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Franz Schubert: Mass In A Flat D678: Mixed Choir: Score
366.50
Franz Schubert: Mass In A Flat D678: Mixed Choir: Score
Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Flöte, 2 Oboe, 2 Klarinette in b, 2 Fagott, 2 Horn, 2 Trompete, 3 Posaune, Pauke, Streicher, Orgel
[Partitur; Gesamtausgabe]
Barenreiter
The piano part has been thoroughly re-worked for this new vocal score of Schuber...
(+)
The piano part has been thoroughly re-worked for this new vocal score of Schubert?s Mass in A-flat major (D 678). Andreas Köhs' piano reduction reliably reflects Schubert?s orchestral score and is at the same time idiomatic piano writing.Bärenreiter?s new revised vocal score is compatible with the old vocal score as well as with the orchestral parts and the full score already available.
366.50 GBP - vendu par Musicroom GB
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Dream Of The Song (BENJAMIN GEORGE)
47.32
Dream Of The Song (BENJAMIN GEORGE)
Chorale
[Partition]
Faber Music Limited
Par BENJAMIN GEORGE. A beguiling 20-minute work for countertenor, women's voices...
(+)
Par BENJAMIN GEORGE. A beguiling 20-minute work for countertenor, women's voices and orchestra, Dream of the Song, George Benjamin's first work since his ground-breaking opera Written on Skin, was premiered in 2015 by the countertenor Bejun Mehta, the Netherlands Chamber Choir and the Royal Concertgebouw Orchestra conducted by the composer. Employing a reduced orchestra (two oboes, four horns, two percussionists and two harps and strings), the work sets verse by three major poets who spent formative years in Granada- two Hebrew poets of mid-11th century, Samuel HaNagid and Solomon Ibn Gabirol (sung by solo countertenor in English versions by Peter Cole), and Gabriel Garcia Lorca (sung by the female chorus in the original Spanish). This inspired pairing of texts creates a rich, melancholy and strange poetic conjunction, expressed most beautifully in the final movement which, overlaying soloist and choir, offers two simultaneous visions of dawn, conceived a millennium apart./ Répertoire / Choeur
47.32 EUR - vendu par LMI-partitions
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Wolfgang Amadeus Mozart: Missa in C major K.337: Mixed Choir: Vocal Score
14.50
Wolfgang Amadeus Mozart: Missa in C major K.337: Mixed Choir: Vocal Score
[Vocal Score]
Barenreiter
Missa solemnis-Mozart composed the Mass in C K.337 about one year after the Coro...
(+)
Missa solemnis-Mozart composed the Mass in C K.337 about one year after the Coronation Mass K. 317; 'nel Marzo 1780 in Salisburgo' he wrote on the first page of his original score. And just as was the case with K.317 this work together with a new church sonata (K. 336/336) will have been intended for the Easter High Mass in Salzburg Cathedral. The formal instrumentation of the score with oboes solo bassoon trumpets and timpani (but without horns) only serves to strengthen such a supposition.What is striking about the work is the rigorously contrapuntal Benedictus which forms a stark contrast to the similarly unusual Agnus Dei in which a solo organ alternating with theconcertante wind instruments (oboe and bassoon) provides a framework for the coloratura-rich part of the solo soprano.Urtext of the ?New Mozart Edition?Ideal for church services and concert performancesFull score & performance material (BA4881) and vocal score (BA4881-90) for sale
14.50 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Missa in C major K.337: Mixed Choir: Score
31.50
Wolfgang Amadeus Mozart: Missa in C major K.337: Mixed Choir: Score
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Barenreiter
Missa solemnis-Mozart composed the Mass in C K.337 about one year after the Coro...
(+)
Missa solemnis-Mozart composed the Mass in C K.337 about one year after the Coronation Mass K. 317; 'nel Marzo 1780 in Salisburgo' he wrote on the first page of his original score. And just as was the case with K.317 this work together with a new church sonata (K. 336/336) will have been intended for the Easter High Mass in Salzburg Cathedral. The formal instrumentation of the score with oboes solo bassoon trumpets and timpani (but without horns) only serves to strengthen such a supposition. What is striking about the work is the rigorously contrapuntal Benedictus which forms a stark contrast to the similarly unusual Agnus Dei in which a solo organ alternating with theconcertante wind instruments (oboe and bassoon) provides a framework for the coloratura-rich part of the solo soprano. Urtext of the “New Mozart Edition” Ideal for church services and concert performances Full score & performance material (BA4881) and vocal score (BA4881-90) for sale
31.50 GBP - vendu par Musicroom GB
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James MacMillan: A Child Is Born In Bethlehem: Men's Voices: Vocal Score
3.25
James MacMillan: A Child Is Born In Bethlehem: Men's Voices: Vocal Score
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Clavier
Boosey and Hawkes
Composed in 1978 this is a setting of a Dutch traditional carol. The work opens ...
(+)
Composed in 1978 this is a setting of a Dutch traditional carol. The work opens with an extended passage for solo Oboe molto rubato. The vocal writing includes sections for various combinations of voice-parts both with and without the Oboe. A further solo oboe passage brings the work soflty to a close. Suitable for advanced standard performers. The oboe part is available as a free download from Boosey.com.
3.25 GBP - vendu par Musicroom GB
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Dan Forrest: Requiem for the Living: SATB: Vocal Score
15.99
Dan Forrest: Requiem for the Living: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Hinshaw Music Inc.
Commissioned by the Hickory NC Choral Society for their 35th anniversary season ...
(+)
Commissioned by the Hickory NC Choral Society for their 35th anniversary season Dan Forrest's Requiem For The Living is scored for mixed choir with solos for boy soprano and/or mezzo-soprano soprano & tenor. The instrumentation is available for large orchestra or chamber ensemble. Combining both liturgical and non-liturgical texts in some cases the traditional texts are slightly re-arranged for contextual emphasis. This powerful five movement work projects a wide range of meaningful expression from a biting essay on the vanity and pain of existence to a plea for mercy and a celebration of eternal light. The work standsalone - but would be especially moving for all saints Good Friday or even Palm Sunday. Movements: Introit - Kyrie Vanitas Vanitatum Agnus Dei Sanctus Lux Aeterna 3. Instrumentations available on rental only: 1. Full orch. (HMB265a): 2 flutes 2 oboes 2 bb clarinets 2 bassoons 2 horns (or 1-4: if performing with a large choir horn lines may be doubled by a second player on each part) 2 bb trumpets 2 trombones bass trombone or trombone 3 tuba percussion (1 player: suspended cymbal crash cymbal bass drum triangle glockenspiel crotales (bowed) snare drum low tom-tom (opt.)(or other low drum) timpani (3) (one player) harp strings (min. Suggested count 4.4.2.2.1) full score. 2. Chamber version (HMB265b) - flute oboe horn in f (optional) combined percussion (one player: timpani suspended cymbal crash cymbal triangle glockenspiel crotales (bowed) snare drum low tom-tom (optional) (or other low drum) harp violin cello organ full score. 3. Expanded chamber version (HMB265c) - flute oboe horn in f(opt.) percussion from full orchestra version (1 player: suspended cymbal crash cymbal bass drum triangle glockenspiel crotales (bowed) snare drum low tom-tom (opt. or other low drum) timpani (3) from full orchestra version (1 player) harp strings from full orchestra version
15.99 GBP - vendu par Musicroom GB
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Betty Roe: The Heritage Of Children: Soprano & SATB: Vocal Score
6.99
Betty Roe: The Heritage Of Children: Soprano & SATB: Vocal Score
[Partition]
-
Intermédiaire
Thames Publishing
The Heritage of Children is a superb work by Betty Roe for Solo Soprano SATB ch...
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The Heritage of Children is a superb work by Betty Roe for Solo Soprano SATB choir children’s choir Oboe and Organ. Ten fantastic works by various poets have been beautifully set to music; including William Blake Ben Jonson William Wordsworth and Charles Causley. This work was commissioned by Liz and Brian Marcel to mark the adoption of their Roumanian daughter Jessica. It was first performed on November 20th 1994 at St. James Norlands Church London.
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Antonín Dvo?ák: Requiem Op.89 B.165 Chamber Version - Violin II: Mixed Choir:
5.50
Antonín Dvo?ák: Requiem Op.89 B.165 Chamber Version - Violin II: Mixed Choir:
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
Barenreiter
Standard choral work with a manageable reduced orchestration.A stylistically app...
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Standard choral work with a manageable reduced orchestration.A stylistically appropriate as well as tried and tested arrangement.Compatible with Vocal score H 2924-90.Dvo ák?s Requiem for soloists choir and orchestra is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber Orchestra based on the full score from the Complete Edition of the Works by Anton n Dvo ák.The arrangement dispenses with all the brass instruments except for a single Horn; all that remains of the Percussion arethe Timpani; the Organ has also been taken out. The cor anglais and Bass Clarinet parts can be replaced by an Oboe and Clarinet (ossia staves in score and parts).This arrangement which judiciously reduces the richness of Dvo ák?s original orchestration makes the work available to a broader range of performers outside professional circles.
5.50 GBP - vendu par Musicroom GB
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Antonín Dvo?ák: Requiem Op.89 B.165 Chamber Version - Wind Set: Mixed Choir:
28.50
Antonín Dvo?ák: Requiem Op.89 B.165 Chamber Version - Wind Set: Mixed Choir:
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
Barenreiter
Standard choral work with a manageable reduced orchestration.A stylistically app...
(+)
Standard choral work with a manageable reduced orchestration.A stylistically appropriate as well as tried and tested arrangement.Compatible with Vocal score H 2924-90.Dvo ák?s Requiem for soloists choir and orchestra is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber Orchestra based on the full score from the Complete Edition of the Works by Anton n Dvo ák.The arrangement dispenses with all the brass instruments except for a single Horn; all that remains of the Percussion arethe Timpani; the Organ has also been taken out. The cor anglais and Bass Clarinet parts can be replaced by an Oboe and Clarinet (ossia staves in score and parts).This arrangement which judiciously reduces the richness of Dvo ák?s original orchestration makes the work available to a broader range of performers outside professional circles.
28.50 GBP - vendu par Musicroom GB
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Antonín Dvo?ák: Requiem Op.89 B.165 Chamber Version - Full Score: Mixed Choir:
77.50
Antonín Dvo?ák: Requiem Op.89 B.165 Chamber Version - Full Score: Mixed Choir:
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
Barenreiter
Standard choral work with a manageable reduced orchestration.A stylistically app...
(+)
Standard choral work with a manageable reduced orchestration.A stylistically appropriate as well as tried and tested arrangement.Compatible with Vocal score H 2924-90.Dvo ák?s Requiem for soloists choir and orchestra is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber Orchestra based on the full score from the Complete Edition of the Works by Anton n Dvo ák.The arrangement dispenses with all the brass instruments except for a single Horn; all that remains of the Percussion arethe Timpani; the Organ has also been taken out. The cor anglais and Bass Clarinet parts can be replaced by an Oboe and Clarinet (ossia staves in score and parts).This arrangement which judiciously reduces the richness of Dvo ák?s original orchestration makes the work available to a broader range of performers outside professional circles.
77.50 GBP - vendu par Musicroom GB
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Antonín Dvo?ák: Requiem Op.89 B.165 Chamber Version - Violin I: Mixed Choir:
5.50
Antonín Dvo?ák: Requiem Op.89 B.165 Chamber Version - Violin I: Mixed Choir:
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
Barenreiter
Standard choral work with a manageable reduced orchestration.A stylistically app...
(+)
Standard choral work with a manageable reduced orchestration.A stylistically appropriate as well as tried and tested arrangement.Compatible with Vocal score H 2924-90.Dvo ák?s Requiem for soloists choir and orchestra is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber Orchestra based on the full score from the Complete Edition of the Works by Anton n Dvo ák.The arrangement dispenses with all the brass instruments except for a single Horn; all that remains of the Percussion arethe Timpani; the Organ has also been taken out. The cor anglais and Bass Clarinet parts can be replaced by an Oboe and Clarinet (ossia staves in score and parts).This arrangement which judiciously reduces the richness of Dvo ák?s original orchestration makes the work available to a broader range of performers outside professional circles.
5.50 GBP - vendu par Musicroom GB
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STABAT MATER (DVORAK ANTONIN) (DVORAK ANTONIN)
20.10
STABAT MATER (DVORAK ANTONIN) (DVORAK ANTONIN)
Chorale SATB
SATB, Piano
Carus Verlag
Par DVORAK ANTONIN. Antonin Dvorák?s impressive Stabat Mater for soloists, chor...
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Par DVORAK ANTONIN. Antonin Dvorák?s impressive Stabat Mater for soloists, chorus and orchestra is probably the best-known of the composer?s sacred works. Some painful experiences in 1875 his first daughter died, and in 1877 he lost two other children in quick succession may have led to Dvorák?s preoccupation with the suffering of the Mother of God, who stands weeping beneath the cross of her son. The music enters into the different moods of the liturgical texts with great sensitivity. Nine movements in slow to moderate tempi serve as a kind of Passion meditation, before the ecstasy of a vision of the resurrection wins the upper hand at the end of the tenth movement. With our newly-publishedarrangement for chamber orchestra (flute, oboe, clarinet, horn, bassoon, timpani, and strings), smaller choirs now have the opportunity of performing this work without the choir being drowned out by a large-scale symphony orchestra. The symphonic character of the work is nevertheless preserved. This scoring offers an optimal balance between transparency and orchestral sound. All vocal parts (soloists and chorus) are identical with the original version. Vocal score and choral score can be used also together with the original version, which is in preparation. / Date parution : 2023-06-02/ Répertoire / Choeur Mixte SATB et Piano
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Henry Purcell: Purcell Society Volume 12 - The Fairy Queen: Opera: Score
39.95
Henry Purcell: Purcell Society Volume 12 - The Fairy Queen: Opera: Score
Opéra
[Partition]
Novello & Co Ltd.
The Fairy Queen (Full Score)-Purcell Society Edition No.12. The Fairy Queen In ...
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The Fairy Queen (Full Score)-Purcell Society Edition No.12. The Fairy Queen In Full Score. The drama adapted from Shakespeare's A Midsummer Night's Dream. The work may be perfomed with a minimum of five soloists: Soprano I Soprano II Alto or countertenor or Tenor Tenor Bass. The orchestral scoring consists of two recorders two oboes two trumpets timpani strings and continuo. Orchestral parts are available for hire from the publisher. Vocal Score available for sale.
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Missa Nr. 9 In D (HEINICHEN JOHANN DAVID)
46.40
Missa Nr. 9 In D (HEINICHEN JOHANN DAVID)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
Carus Verlag
Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring mus...
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Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the “Gloria” and “Credo, ” which recommends the Mass for concert performances. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
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Missa Nr. 9 In D (HEINICHEN JOHANN DAVID)
22.70
Missa Nr. 9 In D (HEINICHEN JOHANN DAVID)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring mus...
(+)
Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the “Gloria” and “Credo, ” which recommends the Mass for concert performances. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
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Missa Nr. 9 In D (HEINICHEN JOHANN DAVID)
81.90
Missa Nr. 9 In D (HEINICHEN JOHANN DAVID)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring mus...
(+)
Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the “Gloria” and “Credo, ” which recommends the Mass for concert performances. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
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Missa Nr. 9 In D (HEINICHEN JOHANN DAVID)
10.90
Missa Nr. 9 In D (HEINICHEN JOHANN DAVID)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring mus...
(+)
Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the “Gloria” and “Credo, ” which recommends the Mass for concert performances. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
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Missa Nr. 9 In D (HEINICHEN JOHANN DAVID)
10.90
Missa Nr. 9 In D (HEINICHEN JOHANN DAVID)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring mus...
(+)
Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the “Gloria” and “Credo, ” which recommends the Mass for concert performances. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
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Missa Nr. 9 In D (HEINICHEN JOHANN DAVID)
24.60
Missa Nr. 9 In D (HEINICHEN JOHANN DAVID)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring mus...
(+)
Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the “Gloria” and “Credo, ” which recommends the Mass for concert performances. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
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Missa Nr. 9 In D (HEINICHEN JOHANN DAVID)
9.50
Missa Nr. 9 In D (HEINICHEN JOHANN DAVID)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring mus...
(+)
Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the “Gloria” and “Credo, ” which recommends the Mass for concert performances. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
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Missa Nr. 9 In D (HEINICHEN JOHANN DAVID)
10.90
Missa Nr. 9 In D (HEINICHEN JOHANN DAVID)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring mus...
(+)
Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the “Gloria” and “Credo, ” which recommends the Mass for concert performances. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
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Missa Nr. 9 In D (HEINICHEN JOHANN DAVID)
10.90
Missa Nr. 9 In D (HEINICHEN JOHANN DAVID)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring mus...
(+)
Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the “Gloria” and “Credo, ” which recommends the Mass for concert performances. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
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Giovanni Gabrieli: In Ecclesiis: SATB: Vocal Score
10.99
Giovanni Gabrieli: In Ecclesiis: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Novello & Co Ltd.
One of Gabrieli's most famous motets this is a work of remarkable proportions a...
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One of Gabrieli's most famous motets this is a work of remarkable proportions and sonority. The piece is for soloists choir instruments and organ continuo. This vocal score edited by Denis Stevens contains all voice parts with oboe trumpet trombone and organ parts.
10.99 GBP - vendu par Musicroom GB
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Joseph M. Martin: Call To Remembrance: SATB: Vocal Score
13.75
Joseph M. Martin: Call To Remembrance: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Shawnee Press
from Harvest of Sorrows-Uses: Holy Week Maundy ThursdayScripture: Luke 22:7-23T...
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from Harvest of Sorrows-Uses: Holy Week Maundy ThursdayScripture: Luke 22:7-23The drama and emotion of the Last Supper is on full display in this dramatic anthem from the best-selling cantata Harvest of Sorrows. Animportant solo theatrically becomes the voice of the Savior as he celebrates the Passover with his chosen disciples. The choir provides sonorous underpinnings giving the work a sense of scope and power. Available separately: SATB StudioTrax CD Orchestration CD-ROM (Score & parts for Flute 1&2 Oboe Clarinet 1&2 Bassoon Horn 1&2 Trumpet 1 Trumpet 2&3 Trombone 1&2 Bass Trombone/Tuba Timp Perc 1&2 Harp Piano Violin 1 Violin 2 Viola Cello Double Bass). Duration: ca. 4:34.
13.75 GBP - vendu par Musicroom GB
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