Musique Chorale D'Amérique Latine. Pour les chorales qui souhaitent transmettre l'énergie, le rythme et la vitalité de l'Amérique latine dans leurs concerts, la série ' La voz latina ' est la ressource idéale. Le deuxième volume de cette série rassemble 17 pièces chorales vibrantes de la Bolivie, du Pérou, du Chili, de l'Uruguay et de l'Argentine. Des styles traditionnels comme Festejo et Candombe aux succès mondialement connus tels que Te recuerdo Amanda ou Alfonsina y el mar et aux arrangements de tangos de Piazzolla, cette collection capture la variété unique de l'Amérique latine. - Une collection variée de musique profane, avec quelques chants de Noël - Niveau facile à avancé - Présentations des chansons, traductions de tous les textes et conseils de prononciation - Edité par Werner Pfaff, spécialiste du chant choral, et Javier Zentner, spécialiste de la musique d'Amérique latine - Enregistrements audio et video de nombreuses pièces disponibles en ligne/ Recueil / Choeur Mixte SATB

Quatre motets Latins, Op.2 et 64 arrangé pour choeur et orgue / Chant Et Piano / 20 pages / Partition

Eight-part chorus (SATB/SATB). This Latin setting of the Nunc Dimittis for eight-part chorus was commission by Southern Cathedrals Festival as a counterpart to Charles Villiers Stanford's 1918 Magnificat (also in Latin and for eight-part chorus). It was premiered under the direction of Andrew Lumsden at the Festival Evensong on 19 July, 2008 in Winchester Cathedral by the combined Choirs of Winchester, Chichester and Salisbury Cathedrals. / SATB

With Latin music growing in popularity here is a fun way to integrate an important cultural phenomenon into your program. This collection of four traditional songs represent but four of the many Latin musical styles: from Mexico mariachi (Cielito Lindo) bolero (Sin Ti) and Latin rock (La Bamba) and from Cuba Son (Guantanamera).

Jubilate Deo was commissioned by William and Elizabeth Bayne for the Friends of Cathedral Music Cathedral of St John Albuquerque New Mexico as part of the Cathedral Commissions series. First performed by the Cathedral Choir under the direction of Iain Quinn with Maxine Thevenot organist. ' Tarik O’Regan’s setting in Latin was composed for the Cathedral of St John Albuquerque New Mexico. After a hushed unaccompanied opening that builds to a climax much of the choral writing is unison or homophonic supported by energetic syncopated organ accompaniment. This setting is the most contemporary sounding ofthose reviewed here but still very singable'RSCM (Sunday by Sunday - June 2011)

When the 3-part voicing was first released it was a groundbreaking choral for middle school voices setting Latin text in a contemporary fashion. Celebrating its first publication we now offer this top-selling title for concert and contest in new SATB and 2-part voicings with a new revised 3-part mixed. Kyrie with its staccato against legato singing Adoramus te with its simple melodic ballad feel Gloria in Excelsis Deo with its celebratory style and energy all in one choral that is a powerhouse for teaching and performing.