The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable collection of diverse tunes that have descended from the folksongs across the British Isles. A variety of arrangements are included, both old and new, of well-loved tunes as well as some lesser-known pieces. All 34 tunes are arranged for SATB Chorus with Piano accompaniment, making this a brilliant way to enhance your choir's repertoire.This Book Of British Folksongs offers a grand selection of favourite folk tunes arranged by composers such as Ralph Vaughan Williams, Gustav Holst, Paul Mealor and George Dyson. Tunes like A-Hunting We Will Go, Auld Lang Syne, Bonny At Morn, Come Lasses And Lads and Scarborough Fair suggest the sheer diversity on offer here. From sad tunes to happy songs, the arrangements here are at once beautiful and touching, coming truly to life when sung by a Mixed-Voice Choir. These thirty four folk songs will enrich a performance programme, whether as one part or the entirety. Choirs of all types and abilities will be able to discover their favourite arrangements, either the most beautiful, the funniest, or the most enjoyable to sing. With the country experiencing a revival in singing traditional folksongs, this collection is a great way to experience the unabashed joy that performing these British tunes can bring. With a great number of favourite tunes as well as some lesser-known songs, this collection includes songs like There Were Three Ravens, Yarmouth Town, My Love Is Like A Red, Red Rose, Dance To Your Daddy and The Rio Grande, as well as an extensive and fascinating introduction by Jeremy Summerly.The wonderful thing about singing folksongs is they are like a window into our country's history. They are occasionally funny, often dramatic, but always enjoyable to sing, and their diversity reflects the different people, landscapes and cultural history of the British Isles. These folk tunes can be traced back through British history, evolving through the oral tradition, continually changing lyrics and melody, being amended and sculpted according to the people who sung them. These timeless tunes have been recorded in this innovative Novello Book Of British Folksongs For Mixed-Voice Choir, however, the joy of these songs is you can put your own spin on them, adapting them to how you want them sung and continuing their legacy. This wonderful collection is a fantastic addition to any choir's performance repertoire, and is sure to lead to success for the choir and audience for many years to come. / Choeur Mixte (SATB) Et Piano

Par SCHUBERT FRANZ. Volume 9 of the new Urtext edition of Schubert's lieder contains lieder composed during the spring and summer of 1816, some of which follow upon series started in 1815. They are available in separate books for high, medium and low voice. The volume was completed by the eminent Schubert scholar Walter Dürr who passed away at the beginning of 2018. It was in 1816 that Schubert completed his settings of Ossian's songs and added lieder on texts by Johann Georg Jacobi, Johann Peter Uz and Matthias Claudius. Also included are the lieder from the Grob family songbook. In summer 1816 Schubert produced his first settings of poems by Christian Friedrich Daniel Schubart ('Grablied auf einen Soldaten” and 'An mein Klavier”), the author of the words to one of his most famous songs 'Die Forelle”/ 'The Trout” (see Volume 2)./ Répertoire / Basse et Piano

There is no rose of such virtue is an anonymous mediaeval text, already well known through beautiful settings by Britten (in his Ceremony of Carols), John Joubert and others. The poem is 'macaronic' (it presents a verse in English, followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting, the second gives the melody to the tenors and surrounds them with hushed, wordless writing for the other parts, and the third explores a freely canonic relationship between the tenor and soprano lines before carrying the previous verse-endings to a higher, more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse, where the texture of the music attenuates again to four parts, and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence. Francis Pott (b. 1957) began musical life as a chorister at New College, Oxford. He held open music scholarships at Winchester College and at Magdalene College, Cambridge, where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist, Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda's College, Oxford, and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music, University of West London, later leading research across the University's Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in over three dozen countries worldwide, published by four major UK houses and released extensively on CD. Winner of four national composition awards, in 1997 he received first prize in the piano solo section of the S. S. Prokofiev Composing Competition, Moscow. In 2006 and 2011 he was a nominated finalist in the BASCA/BBC Annual Composer Awards. In summer 2012 he was winner of the international composing competition of the Cheltenham Festival, which sought new piano variations on the arioso song Bist du bei mir, well known in the arrangement by J. S. Bach. Francis lives with his wife and two children on the outskirts of Winchester. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. / Choeur Mixte (SATB)

58 songs from the swingin' seventies including: Ain't No Sunshine ? American Pie ? Baba O'Riley ? Bohemian Rhapsody ? Bridge over Troubled Water ? Dancing Queen ? Desperado ? Easy ? Hello It's Me ? I Can See Clearly Now ? I Will Survive ? Imagine ? Just the Way You Are ? Lean on Me ? Let It Be ? Midnight Train to Georgia ? Moondance ? Night Moves ? Nights in WhiteSatin ? Pretender ? Rhinestone Cowboy ? Rocky Mountain High ? Summer Breeze ? Tangled up in Blue ? Time in a Bottle ? Without You ? You're So Vain ? Your Song ? and many more.

The biggest and best Hits Of The Year are included here arranged for Piano, Voice and Guitar. These 20 pop chart-toppers are now available at your fingertips, ready to be mastered.This songbook features such massively popular songs by today's best hitmakers like the catchy Happy by Pharrell Williams, the emotional Let It Go from 'Frozen' and Taylor Swift's fun and inspirational Shake It Off. With the expertly-arranged sheet music of these 2014 hits, you'll be singing Ed Sheeran and playing Coldplay in absolutely no time. To view all 20 songs included, please see below.Each song is presented with a Vocal part, a Piano part and Guitar chords, as well as full lyrics. This enables you to sing these songs as accurately as possible, while having an authentic accompaniment for either private practice or even performance.Most of these songs have sold millions, and many have been number 1 internationally, so they are the very definition of crowd-pleasing. You will love singing their catchy melodies and others will love hearing you play their favourite songs of the past year.So if you want to sing or play the Hits Of The Year, there is no better, or cheaper place to find the sheet music for these pop gems than in this songbook.Check out the cracking music videos below for the two biggest selling tracks of the year, Happy by Pharrell Williams and the incredible Rather Be by Clean Bandit. Both of these and many more are included in the songbook which is guaranteed to get you belting out 2014's musical gold. / Piano/Vocal/Guitare (PVG)

Sample the spirit of the British Music Hall with this collection of music hall songs arranged for Piano and vocal with Guitar chord symbols. One hundred of the best known songs dating from the 1860s to the 1930s./ Recueil / Piano, Chant et Guitare

P/V/G. A great collection of 30 top hits from this pop rocker: All for Love · Back to You · Can't Stop This Thing We Started · Cuts like a Knife · Don't Give Up · (Everything I Do) I Do It for You · Have You Ever Really Loved a Woman' · Heaven · I Finally Found Someone · Kids Wanna Rock · One Night Love Affair · Run to You · Straight from the Heart · Summer of '69 · This Time · When You Love Someone · and more. Includes photos.

A reduction for Voice (Soprano) and Piano of Samuel Barber's Knoxville: Summer Of 1915 Op.24.

30 of the biggest hits from the summer of 2003 arranged for piano voice and guitar including Busted's You Said No Beyonce's Crazy in Love and Justin Timberlake's Rock Your Body.

100 Years of Popular Music: 1960s - Volume 2 chronicles the greatest music of the swinging sixties. This songbook contains more than 70 songs from the 1960s arranged for Piano, Voice and Guitar, providing a fascinating insight into the music of the era. A listing of new inventions first seen during the 1960s is also included. / Niveau : Assez Facile / Recueil / Piano, Chant et Guitare

Commissioned by the New London Chamber Choir and Spitalfields Music and first performed by the New London Chamber Choir and the London Sinfonietta conducted by the composer at the Spitalfields Music Summer Festival ShoreditchChurch London on 13th June 2011.Text by Gerrard Winstanley Ensemble consists of:Clarinet in BbAlto Saxophone (doubling Soprano Saxophone)Tenor SaxophoneBassClarinetViolinViolaDouble BassAmplified GuitarPiano 

100 Years Of Popular Music. 100 Years of Popular Music chronicles the greatest music of the last century. This book contains more than 70 songs from the 1940s arranged for piano, voice and guitar, providing a fascinating insight into the music of the era. A listing of new inventions first seen during the 1940s is also included. **Trinity College London selected piece (Singing 2010-2012): Do Nothing Till You Hear From Me (Ellington)/ Recueil / Piano, Chant et Guitare