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Johann Sebastian Bach: O K Chorals: String Orchestra: Instrumental Album
15.95
Johann Sebastian Bach: O K Chorals: String Orchestra: Instrumental Album
STRING ENSEMBLE
Spartan Press
Flexible String Ensemble-A set that provides easy yet wonderfully satisfying arr...
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Flexible String Ensemble-A set that provides easy yet wonderfully satisfying arrangements of three famous chorale harmonisations.Grade: 3 - 4
15.95 GBP - vendu par Musicroom GB
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Tarik O'Regan: After Rain (Petrichor) - Full Score: SATB: Score
16.99
Tarik O'Regan: After Rain (Petrichor) - Full Score: SATB: Score
Mixed Choir (SATB), Clarinet, Percussion, Harp and String Orchestra
Novello & Co Ltd.
For SATB chorus Clarinet in Bb Percussion Harp and String Orchestra.Commissi...
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For SATB chorus Clarinet in Bb Percussion Harp and String Orchestra.Commissioned by the Barlow Endowment for Music Composition at Brigham Young University the Dale Warland Singers Commission Award presented by Chorus America and funded by the American Composers Forum and Utah Chamber Artists.First performed 30 April 2012 at the Libby Gardner Concert Hall University of Utah Salt Lake City by Utah Chamber Artists conducted by Barlow Bradford.InstrumentationSATB chorus with divisionssolo soprano(optional soprano alto tenor & bass soli) Clarinet in Bb offstagePercussion (1player): Tubular Bells Glockenspiel large Bass Drum large Suspended CymbalHarpString orchestra (minimum 6.6.4.4.2 players)
16.99 GBP - vendu par Musicroom GB
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Ola Gjeilo: Sunrise Mass: String Orchestra: Score
36.00
Ola Gjeilo: Sunrise Mass: String Orchestra: Score
Chorale SATB
SATB, Cordes
[Partition]
Walton Music
Orchestral Accompaniment Score-This spiritual extended work uses the liturgical...
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Orchestral Accompaniment Score-This spiritual extended work uses the liturgical Latin text. The four movements bring us on a metaphysical journey from the heavens to earth from the echo of ?The Spheres? (Kyrie) to ?Identity & The Ground? (Sanctus) with its earthly themes. Neither expressly sacred nor secular this is an exquisite work for advanced high school level and beyond. Available separately: SSAATTBB String Orchestra (Full Score and Parts) String Orchestra (Full Score only). Duration: ca. 32:00.
36.00 GBP - vendu par Musicroom GB
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John Tavener: Three Hymns Of George Herbert: SATB: Score
16.99
John Tavener: Three Hymns Of George Herbert: SATB: Score
Chorale SATB
SATB, Orchestre
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Full Score for John Tavener's Three Hymns Of George Herbert for SATB chorus per...
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Full Score for John Tavener's Three Hymns Of George Herbert for SATB chorus percussion and strings. Commissioned by the Legatum Institute [www.LI.com] as part of its ?British and American Notions of Liberty?programme in the year of the Diamond Jubilee of Her Majesty Queen Elizabeth II. First performance on 21st April 2013 in Washington National Cathedral by the City Choir of Washington conducted by Robert Shafer.'The ThreeHymns of George Herbert were written after a long illness and represent for me a Hymn of thanksgiving to God for a relative return to health. They are intended to be sung in a large resonant acoustic with the main choir andstring orchestra at one end of the building and an echo choir and string quartet at the other. The percussion (tubular bells gongs and tam-tams) should sound from a gallery or other raised position.The Hymns wereinspired by the transparent poetry of George Herbert and are dedicated in gratitude and love to the memory of Mother Thekla former Abbess of the Orthodox Monastery of the Assumption Normanby near Whitby who died in 2011.' -John Tavener
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John Tavener: The Lamb (String Orchestra Version) Score: String Orchestra: Score
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Chester
The Lamb a setting for unaccompanied choir of words by William Blake was first...
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The Lamb a setting for unaccompanied choir of words by William Blake was first performed by the choir of King's College Cambridge on 24th December 1982 as part of A Festival of Nine Lessons and Carols. This arrangementfor strings may be performed by strings alone or with choir. Score and parts for the string version are available on hire.Choral version on sale: Order No. CH55570
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Triptych (Vocal Score)
17.00
Triptych (Vocal Score)
Chorale SATB
SATB, Orchestre
Novello & Co Ltd.
Cantata for string orchestra and chorus. Triptych represents the concatenation a...
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Cantata for string orchestra and chorus. Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church, Spitalfields on 18th December, 2004 - the work, premièred as Threnody, was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December, 2004. Movements II and III, commissioned by Portsmouth Grammar School with financial support from the PRS Foundation, were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by the Portsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November, 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy's poem of the same name, written at the signing of the Armistice on 11th November, 1918 - a couplet from which is set, in a moment of tranquillity, in the final movement. Relatively new to living in New York, I am much more aware of the independent, vibrant cultural plurality that exists today - it's probably the single most dazzling facet of the City and is largely responsible for the infamous 'edginess' that pervades daily life there. With this in mind, I set to work on Threnody (movement I here) in 2004 - I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City 'edge'. The texts, in English, are excerpted from a variety of sources: William Penn, William Blake, the Psalms of David and Muhammad Rajab Al-Bayoumi, an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations, this movement was the first composition that evolved entirely from my New York perspective. From the moment that the commission for And There Was a Great Calm (movements II and amp - III here) was offered, I knew the piece I was about to embark upon would end up being linked with Threnody in some way. I realized that what I had been aiming for in Threnody served as a template for this new piece, originally composed for a Remembrance Sunday concert. Musical works connected with commemoration or memorials are often suitably pensive and slow - I wanted to start with that concept, but to bring in some of the relentless urban rhythms that had been such a large influence on my life in the preceding two years. The result is that that the second movement is quiet and gentle (a moment of recollection), while the final movement is much faster and vibrant, returning to a more openly elated rendering of the start of Triptych (the texts here dealing with transmigration and the future). and nbsp - I gratefully acknowledge the assistance of Bruce Ruben and Judith Clurman, as well as that of my parents, with the collation of the texts. Tarik O'Regan New York, February 2006 / Soprano, SATB Et Orchestre De Cordes
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Ruth Artman: At The Edge Of Tomorrow-Strings: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Hinshaw Music Inc.
Includes full string orchestrationFor brass ensemble see HMC1415aTrumpet and bel...
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Includes full string orchestrationFor brass ensemble see HMC1415aTrumpet and bells instrumentation included in octavo
23.99 GBP - vendu par Musicroom GB
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Alessandro Scarlatti: Dixit Dominus: SATB: Vocal Score
13.99
Alessandro Scarlatti: Dixit Dominus: SATB: Vocal Score
Chorale SATB
SATB, Cordes
[Vocal Score]
Novello & Co Ltd.
A setting of Psalm 109 for SATB soli and chorus string orchestra and organ cont...
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A setting of Psalm 109 for SATB soli and chorus string orchestra and organ continuo. Edited by John Steele.Vocal score with organ part.
13.99 GBP - vendu par Musicroom GB
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Patrick Hawes: Song Of Songs (Full Score): SATB: Score
19.99
Patrick Hawes: Song Of Songs (Full Score): SATB: Score
Chorale SATB
SATB, Cordes
[Conducteur]
Novello & Co Ltd.
Full Score for Soprano Solo SATB chorus and String Orchestra with an extra Viol...
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Full Score for Soprano Solo SATB chorus and String Orchestra with an extra Violin part in Love's Echo and a Harp part in Many Waters and Faint With Love.
19.99 GBP - vendu par Musicroom GB
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Patrick Hawes: Reflexionem: SATB: Score
8.99
Patrick Hawes: Reflexionem: SATB: Score
Chorale SATB
SATB, Cordes
[Partition]
Novello & Co Ltd.
Music by Patrick Hawes with words by Andrew Hawes.For SATB chorus and String Orc...
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Music by Patrick Hawes with words by Andrew Hawes.For SATB chorus and String Orchestra.
8.99 GBP - vendu par Musicroom GB
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Samuel Wesley: Deus Majestatis Intonuit: SATB: Vocal Score
8.99
Samuel Wesley: Deus Majestatis Intonuit: SATB: Vocal Score
Chorale SATB
SSAATTBB, Cordes
[Vocal Score]
Novello & Co Ltd.
For Double SATB Choir String Orchestra and Organ. Edited by John I. Schwarz.
8.99 GBP - vendu par Musicroom GB
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John Rutter: The Lord Bless You And Keep You: Mixed Choir: Parts
35.25
John Rutter: The Lord Bless You And Keep You: Mixed Choir: Parts
Chorale SATB
SATB, Cordes
Oxford University Press
Paperback-John Rutter's The Lord Bless You And Keep You for SATB and String Orch...
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Paperback-John Rutter's The Lord Bless You And Keep You for SATB and String Orchestra. As sung at the wedding of Maghan Markle to Prince Harry in May 2018.
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Tarik O'Regan: Threnody: SATB: Vocal Score
4.50
Tarik O'Regan: Threnody: SATB: Vocal Score
Chorale SATB
SATB, Orchestre
[Vocal Score]
Novello & Co Ltd.
The Vocal Score for Tarik O'Regan's 2004 composition Threnody forms a part of th...
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The Vocal Score for Tarik O'Regan's 2004 composition Threnody forms a part of the larger cantata Triptych but works beautifully as a piece in its own right. Lasting around five minutes Threnody was commissioned with funds from The RVW Trust for the Choir of London's inaugural concert in Christ Church Spitalfields on the 18th of December 2004. The work is arranged for SATB Chorus and String Orchestra and this item is the Vocal Score. Taking the lyrics from a diverse range of literary sources including William Blake's Auguries of Innocence William Penn and Psalm133 the solemn beauty of these texts is matched by the dynamism of the vocal performances in conjunction with the staccato rhythms of the orchestra. Crescendos and diminuendos give a sense of urgency and excitement to the vocals the harmonies of which are expertly composed.
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Alessandro Scarlatti: Christmas Cantata: String Ensemble: Vocal Score
Voix seule
[Vocal Score]
Oxford University Press
Alessandro Scarlatti's Christmas Cantata for solo soprano string orchestra an...
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Alessandro Scarlatti's Christmas Cantata for solo soprano string orchestra and harpsichord.
5.75 GBP - vendu par Musicroom GB
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Alessandro Scarlatti: St. Cecilia Mass: SATB: Vocal Score
19.99
Alessandro Scarlatti: St. Cecilia Mass: SATB: Vocal Score
Chorale SATB
Soli, chœur mixte et orchestre
[Vocal Score]
Novello & Co Ltd.
This edition of Alessandro Scarlatti's finest and most extended piece of liturgi...
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This edition of Alessandro Scarlatti's finest and most extended piece of liturgical music presents it for the first time in a full score which aims to meet the requirements of both the performer and the scholar.The Mass was composed for the St Cecilia's Day celebrations in Rome in 1720. It is an example of Scarlatti's most mature style auniquee combination of brilliant vocal and instrumental techniques that he had developed in the cantata and opera with the learned yet unpedantic counterpoint which he had held in such high esteem throughout his life.For SSATB soli and chorus string orchestra and organ continuo. Edited by John Steele.Vocal score with organ part.
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John Tavener: Three Hymns Of George Herbert: SATB: Vocal Score
6.50
John Tavener: Three Hymns Of George Herbert: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
Chester
Vocal Score for John Tavener's Three Hymns Of George Herbert for SATB chorus pe...
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Vocal Score for John Tavener's Three Hymns Of George Herbert for SATB chorus percussion and strings. Commissioned by the Legatum Institute [www.LI.com] as part of its ?British and American Notions of Liberty?programme in the year of the Diamond Jubilee of Her Majesty Queen Elizabeth II. First performance on 21st April 2013 in Washington National Cathedral by the City Choir of Washington conducted by Robert Shafer.'The ThreeHymns of George Herbert were written after a long illness and represent for me a Hymn of thanksgiving to God for a relative return to health. They are intended to be sung in a large resonant acoustic with the main choir andstring orchestra at one end of the building and an echo choir and string quartet at the other. The percussion (tubular bells gongs and tam-tams) should sound from a gallery or other raised position.The Hymns wereinspired by the transparent poetry of George Herbert and are dedicated in gratitude and love to the memory of Mother Thekla former Abbess of the Orthodox Monastery of the Assumption Normanby near Whitby who died in 2011.' -John Tavener
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John Rutter: What Sweeter Music: SATB: Score
15.75
John Rutter: What Sweeter Music: SATB: Score
Chorale SATB
Oxford University Press
Full score-John Rutter's What Sweeter Music for SATB and organ or string orches...
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Full score-John Rutter's What Sweeter Music for SATB and organ or string orchestra The string accompaniment is available on hire and for sale.John Rutter was born in London in 1945 and studied music at Clare College Cambridge. His compositions embrace choral orchestral and instrumental music and he has edited or co-edited various choral anthologies including four Carols for Choirs volumes with Sir David Willcocks and the Oxford Choral Classics series. From 1975 to 1979 he was Director of Music at Clare College and in 1981 he formed his own choir the Cambridge Singers. He now divides his time betweencomposition and conducting and is sought after as a guest conductor for the world's leading choirs and orchestras.
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Once to Every Man and Nation: SATB: Vocal Score
3.50
Once to Every Man and Nation: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
Schirmer
The great American Composer Kirke Mechem has taken this classic folk song of un...
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The great American Composer Kirke Mechem has taken this classic folk song of unknown origin and set it for SATB chorus Baritone soloist (playing the part of the poet of this text) and Piano or Organ with optionalString Orchestra. This is a theme and variations arrangement and one that will challenge any fine choir without challenging the ears of the listeners. Score and parts for String Orchestra available on rental from thepublisher.
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Tarik O'Regan: After Rain (Petrichor) - Vocal Score: SATB: Vocal Score
6.50
Tarik O'Regan: After Rain (Petrichor) - Vocal Score: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
For SATB chorus Clarinet in B flat Percussion Harp and String Orchestra.Commi...
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For SATB chorus Clarinet in B flat Percussion Harp and String Orchestra.Commissioned by the Barlow Endowment for Music Composition at Brigham Young University the Dale Warland Singers Commission Award presented by Chorus America and funded by the American Composers Forum and Utah Chamber Artists.First performed 30th April 2012 at the Libby Gardner Concert Hall University of Utah Salt Lake City by Utah Chamber Artists conducted by Barlow Bradford.Instrumentation.SATB chorus with divisionsSolo SopranoOptional Soprano Alto Tenor and Bass soli Clarinet in Bb(offstage) Percussion (1 player): Tubular Bells Glockenspiel Large Bass Drum Large Suspended CymbalHarpString Orchestra (minimum 6.6.4.4.2 players)
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Thomas Tallis: Glory To Thee My God This Night: Mixed Choir: Vocal Score
2.00
Thomas Tallis: Glory To Thee My God This Night: Mixed Choir: Vocal Score
[Vocal Score]
Oxford University Press
Tallis's Canon for 2 3 4 or 5 equal voices and chamber orchestra or organ and...
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Tallis's Canon for 2 3 4 or 5 equal voices and chamber orchestra or organ and strings Accompaniment for chamber or string orchestra is available on hire
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Benjamin Britten: Te Deum In C: SATB: Score
24.99
Benjamin Britten: Te Deum In C: SATB: Score
Chorale SATB
SATB, Orchestre
[Partition]
Chester
In preparing for publication the 1935 orchestral version of Britten's Te Deum in...
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In preparing for publication the 1935 orchestral version of Britten's Te Deum in C it became clear that there were a number of discrepancies between the manuscript and the original 193 vocal score. Some of these were minor:different articulation and dynamic markings something Britten was later very fussy about but perhaps left unchanged on proof because of his relative inexperience at this stage of his career with the processes of musicpublishing. Others were more important: wrong pedal notes for example which Britten failed to notice on proof and which have been perpetuated in performances and recordings for nearly seventy years. These have been corrected inthe new edition of the vocal score and in the orchestral score (Britten clearly used the published vocal score to prepare his orchestral version). The two versions have been made consistent in other details - rehearsal cues andbar numbers for example - since Britten intended choristers to use the vocal score to perform the orchestral version. This would have been an easy task for these is little discrepancy in essential details between versions (arare departure occurs in bars 53 to 56 where the works 'Lord God of Sabaoth' are unaccompanied in the orchestral version but doubled by Organ in the original). Sustained Organ chords are often filled out with arpeggiated stringwriting while the spacing of chords is frequently much wider in the string version with melodies transposed into different octaves. Although harmony in both versions is identical voice leading is sometimes altered in the latterto make it better suited to the idioms of the instruments concerned.So although in essence the two versions are the same the soundworld explored in each is quite distinct. Britten's orchestral version should neither beviewed as an occasional piece nor considered solely a liturgical work like many of his choral pieces from the 1930s and 1940s it is equally at home in church and concert hall.
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John Rutter: Carol Of The Magi: Mixed Choir: Score
19.95
John Rutter: Carol Of The Magi: Mixed Choir: Score
Chorale SATB
Oxford University Press
John Rutter's Carol Of The Magi for SATB optional Baritone solo Cello and Stri...
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John Rutter's Carol Of The Magi for SATB optional Baritone solo Cello and String Orchestra. This is a tuneful epiphany carol setting a text by the composer. Underpinned by a beautiful Cello solo the Vocal lines are rich and flowing and the Organ supports the choir with warm harmonies. The carol was written at the invitation of Red Balloon a Cambridge-based UK-wide organization dedicated to the recovery of bullied children. The Cello part is published separately and an accompaniment for strings is available on sale and on hire.
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Tarik O'Regan: Triptych: SATB: Vocal Score
10.99
Tarik O'Regan: Triptych: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
Cantata for string orchestra and chorus.Triptych represents the concatenation an...
(+)
Cantata for string orchestra and chorus.Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church Spitalfields on 18th December 2004; the work premièred as Threnody was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December 2004. Movements II and III commissioned by Portsmouth Grammar School with financial support from the PRS Foundation were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by thePortsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy’s poem of the same name written at the signing of the Armistice on 11th November 1918; a couplet from which is set in a moment of tranquillity in the final movement.Relatively new to living in New York I am much more aware of the independent vibrant cultural plurality that exists today; it’s probably the single most dazzling facet of the City and is largely responsible for the infamous ‘edginess’ that pervades daily life there. With this in mind I set to work on Threnody (movement I here) in 2004; I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City ‘edge’. The texts in English are excerpted from a variety of sources: William Penn William Blake the Psalms of David and Muhammad Rajab Al-Bayoumi an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations this movement was the first composition that evolved entirely from my New York perspective.From the moment that the commission for And There Was a Great Calm (movements II & III here) was offered I knew the piece I was
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Tarik O'Regan: From Heaven Distilled A Clemency: Soprano & SATB: Vocal Score
3.99
Tarik O'Regan: From Heaven Distilled A Clemency: Soprano & SATB: Vocal Score
Chorale SSATB
SSATB, Piano
Novello & Co Ltd.
From Heaven Distilled a Clemency is the third movement of Triptych a cantata fo...
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From Heaven Distilled a Clemency is the third movement of Triptych a cantata for choir and string orchestra. The aspirational text is underpinned by rhythmically-driving strings allowing the voices to soar excitedly overheard.
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Ola Gjeilo: Sunrise Mass: Double Choir: Vocal Score
7.95
Ola Gjeilo: Sunrise Mass: Double Choir: Vocal Score
Chorale SSAATTBB
Walton Music
Symphonic Mass for SSAATTBB Chorus and String Orchestra-Sunrise Mass is a spirit...
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Symphonic Mass for SSAATTBB Chorus and String Orchestra-Sunrise Mass is a spiritual extended work by Ola Gjeilo which uses the liturgical Latin text. For SSAATTBB choir with String Orchestra. String orchestra score and parts are also available catalogue # HL08501828The four movements bring us on a metaphysical journey from the heavens to earth from the echo of The Spheres (Kyrie) to Identity & The Ground (Sanctus) with its earthly themes. Neither expressly sacred nor secular this is an exquisite work for advanced high school level and beyond. Duration: ca. 32:00.
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Tantum Ergo D962 (SCHUBERT FRANZ)
5.61
Tantum Ergo D962 (SCHUBERT FRANZ)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Peters
Par SCHUBERT FRANZ. SATB Soli - SATB Chorus - 0.2.2.2 - 2.2.3.0 - Timbales - Str...
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Par SCHUBERT FRANZ. SATB Soli - SATB Chorus - 0.2.2.2 - 2.2.3.0 - Timbales - Strings - Durée: 4/ Répertoire / Parties Orchestrales
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Tantum Ergo D962 (SCHUBERT FRANZ)
12.45
Tantum Ergo D962 (SCHUBERT FRANZ)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Peters
Par SCHUBERT FRANZ. SATB Soli - SATB Chorus - 0.2.2.2 - 2.2.3.0 - Timbales - Str...
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Par SCHUBERT FRANZ. SATB Soli - SATB Chorus - 0.2.2.2 - 2.2.3.0 - Timbales - Strings - Durée: 4/ Répertoire / Parties Orchestrales
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Tantum Ergo D962 (SCHUBERT FRANZ)
2.64
Tantum Ergo D962 (SCHUBERT FRANZ)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Peters
Par SCHUBERT FRANZ. SATB Soli - SATB Chorus - 0.2.2.2 - 2.2.3.0 - Timbales - Str...
(+)
Par SCHUBERT FRANZ. SATB Soli - SATB Chorus - 0.2.2.2 - 2.2.3.0 - Timbales - Strings - Durée: 4/ Répertoire / Parties Orchestrales
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