23 Traditional And Popular Jamaican Songs. Par HUNT PETER / BURNETT MICHAEL. 23 chansons appel à une variété de notations Idéal pour des chorales de jeunes et de la communauté, les groupes scolaires (à la hausse KS2), et des chorales de tous âges et de l'expérience Une leçon complète ou un plan de répétition pour chaque chanson 2 CDs avec des performances et de supports Accessible accompagnements au piano, et les symboles d'accord pour des accompagnements de guitare Pages photocopiables Morceaux dans une variété de styles reggae jamaïcain, y compris, le mento, Revival, ska, et rastafari Une excellente ressource pour la World Music brin d'AQA GCSE Music Jamaïcain VoiceWorks est une collection exceptionnelle de amusant et attrayant chansons jamaïcaines présenté dans le format pratique VoiceWorks. Y compris les joyaux méconnus et des plats traditionnels aux côtés de hits pop classique, ces accords couvrent un large éventail de styles et de genres jamaïcaine. Avec l'enseignement pratique et les notes de répétition, et 2 CDs contenant des représentations et des supports, de la Jamaïque VoiceWorks est une ressource formidable pour les groupes de chanteurs de tous les âges ' / Niveau : Débutant / Recueil / Chant

Composed in 2003 The Kestrel Road was jointly commissioned by forty-seven choirs all of which are members of Music Making a national society that links several thousand amateur choirs and orchestras. This work wascommissioned as a tribute to mark the seventieth birthday of Sir Peter Maxwell Davies and was performed nationwide throughout the 2004/5 season.The Kestrel Road is a song-cycle for SATB Choir and Piano settings ofpoems by the ‘Bard of Orkney’ George Mackay Brown (1917-96). The poems are highly evocative of Orkney life history and folklore with shepherds crofters fisher folk a laird a scarecrow King Barleycorn and the timeless figureof Ikey the Tinker who passes through many of Brown’s poems seemingly linking past and present. According to Maxwell Davies the music is suggestive of the ‘elusive land and seascapes’ of the islands and is much influenced bythe local folk music.

A Choral Suite for Two Part (Soprano and Alto) Children's Chorus setting the text of George Mackay Brown. This enchanting 12-minute cycle is typical of the subtle and delicate way Maxwell-Davies approaches writing forchildren: straightforward tender affectionate yet with just a hint of the complexity found in challenging 'adult' works like the cycle Westerlings. George Mackay Brown's poetry with its haiku-like short stanzas and pointillisteallusive imagery leaves you constantly intrigued : who is the boy 'lost on the hill till sundown' and why is time 'a bird with white wings?' Is this perhaps the poet himself playing a bit of holiday truant?

Peter Maxwell Davies' 1990 work for unaccompanied SATB choir written for the BBC singers. Words by George Mackay Brown.'Written for the BBC Singers this piece requires a high level of choral expertise in its rhythms intricate textures (though nearly always in four parts) wide-ranging vocal lines and characteristically dark but luminous harmony impregnated with tritones and seconds. Not for the first time Davies and George Mackay Browfollow the Stations of the Cross though the fourteen sections are joined into a continuous slow-fast-slow musical movement and the references to the events of Holy Week are oblique.Vocal score with piano accompaniment forrehearsal purposes.

POD-A Torrent Of Gold is a work for SSA Chorus and Piano Accompaniment by Peter Maxwell Davies. Commissioned by Hurstpierpoint College the first performance was on 15th January 2016. A setting of apoem by George Mackay Brown a full performance lasts around 2 minutes.

An attractive short piece for Nativity which makes an ideal concert item for unison voices and piano (with words by George Mackay Brown) commissioned by The Times for Christmas 1993.

This Christmas cantata is an uncanny recapture by Maxwell Davies of a relatively simple modal style: luminous sometimes plaintive sometimes rapturous. A linked series of George Mackay Brown settings designed to give pleasure (ifsometimes strenuous pleasure) to a non-professional choir. A spiritual mystery is glimpsed in an Orcadian setting. Commissioned by the London Symphony Chorus to commemorate its 30th anniversary with additional funds from theArts Council of Great Britain.The first performance was given in October 1995 by the London Symphony Chorus and the London Symphony Orchestra conducted by Richard Hickox.Vocal score.

House Of Winter is a setting of four Christmas poems by George Mackay Brown for AATBBB or SATBBB a cappella choir. The music is continuous and though scored for unaccompanied voices it becomes almost orchestra in itsevocation of the calm frozen stillness of an Orkney winter on the one hand and the wildness of a December storm on the other.The setting is largely homphonic in Davies’s 'adult' modal style and with a characteristicinventiveness of vocal scoring as in the storm sequence with its whistling upper voices and eruptive bass line.The first performance took place during the tenth St. Magnus Festival as part of a concert given by The King'sSingers in Kirkwall in June 1986.Vocal score with piano accompaniment for rehearsal purposes.

Nommé maître de musique de la Reine en 2004, Max, comme il l'appelle affectueusement, a maintenant écrit quatre chants de Noël pour sa Majesté la Reine et son Altesse royale le duc d'Edimbourg. À un peu moins de quatre minutes de longueur cette carol de style traditionnel utilise les mots du poème de longue date ami George Mackay Brown ' Hamnavoe femmes et la cloche Warbeth '. Il and rsquo - s pas la première fois d' que Max a choisi utilisent des textes du poète qui, comme Max, vivent sur les îles Orcades. / Choeur Mixte (SATB) Et Orgue

Uses: General RevivalScripture: James 4:6; Romans 3:24-25; Hebrews 4:16; II Peter 3:18A modern contemporary classic takes wing in a musical setting that opens it up to ensembles of any size andlevel. The chorus is so memorable as it articulates the foundations of our faith and declares the attributes of unfailing grace. A beautiful theme for any worshipping choir! A full orchestration and performance track offersadditional options to directors. Available separately: SATB StudioTrax CD (Accomp. SplitTrax Perf.) Orchestration (Score & parts for Flute 1 & 2 Oboe Clarinet 1 & 2 Bassoon Horn 1 & 2 Trumpets 1-3 Trombones 1 & 2 BassTrombone/Tuba Timpani Melodic Percussion Aux. Percussion Piano Violin 1 & 2 Viola Cello Double Bass). Duration: ca. 3:44.

Par WEELKES THOMAS. SSAATB unaccompanied Edited by David Brown, Walter Collins and Peter le Huray/ Répertoire / SSA ATB a Cappella

Par WEELKES THOMAS. SSATBB unaccomapanied Edited by David Brown, Walter Collins and Peter le Huray/ Répertoire / SATBB sans Accompagnement

Novello New Choral Series-These words of this carol full of colours and rich in symbolism are from the Cherry Tree Carol a popular folk carol telling a legend which goes back at least as far as the Coventry Mystery Plays. The piece received its first two performances on the same day by Robinson College Choir and Clare College Choir in Cambridge and was later recorded by Robinson College Choir conducted by Timothy Brown. The main tune should have an easy-going lilt which turns into light sprightly dancing for the refrain.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles.Jeremy Thurlow is a composer writer and pianist. His music has been described as ?seductive innovative full of freshness? by Henri Dutilleux. It has been performed by the BBC Philharmonic the Fitzwilliam String Quartet Rolf Hind the BBC Singers Endymion Carmen Elektra Peter Sheppard Skaerved Matthew Schellhorn and Sequitur (New York) among others. In 2007 he won the George Butterworth Award for new composition. As a musicologist he writes on French music in the twentieth century. His book on composer Henri Dutilleux is published in French by Millénaire III and he has written and broadcast on the music of Messiaen and many other 20th-century composers frequently appearing on Radio 3?s CD Review.