Par RIMSKI-KORSAKOV NICOLAI. Langue: Russian, French,/ Répertoire / Basse et Piano

Par RIMSKI-KORSAKOV NICOLAI. From 'The Czar'S Bride'/ Répertoire / Soprano et Piano

for SATB and organ or brass ensemble This rousing arrangement of Rimsky-Korsakov's 'Glory' (Slava Op.21) brings this popular Russian anthem to a wider audience. The original Russian text is replaced by a hymn by the arranger that is particularly suitable for Easter as well as general use. A brass ensemble accompaniment is also available.

RIMSKY-KORSAKOV NICOLAI PRINCIPIO DE ORQUESTACION VOL 1 SPAN / Opéra Théorique/Didactique

Slumber Song is an Art Song by the Russian composer Anton Arensky. It is scored for SSAA Upper Voice Chorus with a Piano reduction provided for rehearsal purposes. It has been translated into English by the composer Frederick Corder (1852-1932). Anton Arensky (1861-1906) was a Russian composer pianist and pedagogue. He studied composition at the St Petersburg Conservatory with Rimsky-Korsakov before becoming a Professor at the Moscow Conservatory and later director of the Imperial Choir. His musical style was initially dismissed as being unoriginal and heavily reliant on Tchaikovsky but has recently been re-evaluated and hischamber music is now experiencing a revival.

Real Book 100 Works. 100 Greatest Opera, Ballet and Classical Masterpieces are included in this Real Book for C Instruments. Sheet music with melody line, chords and lyrics - to sing and play the best of Opera and Classical Music. Features works from Verdi, Puccini, Offenbach, Bellini, Wagner, Ponchielli, Mozart, Rossini, Catalani, Bizet, Massenet, Leoncavallo - G. Donizetti, C ajkovskij, Albinoni, Bach, Gounod, Schubert, Pachelbel, Debussy, Brahms, Grieg, Rimskij-Korsakov, Beethoven, Vivaldi,Paganini, Strauss (Senior), Mendelssohn, Boccherini, Chopin and Händel. / Opéra-opérette / Recueil / Voix

for SATB and brass ensemble with timpani and organ Full score and parts for the brass ensemble version of Terry Price's rousing arrangement of Rimsky-Korsakov's 'Glory' (Slava Op.21).

From the youthful exuberance of Abduction from the Seraglio to the spectacular romanticism of The Magic Flute, Mozart's operas have enchanted audiences for more than 200 years. This handsome and inexpensive compilation encompasses 36 arias from such all-time favorites as The Marriage of Figaro, Così fan tutte, The Magic Flute, and Don Giovanni. Content :
IDOMENEO, RÈ DI CRETA / IDOMENEO, KING OF CRETE K366
Ilia's recitative and aria, Act I
[1] Quando avran fine omai'Padre, germani, addio!
Elettra's aria, Act I
[2] Tutte nel cor vi sento
Ilia's aria, Act II
[3] Se il padre perdei
Elettra's aria and marcia, Act II
[4] Idol mio, se ritroso altro amante'Odo da lunge armonioso suono
Ilia's aria, Act III
[5] Zeffiretti lusinghieri
Elettra's aria, Act III
[6] D'Oreste, d'Ajace
DIE ENTFÜHRUNG AUS DEM SERAIL / THE ABDUCTION FROM THE SERAGLIO K384
Konstanze's aria, Act I
[7] ach ich liebte
Blonde's aria, Act II
[8] Durch Zärtlichkeit und Schmeicheln
Konstanze's recitative and aria, Act II
[9] Welcher Wechsel herrscht in meiner Seele'Traurigkeit
Konstanze's aria, Act II
[10] Martern aller Arten
Blonde's rondo, Act II
[11] Welche Wonne, welche Lust
LE NOZZE DI FIGARO / THE MARRIAGE OF FIGARO K492
Cherubino's aria, Act I
[12] Non sò più cosa son, cosa faccio
Countess Almaviva's aria, Act II
[13] Porgi, amor
Cherubino's arietta, Act II
[14] Voi che sapete
Susanna's aria, Act II
[15] Venite, inginocchiatevi!
Countess Almaviva's recitative and aria, Act III
[16] E Susanna non vien''Dove sono'Ah! Se almen la mia costanza
Barbarina's cavatina, Act IV
[17] L'ho perduta! Me mechina!
Susanna's recitative and aria, Act IV
[18] Giunse al fin il momento'Deh vieni, non tardar
DON GIOVANNI K527
Donna Elvira's aria, Act I
[19] Ah! Fuggi il traditor!
Donna Anna's aria, Act I
[20] Or sai chi l'onore
Zerlina's aria, Act I
[21] Batti, batti
Zerlina's aria, Act II
[22] Vedrai, carino
Donna Elvira's recitative and aria, Act II
[23] In quali eccessi Mi tradì
Donna Anna's recitative and aria (rondò), Act II
[24] Crudele''Troppo mi spiace'Non mi dir
COSÌ FAN TUTTE K588
Dorabella's recitative and aria, Act I / Scene 3
[25] Ah scostati'Smanie implacabili
Despina's aria, Act I / Scene 3
[26] In uomini, in soldati
Fiordiligi's recitative and aria, Act I / Scene 3
[27] Temerari, sortite'Come scoglio'Rispettate, anime ingrate
Despina's aria, At II / Scene 1
[28] Una donna a quindici anni'Dee in un momento
Fiordiligi's rondò, Act II / Sce
[29] Per pietà, ben mio, perdona'A chi mai mancò
Dorabella's aria, Act II / Scene 3
[30] È amore un ladroncello
DIE ZAUBERFLÖTE / THE MAGIC FLUTE K620
The Queen of the Night's recitative and aria, Act I
[31] O zitt're nicht, mein lieber Sohn!'Zum Leiden bin ich auserkoren
The Queen of the Night's aria
[32] Der Hölle Rache
Pamina's aria, Act II
[33] Ach, ich fühl's
LA CLEMENZA DI TITO K621
Vitellia's aria, Act I
[34] Deh se piacer mi vuoi'Che ceicamente crede
Servilia's aria-minuet, Act II
[35] S'altro che lagrime
Vitellia's recitative obbligato and rondò, Act II
[36] Ecco il punto, O Vitellia'Non più di fiori vaghe catene

Cette remarquable série ouvre des perspectives passionnantes du répertoire stimulante et enrichissante pour le chanteur sagace et aventureux. Comme pour les volumes de compagnon Peters de français Operatic Arias, cette série russe présente bon nombre des airs célèbres à juste titre, mais aussi leur juxtapose avec autres gemmes moins familiers, dont undoutedly méritent une reconnaissance plus large. Une grande partie du répertoire sélectionné est parfaitement adaptee aux fins de l'audition, afin que chaque volume est un Trésor pour les chanteurs professionnels et des étudiants. / Voix Et Piano