Une nouvelle édition indispensable pour tous les chanteurs et le studio de voix! Il s'agit de la collection en plusieurs volumes plus complète de Mozart Opera Arias jamais publié, avec les éditions de Soprano, Mezzo-soprano, ténor et basse / baryton avec 31 à 41 airs par volume. Comprend des notes historiques et intrigue sur chaque opéra et aria, et les traductions pour étudier l'anglais.Les airs les plus connus, bien sûr, se trouvent dans les collections, ainsi que de nombreuses sélections magistrales, vocalement gratifiantes, mais moins familier.Opéras représentés: Apollo et Hyacinthus- Ascanio in Alba- Bastien und Bastienne- La Clemenza di Tito- Così fan tutte- Don Giovanni- Die Entführung aus dem Serail- La finta giardiniera- La finta semplice- Idomeneo- Lucio Silla- Mitridate, rè di Ponto- Le nozze di Figaro- L'oca del cairo- Il rè pastore- Der Schauspieldirektor- Il sogno di Scipione, Zaide, Die Zauberflöte. / Voix Basse(s) Et Piano

This edition is based on the critical edition of The Barber of Seville edited by Patricia B. Brauner and published in 2008 as part of the series Works of Gioachino Rossini. But who needs a new critical edition of The Barber of Seville? The opera has been performed in theatres throughout the world since 1816 and has never been absent from the repertoire. There are two reasons for a critical new edition: firstly none of the early editions satisfy modern demands for a scholarly-critical edition. And secondly there is a wealth of previously unpublished material relating to this opera of great interest to both scholars and performers.Thusthe famous overture which Rossini had already used in his earlier opera Aureliano in Palmira differs noticeably from earlier editions in many places. The new edition enables performers to perform the overture either in its original scoring (as in Aureliano in Palmira) which includes two Flutes two Oboes and Timpani or in the scoring for the subsequent opera The Barber of Seville (with just one Flute one oboe and no Timpani).Urtext edition based on the series Works of Gioachino Rossini.All versions and transpositions are included in the appendix to the study score.Singing English translation in the vocal score.Takes into account all original sources including five manuscripts with Rossini’s autograph ornamentation.Takes into consideration the full extent of Rossini’s personal notational characteristics.Study score contains a detailed foreword (Eng/Ital)Full score (BA10506) critical report (BA10506-40) & study score (TP411) available for sale; performance material (BA10506-72) available for hire.

Facing Goya Nyman's first full-length opera is written in four acts on a libretto by Victoria Hardie. Following it's first performance in 2000 it was revised in 2002 and again in 2014. Init's original arrangement intended for Nyman's own band the orchestration is as follows: five Violins two Violas one Cello two Double Basses two each Soprano and Alto Saxophones (doubled) Baritone Saxophone Flute Alto Flute Piccolo Trumpet and Flugelhorn (doubled) French Horn Bass Trombone (doubled) Tuba (doubled) Euphonium (doubled) and Electric Guitar. This work is scored for two Soprano Tenor and Baritone with Pianoreduction.

Par ABOULKER ISABELLE. La Fontaine Et Le Corbeau is an opera-fable created by Isabelle Aboulker and based on the Fables of Jean de la Fontaine. Featuring the scores for Voice and Piano only and the text for the actors, this piece is a show in which the music is initially played by a Flute, an Oboe, 2 Clarinets, a Bassoon, a Horn, a Piano, some percussion and a Cello. Two actors are necessary: the Crow and the show presenter. La Fontaine Et Le Corbeau is a great work for a choir or a music school. Isabelle Aboulker is a French composer especially known for her opera and vocal works./ Répertoire / Choeur d'Enfants et Petit Orchestre/Chant et Piano

Riduzione Per Canto E Pianoforte Di G. Luporini. Par VERDI GIUSEPPE. Te Deum, together with Ave Maria, Stabat Mater and Laudi alla Vergine Maria, is one of the Quattro pezzi sacri composed by Giuseppe Verdi between 1890 and 1898 and first released by Ricordi in 1898. According to the composer, Te Deum is the best piece and undoubtedly one of the most significant. For double SATB choir, with a short soprano solo, and big orchestra composed by 3 flutes, 2 oboes, English horn, 2 clarinets, bass clarinet, 4 bassoons, 4 horns, 3 trumpets, 4 trombones, percussions (kettledrums and bass drum) and strings. The present edition offers the choral and piano reduction by Gaetano Luporini. / Classique / Répertoire / SATB Double Choeur et Piano Réduction

A Carol For Today is scored for solo voice SA or SSA with optional flute and piano parts. Words by Kenneth Pickering.

This version of Aria for Soprano and Piano is an arrangement of the original version scored for Soprano Flute Cello Celesta and Percussion.

This classic inspirational song recorded by Steve Green is now available separately: your choir in an uplifting and stirring treatment by John Purifoy. The text and music become one to express a message of love hope and caring. Perfect for Sundays of service missions and self-awareness.Available separately: SATB SAB SSA Instrumental ePak (parts for Flute Oboe Harp Percussion Violin 1 & 2 Viola Cello and String Bass) and BonusTrax CD.

Patrick Hawes' 2011 arrangement of the English folk song Early One Morning for solo Soprano Flute Oboe Harp and Strings.This is a Vocal score for Soprano with Piano accompaniment.

Klavierauszug nach dem Urtext der Haydn-Gesamtausgabe

Edition : Piano Reduction/Vocal Score
Editor : Thomas, Günter
Binding : paperbound
Instrumentation : Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed Choir-SATB, Flute, 2 Oboe, 2 Clarinet (b flat), Bassoon, 2 Horn, 3 Trumpet, Kettledrum, Strings, Basso continuo

Recital Music has developed a large exciting and eclectic catalogue of Christmas music for choirs in recent years. Some works are published for the first time others are in new editions and we aim to provide accessible and enjoyable choral music for choirs of all ages and abilities. Enjoy!Shout for the King! is a joyous and vibrant carol for junior choir and piano. It's Latin-American influence has proved popular with choirs and audiences alike and a double bass and percussion can easily be added for extra energy and atmosphere.Chord symbols are included for optional double bass or guitar accompaniment.The composer writes: 'Shout forthe King! was composed one evening in December 2004. At the time I was training as a Primary School teaching assistant and involved in playing the piano for the school's various Christmas musical events and concerts. It was the first time I had written both lyrics and music which both came to me at the same time. I subsequently taught the song to the children in the days which followed which they loved and it was the first time a 'real' composer had written anything for them. A week later it was premiered at the school carol concert with me playing the piano.I have always wanted to write a new and catchy Christmas carol drawing influences from all the familiar ones we know and love every Christmas. I also wanted the melody of the verses and chorus to be catchy and repetitive and would be easy and enjoyable for junior choirs to learn. I have always had a fondness for Latin-American rhythms hence the happy groove which I think add to the appeal!'Born in Cardiff in 1975 and trained in piano and flute at school Jay Mackie studied composition as an undergraduate at Royal Welsh College of Music and Drama from 1997-2000 and completed an MMus gaining a distinction in Composition in 2004.At college Jayson received three scholarship prizes for composing where his Wind Quintet was a featured work at the ISCM's World Music Days

Patrick Hawes' Down By The Salley Gardens for Soprano Flute Oboe Harp and Strings. Vocal Score.Down by the salley gardens my love and I did meet;She passed the salley gardens with little snow-white feet.She bid me take love easy as the leaves grow on the tree;But I being young and foolish with her would not agree.In a field by the river my love and I did stand And on my leaning shoulder she laid her snow-white hand.She bid me take life easy as the grass grows on the weirs;But I was young and foolish and now am full of tears. - W. B. Yeats

An Irish Blessing is a choral setting for upper voices and piano or organ of the traditional Gaelic prayer which begins 'May the road rise to meet you'. Its gentle melody unfolds slowly beginning in unison and building to a fuller choral texture with a descant in the third verse. The optional flute part adds a folk-like quality and in addition to the wide dynamic range indicated further textural variety can be achieved with opportunities for a soloist or small group of singers.Perfect for school choirs weddings church services any leaving celebration or a concert programme.The Faber Choral Signature Series introduces a wealth of new or recently writtenchoral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works offering a thrilling array of varied styles.