Op. 38. Par ELGAR EDWARD. This is the best of me, wrote Edward Elgar after the final measure of his Dream of Gerontius. Premiered in 1900, in Great Britain the work has long been a standard work in the repertoire of large oratorio choirs. Elgar?s moving, poetic setting of the eponymous poem by Cardinal John Henry Newman is about a dying man and his journey beyond death to God. Before the eyes of the listeners, a musical image of the soul is created which flies past mocking demons to God with its protecting angel at its side, is allowed to look at him briefly, then faces the purgatorial fire of salvation confident and comforted. The work is a real rarity in the history of oratorio, and for large choirs it is a thrilling alternative to the established repertoire of Requiem settings. Its popularity is thanks to the suggestive, often sensuous power of the music, the great choral scenes of the demons and the Angel, and the three impressive solo parts. All previous editions were reprints based on the historic first printed materials, which are inconsistent. By contrast, Carus has produced a modern, newly-engraved edition, compatible in all sections, which takes all the sources into consideration and evaluates the autograph manuscript in detail. For this edition the complete orchestral material is available on sale, and the vocal score and full score contain both English and German singing texts. The full score is also available digitally. / Date parution : 2022-05-31/ Répertoire / Solistes, Ch?ur SATB et Orchestre

Reconstruction by Klaus Hofmann - BWV 80a / 80.1. Par BACH JOHANN SEBASTIAN. / Date parution : 2022-05-03/ Répertoire / Soli [SATB], Ch?ur SATB, Hautbois, 2 Violons, Alto

Kantate Zum Sonntag Septuagesimae. Par BACH JOHANN SEBASTIAN. Tonalité : h-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 92/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois d'Amour, In

Tonalité : D-Dur - Op.: 86 -. Par DVORAK ANTONIN. With its traditional forms and proven compositional models, its original ideas, which are sometimes marked by a folk- or folksong-like melodic character, and with its harmonic richness, Dvorák’s D major Mass serves in its liturgical context to express the worship of God. The Mass is characterized by lyrical meditation rather than by dramatic immediacy. / Messe / Répertoire / Orchestre: Solistes SATB, Choeur SATB, 2 Hautbois,

G-Dur. Par BACH JOHANN SEBASTIAN. Tonalité : G-Dur - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 100/ Répertoire / Solistes SATB, Choeur SATB, 2 Cors (2 Trompettes),

Kantate Zum 3. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Bach composed BWV 135 as the fourth cantata in the second annual cycle of Leipzig cantatas. The hymn 'Ach Herr, mich armen Sünder' was written in the 16th century to the tune of 'Herzlich tut mich verlangen'. The unidentified Leipzig librettist of the 2nd cycle of chorale cantatas made free use of this hymn as the basis of an exemplary cantata text. / Date parution : 2004-03-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,

Kantate Zum Sonntag Exaudi. Par BACH JOHANN SEBASTIAN. Tonalité : a-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 183 / Date parution : 1984-01-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois d'Amour, 2

Kantate Zum Sonntag Jubilate. Par BACH JOHANN SEBASTIAN. Tonalité : d-Moll - Horn, Paul (Arr.) - Drinker, Henry (Trad.) - BWV 146/ Répertoire / Solistes SATB, Choeur SATB, Flûte Traversière, 2 H

Kleine Credomesse. Par MOZART WOLFGANG AMADEUS. Im Sommer 1774 schrieb Mozart in unmittelbarer zeitlicher Nachbarschaft zwei Messen, die Missa brevis in F KV 192 und die Missa brevis in D KV 194. Beiden Kompositionen eigen ist eine jeweils mehr oder weniger stark ausgeprägte Neigung zur kontrapunktischen Schreibweise. Dabei versucht Mozart die althergebrachten polyphonen Techniken mit einer modernen Tonsprache zu verbinden. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons et Basse Con

Kantate Zum 1. Weihnachtstag. Par BACH JOHANN SEBASTIAN. Tonalité : C-Dur - Horn, Paul (Arr.) - Lunn, Jean (Trad.) - BWV 63/ Répertoire / Solistes SATB, Choeur SATB, 4 Trompettes, Timbales

Kantate Zum 19. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : g-Moll - Kubik, Reinhold (Arr.) - Lunn, Jean (Trad.) - BWV 5/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, Tromba Da

Kantate Zum 1. Advent. Par BACH JOHANN SEBASTIAN. Tonalité : h-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 62/ Répertoire / Solistes SATB, Choeur SATB, (Cto), 2 Hautbois, Ins

Ergänzt Von Robert D. Levin. Par MOZART WOLFGANG AMADEUS. The Requiem is known to the general public in the version undertaken immediately after Mozart's death by his pupil Franz Yaver Süßmayr. The attacks against Süßmayr's completion began in 1825, when the so-called 'Requiem Controversy' erupted. Over the last decade a number of musicians have attempted to cleanse the Requiem of the deficiencies introduced by Süßmayr. The completion published here takes into account the tendencies of the newer versions [such as revised instrumentation, or recomposition of some parts]. At this the character, texture, voice leading, continuity and structure of Mozart's music was observed. / Requiem / Répertoire / Solistes SATB, Choeur SATB, 2 Cors de Basset, 2 Ba

Nicolai-Messe. Par HAYDN FRANZ JOSEF. With the 'Missa St. Nicolai' and the 'Missa St. Joannis de Deo', his last two missae breves, Haydn also achieved masterworks in this category, and during his lifetime they numbered among his most popular works - as is shown by the numerous copies that have come down to us. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2