Composed for SSA and Piano Irish Blessing is a moving traditional Irish blessing set to music of great simplicity and beauty. Chilcott perfectly captures the warmth and sincerity of the text and weaves a memorable melody which he clothes in rich harmony.

A moving traditional Irish blessing set to music of great simplicity and beauty. Chilcott perfectly captures the warmth and sincerity of the text and weaves a memorable melody which he clothes in rich harmony. For SATB and piano.

This gentle communion anthem presents the full emotion of the Last Supper with a moving text and a traditional Irish melody. The optional chamber orchestration will add a beautiful touch. / Choeur Mixte (SATB)

Traditional Irish-Anne-Marie Hildebrandt is drawn to Irish melody and this piece is no exception. Here she sets the traditional Irish tune for unaccompanied treble voices (SSA) with soprano solo. It works great with high school or older voices.

The Cambridge Singers Hymn Series-Be Thou My Vision arranged by John Rutter for SATB choir and Harp or Piano.In this arrangement of the traditional Irish hymn Rutter sets the 8th-century text (in its English translation) to the Irish folk melody known as Slane the tune to which it has been sung since 1919. An alternative setting of the text to original music by John Rutter is also available from Oxford University Press.

Par FORBES JOANNA / L'ESTRANGE A.. An Irish Blessing is a choral setting for upper voices and piano or organ of the traditional Gaelic prayer which begins 'May the road rise to meet you'. Its gentle melody unfolds slowly, beginning in unison and building to a fuller choral texture with a descant in the third verse. The optional flute part adds a folk-like quality and, in addition to the wide dynamic range indicated, further textural variety can be achieved with opportunities for a soloist or small group of singers. Perfect for school choirs, weddings, church services, any leaving celebration or a concert programme. The Faber Choral Signature Series introduces a wealth of new or recently writtenchoral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works, offering a thrilling array of varied styles./ Feuillet / Chant

With a melody based on a traditional Irish jig the lyrics of this work by W.B. Yeats describe a whimsical daydream that becomes a lesson in values as life reaches its end. The music is rich and artistically crafted bringing thedance of the jig into the song of dreams. Tuned harmonic whirlies and a handdrum add tastefully to the piano accompaniment.

Specifically written for a cappella mixed voices this expressive setting of the Irish melody will melt hearts with its traditional setting glinting of contemporary writing. It's a beautiful introduction of this classic to singers of all ages.

Traditional Irish-English-This English tune is familiar to many in the choral field due to the arrangement by Leo Sowerby. Here McCoy set the sweet tune to a lovely piano accompaniment that enhances the rhythm and contour of the melody. Try it with your treble choir-all ages.

Par PEGLER HEIDI / WEDGWOOD P.. Have you always wanted to be able to sing? Then this book is for you - because it's never too late! This all-in-one tutor book covers approximately two years of singing lessons, and includes essential music theory and technical skills for beginners. The learning process is broken down into bite-sized, manageable chunks with two CDs containing a wealth of music from classical and folk to pop and jazz to sing along to. Additional piano accompaniments to the songs are downloadable from this website. Packed with information, teaching advice and top tips from the experts, this beginner singer's method is perfect for those keen to begin singing, but aren't sure where to start! / Niveau : Facile / Méthode / Voix

Par L'ESTRANGE ALEXANDER (Arr.). Danny Boy (the melody of which is also known as Londonderry Air), is often assumed to be an old, traditional tune, however its structure and meter do not fit any of the known Irish folksong forms. As for the words most commonly associated with it for the last hundred years or so, they were written by an English lawyer who apparently never set foot in Ireland! Still, it’s one of the best-loved folksongs of all and this very approachable arrangement by Alexander L’Estrange brings out the bitter-sweet nature of the text. This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity of musical styles. From Broadway, pop and folk to spirituals, gospel and original works, the series is arranged for 3-part choir (soprano, alto and a combined male-voice part) providing flexibility for any choir. Complete with straight-forward piano accompaniments supporting the vocal lines, the Faber Choral Singles series guarantees the perfect repertoire for every occasion – so get exploring and get singing! / Choral Music / Répertoire / Voix Mixtes SAB et Piano

Setting two verses of the Irish traditional carol Wilberg's version opens simply with unaccompanied unison men before the Piano creeps in gently. The carol melody's haunting modal qualities are complemented by colourful harmonic touches.