Will Todd, né en 1970, est de forger une solide réputation pour lui-même comme un compositeur qui est tout aussi à l'aise en opéra, oratorio, musique d'église et jazz. Son style est immédiatement accessible et durablement mémorable. Il a passé ses années de formation imprégnées de jazz et de la tradition chorale anglaise donc dans sa musique chorale, il est capable de juxtaposer lecteur rythmique solide et des harmonies riches avec des lignes vocales délicieusement lyriques.Ce paramètre glorieux de mots paraphrasées par Bède le vénérable (une citation d'un des prières de Bède le vénérable qui se bloque sur le mur est au-dessus de sa tombe dans la cathédrale de Durham) a été écrit pour un mariage en 1995. Simple choral écrit soutenues par une partie de l'orgue lumineux se combinent pour créer un hymne de la beauté et la radiance. / Choeur Mixte (SATB) Et Orgue

Par LAURIDSEN MORTEN. Morten Lauridsen's setting of Lux Aeterna , a five movement, non-liturgical requiem for choir and chamber orchestra/organ is a rich and intensely moving work. Choral textures are fully explored, from the sonorous, slow unfolding of the Introitus and the intricate counterpoint and paired voices of In Te, Domine, Speravi , to the cappella motet O Nata Lux and spirited canticle Veni, Sancte Spiritus . The last movement, a sublime Agnus Dei preceding the final Lux Aeterna , closes with a joyous Alleluia to provide an uplifting conclusion to this most powerful work. Available here is the vocal score for SATB divisi chorus, with Organ Accompaniment. / Niveau : Assez Facile / Répertoire / Chorale

Cette masse a été commandé pour la gloire de Dieu dans l'année du millénaire du Jubilé, et a d'abord été effectuée sur la fête du Corpus Domini par la chorale de la cathédrale de Westminster, à Londres, avec Andrew Reid (orgue), réalisé par Martin Baker.Le réglage a été adapté à la nouvelle traduction anglaise en 2012. La première représentation de cette version a été donnée lors de la fête de Corpus Christi 2013 par le Choeur de la cathédrale de Westminster, avec Peter Stevens (orgue), réalisé par Martin Baker. / Choeur Mixte (SATB) Et Orgue

Continuant la richesse de la musique chorale de Maxwell Davies grâce à son rôle de maître de musique de la Reine, ' An céleste Song ' est le deuxième carol délicieux à la Royal Collection' et est adapté pour les chorales dans tous les domaines. / Choeur Mixte (SATB) Et Orgue

Ecrit pour souligner le 60e anniversaire de la fin de la seconde guerre mondiale, cette oeuvre chorale courte est appropriée pour professionnels, amateur et refrains églises. L'utilisation des textes bibliques (Esaïe) donne cette pièce un sentiment de cérémonie, et elle a été créée à la Service de Thanksgiving de 2005, en présence de sa Majesté la Reine. / Choeur Mixte (SATB) Et Orgue

MacMillan and rsquo -s à grande échelle festivals paramètres du ' Magnificat ' et ' Nunc Dimittis ' peuvent être effectuées avec orgue ou orchestre. Le ' Magnificat ' a été commandé par la BBC pour la première Evensong chorale du nouveau millénaire et le Nunc Dimittis par la cathédrale de Winchester. Le style choral est simple et souvent homophoniques (inhabituelle pour le compositeur), comme dans la célébration Gloria. Une grande partie de l'élaboration de l'imagerie textuelle se produit dans les épisodes non-choral introspectifs, teintée de Messiaen, évoquant la soirée et chants d'oiseaux. / Choeur Mixte (SATB) Et Orgue

The text of Susanni is a translation of Martin Luther's hymn of 1535, Vom Himmel hoch . The music is based loosely upon the well-known chorale melody, which, at times, is quoted in full in both voices and organ. Except where indicated, singers should adopt a legato style, especially in the repeated quaver patterns. In the bars which appear to be in compound time, conductors should beat in crotchets. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Bill Ives has spent his life in choral music - as a singer, conductor, teacher and composer (writing as Grayston Ives). He was a chorister at Ely Cathedral and later studied music at Cambridge, taking composition lessons with Richard Rodney Bennett. After Cambridge he sang in Guildford Cathedral Choir before joining the King's Singers, with whom he recorded and performed worldwide. For eighteen years he directed the Choir of Magdalen College, Oxford. During his tenure the choir earned a Grammy nomination for a disc of music by Orlando Gibbons, and gave the première of Paul McCartney's Ecce Cor Meum, written especially for them. In 2008 his work as a composer and conductor of church music was recognised with the award of a Lambeth DMus and a Fellowship of the Royal School of Church Music. / Choeur SATB Et Orgue

Following an initial quite straightforward first verse the melody moves to the Tenor Voice with the Soprano and Alto harmony sometimes crossing over. In the third Voice unaccompanied Chorale is used. In the fourth and final Voice a few Soprano Voices provide a descant. This moving arrangement of Lord of All Hopefulness by Dr Barry Rose was written in the fullness of a long distinguished career that included thirty years as Organist at Guildford Cathedral. His last post was Organist and Master of the Choristers for St Albans Cathedral

The text of Susanni is a translation of Martin Luther’s hymn of 1535 Vom Himmel hoch. The music is based loosely upon the well-known chorale melody which at times is quoted in full in both voices and organ. Except where indicated singers should adopt a legato style especially in the repeated quaver patterns. In the bars which appear to be in compound time conductors should beat in crotchets.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yetaccessible repertoire in an exciting variety of styles. Bill Ives has spent his life in choral music as a singer conductor teacher and composer (writing as Grayston Ives). He was a chorister at Ely Cathedral and later studied music at Cambridge taking composition lessons with Richard Rodney Bennett. After Cambridge he sang in Guildford Cathedral Choir before joining the King’s Singers with whom he recorded and performed worldwide.For eighteen years he directed the Choir of Magdalen College Oxford. During his tenure the choir earned a Grammy nomination for a disc of music by Orlando Gibbons and gave the première of Paul McCartney’s Ecce Cor Meum written especially for them. In 2008 his work as a composer and conductor of church music was recognised with the award of a Lambeth DMus and a Fellowship of the Royal School of Church Music.

Sing, Choirs! is a library in miniature. It contains many of the Christian church's popular traditional anthems, including at least one example that will be suitable for each of the major services of the year. A number of Anglican chants (Psalms, Magnificat and Nunc Dimittis) are included, set out in a way that should enable those who are unfamiliar with the style to perform them easily. The selection of movements from the Mass can be used to enrich the music of the liturgy in services. Many of the works in Sing, Choirs! are presented in their original form, such as Bruckner's Locus Iste and Mozart's Laudate Dominum . Others are arrangements, adaptations or longer pieces, abridged to bring them into the scope of a useable anthem, including choral arrangements of Handel's Largo , the Ave Marias by Schubert and by Bach and Gounod, and Franck's Panis Angelicus amongst many others. This collection has practicability as a priority. The Organ parts can be played on either the Piano or the Keyboard. Much of the music in Sing, Choirs! will be suitable for special occasions, making this an indispensable volume for choirs singing at weekly church services, weddings, funerals and in the concert hall. / Choeur Mixte (SATB) Et Orgue

Les oeuvres pour orgue de Gerard Bunk (18881958) sont de plus en increasinglyimportant à des concerts et des publications, tandis que sa musique chorale a jusqu'ici restée pratiquement inconnue.Cette première édition Urtext présente ses quatre oeuvres chorales les plus importants (op. 47, op. 72, op. 77 et op. 83), allant de trois parties choeur de femmes à travers de huit parties choeur mixte. Ces travaux sont idéales pour les choeurs ambitieux qui souhaitent élargir leur répertoire pour y inclure la musique attrayante dans styleand romantisme tardif qui peut être réalisé dans des concerts ainsi que des services religieux. première publication des oeuvres chorales de Bunk Avec une préface détaillée et un commentaire critique (Ger / Eng) Extension du répertoire pour choeurs ambitieux Chant choral dans le style romantique tardifles rédacteursJan Boecker est le petitfils de Gerard Bunk et rédacteur en chef de l'orgue et des oeuvres chorales de son grandpère.Klaus Eldert Müller a été maître de chapelle et organiste à la Stadtkirche St. Reinoldi à Dortmund depuis 2005. / Choeur

'Seven Anthems' includes seven of Edward Elgar's most popular works. Six are arranged for SATB and Organ accompaniment while one more is arranged for SA and Organ accompaniment. Works included are: Doubt not thy Father’s care (SA) from The Light of Life  Fear not O land (SATB) Harvest Anthem  Light of the world we know thy praise (SATB) from The Light of Life  Light out of darkness (SATB with divisions) from The Light of Life  O hearken Thou (SATB with divisions) arranged by the composer from the Coronation Offertorium  The Spiritof the Lord is upon me (SATB)from The Apostles and They are at rest (SATB unaccompanied)    

Par RUTTER JOHN. for SATB and organ or orchestra This gentle yet uplifting carol was commissioned for the Choir of King's College, Cambridge, and was first performed during the 2012 Festival of Nine Lessons and Carols. The text, written by the composer, is inspired by the fifteenth-century Corpus Christi Carol. / Date parution : 2023-06-01/ Répertoire / SATB et Piano ou Orchestre

Magnificat & Nunc Dimittis-Nico Muhly's Second Service (Magnificat & Nunc Dimittis) sheet music arranged for SATB (Soprano/Alto/Tenor/Bass) Chorus and Organ accompaniment. This piece was originally commissioned by the Choir of Christ Church Christiana Hundred from Delaware USA and was first performed on 19th October 2014 by them. After its various premieres internationally the Second Service was met with resounding warm reviews praising its percussive qualities beautiful melodies and dynamic rhythms. The work is a pleasure to sing especially when beneficial acoustics complement the warmth of the vocalharmonies. Nico Muhly is a composer of many talents lending his skills to a number of diverse genres including Orchestra Choral and even Film Music. This work is arranged for SATB Chorus and Organ accompaniment and lasts around 14 minutes. With this composition Muhly has set the traditional Magnificat also known as the 'Song of Mary' joining the long list of composers who have set this work such as Mozart Tchaikovsky and Schubert. Next comes the Nunc Dimittis similarly a canticle found in the gospel of Luke. The Second Service (Magnificat & Nunc Dimittis) is presented here in an accurate transcription for SATB Chorus and Organ. Audiences will love this innovative and contemporary setting of such traditional words. 

Par WHITBOURN JAMES. This glorious collection of beautiful choral music by composer James Whitbourn includes fifteen short works drawn from his oeuvre from the first few years of the 21st century. Many of his greatest compositions are included in The Choral Collection, with many of the pieces working perfectly for seasonal performances, while also reflecting the many fruitful collaborations of Whitbourn's distinguished career. All works are arranged for SATB Choir. James Whitbourn has become renowned throughout the world for his acclaimed compositions and settings of numerous texts. He has been described as truly original and an innovator of contemporary British choral music, collaborating with people like Archbishop Desmond Tutu and the Choir of King's College, Cambridge. The former appears here, as A Prayer Of Desmond Tutu, a setting of one of the Archbishop's prayers. His arrangements and compositions for the King's College Choir have been universally critically acclaimed, with A Great And Mighty Wonder, Nunc Dimittis and Were You There? representing these hugely popular collaborations. Whitbourn has also had a very close relationship with the BBC since his beginnings as a composer, working with them on three pieces within The Choral Collection. Eternal Rest and Give Us The Wings Of Faith were both composed specifically for television broadcast, the former (in its orchestral form) was played for the funeral of the Queen Mother in 2002. His longest work, for which he is most famous, is a setting of text from'the Diary of Anne Frank'. There Is No Speech Or Language comes from this work, taking its text from other sources, but that still maintain the beauty and tragedy of the wider piece. The Choral Collection of fifteen compositions by James Whitbourn is full of beautiful, haunting, uplifting and inspiring melodies for SATB Choir and Organ Accompaniment from one of the most treasured British choral composers. The brilliant choice of texts throughout is matched only by the sheer compositional skill of Whitbourn in evoking the emotions of the words in the musical form. Also included are suggestions for seasonal song use, a list of recordings, and fascinating song notes written by Whitbourn himself. The joy of choral singing is nowhere more evident than in a work by James Whitbourn, and performances of any piece within this collection is sure to be remembered for a long time to come./ Recueil / Choeur Mixte (SATB) et Orgue