This wonderful collection includes Israeli Yiddish Sephardic Holiday Liturgical and Hassidic folk favorites with beautiful piano accompaniments. Includes notes on the songs and a key to transliteration.

The Definitive Collection of Jewish Songs-The Definitive Collection of Jewish Songs. 350 of the most popular songs from all of Jewish tradition. If it's a piece of Jewish music you're looking for you're sure to find it in this resource. In convenient lead sheet form it includes Hebrew texts English translations and transliterated lyrics; full musical notation with chords for keyboardists or guitarists plus a separate line for guitarists using capos; and more. It includes contemporary Jewish folk and rock popular tunes from Jewish camps Israeli Chassidic Sephardic songs and more.

Reggae and beyond... 25 hypnotic songs from the island, arranged for piano and voice, complete with lyrics and guitar chord boxes. / Piano/Vocal/Guitare (PVG) (Avec Grille D'Accords)

Cantata for string orchestra and chorus.Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church Spitalfields on 18th December 2004; the work premièred as Threnody was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December 2004. Movements II and III commissioned by Portsmouth Grammar School with financial support from the PRS Foundation were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by thePortsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy’s poem of the same name written at the signing of the Armistice on 11th November 1918; a couplet from which is set in a moment of tranquillity in the final movement.Relatively new to living in New York I am much more aware of the independent vibrant cultural plurality that exists today; it’s probably the single most dazzling facet of the City and is largely responsible for the infamous ‘edginess’ that pervades daily life there. With this in mind I set to work on Threnody (movement I here) in 2004; I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City ‘edge’. The texts in English are excerpted from a variety of sources: William Penn William Blake the Psalms of David and Muhammad Rajab Al-Bayoumi an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations this movement was the first composition that evolved entirely from my New York perspective.From the moment that the commission for And There Was a Great Calm (movements II & III here) was offered I knew the piece I was

Kindermusical. Par BREDENBACH INGO / BENDER MICHAEL BENEDICT. Davids aufregender Kampf gegen den starken Riesen Goliat, die nächtliche Beschwörungsszene bei der Hexe von Endor – was könnte spannender sein, als die packenden Geschichten um David, den späteren König der Israeliten? Mit fetzigen Schlagermelodien, Siegeshymnen, besinnlichen Liedern und Geistermusik machen die Komponisten M. B. Bender und I. Bredenbach das Kindermusical Unterwegs mit David zu einem farbenreichen Spiel – für einstimmigen Kinderchor und 1–3 Solorollen. Auftragswerk des Verb. Ev. Kirchenmusik in Württemberg zum Landeskinderchortag 2005 in Ravensburg./ Répertoire / Choeur d'Enfants à 1 Partie, Clarinette, Piano et

Kindermusical. Par BREDENBACH INGO / BENDER MICHAEL BENEDICT. Davids aufregender Kampf gegen den starken Riesen Goliat, die nächtliche Beschwörungsszene bei der Hexe von Endor – was könnte spannender sein, als die packenden Geschichten um David, den späteren König der Israeliten? Mit fetzigen Schlagermelodien, Siegeshymnen, besinnlichen Liedern und Geistermusik machen die Komponisten M. B. Bender und I. Bredenbach das Kindermusical Unterwegs mit David zu einem farbenreichen Spiel – für einstimmigen Kinderchor und 1–3 Solorollen. Auftragswerk des Verb. Ev. Kirchenmusik in Württemberg zum Landeskinderchortag 2005 in Ravensburg./ Répertoire / Choeur d'Enfants à 1 Partie, Clarinette, Piano et

Multicultural Collection of Songs Dances and Fun Facts-Take an exciting musical journey of folk song and dance traditions to all corners of the globe. Learn how to do an Israeli circle dance the German Schottische the Brazilian Samba folk dances from Austria Russia and Mexico anAfrican welcome dance and even country line dancing from the U.S.A! Read about these rich cultures in engaging student articles written at an age-appropriate level and experience their music through folk songs and easy-to-learndance steps that are kid-friendly. The value-packed Book/CD format features reproducible articles and songsheets with lyric translations exceptional standards-based lesson plans complete with lyric pronunciations assessment andextension activities piano/vocal arrangements with choreography and a performance/accompaniment CD recording. There are even recorded pronunciation guides on the CD. And there's more! A DVD is also available (separately or inthe classroom kit) with visual instruction for each dance as demonstrated by John Jacobson and a group of young students. We've got a lot of miles to cover so let's get started! Available: Book/CD DVD Classroom Kit (Book/CD DVD). Suggested for Grades 3-6.

Handel originally wrote Israel in Egypt in the late 1730s but this the well-known version was not written until twenty years later when he discarded the old one as out-of-date. The 'new' version is a two-act oratorio where the chorus is far more prominent and serves much greater variety of expressive purposes than one finds almost anywhere else in Handel's output. Notably there is extensive use of the double-chorus. It did not take long for this 1756 version of Israel in Egypt to assume a place alongside the Messiah as one of England's favorite choral treasures. Part I tells of the Israelites' deliverance from their Egyptian captivity at the hands of Moses; thetwelve choruses that describe the miracles leading to the Israelites' freedom are among the most stunning and colorful ever written -- images of hailstones pestilence and even the glorious parting of the Red Sea are achieved without once resorting to the kind of pictorialism that a lesser composer would relish. Part II Moses' Song recounts the Israelites' victory. This is the Schirmer Edition of the Vocal Score and hence contains a piano reduction of the original orchestral accompaniment.The full score is also available order code DP16788.

Neue Ausgabe Sämtlicher Werke. Urtext Bestellung Zur Fortsetzung Zu Einem Um 10 % Ermäßigten Serienpreis Möglich. Par MOZART WOLFGANG AMADEUS. The material for Mozart's azione sacra is taken from the Old Testament book of Judith, the story of the beautiful Israelite who steals into the enemy camp of the Assyrians and decapitates their sleeping commander, Holofernes . Often called a stroke of genius by the fifteen-year-old Mozart, Betulia liberata brooks comparison with his early operas in every respect. But Mozart was evidently concerned to distinguish between an azione sacra and an azione teatrale in the music itself, e.g. in the accompanied recitatives and the sacred aura of the final chorus. Based on the 'New Mozart Edition”, this vocal score provides a reliable musical text and a piano reduction that lies well under the fingers./ Répertoire / Chant