(Two-Part Treble Voices with Keyboard and Optional Rhythm Accompaniment CD). By David Eddleman. Female chorus. For SA, Keyboard. Choral part(s). Standard notation. 12 pages. Published by Carl Fischer

Music Minus One B-flat, E-flat and Bass Clef Instruments. By Bryan Shaw and The MMO All-Star Rhythm Section. Music Minus One. Jazz and Play Along. Softcover instrumental solo part and 2 performance / accompaniment CDs. 39 pages. Music Minus One #MMO7010. Published by Music Minus One

(Based on Rock of Ages and The Church's One Foundation ). By Joel Raney. For SATB choir and piano with optional rhythm section. Octavo. 12 pages. Published by Hope Publishing Company

By Willie Hill. Edited by Pete Barenbregge. Jazz method book (rhy/cond). 96 pages. Published by Alfred Publishing.

(Powerful piano solos with rhythm section). By Mark Hayes. Sacred. Performance CD. Published by Lorenz Publishing Company

Arranged by Mary Mcdonald. For SATB choir and piano with optional rhythm section. The Mary McDonald Choral Series. CONVERSE, Hymntune, General Worship, Prayer, Sacred. Octavo. 8 pages. Published by Hope Publishing Company

By R Kevin Boesiger. Arranged by Mary Mcdonald. For SATB choir, piano (with optional rhythm section). Sacred Anthem, Ascension, Christ the King, General. Octavo. Published by Lorenz Publishing Company

Composed by Michael Engelhardt. For SATB choir, piano and optional rhythm. Gospel, concert. Difficulty: medium advanced (Jr. High/High School), medium (adult). Octavo. 20 pages. Duration 4 minutes, 13 seconds. Published by Hinshaw Music Inc.

By Willie L. Hill, Jr. For Rhythm Section / Conductor. Jazz Ensemble Method. Jazz Improvisation Series. Jazz; play along; play along. Book and CD. 72 pages. Published by Alfred Publishing.

Composed by Doug Beach, George Shutack. For jazz ensemble (4 horns plus rhythm section) with optional flute, clarinet & F horn. Doug Beach Jazz Foundations Series. Swing. Very Easy. Score and set of parts. Published by Kendor Music Inc

By The Real Group. By Anders Edenroth. RHYTHM SECTION PARTS. Walton Choral. Walton Music #WRG1019A. Published by Walton Music

By Greg Fishman. For saxophone duet. Play Along, Jazz. Book and 3 CDs. Published by Greg Fishman Jazz Studios.

By Chris Sharp. Beginning-Intermediate Jazz Ensemble. FJH Developing Jazz Ensemble. Score only. Full set (score and parts) also available: JE4129. Jazz Band. Level: Grade 2. Score. Composed 2006. Published by The FJH Music Company Inc.

Trombone

SKU: GF.JPTB

Composed by Greg Fishman. Play-Along (Book+CD). Published by Greg Fishman Jazz Studios (GF.JPTB).

Milwaukee Avenue

Ogden Avenue

Narragans ett Avenue

Belden Avenue

Chicago Avenue

Quincy Street

Rockwell Street

Dearborn Street

Franklin Street

Pearson Street

Jazz Phrasing for Trombone features ten melodic pieces which are easy to play, yet convey the essence of mainstream (Swing/Bebop/Bossa) jazz vocabulary. The pieces are catchy and melodic, demonstrating the use of sequence and voice-leading to make a musical statement.

This book includes a play-along CD featuring trombonist Russ Phillips playing each song with a world-class rhythm section. The CD also includes tracks featuring Greg Fishman demonstrating each song on alto saxophone, giving trombone players the option of playing along with Russ Phillips on trombone or with Greg Fishman on alto saxophone.

In addition, there are play-along tracks featuring just the rhythm section. These tracks are great for practicing the songs, chords, scales, voice-leading lines and soloing over the chords progressions.

Jazz Phrasing for Trombone will provide valuable insights into a melodic approach to jazz improvisation. This book is recommended for trombone players of all levels who wish to improve their tone, articulation, phrasing, and understanding of thematic development.

Special Features of Jazz Phrasing for Trombone:

o Suggested Use Section - Provides detailed instructions on a variety of ways to work with the book.
Style & Analysis Section - Provides clear, concise explanations of sequence, variation and voice-leading
Thematic Index - Lets you compare the opening themes of all ten songs in convenient two page at-a-glance format. Also includes detailed information on the opening interval of each song, as well as harmonic context of the opening interval.
Endorsements for Jazz Phrasing for Trombone:
Greg has done it again. Great melodies, interesting rhythms and beautiful chord progressions. This is the perfect foundation for learning jazz. - Jamey Aebersold
This book is a monument to Greg Fishman's superb teaching skills, as well as his clear understanding of the jazz student's early needs. He has purposefully selected accessible tempos, significant melodic rhythms (with their appropriate phrasing) and sensitive note choices, utilizing commonplace chord progressions within the jazz repertory, all impeccably demonstrated on the accompanying compact disc. This book is a must for the early conditioning of jazz students! - Jerry Coker
Greg Fishman has created a book of fun, well-written, catchy tunes in a variety of styles for developing jazz players---highly recommended. - Dr. Gregory W. Yasinitsky, Regents Professor of Music & Coordinator of Jazz Studies, Washington State University
Songs included in Jazz Phrasing for Trombone - Volume 1:
o Milwaukee Avenue
Ogden Avenue
Narragansett Avenue
Belden Avenue
Chicago Avenue
Quincy Street
Rockwell Street
Dearborn Street
Franklin Street
Pearson Street

A few words from the preface of the book:

Applying good phrasing to music is like using good punctuation in written or spoken language. It involves the grouping of ideas to make the meaning of the words clear to the listener. The words are grouped into sentences, and the sentences are then grouped into paragraphs. The same is true when interpreting a piece of music.

Good phrasing requires a musician to interpret the notes he plays, and determine which notes need to be grouped together to form a complete musical idea.

Each song in Jazz Phrasing for Trombone is designed to train your ear to hear the logical grouping of phrases through the use of sequence and thematic development.

While the art of good phrasing involves the interpretation of note groupings and their relationships, it also involves deciding where you're going to take a breath.

Read the following sentences aloud to compare examples of good and bad phrasing.

Good phrasing, spoken in one continuous breath:

Ladies and gentlemen, it gives me great pleasure to introduce the senior class president.

Bad phrasing, spoken with extra breaths, disrupting the flow and grouping of the words:

Ladies and gentlemen, it gives (breath) me great pleasure to introduce the senior class (breath) president.
The difference between these two sentences is very similar to the difference between a professional musician's phrasing and a student's phrasing. Both may be playing the correct notes with the correct rhythm, but the professional musician knows how to group the notes in a smooth, flowing fashion, while the student takes breaths at random, not even aware that he's disrupting the phrasing.

Jazz Phrasing for Trombone has been carefully designed to help you learn to phrase like a professional player.

These are pieces that will be fun for all musicians who love melodic writing with good thematic development..

Arranged by Chuck Israels. For little big band. Swing, Jazz. Difficult. Score and parts. Published by Jazz Lines Publications

By Ed Uribe. For Drum Set. Percussion - Drum Set Method or Collection. Latin. Book and 2 CDs. 332 pages. Published by Alfred Publishing.

Composed by Andrew D. Gordon and Frank Villafranca. Saddle stitch. Blues/Saxophone Instruction. Book and Downloadable audio. Duration 60 minutes. Published by ADG Productions

By Greg Fishman. For trumpet duet. Play Along, Jazz. Book and CD. Published by Greg Fishman Jazz Studios.

Common Rhythms and Progressions. By Mark John Sternal. For Guitar. Instructional DVD. Published by MJS.