Edited by C.H. Trevor this book selectively compiles 27 intermediate standard pieces for organ. Although the pieces have suggestions for registration on an organ of two (and sometimes three) manuals all the pieces can be played effectively on a one-manual instrument with appropriate stops. The pedals can be used at the player's discretion. Composers such as Purcell Handel Charpentier Chauvet and Franck all appear in this edition which boasts music spanning 200 years and more.

Pendant son séjour à Weimar (1848-1861), Liszt a développé un style entièrement nouveau, puis d'organes qui se distingue par des éléments à la fois l'orchestre et pianistique. En collaboration avec le maître de chapelle Gottschalg Alexander Wilhelm (1827-1908) à partir Tiefurt, il a régulièrement lancé ce qu'on appelle des conférences d'organes '. Et c'était à la suggestion de GOTTSCHALG que l'arrangement actuel de la chorale de Saint-Jacques de 'Tannhäuser' l'opéra a été écrit. Avec sa version pour orgue, Liszt, par le biais de cet exemple, a jeté les bases pour la tradition (pas toujours incontestée), s'étendant à l'heure actuelle, de l'orgue des transcriptions des opéras de Wagner. Des organistique des éléments de la Pilgrims 'Choir sont le thème de choral classique, le solennel 'sacré' de l'atmosphère solennelle le tempo ainsi que la cantability expressive. L'intensification linéaire, du piano-orgue-antiphonaire comme dolce du début à la 'organe plein', peut être réalisé de manière convaincante avec un orchestralement conçu trois claviers orgue, avec l'utilisation sensible de la boîte expressive et la successive , transparente accumulation de la pédale de crescendo étant d'une importance particulière. Pièce du répertoire important marquant le 200e anniversaire de Richard Wagner en 2013. / Orgue

Léon Boëllmann (1862-1897) était un étudiant de l'Ecole Niedermeyer et a occupé le poste d'organiste titulaire à l'église de Saint-Vincent-de-Paul, Paris. Poursuivant dans la tradition de Saint-Saëns, Franck et Gigout, sa production de composition reflète le domaine élégant et sophistiqué de la 'Belle Epoque'.Ce nouveau volume contient les oeuvres de Boëllmann qui ont été transcrites pour orgue et harmonium par ses contemporains, ainsi que des oeuvres de compositeurs de l'époque qui ont été organisées par Boëllmann. L'édition comprend une préface détaillée (Fr / Eng / Ger) avec des conseils sur la pratique d'exécution et les pages de télécopie du manuscrit, ainsi que d'un commentaire critique (Fr / Eng / Ger).- Tout d'abord Urtext édition des oeuvres complètes de Léon Boëllmann en 7 volumes- Reflète recherches actuelles- s'appuie sur des sources nouvellement découvertes- Préface détaillée et critique commentaires (Fr / Eng / Ger)- Catalogue des sources disponibles ainsi que les pages de télécopie du manuscrit inclus / Orgue / Partition

Pièces extraites des opéras de Rameau et adaptées pour orgue ou pour clavecin par Yves Rechsteiner.

Préface, table d'ornements, registrations. / Classique / Partition / Agrafé /

The 'organ plus one? series was specially conceived for semi-professional church musicians and instrumentalists. It takes its bearings from the liturgical calendar and the pieces can be easily played in church services, evening recitals or small concerts.Included are pieces which are freely-composed or based on chorales, either original works or arrangements by the editor. In this volume the works relate to hymns of the Reformation, including some composed by Martin Luther.Enclosed in each edition are solo parts for C, B-flat, E-flat and F which can be played by violin, flute, oboe, clarinet, trumpet and horn in F. For use in church services, the chorale preludes are provided with accompaniments in the keys of the Lutheran hymnal. / Orgue

Arr. John Arkell. Par MASSENET JULES. Meditation from Thais has long been a popular piece in its original form for solo violin with orchestral accompaniment. In this arrangement the solo part is assigned to a solo stop with a light quaver accompaniment in the left hand. This piece provides an interesting and popular addition to the repertoire and will be suitable for many occasions. / Niveau : Intermédiaire / Recueil / Orgue

Volume VI presents 42 easy to moderately difficult pieces without pedal for organ or harmonium in every key, and brings the complete edition of Théodore Dubois' organ works to a close. With their contrasting length and character, the pieces offer a wide range of performance possibilities both inside and outside the liturgy. Since Dubois was a master of melody, several of the pieces can also be rendered on the piano, further enhancing the collection's practical value. / Orgue

This volume of six pieces includes Handel's The Arrival ofThe Queen of Sheba and Largo from Xerxes plus The Death of Ase from Peer Gynt. Grade: 4 - 7

These variations are based on some of the musical material which Geoffrey Burgon composed for the Granada Television adaption of Evelyn Waugh's 'Brideshead Revisited.'

The importance of Jan Pieterszoon Sweelinck (1562?1621) to the clavier music of the baroque era can hardly be overestimated. This scholarly performance edition by Siegbert Rampe is the first to present all of his keyboard works while distinguishing between?works of certain authenticity?, ?works of uncertain authenticity? and ?works of doubtful authenticity.?

The seven volumes of this edition, with commentary in German and English, stand at the cutting edge of musical scholarship. Volumes III.1 and III.2 contain, for the first time, all the chorale settings attributed to Sweelinck or handed down under his name.

Volume III.1 presents ten additional chorale and psalm settings and many facsimiles.

A detailed preface covers the sources, the music, the choice of instruments, and questions related to performance practice.


- Definitive complete Urtext edition in seven volumes
- Based on the latest findings of scholarship
- Detailed prefaces and critical report (German and English) as well as list of sources in each volume
- Notes on ornamentation


?All eight volumes inclu de commentaries in German and English and reflect the latest scholarly research. Highly recommended.?
(The American Organist August 2010)

?Anyone interested in scrutinizing the musical text, scouring for alternative versions, and thoroughly examining the sources should buy Rampe?s edition.?
(Musik und Kirche)

?? Bärenreiter?s offering will provi de you with an authoritative treasury of Sweelinck?s work.?
(Church Music Quarterly, 3-2007)

??a must for even serious organ student .?
(The Organ no. 336 ? May?June 2006) / Classique / Partition / Broché /

Gerard Bunk (1888?1958) was one of the greatest organists of the first half of the 20th century who, besides Reger, was able to develop his own characteristic style. His organ compositions divide into free individual works, character pieces, chorale preludes and six large-scale concert works.

Volume IV contains organ works composed between 1912 and 1915, comparable in quality with works by Max Reger and Sigfrid Karg-Elert. Harmonically bold and full of individual style, they are one of the last milestones in the late Romantic style before the advent of the Organ Reform Movement.

This Urtext edition, prepared by the composer?s grandson, is the result of extensive, meticulous research into the sources and reflects the latest musicological findings. Each volume contains a detailed foreword, numerous facsimiles and illustrations and a critical commentary.

The complete edition will comprise a total of six volumes.
- First complete Urtext edition
- Each volume contains a detailed foreword and critical commentary (Ger/Eng)
- Numerous facsimiles and illustrations / [Complete Organ Works, Volume IV] / Classique / Partition / Dos Carré Colllé /