Aus: Musae Sioniae V Nr. 127, 1607. Par PRAETORIUS HIERONYMUS. Tonalité : c-Moll - / Mottet / Répertoire / Choeur SSATTB

Par HARNISCH OTTO SIEGFRIED. Gattungen: Motetten, Psalmen, deutsch - Langue : Allemand / Mottet / Répertoire / Choeur SATB

Le 50ème album de Johnny Hallyday sorti le 13 Novembre 2015 enfin disponible en partition piano, voix et diagrammes d'accords guitare. C'est à Yodelice que l'interprète à confié de composer la musique de cet album anniversaire et pour les textes la participation ded'Arélie Saada du groupe Brigitte, Jeane Cherhal, Vincent Delerm, Christophe Miossec, Pierre Jouishomme et Pierre-Dominique Burgaud. L'album a été enregistré entre Pris et Los Angeles dans le plus grand secret. Entouré par un groupe de grands professionels comme Charley Strayton à la batterie, Laurent Vernerey à la Basse, Greg Zlap (Szlapczynski) à l'harmonica et la légende de la pedal steel Greg Leisz. Au mixage Bob Clearmountain l'un des plus grands producteur ayant travaillé avec les Rolling Stones, Bruce Sprinsteen, David Bowie ou encore Paul Mccartney. Entre racine du Blues, Country et rockabilly, cet album est résolument tourné vers les racines du Rock'n'roll.Retrouvez les 12 titres de l'album en transcriptions piano, voix et diagrammes d'accords guitare ainsi que des tablatures guitare pour les riffs et les solos.Titres : De l'Amour - Une vie à l'envers - Dans la peau de Mike Brown - Tu es là - Valise ou cercueil - L'amour me fusille - Mon coeur qui bat - Avant de frapper - Des raisons d'espérer - Un Dimanche de janvier - GHOST TRACK : Voyageur clandestin - BONUS TRACK : Intro / Piano/Vocal/Guitare (PVG)

ANNE SYLVESTRE - ALBUM N°1Partitions pour piano, chant et accords (grilles guitare)Recueil de 15 partitions des chansons d?Anne SylvestrePages : 76Nathalie Miravette, fidèle pianiste et arrangeur d?Anne Sylvestre a réalisé les transcriptions.Des photos inédites d?Henri Droux (contrebassiste et compagnon de vie d?Anne Sylvestre des années 60 à 80) ont été glissées dans ce recueil.Titres :Avec toi le délugeLe lac Saint-SébastienDes calamars à l?harmonicaLes gens qui doutentCarcasseLettre ouverte à EliseThérèseLe p?tit grenierMa chérieVioletteLes grandes baladesZenRoseNon tu n?as pas de nomBelle parenthèse / Piano voix guitare / Capte Note

In Nativitate Domini In Nocte. Par RYBA JAN JAKUB. The “Missa pastoralis in C”, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a „Cursus sacro-harmonicus, “ which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The “Missa pastoralis in C” is a pastoral Mass for the matutinal service at Christmas. As in the “Missa Pastoralis in B flat”, in this Mass Ryba makes use of concertante instruments: clarino and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character. / Messe / Répertoire / Solistes SATB, Choeur SATB, Basson, Clarine, 2 Vio

Tonalité : C-Dur - Mh 182. Par HAYDN JOHANN MICHAEL. Haydn’s Missa Sancti Joannis Nepomuceni, dated 21 May 1772, is dedicated to the Bohemian martyr and patron “Saint of bridges, ” Johannes Nepomuk [ca. 1340–1393, canonized in 1729]. Despite the addition of woodwinds and brass to the three-part string section, the Mass is in a comparatively simple, compact form as was expressly required by Count Hieronymus Colloredo, Haydn’s second employer in Salzburg. Even in the final sections of the Gloria and Credo Haydn forgoes not only vocal virtuosity, but also the polyphonic artifices which traditionally characterize these passages in the Mass. Like the Missa Sancti Amandi [1776], the Nepomuk Mass does not employ vocal soloists. / Messe / Répertoire / Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Trompett

In Nativitate Domini In Nocte. Par RYBA JAN JAKUB. The “Missa pastoralis in C”, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a „Cursus sacro-harmonicus, “ which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The “Missa pastoralis in C” is a pastoral Mass for the matutinal service at Christmas. As in the “Missa Pastoralis in B flat”, in this Mass Ryba makes use of concertante instruments: clarino and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character. / Messe / Répertoire / Solistes SATB, Choeur SATB, Basson, Clarine, 2 Vio

In Nativitate Domini In Nocte. Par RYBA JAN JAKUB. The “Missa pastoralis in C”, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a „Cursus sacro-harmonicus, “ which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The “Missa pastoralis in C” is a pastoral Mass for the matutinal service at Christmas. As in the “Missa Pastoralis in B flat”, in this Mass Ryba makes use of concertante instruments: clarino and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character. / Messe / Répertoire / Solistes SATB, Choeur SATB, Basson, Clarine, 2 Vio

Horn, Paul (Arr.) - Mh 254. Par HAYDN JOHANN MICHAEL. Just by reason of its scoring the Missa Sancti Hieronymi occupies a special place not only among the settings of the Mass by Haydn, but also in the repertoire of church music at the Royal Court of Salzburg. Other than the Hieronymus Mass and the Proprium motet Timete Dominum MH 256, which is connected with it, there are no additional surviving works in the Salzburg repertoire with this type of instrumentation. The unusual instrumentation, the contrapuntal style in the fugal sections, as well as the melodic invention and harmonic elaboration show that this Mass is a masterpiece. / Messe / Répertoire / Solistes SATB, Choeur SATB, 4 (2) Hautbois, 2 Bass

Diese Kyrie-Vertonung für Doppelchor bedient die zeitgenössische Chormusik und ist sowohl im Konzert als auch im Gottesdienst einsetzbar. Die Komposition spielt mit vereinzelten Reibungen, ist jedoch größtenteils harmonisch gesetzt. Durch den doppelchörigen Aufbau kann bei der Interpretation mit einer räumlich getrennten Aufstellung gespielt werden, die Komposition füllt aber durch verwobene Strukturen auch selbst den Raum. Das Werk ist Preisträger beim Internationalen Kompositionswettbewerb ?Musica Sacra Nova'. Dazu passend: C 57295 Agnus Dei. / Choeur Mixte (SATB)

Horn, Paul (Arr.) - Mh 254. Par HAYDN JOHANN MICHAEL. Just by reason of its scoring the Missa Sancti Hieronymi occupies a special place not only among the settings of the Mass by Haydn, but also in the repertoire of church music at the Royal Court of Salzburg. Other than the Hieronymus Mass and the Proprium motet Timete Dominum MH 256, which is connected with it, there are no additional surviving works in the Salzburg repertoire with this type of instrumentation. The unusual instrumentation, the contrapuntal style in the fugal sections, as well as the melodic invention and harmonic elaboration show that this Mass is a masterpiece. / Messe / Répertoire / Solistes SATB, Choeur SATB, 4 (2) Hautbois, 2 Bass

Horn, Paul (Arr.) - Mh 254. Par HAYDN JOHANN MICHAEL. Just by reason of its scoring the Missa Sancti Hieronymi occupies a special place not only among the settings of the Mass by Haydn, but also in the repertoire of church music at the Royal Court of Salzburg. Other than the Hieronymus Mass and the Proprium motet Timete Dominum MH 256, which is connected with it, there are no additional surviving works in the Salzburg repertoire with this type of instrumentation. The unusual instrumentation, the contrapuntal style in the fugal sections, as well as the melodic invention and harmonic elaboration show that this Mass is a masterpiece. / Messe / Répertoire / Solistes SATB, Choeur SATB, 4 (2) Hautbois, 2 Bass

Messe - for ligestemmigt kor (SSA) og orgel af Bendt Fabricius. Fra forordet: I 1980'erne var jeg organist i Mosede Kirke og jegvar så heldig her at have et dygtigt pigekor. DenneMesse for lige-stemmigt kor og orgel er komponerettil mine piger i Mosede.Messen tager sit tekstlige udgangspunkt i denromersk-katolske højmesse på latin med dens femfaste liturgiske led Kyrie Gloria Credo Sanctus ogAgnus Dei. Jeg har valgt i min messe at oversætteteksterne til dansk hvilketgør at værket bådeved indstudering og fremførelse får det speciellenærvær som en umiddelbar forståelse af en tekstaltid vil fremkalde. De fem satser kan opføres enten samlet eller hverfor sig. Satserne har forskellige sværhedsgrader således at Kyrie og Credo er de enkleste at udføre mens de tre øvrige satser stiller større krav bådehvad angår melodik rytmik og harmonik.En stor udfordring ved fremførelsen af messenvil være den obligate orgelstemme som udgør etkoncertant element i forhold til korstemmerne.Orgelstemmen er overordnet akkompagnerende men optræder af og til solistisk på en måde derudfordrer og kontrasterer korstemmerne. Bendt Fabricius 2018

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius balance between festive and reflective sections this Mass is one of Haydn’s most successful and inspired works. This work, which in addition to the usual Salzburg “church trio” includes two trumpets and timpani, belongs to the category of “Missa solemnis. ” The popular nickname Chiemsee-Messe is bound up with the history ofthe origins of the work. Haydn wrote the Mass for the musically gifted nun, Sebastiana Oswald, who belonged to the Benedictine cloister of Frauenchiemsee. This work soon found widespread acceptance beyond the originally intended sphere of its origins, as is indicated by the numerous copies found in Austrian convents. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale