Darmon Meader's arrangement of Charleston Alley pays tribute to Lambert Hendricks & Ross as well as Charlie Barnet while expanding the voicings and also placing the song in a much more “SATB-friendly” key.This arrangement is a great introduction to the classic vocalese style of Lambert Hendricks & Ross and will work well for most medium to advanced vocal jazz groups. Instrumentation includes: Bass Drums.

This beautiful song by Malvina Reynolds is delicate and poignant and perfect for an advanced women's choir. It is scored for SSAA choir with piano and flute. However the optional full score for Harp flute and bassoon make this a centerpiece for your concert. Contemporary style is written into the vocal parts making the story feel natural and complete.

Another marvelous edition from Martin Banner that would be an excellent festival or concert piece for a medium to advanced choir text from Psalm 8:6-7.

The collaboration of Charles Anthony Silvestri and Dan Forrest is a winner no matter the medium. This advanced unaccompanied work of nine minutes in length for mixed chorus with divisi is descriptive narrative and colorful. The work evokes some of the profound feelingswhile a young Norwegian leaves his home and travels to America.

Par DUBOIS THEODORE. Treatise of Harmony & Bass and Voices is an absolute must-have volume on harmonies by Theodore Dubois. Written in the last century (1921), this book includes the two parts of the treatise: Part 1 & Basses and Part 2 & Voices. This volume is quite complex, requires some strong theory knowledge and would be playable by upper-advanced players and professionals. It also features numerous examples. The two parts contains the following sub-sections: Part 1 & Basses: - Consonant harmonies - Dissonant harmonies - Alterations - Delays - Pedals - Appendix Part 2 & Voices: - Consonant harmonies - Dissonant harmonies - Alterations - Delays, Pedals… - Appendix/ Répertoire / Voix

A moderately advanced sacred Christmas carol. Original words and music by Jack Noble White. For three part choir with congregation keyboard and a 'C' instrument

Stacey Gibbs is known for his outstanding spiritual arrangements and this piece makes a delightful departure as an original composition. Much of the creativity that is evident in his arrangements remains but the melody is entirely Gibbs'. Writing primarily for advanced high school and college choirs Gibbs rewards us with his unique originality - this usually quiet text ends with strength and assurance. For college community choirs and church choirs. Medium.

Rockschool is about playing the styles of music you love.This pack contains the songs for Level 3, covering grades 6, 7 and 8. This level is tailored to those of you who are looking to develop advanced skills and techniques as a vocalist. Each book is a standalone resource that features sound-alike backing tracks with top line melody featuring a wide range of artists including Robbie Williams, Coldplay and The Beatles.The level 3 book features:Aural testsRhythm examples and exercisesQuick study piecesBacking vocals techniqueFull mixes and backing tracks over 2CD'sDuel key backing tracksRockschool students are always encouraged to be creative with the Rockschool tunes so feel free to improvise and adapt them to suit your own vocal style. / Ligne Mélodique, Paroles Et Accords

Avant-garde when it was written (in the 70's) this spooky piece for advanced groups uses massed whispers and strange tones as well as more traditional techniques to create a melodramatic effect. It definitely stretches the limits for chorus and audience.

The text is one of the most powerful poems ever written commemorating the Armenian Genocide of 1915 yet it speaks to the human soul about the depth of loss we feel when anyone leaves their earthly life. Memley's musical setting is deeply expressive and personal. A wonderful selection for advanced high school college and community choirs.

This classic edition of a delightful baroque masterwork is accessible to the medium/advanced choir. Orchestral parts available for rental. For details see www.waltonmusic.com. Duration: ca. 25:00.

Par BRUCKNER ANTON. Bruckner?s mighty Mass in F minor is one of his most significant creations and one of the great 19th-century choral works. The composer uniquely succeeds in exploring faith through the lens of music. In doing so, he ventures into extreme forms of expression, which caused some disgruntlement among the musicians at rehearsals for the premiere in November 1868. In subsequent years, however, the work has gradually become more accepted, and today presents a highly appealing challenge to advanced choirs. The Carus edition presents the Mass in F minor as the final 1893 version based on the autograph and the surviving copies from the copyist. As an Urtext edition it follows the latest scholarly standards ready for the Bruckner anniversary year in 2024! / Date parution : 2023-06-01/ Répertoire / Solistes [SATB], Double Choir et Piano

Choral Vivace is a major choral series by the internationally acclaimed Australian composer Sandra Milliken. A noted choir director, clinician, adjudicator, accompanist and singing teacher, Sandra Milliken's work is ideally written for voices, and is particularly appealing to youth choirs. A varied collection of choral music for upper, lower and mixed voices- Graded into three levels - easy, intermediate and advanced- Ideal for both youth and adult choirs, either unaccompanied or with piano. These new anthologies of carefully selected Choral Vivace titles are a cost-effective way to explore the series. / Choeur SSAA Et Piano

This arrangement is dedicated to the 15oth anniversary of St. Paul's United Church of Belleville IL. This lively hymn creates a victorious mood. Recommended for choral groups with advanced technical skill. Includes: Full Score 4 Tpt 2 Tbn Bass Tbn Tba Timp and Organ.

This setting of the refrain from St. Luke's Gospel ('Glory be to God in the highest peace on Earth and goodwill to all men') is intended to be sung at Christmas. It is written for a quartet of soloists and SATB chorus. For this reason and its several tricky high/fast passages it is suitable for a more advanced choir. This version is edited by William Macfarlane.