The Shepherd on the Rock D. 965 for Voice Clarinet and Piano-The Shepherd on the Rock composed in the final year of Schubert’s life was in a certain sense a commission. The opera singer Anna Milder-Hauptmann the first Leonore in Beethoven’s Fidelio had asked Schubert in letters written between 1824 and 1825 to write a grand scene for voice for her. Yet he only finally started work on it in autumn 1828. He used three different poems as the basis for his work combining them to form an equally brilliant and atmospheric musical scene.The Clarinet adds to its particular charm sometimes joining in as a soloist at other times following the voice like an echo - ensuringSchubert’s Shepherd a special place in the repertoire even today.

This 1963 setting of three well-known folksongs honours the melody line in the Soprano while adding brilliant texture and accompaniment in the clarinet and Piano. In Johnny Has Gone For A Soldier McCabe moves his harmonies away from the certainty of the minor tune for an intriguing dislocation that reflects the loss in the lyrics. In the lullabye Hush-A-Ba Birdie Croon Croon the clarinet provides a rippling undertone to the singer while D’Ye Ken John Peel carries as much musical acknowledgement of the ‘death in the morning’ as it does the romping ‘hounds and Horn’.Contemporary British musician John McCabe has been a prolific composer since his earliest years and an activepianist recording extensively and performing across the globe. His compositions tend toward large scale works there are seven symphonies so far but he has composed for every size and type of ensemble. He is particularly well known for his concerti.

The most useful collection of Schubert songs available! Unlike international editions these new songbooks contain only a few favourite songs from Die Schöne Müllerin and Die Wintereisse rather than the rarely-used entire song cycles; this leaves room for many more wonderful individual songs not normally found in Schubert collections.As in the other volumes in The Vocal Library each song features introductory notes including information about the composition the song's biographical context in Schubert's life early performances and comments about poets. The contents for the High Voice and Low Voice editions are almost the same: theHigh Voice volume uniquely includes Der Hirt auf dem Felsen (with removable clarinet part) and Auf dem Strom (with removable horn part); the Low Voice volume uniquely includes Das Abendrot and Romanze. The cover is adorned with a charming 1821 watercolour depicting Schubert and friends at a summer gathering in Atzenbrugg.All songs have been newly edited and researched based on the most current historical material available. German singing text.

Il dissoluto punito ossia Il Don Giovanni

Dramma giocoso in 2 Akten (deutsch/italienisch)

Edition : Piano Reduction/Vocal Score. Urtext Edition
Editor : Plath, Wolfgang.Rehm, Wolfgang
Binding : hard bound
Instrumentation : 3 Soprano solo, Tenor solo, Baritone solo, Mixed Choir, 3 Bass solo, 2 Flute, 2 Oboe, 2 Clarinet (b flat), 2 Bassoon, 2 Horn, 2 Trumpet, 3 Trombone, Kettledrum, Mandoline, Strings, Cemb. Bühnenmusik: 2 Oboe, 2 Clarinet (b flat), 2 Bassoon, 2 Horn, Strings

Besetzung / Ensemble
Vorwort
Preface
Verzeichnis der Szenen / Index of Scenes
Ouvertura / Ouvertüre
Atto primo / Erster Akt
Atto secondo / Zweiter Akt
Anhang / Appendix

Ces cinq pièces ont été arrangées par délicieuses pièces pour piano bien connue par certains des grands compositeurs du passé. Ce volume est un excellent outil pour aider à élargir l'expérience musicale du clarinettiste de niveau intermédiaire. / Voix Et Piano / niveau : Elémentaire / Partition

A score with orchestration for two Flutes two Oboes Clarinet Horn Trumpet Percussion and Strings. Rodrigo's Cuatro Madrigales Amatorios was written for the soprano Lola Rodriguez Aragon who gave the first performancein the version for Voice and Piano on 4th Feburary 1948 accompanied on Piano by Victoria Kamhi.

A beautiful and warming piece for Spring and the first shoots and buds full of imagery. This work for High Voice B Flat Clarinet and Piano by the ever popular Betty Roe with words by Rita Ford is uncomplicated yet most satisfying to perform.

Christina Rosetti (1830-1894)-This mysterious poem by Christina Rossetti comes to life through the haunting music by Trevor Maloney. Unique tonalities and divisi make this a good challenge for high school level choirs. The unusual leaps in the Clarinet part add to the mystery.

Par ABOULKER ISABELLE. La Fontaine Et Le Corbeau is an opera-fable created by Isabelle Aboulker and based on the Fables of Jean de la Fontaine. Featuring the scores for Voice and Piano only and the text for the actors, this piece is a show in which the music is initially played by a Flute, an Oboe, 2 Clarinets, a Bassoon, a Horn, a Piano, some percussion and a Cello. Two actors are necessary: the Crow and the show presenter. La Fontaine Et Le Corbeau is a great work for a choir or a music school. Isabelle Aboulker is a French composer especially known for her opera and vocal works./ Répertoire / Choeur d'Enfants et Petit Orchestre/Chant et Piano

Par DVORAK ANTONIN. Antonin Dvorák?s impressive Stabat Mater for soloists, chorus and orchestra is probably the best-known of the composer?s sacred works. Some painful experiences in 1875 his first daughter died, and in 1877 he lost two other children in quick succession may have led to Dvorák?s preoccupation with the suffering of the Mother of God, who stands weeping beneath the cross of her son. The music enters into the different moods of the liturgical texts with great sensitivity. Nine movements in slow to moderate tempi serve as a kind of Passion meditation, before the ecstasy of a vision of the resurrection wins the upper hand at the end of the tenth movement. With our newly-publishedarrangement for chamber orchestra (flute, oboe, clarinet, horn, bassoon, timpani, and strings), smaller choirs now have the opportunity of performing this work without the choir being drowned out by a large-scale symphony orchestra. The symphonic character of the work is nevertheless preserved. This scoring offers an optimal balance between transparency and orchestral sound. All vocal parts (soloists and chorus) are identical with the original version. Vocal score and choral score can be used also together with the original version, which is in preparation. / Date parution : 2023-06-02/ Répertoire / Choeur Mixte SATB et Piano

Music-theatre works-The poems which form the basis of this work were inspired by a miniature mechanical organ playing eight tunes once the property of George III. A scrap of paper sold with it explains that 'This Organ was George the Third for Birds to sing'.Peter Maxwell Davies then set these poems to music and devised them as a semi-theatrical work for Male Vocalist Piano Violin Cello Flute Clarinet and Percussion. The songs are to be understood as the King's monologue while listening to his birds perform and incorporate some sentences actually spoken by George III. The resulting work Eight Songs for a Mad King was completed in 1969 and stands as one of the mostdistinctive and arguably one of the most disturbing musical works from the twentieth century.This is the vocal score which includes a Piano accompaniment.

Arranged simply for mixed voices Clarinet and Piano four-hands the lovely Brahms Cradle Song becomes a work for reflection healing and introspection especially appropriate as a quiet encore orchoral benediction. Optional 1 piano 4 hands included with octavo.

For Narrator Children's Choir And Instrumental Accompaniment (Ensemble Version)-Following on the success of her two operatic works for children and teens ? Douce et Barbe Bleue Les Fables Enchantées Little Thummie and Cendrillon (based on Perrault) as well as the adaptation of Maupassant?s short story The Dumpling (2014) ? Isabelle Aboulker once again hits the bull?s eye with Myla And The Boat-Tree a commission from the Villecroze Music Academy. In 2015 this musical tale for Narrator Children?s Choir and Instrumental Accompaniment was awarded the ?Music for Young Performers Prize? by the French Music Publishers Association. Both in the French version and MarciMeth?s excellent English translation it provides the material for an enthralling educational adventure in which children between the ages of five and eight are invited into their first experience of opera and choir singing. With her trademark finesse and sensitivity the composer tells the story of a little girl dealing with the death of a person she?d cherished above all: her grandfather. Written for choir in unison this tale wafts shimmering melodies over an instrumental accompaniment suffused in turn with gentle melancholy and light humour. An art that speaks from an open heart. The work was written in three versions: for Narrator Children?s Choir and Piano (AL30732) for Narrator Children?s Choir and Trio (Clarinet in Bb Cello and Piano: AL30733) for Narrator Children?s Choir and Instrumental Ensemble (Flute Oboe Clarinet in Bb Bassoon Horn Trumpet in C Trombone Percussion 2 Violins Alto Cello Bass: AL30734) Choral score: AL30743 Listen to Isabelle Aboulker talking about ?Myla and the Boat-Tree?: