I have the pleasure of presenting the new Souza Lima playalong method series. This project is the result of extensive research and careful elaboration aiming at offering representative material on the most varied styles of Brazilian music to professional musicians, students, teachers and all those who take a general interest in this field of music. The focus of this series is on the language of instrumental music nowadays performed in Brazil, based on elements of modern improvisation. Each volume contains two CDs with seven pieces of music, which are presented in the following versions:1. Complete takes – in other words, the full versions of the pieces included in the book, which are performed by all the instruments playing simultaneously; 2. Without melody / solo part – so that the melodic instruments can play along with the recording, executing their own interpretations and practicing improvisations; 3. Without harmony – so that the harmonic instruments can practice the language of accompaniment, especially with regard to the rhythmic vocabulary of each style. 4. Without bass – so that the bassists can practice their traditional task of accompaniment while working on the rhythmic but also the harmonic aspects; 5. Without drums – so that the drummers can practice the rhythms characteristic of each piece of music but also create their own variations. Each book contains the scores in the form of lead sheets in four different versions: in C, Bb, Eb, and bass clef. Due to the widely defined concept of this method, it is important to point out that musicians playing transposing instruments might have to make adaptions when reading the scores. Wind instrumentalists are at liberty to carry out adjustments whenever these are called for in order to facilitate the musical execution. The Souza Lima playalong method series was not exclusively devised for musicians to learn and practise how to read scores and accompany the recordings. Try to be creative and explore each type of music in every way possible. Transcribing solos, rhythmic comping phrases, bass lines and drum grooves, for instance, can be an important tool in order to assimilate the elements of this language. The instrumentalists may place themselves in a new musical situation in addition / Jazz / Recueil / Instruments Mélodiques

Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)

Par KRETZSCHMAR GUNTHER. Gattungen: Kantaten - Reihen bei Carus: Singspiele und Musicals für Kinder - Langue : Allemand/ Répertoire / Choeur d'Enfants SA, Timbales, 2 Xylophones, Métal

Par KRETZSCHMAR GUNTHER. Gattungen: Kantaten - Reihen bei Carus: Singspiele und Musicals für Kinder - Langue : Allemand/ Répertoire / Choeur d'Enfants SA, Timbales, 2 Xylophones, Métal

Par KRETZSCHMAR GUNTHER. Gattungen: Kantaten - Reihen bei Carus: Singspiele und Musicals für Kinder - Langue : Allemand/ Répertoire / Choeur d'Enfants SA, Timbales, 2 Xylophones, Métal

Par YAMMINE HABIB. Une méthode unique pour aborder les nombreuses techniques de la darbouka et les divers rythmes arabes du Proche-Orient, d?Arabie et du Maghreb. Au sommaire : Théorie du rythme dans la musique arabe ? La périodicité ? Le juz? (Cellule rythmique minimale) ? Le temps premier ou temps de référence ? La darbouka, organologie et histoire ? Statut général de l?instrument ? Origine de la darbouka dans le monde arabe ? Les différents noms de la darbouka (tabla, dumbek ou doumbek , derbakke?) ? Les frappes de bases (Dum, Tak, Ka, Sak) ? Les frappes de blocages et de changement de timbre ? 22 Leçons pour progresser rapidement : Mesures 2 temps, 3 temps, 4 temps, 6/8 ? Divisions binaire et ternaire du temps ? Les accents ? Roulements de triples croches ? Ras des 4 doigts ? Les glissements ? Les 25 rythmes les plus connus du monde arabe : Rythmes 2 temps (Ayy b, Malfouf, Gubb hî?) ? Rythmes 4 temps (Masm dî saghîr, Maqs m, Wahda?) ? Rythmes 3 temps (Sam °î d rij?) ? Rythmes en 6/8 (Yuruk Sam °î, Berw lî?) ? Rythmes 8 temps (Chobî, Masm dî kabîr?) ? Rythmes impairs (Dawr hindî, Aqs q ifranjî?) ? Rythmes 10 temps (Sam °î thaqîl, Jorjina) ? Rythmes 12 temps (Dal° na, Hadd wî) ? Et des liens internet audio et vidéo pour illustrer tous les rythmes de la méthode?/ Méthode / Darbouka

Une collection qui regroupe une centaine de chansons transcrites en ligne mélodique, paroles intégrales et diagrammes d'accord guitare.Titres : A Sky Full Of Stars [Coldplay] - All About That Bass [Trainor, Meghan] - Addicted To You [Avicii] - All Summer Long [Kid Rock] - Applause [Lady Gaga] - Applaus, Applaus [Sportfreunde Stiller] - Atemlos Durch Die Nacht [Fischer, Helene] - Atlas [Coldplay] - Auf Anderen Wegen [Bourani, Andreas] - Auf Uns [Bourani, Andreas] - Back Home [Kalkbrenner, Fritz] - Best Day Of My Life [American Authors] - Bigmouth Strikes Again [Smiths, The] - Blame [Harris, Calvin] [Newman, John] - Black Saturday [Diao, Mando] - Blame It On Me [Ezra, George] - Budapest [Ezra, George] - Bleeding Love [Lewis, Leona] - Calm After The Storm [Common Linnets, The] - Dear Darlin' [Murs, Olly] - Demons [Imagine Dragons] - DJ Got Us Fallin' In Love [Usher] - Don't [Sheeran, Ed] - Everyday Is Like Sunday [Morrissey] - Einmal Um Die Welt [Cro] - Fallin' [Keys, Alicia] - For All Lovers [Stanfour] - Fade Out Lines [Avener, The] - Fever [Black Keys, The] - Get Lucky [Daft Punk feat. Pharrell] - G.U.Y. [Lady Gaga] - Ghost [Henderson, Ella] - Good Life [OneRepublic] - Hallelujah [Cohen, Leonard] - Hard Out Here [Allen, Lily] - Habits (Stay High) [Lo, Tove] - Happy [Williams, Pharrell] - Hero [Family Of The Year] - Ho Hey [Lumineers, The] - Hey Brother [Avicii] - I Love You [Woodkid] - I Will Wait [Mumford and Sons] - I See Fire [Sheeran, Ed] - I See You [Lewis, Leona] - Ich Lass Für Dich Das Licht An [Revolverheld] - If I Were A Boy [Beyonce] - Immer Da Wo Du Bist Bin Ich Nie [Element Of Crime] - In Between Days [Cure, The] - Is It Right [Elaiza] - Just Give Me A Reason [P!ink feat. Nate Ruess] - La La La [Naughty Boy] [Smith, Sam] - Lifesaver [Sunrise Avenue] - Lieder [Tawil, Adel] - Let Her Go [Passenger] - Losing My Religion [R. E. M.] - Love Me Again [Newman, John] - Lovers On The Sun [Guetta, David] - Love Runs Out [OneRepublic] - Maps [Maroon 5] - Money On My Mind [Smith, Sam] - New York, Rio, Rosenheim [Stiller, Sportfreunde] - On Top Of The World [Imagine Dragons] - One Of Us [ABBA] - Optimistisch [Goldenbaum, Martin] - Ordinary Love [U2] - Pale Shelter [Tears For Fears] - Ride [Lana Del Rey] - Rise Like A Phoenix [Wurst, Conchita] - Rude [Magic!] - Run Boy Run [Woodkid] - Safe And Sound [Capital Cities] - Save Tonight [Eagle Eye Cherry] - Saysaysay [Beatsteaks] - She Moves [Farben, Alle] - Starman [Bowie, David] - Stay The Night [Blunt, James] - Stay With Me [Smith, Sam] - Stolen Dance [Milky Chance] - Supersoaker [Kings Of Leon] - Sunday Bloody Sunday [U2] - Take Me To Church [Hozier] - Team [Lorde] - The Big Bang Theory Theme [Barenaked Ladies] - The Chamber [Kravitz, Lenny] - The Hanging Tree [Howard, James Newton] - The One [Aneta] - Things We Lost In The Fire [Bastille] - Traum [Cro] - Walk [Kwabs] - Waves [Mr Probz] - West Coast [Lana Del Rey] - Who Knew [Pink] - When The Beat Drops Out [Roudette, Marlon] - Who's That Girl? [Eurythmics] - Wings [Birdy] - Wrecking Ball [Cyrus, Miley] - Wir Werden Uns Wiedersehen [Selig] - Your Song [Goulding, Ellie] - Your Wish [Talisco] - Zeit Zu Gehen [Unheilig] / Ligne De Mélodie, Paroles Et Accords

8 volumes allant de la fin du XIXe siècle aux années 1980. 301 chansons par volume, pour tout musicien (ligne mélodique, accords, paroles). Une présentation soignée : reliure cartonnée, spirale intérieure. Editions CSDEM / Piano/Vocal/Guitare (PVG) / Partition

Par POOS HEINRICH. Gattungen: Kirchenlieder, Sätze - Verwendung / Kirchenjahr: Wei cor achten - Langue : Allemand / Hymnes et chorals / Répertoire / Choeur SAM, Instruments Mélodiques et Instrument à

Par GRAAP LOTHAR. Gattungen: Kantaten - Verwendung / Kirchenjahr: Ostern und nachösterliche Freudenzeit - Langue : Allemand/ Répertoire / Solo M et Choeur SAM

Tonalité : C-Dur -. Par HORN PAUL. Gattungen: Kantaten, Psalmen, deutsch - Verwendung / Anlässe: L Hautbois und Dank - Langue : Allemand/ Répertoire / Choeur SAM, 2 Instruments de Mélodie et Orgue (Ins

Tonalité : F-Dur -. Par HORN PAUL. Gattungen: Kantaten - Verwendung / Kirchenjahr: Wei cor achten - Langue : Allemand/ Répertoire / Choeur SAM, 2 Instruments de Mélodie et Orgue (Ins

Tonalité : C-Dur -. Par HORN PAUL. Gattungen: Kantaten - Langue : Allemand/ Répertoire / Choeur SAM, 2 Flûtes à Bec (2 Instruments Mélodiqu