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Couverture
German Romantic Motets
21.50
German Romantic Motets
Piano, Voix
Novello & Co Ltd.
A superb collection of sixteen works by the greatest nineteenth-century German a...
(+)
A superb collection of sixteen works by the greatest nineteenth-century German and Austrian composers for choir, compiled and edited by Ralph Allwood. This volume includes works by Johannes Brahms, Anton Bruckner, Peter Cornelius and Mendelssohn. / Chant Et Piano
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Peter Cornelius Philipp Nicolai: The Kings: SATB: Vocal Score
3.25
Peter Cornelius Philipp Nicolai: The Kings: SATB: Vocal Score
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SATB, Orgue
[Vocal Score]
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Novello & Co Ltd.
Written for soprano or tenor solo and SATB choir and organ. Solo melody and Germ...
(+)
Written for soprano or tenor solo and SATB choir and organ. Solo melody and German text by Peter Cornelius.
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Peter Cornelius: The Three Kings: Mixed Choir: Vocal Work
[Vocal Score]
Oxford University Press
Peter Cornelius' The Three Kings or Die Konige set for soloist SSA and Piano a...
(+)
Peter Cornelius' The Three Kings or Die Konige set for soloist SSA and Piano accompaniment. Both German and English singing texts are included. Arranged for upper voices by Ronald Corp.
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Ave Maria
8.32
Ave Maria
Piano, Voix
[Partition]
Schott
Le compositeur Peter Cornelius (1824-1874) de Mayence souvent appelé lui-même ...
(+)
Le compositeur Peter Cornelius (1824-1874) de Mayence souvent appelé lui-même un 'poète-compositeur: Toute sa vie, il s'occupa de composer et d'écrire aussi bien. Pas étonnant qu'il s'était consacré en particulier à la composition de chansons, déjà en temps de ses études à Berlin dans les années 1840 en retard. La nouvelle édition 'Ave Maria' a été trouvé parmi les oeuvres inédites du compositeur. Bien qu'il porte le dévouement Fräulein '13 von zum Hillebrandt. Septembre 1862 ', il a probablement été créé plus tôt. Il s'agit d'un simple, chanson accompagnée chordally qui est tout à fait adapté à des fins liturgiques. La partie de piano peut être remplacé par un organe. / Voix Et Piano (Ou Orgue)
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Rheinberger - Cornelius: Zwei Männerchöre (CORNELIUS PETER / RHEINBERGER JOSEF GABRIEL)
3.10
Rheinberger - Cornelius: Zwei Männerchöre (CORNELIUS PETER / RHEINBERGER JOSEF GABRIEL)
Choeur d'Hommes a Cappella
[Partition]
Carus Verlag
Par CORNELIUS PETER / RHEINBERGER JOSEF GABRIEL. Verwendung / Anlässe: Marienfe...
(+)
Par CORNELIUS PETER / RHEINBERGER JOSEF GABRIEL. Verwendung / Anlässe: Marienfeste, Marianische Gesänge, Trauer, Tod -/ Répertoire / Choeur d'Hommes a Cappella
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Cornelius: Drei Psalmlieder (CORNELIUS PETER)
4.80
Cornelius: Drei Psalmlieder (CORNELIUS PETER)
Chorale SATB
[Partition]
Carus Verlag
Par CORNELIUS PETER. Em Pianoehlungen: Kammerchor - Em Pianoehlungen von Frieder...
(+)
Par CORNELIUS PETER. Em Pianoehlungen: Kammerchor - Em Pianoehlungen von Frieder Bernius - Verwendung / Anlässe: L Hautbois und Dank - Verwendung / Kirchenjahr: Karwoche -/ Répertoire / Choeur Mixte
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L'Enfance Du Christ (Die Kindheit Christi)
168.89
L'Enfance Du Christ (Die Kindheit Christi)
Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
[Partition]
Carus Verlag
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the orat...
(+)
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
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L'Enfance Du Christ (Die Kindheit Christi)
2.90
L'Enfance Du Christ (Die Kindheit Christi)
Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
[Partition]
Carus Verlag
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the orat...
(+)
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
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L'Enfance Du Christ (Die Kindheit Christi)
96.40
L'Enfance Du Christ (Die Kindheit Christi)
Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
Carus Verlag
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the orat...
(+)
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
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L'Enfance Du Christ (Die Kindheit Christi)
12.40
L'Enfance Du Christ (Die Kindheit Christi)
Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
[Partition]
Carus Verlag
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the orat...
(+)
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
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L'Enfance Du Christ (Die Kindheit Christi)
12.00
L'Enfance Du Christ (Die Kindheit Christi)
Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
[Partition]
Carus Verlag
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the orat...
(+)
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
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L'Enfance Du Christ (Die Kindheit Christi)
12.40
L'Enfance Du Christ (Die Kindheit Christi)
Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
[Partition]
Carus Verlag
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the orat...
(+)
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
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L'Enfance Du Christ (Die Kindheit Christi)
25.20
L'Enfance Du Christ (Die Kindheit Christi)
Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
[Partition]
Carus Verlag
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the orat...
(+)
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
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L'Enfance Du Christ (Die Kindheit Christi)
12.40
L'Enfance Du Christ (Die Kindheit Christi)
Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
[Partition]
Carus Verlag
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the orat...
(+)
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
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L'Enfance Du Christ (Die Kindheit Christi)
12.40
L'Enfance Du Christ (Die Kindheit Christi)
Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
[Partition]
Carus Verlag
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the orat...
(+)
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
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L'Enfance Du Christ (Die Kindheit Christi)
12.40
L'Enfance Du Christ (Die Kindheit Christi)
Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
[Partition]
Carus Verlag
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the orat...
(+)
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière
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Liebe, Dir Ergeb' Ich Mich (CORNELIUS PETER)
5.70
Liebe, Dir Ergeb' Ich Mich (CORNELIUS PETER)
Chorale SSAATTBB
[Partition]
Carus Verlag
Tonalité : B-Dur - Op.: 18, #1 -. Par CORNELIUS PETER. Em Pianoehlungen: Kammer...
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Tonalité : B-Dur - Op.: 18, #1 -. Par CORNELIUS PETER. Em Pianoehlungen: Kammerchor - Em Pianoehlungen von Frieder Bernius - Langue : Allemand/Anglais/ Répertoire / Choeur SSAATTBB
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Weihnachtslieder Tief Op. 8 (CORNELIUS PETER)
14.40
Weihnachtslieder Tief Op. 8 (CORNELIUS PETER)
Voix basse, Piano
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Breitkopf & Härtel
Par CORNELIUS PETER. / Répertoire / Basse et Piano
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Der Tod, Das Ist Die Kühle Nacht (CORNELIUS PETER)
4.50
Der Tod, Das Ist Die Kühle Nacht (CORNELIUS PETER)
Chorale SSAATTBB
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Carus Verlag
Tonalité : G-Moll - Op.: 11, Nr. 1 -. Par CORNELIUS PETER. Em Pianoehlungen: Ka...
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Tonalité : G-Moll - Op.: 11, Nr. 1 -. Par CORNELIUS PETER. Em Pianoehlungen: Kammerchor - Em Pianoehlungen von Frieder Bernius - Gattungen: Weltliche Chorsätze - Langue : Allemand/Anglais/ Répertoire / Choeur SSAATTBB
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Der Barbier Von Bagdad (CORNELIUS PETER)
63.21
Der Barbier Von Bagdad (CORNELIUS PETER)
Opéra
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Breitkopf & Härtel
Par CORNELIUS PETER. Editeur(s) d'origine: Hasse, M -Baussnern, W V/ Répertoire...
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Par CORNELIUS PETER. Editeur(s) d'origine: Hasse, M -Baussnern, W V/ Répertoire / Opéra
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Weihnachtslieder Mittel Op. 8 (CORNELIUS PETER)
14.40
Weihnachtslieder Mittel Op. 8 (CORNELIUS PETER)
Voix d'Hommes et Piano
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Breitkopf & Härtel
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3 Könige (CORNELIUS PETER)
17.73
3 Könige (CORNELIUS PETER)
TTBB
[Conducteur]
-
Facile
De Haske Publications
Arrangeur: Jan de Haan. Par CORNELIUS PETER. / Niveau : 2 / Répertoire / TTBB...
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Arrangeur: Jan de Haan. Par CORNELIUS PETER. / Niveau : 2 / Répertoire / TTBB
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3 Könige (CORNELIUS PETER)
3.69
3 Könige (CORNELIUS PETER)
TTBB
[Partition]
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Facile
De Haske Publications
Arrangeur: Jan de Haan. Par CORNELIUS PETER. / Niveau : 2 / Feuillet / TTBB
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Der Herr Ist Nahe Allen (CORNELIUS PETER)
3.10
Der Herr Ist Nahe Allen (CORNELIUS PETER)
Choeur SA (SAM) et Basse Continue
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Carus Verlag
Par CORNELIUS PETER. Gattungen: Motetten - Verwendung / Kirchenjahr: Epiphanias,...
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Par CORNELIUS PETER. Gattungen: Motetten - Verwendung / Kirchenjahr: Epiphanias, Ostern und nachösterliche Freudenzeit - Langue : Allemand / Mottet / Répertoire / Choeur SA (SAM) et Basse Continue
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Weihnachtslieder Hoch Op. 8 (CORNELIUS PETER)
14.40
Weihnachtslieder Hoch Op. 8 (CORNELIUS PETER)
Voix haute, Piano
[Partition]
Breitkopf & Härtel
Par CORNELIUS PETER. This volume contains eight Christmas songs for High Voice a...
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Par CORNELIUS PETER. This volume contains eight Christmas songs for High Voice and Piano. Songs include: The Christmas Tree 'How gaily decked… ', The Kings 'Three kings have come… , The Shepherds 'Shephards watch in the field', Simeon 'The infant after eight days' and more./ Répertoire / Voix Haute et Piano
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Requiem (CORNELIUS PETER)
4.50
Requiem (CORNELIUS PETER)
Choeur SSATBB
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Carus Verlag
Tonalité : Des-Dur -. Par CORNELIUS PETER. Em Pianoehlungen: Kammerchor - Em Pi...
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Tonalité : Des-Dur -. Par CORNELIUS PETER. Em Pianoehlungen: Kammerchor - Em Pianoehlungen von Frieder Bernius - Gattungen: Requiem - Verwendung / Kirchenjahr: Fastenzeit und Passion - Langue : Allemand/Anglais / Requiem / Répertoire / Choeur SSATBB
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Thron Der Liebe (CORNELIUS PETER)
5.70
Thron Der Liebe (CORNELIUS PETER)
Chorale SSAATTBB
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Carus Verlag
Tonalité : B-Dur - Op.: 18, #3 -. Par CORNELIUS PETER. Em Pianoehlungen: Kammer...
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Tonalité : B-Dur - Op.: 18, #3 -. Par CORNELIUS PETER. Em Pianoehlungen: Kammerchor - Em Pianoehlungen von Frieder Bernius - Gattungen: Weltliche Chorsätze - Langue : Allemand/Anglais/ Répertoire / Choeur SSAATTBB
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Vater Unser Op. 2 (CORNELIUS PETER)
22.80
Vater Unser Op. 2 (CORNELIUS PETER)
Voix d'Hommes et Piano
[Partition]
Breitkopf & Härtel
Par CORNELIUS PETER. / Répertoire / Voix d'Hommes et Piano
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Der Tod Des Verräthers. Parodierendes Terzett. (CORNELIUS PETER)
10.40
Der Tod Des Verräthers. Parodierendes Terzett. (CORNELIUS PETER)
Ténor, Baryton, Basse et Piano
[Partition]
Barenreiter
Par CORNELIUS PETER. / Répertoire / Ténor, Baryton, Basse et Piano
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Vater Unser Op. 2 (CORNELIUS PETER)
25.00
Vater Unser Op. 2 (CORNELIUS PETER)
Voix d'Hommes et Orgue
[Partition]
Breitkopf & Härtel
Par CORNELIUS PETER. Editeur(s) d'origine: Ludwig, Klaus Uwe/ Répertoire / Voix...
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Par CORNELIUS PETER. Editeur(s) d'origine: Ludwig, Klaus Uwe/ Répertoire / Voix d'Hommes et Orgue
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