musician Phil Collins has written six new songs for the animated Walt Disney film Brother Bear. His catchy pop rock is well known and popular with a worldwide audience. In Brother Bear the young Kenai kills a grizzly bear to avenge his brother’s death. Then he is magically transformed into a bear himself and he makes friends with the bear cub Koda. Together they undertake a long exciting journey in search of the mountain where Kenai can become human again. Meanwhile Kenai’s remaining brother hunts them in order to avenge his family. Thus the main themes of Brother Bear are brotherhood and friendship. On My Way gives voice to the courage and the determinationthat characterise Brother Bear. Peter Kleine Schaars has produced an excellent arrangement for band which reflects the original film music very well.

Variations on a melody by Adriaen Valerius (1575-1625)-Dutch composer artist and poet Adriaen Valerius is mostly remembered today for his collection of 79 songs for voice and lute or cittern published posthumously in 1626. Philip Sparke has taken one melody from this collection that tells of the War of Independence with Spain. The beautiful slow melody is followed by a series of lively variations to form an extremely entertaining piece that will bring great joy to all who perform and listen to it.

Originally to be called ‘Marina’ – String Quintet for twoviolins viola and two cellos arising following Roberts first encounter with Marina Tsvetaeva - 'I could never set her poetry to music but her passionate unquenchable voice seemed to want to be embodied musically...in the sound and ambivalent register of the Viola. Arranged for two Violins Viola and two Cellos. Throughout square pauses (G.P.) are variable in length their duration determined bythe performers depending upon the tension of the moment.  

Par CAVALLI FRANCESCO. In 1662, Cavalli’s career was at its zenith. The two dozen operas he had written for Venice had helped establish Venice as the world’s first operatic superpower. “Scipione Affricano” (Venice 1664), Cavalli’s first opera after returning from France, was one of his most successful compositions. In a period that valued new works over familiar ones, “Scipione” was one of a handful of operas to live on after its premiere season: it was revived eight times and chosen to inaugurate Rome’s Teatro Tordinona in 1671. Cavalli’s librettist, Nicolò Minato, was inspired by historical accounts of the life of the Roman general Scipio, whose defeat of Carthage in 202 BCE earned him the honorary agnomen “Africanus.” In setting Minato’s libretto, Cavalli drew upon the lyrical gifts that have made operas like “La Calisto” and “Giasone” so popular today. But at the same time “Scipione Affricano” also shows the composer embracing aspects of his two years in France, and responding to musical changes that, in the 1660s, were rapidly altering the face of Italian opera: the growing dominance of arias, a clearer sense of aria organization, and increased interplay between voice and instruments. The first goal of this edition is a practical one: to develop a version of the opera suited to the needs of both professional and student performers. A second goal is to reconstruct the opera’s complete performance history. An amply documented appendix reconstructs earlier versions of 21 arias. Other appendices print the surviving additional music from revivals in Rome and Venice. The edition is framed by a substantial Introduction, covering the drama, the musical style, the composition, premiere, and revivals, and a guide for performance today, plus a detailed “decoding” of the sources. - series Francesco Cavalli – Opere / Date parution : 2022-11-08/ Répertoire / Opéra

Mexcian-born composer Daniel Catán now resides in the United States. He originally composed Encantamiento for two alto recorders (50484728/$8.95). The composer has made two new versions of this haunting music.Catán has written extensively for the voice and his lyrical gift is apparent in his instrumental work as well.

Par MARSH LIN. Songscape contains twenty-four songs which cover an exciting range of musical styles - from ethnic music, theatre, pop classics and rounds, to Lin Marsh's own wonderful original pieces. All songs are presented for Piano, Voice and Guitar, but there are also opportunities to incorporate other school instruments such as Flute, Violin and Recorder in the performance. All songs have been selected and arranged or composed by Lin Marsh. Ideal for bringing confidence to classroom and concert singing so is a must for recently formed choirs. Every song in the collection has a proven appeal among young people. Suggestions for a variety of instrumental line-ups will bring instrumentalists on board. Full teacher's notes are included for each song. / Niveau : Facile / Date parution : 1999-05-20/ Répertoire / Matériel D'Orchestre

Muzika aizlidoju'ajiem putniem / Music for Fleeting Birds. Par VASKS PETERIS. This is the first of two works by the successful Latvian composer for this instrumentation. It was written in 1977 and shows his early compositional style: while freely notated in the beginning, improvisational sections then change over to chordal passages with sharply accentuated rhythm. It is particularly in the freely notated parts of the work that birdcalls and nature sounds appear as onomatopoeic sounds. The particular challenge is not in the virtuosity of the individual part, but in creating the special atmosphere through perfect harmony. As in most other works by the composer, the bond with nature plays a special role. Unlike any other composer, he gives nature a musical voice./ Répertoire / Flûte Traversière, Hautbois, Clarinette, Cor et Ba

Henry Mayer's classic Summer Wind has been wonderfully arranged here for voice and jazz ensemble by Dave Wolpe. This chart is an easy tempo swing arranged in two keys to feature vocal soloist with jazz ensemble with a brief tenor sax solo.