Un oratorio sacré, arrangé pour le SATB avec les partition de piano. Edité avec la diminution du piano, par Watkins Shaw. En édition livre de poche. / Chant Et Piano / Partition

Un paramètre pour SATB choeur A Cappella (divisi: 5 Sopranos, 4 Altos, 3 ténors, 3 Basses). Le texte, Octavio Paz a été traduit de l'espagnol original par Muriel Rukeyser. / Chant Et Piano

Hardback Cloth Edition Vocal Score-A sacred oratorio arranged for SATB with Piano arrangement of Orchestral score. Edited and the orchestral accompaniment arranged for performance with organ or for piano rehearsal by Watkins Shaw.Hardback Cloth Edition.

A Choral Suite in eight movements for SATB (multi divisi). The texts are taken from different sources including Chuang Tse an Acoman Indian and a poem written by a young Czech victim of Auschwitz.Scored for 4 Sopranos 3Altos 3 Tenors and 3 Basses (SSSSAAATTTBBB) a cappella.

This is the full score of Herbert Howells' 1950 composition Hymnus Paradisi for Soprano and Tenor Soli SATB chorus and orchestra. Now available for the first time in print this score has been prepared from the known sources revised and edited with critical commentary and includes a preface by Paul Spicer and introductory notes by Sir David Willcocks. Four of the choral movements (II-V) are settings of Latin and English texts. These are drawn from the Psalms and the 'Miss pro defunctis' the book of Common Prayer and are immemorial reflections upon the transient griefs and indestructible hopes of mankind. All are appropriate to the mood and purpose ofa Requiem. Movement VI is a setting of lines from the Salisbury Diurnal used here in the translation by Dr G. H. Palmer appearing at the end of Robert Bridges' Anthology The Spirit of Man. The first performance was at the Three Choirs Festival at Gloucester on 7th September 1950 which the composer conducted. The Bach Choir gave the first London performance early in 1951 and recorded the work in 1970 with the Philharmonia Orchestra under Sir David Willcocks.

For SATB Choir (with Divisions). These works may be performed ad libitum with instruments regular with renaissance performance practice.

Anthem To St David is a beautiful choral piece setting a poem by Gordon Graham expertly composed for SATB choir by Paul Mealor.Anthem To St David was composed for the centenary celebration of R. S. Thomas (1913-2000) at All Saints’ Episcopal Church Princeton New Jersey.

Let God Arise is one of the twelve anthems which Handel wrote for the Duke of Chandos in the period 1716-1718. This anthem was written for soprano and tenor soli SATB chorus and orchestra.This vocal score edited by Janet Beat includes a piano accompaniment.

All Wisdom Cometh From The Lord is a setting of text from Ecclesiasticus for unaccompanied SATB Choir.The work was commissioned by the University of St Andrews to celebrate its 600th anniversary and was premiered by St Salvator's Chapel Choir conducted by Thomas Wilkinson on 13 September 2013.All Wisdom Cometh From The Lord was composed by Paul Mealor. The Welsh composer who is most famously known for his composition Ubi caritas which was written for the wedding of Prince William and Catherine Middleton

Atma Mass was commissioned by Liverpool Cathedral for the Centenary of the Laying of the Foundation Stone. First performance on 18th July 2004 at the Centenary Eucharist by the choir of Liverpool Cathedral conducted byIan Tracey.

Unknown Italian Cathedral Music of the early 16th Century edited by Knud Jeppesen.

For Three Choirs (SSAA SATB ATBB). Edited from the single voice-part books in Osterreichische Nationalbibliothek in Vienna by C.F.Simkins.

Sacred Music Part 2 Nine Anthems-Nine Anthems with Strings. Purcell Society Edition No.14.

Four of the finest of all settings of the English language canticles. Over the past quarter of a century Howells has emerged as among the greatest and certainly most widely performed composers of choral liturgical works of the last hundred years.At last his most important Services appear in a series of four handsome collections that link geographically the cathedral choirs for which they were written newly edited with interpretative notes by David Hill.