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Lennox Berkeley: I Sing Of A Maiden: SATB: Vocal Score
Chorale SATB
SATB A Cappella
[Vocal Score]
Chester
The poem I Sing Of A Maiden is one of the best known of the anonymous medieval h...
(+)
The poem I Sing Of A Maiden is one of the best known of the anonymous medieval hymns deceptive in its simplicity and full of grace and faith. The setting by Lennox Berkeley also has a deceptivesimplicity but reveals on repeated listenings or performances a harmonic integrity and subtlely that has made it a work that will continue to be performed and enjoyed for a long time to come. Lennox Berkeley wascomposing and having his works performed before he finished school then upon meeting Ravel was introduced to legendary teacher Nadia Boulanger in Paris with whom he studied. He mixed with the great artistic and musicalnames of prewar Paris before returning to Britain where he later met and lived with Benjamin Britten before the arrival of Peter Pears in Britten’s life. Berkeley was professor of composition at the Royal Academy of Musicand himself composed more than two hundred works of music many of them of enduring value.
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Lully, Lullay (Novello New Choral Series)
4.90
Lully, Lullay (Novello New Choral Series)
Chorale SATB
Novello & Co Ltd.
Lully, Lullay was written at the request of Philip Reed, music director of the B...
(+)
Lully, Lullay was written at the request of Philip Reed, music director of the Bury St Edmunds Bach Choir, which gave the first performance on 17 December 2011 at Holy Trinity Church, Long Melford, Suffolk. Inspired by the familiar medieval text of the Coventry Carol , it is sung a cappella and invokes the sense of a lullaby through its metre and lilting melody. The fragility and bittersweet tonality of the opening verse is reflected in the continuous interaction between the tonic and dominant keys and resolving dissonances. This develops into broader passages of increased range and dynamics during the second and third verses, where the melody is passed between the upper and lower voices, clearly invoking the poignancy of the text. The last verse returns to the original theme with subtle harmonic changes and a reflective final cadence. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Harriet Wybor was born in Leeds in 1986 and read music as an undergraduate at Durham University, followed by an M.A. in composition with Martyn Harry and António Pinho Vargas. Harriet's main compositional interests are sacred and secular contemporary choral and chamber music, and the relationship between music and time. Her work reflects a wide range of influences from renaissance choral music and medieval texts to 20th-century literature and art. Harriet has had works performed by the Northern Sinfonia (conducted by H K Gruber), Psappha, the Allegri String Quartet, St John's College Choir, Durham, the Bury St Edmunds Bach Choir and the Fishburn Band - broadcast on BBC Radio 2's Listen to the Band . After graduating from Durham University, Harriet continued her studies at the University of Edinburgh, where she read for an LL.M. in innovation, technology and the law. She has subsequently pursued a career in music publishing where she works in copyright and composes in her spare time. / Choeur SATB
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Harriet Wybor: Lully Lullay (Novello New Choral Series): SATB: Vocal Score
2.99
Harriet Wybor: Lully Lullay (Novello New Choral Series): SATB: Vocal Score
Chorale SATB
[Vocal Score]
Novello & Co Ltd.
Lully Lullay was written at the request of Philip Reed music director of the B...
(+)
Lully Lullay was written at the request of Philip Reed music director of the Bury St Edmunds Bach Choir which gave the first performance on 17 December 2011 at Holy Trinity Church Long Melford Suffolk. Inspired by the familiar medieval text of the Coventry Carol it is sung a cappella and invokes the sense of a lullaby through its metre and lilting melody. The fragility and bittersweet tonality of the opening verse is reflected in the continuous interaction between the tonic and dominant keys and resolving dissonances. This develops into broader passages of increased range and dynamics during the second and third verses where the melody ispassed between the upper and lower voices clearly invoking the poignancy of the text. The last verse returns to the original theme with subtle harmonic changes and a reflective final cadence.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles.Harriet Wybor was born in Leeds in 1986 and read music as an undergraduate at Durham University followed by an M.A. in composition with Martyn Harry and António Pinho Vargas.Harriet’s main compositional interests are sacred and secular contemporary choral and chamber music and the relationship between music and time. Her work reflects a wide range of influences from renaissance choral music and medieval texts to 20th-century literature and art. Harriet has had works performed by the Northern Sinfonia (conducted by H K Gruber) Psappha the Allegri String Quartet St John’s College Choir Durham the Bury St Edmunds Bach Choir and the Fishburn Band broadcast on BBC Radio 2’s Listen to the Band.After graduating from Durham University Harriet continued her studies at the University of Edinburgh where she read for
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Angel Band (SHARP TIM)
24.64
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Chorale SATB
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Par SHARP TIM. This work grew out of the co-creator's love for the tunes and tex...
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Par SHARP TIM. This work grew out of the co-creator's love for the tunes and texts coming out of the Appalachian Mountains and the shape-note and early Moravian singing tradition. In the words of Tim Sharp, We took the image of bands of angels singing and playing at the Nativity as reported in the second chapter of Luke's gospel, transported that image to Appalachia, and Angel Band is the result. Containing 8 carols (mostly familiar), a processional and recessional, Angel Band is a fusion of ideas ranging from medieval tunes to contemporary bluegrass. / Date parution : 2021-12-09/ Répertoire / Choeur SATB
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27.51
3 Pieces Medievales (SEYS E)
Choeur Mixte (SATB), Ensemble de Flûtes et Harpe A
[Conducteur]
Soldano
Choeur Mixte Satb, Ensemble De Flûtes et Harpe Ad Lib.. Par SEYS E.. / Niveau ...
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Choeur Mixte Satb, Ensemble De Flûtes et Harpe Ad Lib.. Par SEYS E.. / Niveau : Fin 1er Cycle / Répertoire / Choeur Mixte (SATB), Ensemble de Flûtes et Harpe A
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Ben Parry: Ave Verum Corpus: SATB: Vocal Score
2.25
Ben Parry: Ave Verum Corpus: SATB: Vocal Score
Chorale SATB
SATB A Cappella
[Vocal Score]
Oxford University Press
Ave Verum Corpus by Ben Parry for SATB unaccompanied.This is a warm and contempl...
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Ave Verum Corpus by Ben Parry for SATB unaccompanied.This is a warm and contemplative setting of the medieval Latin hymn suitable for communion services or for Lent Passiontide or Corpus Christi. Built around harmonic sequences and an appealing opening phrase Parry's setting offers a charming alternative to more familiar settings of these words.
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English Medievl And Renaissance (GREENBERG STEVE)
15.90
English Medievl And Renaissance (GREENBERG STEVE)
Piano, Voix
[Partition]
Dover Publications
Par GREENBERG STEVE. This treasury of part songs and sacred music for one to six...
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Par GREENBERG STEVE. This treasury of part songs and sacred music for one to six voices will delight all lovers of medieval and Renaissance music. Containing a wealth of both religious and secular music from the 12th to the 17th centuries, the collection covers a broad range of moods. Approximately half the songs are secular, some from the popular tradition and others from the courtly poets and musicians surrounding such musically inclined monarchs. Some of the music contained is printed for the first time. Edited by Noah Greenberg / Musique religieuse / Recueil / Chant et Piano
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Richard Wagner: Lohengrin Wwv75: Opera
75.99
Richard Wagner: Lohengrin Wwv75: Opera
Opéra
Eulenburg
Lohengrin is regarded as Wagner's most fairy-story-like opera its plot interwea...
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Lohengrin is regarded as Wagner's most fairy-story-like opera its plot interweaving motives from the world of legends and medieval history. The opera was premiered at the Weimar Court Theatre on 28 August 1850 under the direction of Franz Liszt in the composer's absence.This new Eulenburg study score edition follows the Wagner Complete Edition which is based on the autograph score representing the first critical edition of Lohengrin. Previous editions were based on the 1914 edition of the score which differed from the autograph in many details and was published by Michael Balling as part of the first complete edition which has remained unfinished.The original musical text isnow available in a handy format for the first time - and is perfectly suited for study purposes.With German/English preface and Critical Report!
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Eric Whitacre: Sainte-Chapelle: Mixed Choir a Cappella: Vocal Score
17.50
Eric Whitacre: Sainte-Chapelle: Mixed Choir a Cappella: Vocal Score
Chorale SATB
[Vocal Score]
Hal Leonard
Eric Whitacre's work Sainte-Chapelle was written for the Tallis Scholars and ins...
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Eric Whitacre's work Sainte-Chapelle was written for the Tallis Scholars and inspired by the medieval Parisian chapel. It depicts that stained glass masterpiece through sustained plainchant-like lines which gradually divide into more and more parts creating shimmering tone clusters for a rich and expressive outpouring of sound.
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John Jacobson Roger Emerson: Joust!: Children's Choir: Classroom Musical
122.50
John Jacobson Roger Emerson: Joust!: Children's Choir: Classroom Musical
Hal Leonard
A Mighty Medieval Musical-Imagine a world where all weapons were replaced by mus...
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A Mighty Medieval Musical-Imagine a world where all weapons were replaced by musical instruments! Welcome to the legend of King Arthur and his Knights of the Round Table like you've never seen it or heard it before. On guard! This 35-minute medievalmarvel complete with jousting knights delightful damsels and court jesters will capture the interest of actors and audiences alike! Perfect for upper elementary and middle school performers this musical features sevenoriginal songs in a variety of musical styles adaptable choreography helpful staging and costume tips and a script with 40 speaking parts easily adaptable for casts of varying sizes and teaching objectives linked to theNational Standards for each song. The expanded Performance Kit/CD provides 20 Singer books along with the Teacher Edition and a P/A CD. Available separately: Teacher Edition Singer 5-Pak Preview CD (with vocals) PreviewPak (1 Singer book 1 Preview CD) Performance/Accompaniment CD Performance Kit/CD (Teacher 20 Singer Books P/A CD). Duration: ca. 35 minutes. Suggested for grades 4-8.
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Audrey Snyder: Welcome One and Welcome All: 2-Part Choir: Vocal Score
11.25
Audrey Snyder: Welcome One and Welcome All: 2-Part Choir: Vocal Score
Chorale 2 parties
[Vocal Score]
Hal Leonard
Set in a buoyant medieval style this lively original by Audrey Snyder is the pe...
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Set in a buoyant medieval style this lively original by Audrey Snyder is the perfect opener for your madrigal dinner or concert performance. Accompany with recorder cello hand drum or finger cymbals or a variety of otheroptions for a festive processional.Available separately: 2-Part any combination ShowTrax CD and Instrumental ePak that contains Score and Parts for Melody Instruments 1 & 2 Bass Instruments 1 & 2 Hand Drum and Finger Cymbals.Performance Time: Approx: 1:30.
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Tenebrae (SCHNEIDER ENJOTT)
27.75
Tenebrae (SCHNEIDER ENJOTT)
Soprano, Violon et Orgue
[Conducteur et Parties séparées]
Schott
Tropus. Par SCHNEIDER ENJOTT. In this composition Schneider uses the famous word...
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Tropus. Par SCHNEIDER ENJOTT. In this composition Schneider uses the famous words from the liturgy for Good Friday: “Darkness fell, and on the ninth hour Jesus called out with a loud voice: My God, why hast Thou forsaken me?” Here he draws on the earlier form of the “trope”, using what was a common device in composition in medieval times, inserted into already completed works as a sort of commentary. In this sense - making use of the post-modern principle of suggesting links across the ages - TENEBRAE makes reference to the motet “Tenebrae factae sunt” (Schott, C 51305) by Davide Perez (1711-1782), from which some melodic fragments have been taken and freely developed. An explosively contrived stylisation is set against the self-contained world of sound in the original piece./ Répertoire / Soprano, Violon et Orgue
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Novello Book Of Carols
30.60
Novello Book Of Carols
Piano, Voix
Novello & Co Ltd.
This outstanding collection of 90 carols offers a balanced mixture of accompanie...
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This outstanding collection of 90 carols offers a balanced mixture of accompanied and unaccompanied items which will appeal immediately to conductors, singers and audiences alike. Mostly for mixed voices, it includes 16 carols and a further 39 arrangements published here for the first time. From Gabrielli to Judith Weir, medieval melodies to spirituals, the range of styles covers a wide spectrum of tastes. Conductors will welcome the availability of optional orchestral material available on hire for 24 of the carols, to allow for performances without organ. This major issue of carols is edited by William Llewellyn, a well established figure in the world of choral music. / Chant Et Piano
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Michael Pilkington: 4 Epigrams and A Prayer: Medium Voice: Vocal Album
Voix moyenne, Piano
[Partition]
-
Intermédiaire/avancé
Thames Publishing
4 Epigrams And A Prayer sets a variety of texts including Medieval Latin lyrics...
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4 Epigrams And A Prayer sets a variety of texts including Medieval Latin lyrics and Chinese poetry for Medium Voice and Piano.
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Dale Warland Daniel Pinkham: Two Classics for Treble Voices: 2-Part Choir: Vocal
11.25
Dale Warland Daniel Pinkham: Two Classics for Treble Voices: 2-Part Choir: Vocal
Chorale 2 parties
SA
Schirmer
Ave Maria (Daniel Pinkham) and Benedictus (Dale Warland)-Daniel Pinkham (1923-20...
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Ave Maria (Daniel Pinkham) and Benedictus (Dale Warland)-Daniel Pinkham (1923-2006) produced works in virtually every genre primarily religious in nature. His Ave Maria is a short unaccompanied work for women's voices that displays his interest in plainchantand medievally-influenced modal writing. Dale Warland's Benedictus complements the Pinkham nicely for an excellent showcase for women's chorus in high school and up.
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A Medieval Christmas Festival: 2-Part Choir: Vocal Score
17.50
A Medieval Christmas Festival: 2-Part Choir: Vocal Score
Chorale 2 parties
[Partition]
Hal Leonard
This collection is perfect for Christmas concerts madrigal dinners and much mor...
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This collection is perfect for Christmas concerts madrigal dinners and much more! The music is easily learned and the accompaniment features a flexible instrumentation that will give your performance an authentic medieval flavor. Includes: Deo Gracias (The Agincourt Carol) Gaudete Good Cheer (Festival Procession) Lo How a Rose E'er Blooming Personent Hodie.
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The King's Singers: Gaudete: SATB: Vocal Score
11.25
The King's Singers: Gaudete: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Hal Leonard
Gaudete ('rejoice' in Latin) is a sacred Christmas carol which is thought to ha...
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Gaudete ('rejoice' in Latin) is a sacred Christmas carol which is thought to have been composed in the 16th century but could easily have existed as a monophonic hymn in the late medieval period particularly due to its Medieval Latin lyrics. The British vocal ensemble The King's Singers recorded Gaudete for their 1990 ‘A Little Christmas Music’ album and it has remained one of their favourite most requested songs. As sung by The King’s Singers Gaudete is arranged here for SATTBB Voices a cappella. Duration ca. 1:30.The King’s Singers is a Grammy Award-winning British male sextet founded in1968 at King’s College Cambridge. The group has always consisted of six singers in total with their membership constantly changing. Over the decades the ensemble has reached an ever-widening international audience and popularity today appearing in around 125 concerts each year mostly in Europe the US and the Far East.
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Steve Shepley: Down In The Forest: SATB: Vocal Score
11.25
Steve Shepley: Down In The Forest: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Hinshaw Music Inc.
An easy concert setting of a traditional carol with a vaguely medieval feel
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Alan Bullard: Oxford Book Of Flexible Carols: SATB: Vocal Score
19.95
Alan Bullard: Oxford Book Of Flexible Carols: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Oxford University Press
The Oxford Book of Flexible Carols is the perfect resource for choirs of all typ...
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The Oxford Book of Flexible Carols is the perfect resource for choirs of all types and sizes. Each piece is presented with flexible scoring options clearly explained throughout enabling performance by various combinations of singers. With carols for Advent Christmas New Year and Epiphany and a fabulous range of accessible quality material this is a must-have collection for all choirs at Christmas. 56 flexibly scored carols Suitable for mixed choirs upper-voice choirs choirs with few men unison choirs small choirs and all other groups New flexible arrangements of traditional carols and modern favourites Brandnew carols written specially for the collection Variety of composers including Kerry Andrew Malcolm Archer Alan Bullard Bob Chilcott Stephen Cleobury Cecilia McDowall John Rutter Mack Wilberg and David Willcocks Wide range of material from Medieval to the present day and including wassails gallery carols world carols and spirituals Accessible keyboard accompaniments suitable for Organ (with or without pedals) or Piano
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Patricia Van Ness: My Heart Is a Holy Place: SATB: Vocal Score
12.50
Patricia Van Ness: My Heart Is a Holy Place: SATB: Vocal Score
Chorale SATB
[Partition]
-
Intermédiaire
Hal Leonard
Drawing upon elements of Medieval and Renaissance music this meditative work ec...
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Drawing upon elements of Medieval and Renaissance music this meditative work echoes the enduring human longing for oneness with the Divine. Latin phrases alternate with English in this profound a cappella setting. Duration: ca. 4:00.
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Jill Friedersdorf: Creation's Song: Upper Voices a Cappella: Vocal Score
11.25
Jill Friedersdorf: Creation's Song: Upper Voices a Cappella: Vocal Score
Chorale 3 parties
[Vocal Score]
Hal Leonard
This contemporary setting of lyrics from an ancient medieval hymn create an upli...
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This contemporary setting of lyrics from an ancient medieval hymn create an uplifting and joyful showcase for treble voices. An excellent choice for contest festival and sacred concerts!
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Villemand Og Hans Væne Brud: Melody Lyrics & Chords: Vocal Work
[Vocal Score]
Tingluti
Villemand Og Hans Væne Brud - og andre middelalderviser - a collection of Dan...
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Villemand Og Hans Væne Brud - og andre middelalderviser - a collection of Danish songs from the Medieval period. Denne lille samling på en halv snes middelalderviser tager sigte på anvendelse både i pædagogiske og i andre sammenhænge hvor man beskæftiger sig med middelalderen - og kunne få lyst til at synge nogle af den tids sange - måske også at danse til - og måske endda at dramatisere. Men denne samling er anderledes end man ellers er vant til at se i forbindelse med middelalderviser. For at klare problemet med de ofte meget uregelmæssige versefødder som er så karakteristisk for middelalderviser introduceres her en ny måde atgengive middelaldersangtekster på. Det vil gøre sangene lige til at gå til og meget nemmere at synge - især at synge sammen. Desuden beskrives der nogle meget enkle dansetrin som har sine rødder tilbage i middelalderen og der gives becifringsforslag til brug ved eventuel instrumentledsagelse. Indhold:Villemand Tyge Hermansøn Svend i Rosengård Ramund Ebbe Skammelsøn Der står en lind Dronning Dagmar Der stod tre skalke Frydeligt med jubelkor Drømde mik en drøm
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Advent For Choirs (ARCHER MALCOLM / CLEOBURY STEPHEN)
28.79
Advent For Choirs (ARCHER MALCOLM / CLEOBURY STEPHEN)
Chorale SATB
[Partition]
Oxford University Press
. . . for Choirs Collections. Par ARCHER MALCOLM / CLEOBURY STEPHEN. Cette colle...
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. . . for Choirs Collections. Par ARCHER MALCOLM / CLEOBURY STEPHEN. Cette collection unique d'approches à nouveau l'Avent, réunissant 52 pièces belles et accessibles qui couvrent toute la gamme des périodes, des styles et des traditions. Advent des chorales est la ressource parfaite musicale et liturgique pour tous les église, cathédrale, et des chorales de concert et inclut de nouveaux paramètres d'approche, de la musique injustement négligé, et ne travaille pas facilement disponibles ailleurs. Malcolm Archer a été instruit à l'école King Edward VII, Lytham, le Royal College of Music, et Jesus College de Cambridge, où il a été chercheur d'organes. Il a étudié l'orgue avec Ralph Downes, Gillian Weir et Nicolas Kynaston, et la composition avec Herbert Sumsion et Alan Ridout. Il est un compositeur prolifique avec plus de 200 ouvrages publiés, qui reçoivent régulièrement des spectacles sur la BBC radio et de télévision. Archer était auparavant organiste et directeur de musique à la cathédrale St Paul et est maintenant directeur de la musique chapelle à Winchester College. Stephen Cleobury est un organiste et chef d'orchestre anglais. Il a été chercheur d'orgue au Collège St-Jean, à Cambridge et sous-organiste de l'abbaye de Westminster, avant de devenir maître de musique à la cathédrale de Westminster en 1979. En 1982, il a pris le poste de Directeur de la Musique de la Chorale du Collège King, Cambridge, où il enseigne également la musique. Il a été chef d'orchestre de Cambridge University Musical Society depuis 1983, et a été chef principal de la BBC Singers de 1995 à 2007, et chef lauréat de 2007./ Recueil / Chant
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The Silver Jubilee Anthology of Choral Music: Mixed Choir: Vocal Score
18.99
The Silver Jubilee Anthology of Choral Music: Mixed Choir: Vocal Score
[Vocal Score]
Hinshaw Music Inc.
A silver jubilee celebration is always special. For a vocal group twenty-five y...
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A silver jubilee celebration is always special. For a vocal group twenty-five years is a glorious achievement and one to be relished praised and admired by all who love the sound of voices singing together unamplified and unadorned. For thechoral music enthusiast whether you sing teach or just love to listen this wonderful collection of gems from chanticleers vast library shouldhave a place of pride in yours. - Simon CarringtonContents:1. Vox In Rama2. Hear My Prayer O Lord3. Credidi4. So Ben Mi Ch A Bon Tempo5. Voices Of Autumn6. Fuggi Fuggi Dolor From Tre Rime Di Tasso7. Blow Blow Thou Winter Wind8. Coventry Carol Traditional English Carol9. Two Medieval Lyrics: There Is No Rose Of Such Virtue10. Gaudete!11. Jeanie With The Light Brown Hair12. Nelly Bly13. All The Pretty Little Horses Traditional American Folk Song14. Dulaman15. An Oiche16. Lost In The Stars17. There Is A Balm In Gilead18. Keep Your Hand On The Plow
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Helen Grime: Lullay Lullow - I Saw A Sweete Seemly Sight: SATB: Score
14.99
Helen Grime: Lullay Lullow - I Saw A Sweete Seemly Sight: SATB: Score
Chorale SATB
[Partition]
Chester
Helen Grime wrote this Christmas carol for the Hallé Youth Choir to sing at the...
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Helen Grime wrote this Christmas carol for the Hallé Youth Choir to sing at the close of 2013. The words are from an anonymous medieval cradle song.Grime said of the piece: ?I haven?t written muchchoral music before so it?s really exciting for me. And I know they?re an absolutely fabulous choir. I wanted to write something quite simple in structure and clear in meaning.?
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Helen Grime: Lullay Lullow - I Saw A Sweete Seemly Sight: SATB: Vocal Score
4.50
Helen Grime: Lullay Lullow - I Saw A Sweete Seemly Sight: SATB: Vocal Score
Chorale SATB
[Vocal Score]
-
Intermédiaire
Chester
Helen Grime wrote this Christmas carol for the Hallé Youth Choir to sing at the...
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Helen Grime wrote this Christmas carol for the Hallé Youth Choir to sing at the close of 2013. The words are from an anonymous medieval cradle song.Grime said of the piece: ?I haven?t written muchchoral music before so it?s really exciting for me. And I know they?re an absolutely fabulous choir. I wanted to write something quite simple in structure and clear in meaning.?
4.50 GBP - vendu par Musicroom GB
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Faber Carol Book, The. Sa (B) Accompanied (ARCH GWYN / PARRY BEN)
15.80
Faber Carol Book, The. Sa (B) Accompanied (ARCH GWYN / PARRY BEN)
Chorale 3 parties
SAB, Piano
[Partition]
-
Facile
Faber Music Limited
Par ARCH GWYN / PARRY BEN. The Faber Carol Book is an exciting volume of Christm...
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Par ARCH GWYN / PARRY BEN. The Faber Carol Book is an exciting volume of Christmas carols and songs with an original, contemporary twist, designed to breathe fresh air into Christmas concerts. It contains forty pieces, expertly edited and arranged by Gwyn Arch and Ben Parry, capturing a variety of moods and styles through time - from contemporary arrangements of medieval and traditional carols, to spirituals, and music from around the world. There is also an impressive line-up of original pieces by some of today's most highly respected choral composers, including Howard Goodall, Lin Marsh, Peter Gritton, Errollyn Wallen and Mike Brewer. This is the first of two separate volumes, arranged in the SA(B) format of the Faber Young Voices series, it is perfect for youth choirs or amateur adult choirs who have a dearth of male voices. An SATB version is also available - 0571521274. Both publications include undemanding keyboard accompaniment and suggestions for optional instrumental lines. / Niveau : Assez Facile / Répertoire / Voix
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