Mezzosoprano - Mezzo-soprano-A selection of 40 arias for voice and piano with plot synopses and translations in Italian and English.

Tenore - Tenor - A cura di - Edited by Ilaria Narici-A selection of 40 arias for voice and piano with plot synopses and translations in Italian and English.

'Il Ritorno D'Ulisse In Patria' (The Return Of Ulysses) was first performed in Venice in 1640. Its stature among dramatic works of the seventeenth century has grown considerably and is now one of the most frequently performed of Baroque Operas. Alan Curtis has produced the first complete performing edition to be drawn from all available sources carefully annotated throughout the figured bass completed and the newly edited libretto and argomento given in full. Along with a useful scholarly preface and numerous corrections of notes rhythms and harmonies this edition is also of particular service for its careful corrections of the faulty libretto which has until now had to servefor all modern performances. Libretto by Giacomo Badoaro. English Libretto by Anne Ridler.

The Coronation Of Poppea. An opera in a prologue and three acts. Text by G.F. Busenello music attributed to Claudio Monteverdi and Francesco Sacrati. Edited by Alan Curtis and English singing version by Arthur Jacobs.

?Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.? (Peter Anton Ling and Marina Sandel, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of view / Soprano - piano / Edition Breitkopf

1. Gaetano Donizetti Fia dunque vero / O mio Fernando (Leonora - La favorita)2. Richard Wagner Entweihte Götter! (Ortrud - Lohengrin)3. Richard Wagner Einsam wachend in der Nacht (Brangäne - Tristan und Isolde)4. Richard Wagner Wo in Bergen du dich birgst (Fricka - Die Walküre)5. Giuseppe Verdi Stride la vampa (Azucena - Il trovatore)6. Giuseppe Verdi Condotta ell'era in ceppi (Azucena - Il trovatore)7. Giuseppe Verdi Nei giardin del bello (Eboli - Don Carlo)8. Giuseppe Verdi O don fatale (Eboli - Don Carlo)9. Giuseppe Verdi Al suon del tamburo (Preziosilla - La forza del destino) / Soprano - piano / Edition Breitkopf

The present volume (OperAria Tenor, Volume 3, EB 8876) contains a representative cross-section of the dramatic repertoire for tenor. On the opera stage, the tenor is often the most eminent protagonist. Whether as an ardent lover or a tragic hero, he is in the limelight to show lyrical sensitivity, sonorous euphony and smoothness, a maximum of nuances. The vocal range creates high expectations and provides an extraordinary aura. / Ténor - piano / Edition Breitkopf

On the opera stage, the tenor is often the most eminent protagonist. Whether as ardent lover or tragic hero, he is in the limelight to show lyrical sensitivity, sonorous euphony and smoothness, a maximum of nuances. The vocal range creates high expectations and provides an extraordinary aura.The three volumes for tenor represent the grand finale of the most comprehensive collection of repertoire for all vocal genres, with 16 volumes.Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) / Ténor - piano / Edition Breitkopf

Mozart: Wer ein Liebchen hat gefunden (Osmin - Die Entführung aus dem Serail)Mozart: O, wie will ich triumphieren (Osmin - Die Entführung aus dem Serail)Mozart: La vendetta (Bartolo - Le nozze di Figaro)Mozart: O Isis und Osiris (Sarastro - Die Zauberflöte)Mozart: In diesen heil'gen Hallen (Sarastro - Die Zauberflöte)Beethoven: Hat man nicht auch Gold beineben (Rocco - Fidelio)Rossini: La calunnia (Don Basilio - Il barbiere di Siviglia)Rossini: Eterno! immenso! / Celeste man placata! (Mosè - Mosè in Egitto)Donizetti: Vieni! la mia vendetta / Qualunque sia l'evento (Don Alfonso - Lucrezia Borga) / Baryton - piano / Edition Breitkopf

1. Christoph Willibald GluckJe t'ai donné la mort /Dieux! qui me poursuivez(Oreste - Iphigénie en Tauride)2. Wolfgang Amadeus MozartNur mutig, mein Herze (Allazim - Zaide)3. Wolfgang Amadeus MozartHai gia vinta la causa / Vedrò mentre io sospiro(Il Conte Almaviva - Le nozze di Figaro)4. Wolfgang Amadeus MozartRivolgete a lui lo sguardo (Guglielmo - Così fan tutte)5. Wolfgang Amadeus MozartFin ch' han dal vino (Don Giovanni - Don Giovanni)6. Wolfgang Amadeus MozartDeh vieni alla finestra (Don Giovanni - Don Giovanni)7. Wolfgang Amadeus MozartEin Mädchen oder Weibchen (Papageno - Die Zauberflöte) / Baryton - piano / Edition Breitkopf

It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre. (Peter Anton Ling) OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. Repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work,the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of view and featuring a CD with a ?phonetic assistant? - aria texts in the original language spoken by native speakers as an audio file (mp3) with aria texts in German and English translations as a text file (pdf) / Baryton - piano / Edition Breitkopf

Opera in three acts. Par STRAWINSKY IGOR. New edition of Stravinsky?s largest work, his only full-length work for the theatre, and his first major work in English. It also represents the culmination of his neoclassical years, after which he started to rethink his musical language. Inspired by an exhibition in Chicago in 1947 of a series of Hogarth prints, the depiction of the ironic progress of the spendthrift heir of a miser from wealth via debt to madness and death is, in essence, retained in the opera. Auden and Kallman's 'fable' wittily grafts onto Hogarth?s quest narrative aspects of, among other sources, Classical pastoral, the Faust legend, fairy tale, circus, the Bible and opera in many different manifestations. This is brilliantly matched by Stravinsky?s music, which takes as its source the whole of operatic history from Monteverdi to Verdi via Rossini and Donizetti and large doses of Mozart, yet it is neither parody nor pastiche. The Rake?s Progress can be appreciated on many levels, which might explain why it is still one of only a handful of 20th-century operas never to have been out of the repertoire. / Date parution : 2023-10-31/ Répertoire / Solistes, Choeur et Orchestre

Par PURCELL HENRY. Purcell Dido and Aeneas (Full Score, paperback) The opera ?Dido and Aeneas?, a recount of the well-known story from Book IV of Virgil's Aeneid, has established itself as a favourite with the public. This is due to the skill of composer Henry Purcell and his librettist Nahum Tate, who combined an overriding tragic theme with masterfully inserted comic episodes. Long believed to have been conceived in 1689 for a performance at a ?School for Young Gentlewomen?, scholars have debated the origins of ?Dido? in recent decades, a process hampered by the lack of early musical sources. This edition addresses these challenges and evaluates the earliest sources that reproduce the opera in its surviving form. Surprisingly, these date from the 1770s and 80s, some ninety years after the work was written. Three key manuscripts ? now held at the Bodleian Library in Oxford (UK), at Tatton Park Library which is a National Trust property near Manchester (UK), and at the Wakayama Prefectural Library (Japan) - were all copied from the same original, most likely a handwritten score from 1704 which reappeared in the early 1770s, only to disappear again. This is the first 'Dido' edition based on the Tatton Park manuscript as the main source. It was produced during the second half of the 18th century by Philip Hayes, one of England's most prominent musicians. He was known in musicology for his meticulous copies of Purcell's music, often from the autograph manuscripts. The Bodleian and Wakayama manuscripts are presented in a new light and their role in this edition has been reassessed accordingly. - Urtext edition based for the first time on the Tatton Park manuscript as the main source - Informative Foreword (Eng/Ger) on the genesis, transmission, reception and performance practice - Complete facsimile reproduction of the Chelsea libretto / Date parution : 2023-06-01/ Répertoire / Solistes, Choeur Mixte et Orchestre

Opera in 3 atti (3 scene) da Zi Munacella di S. Di Giacomo su libretto di M. Salvini. Par PIETRI GIUSEPPE. / Date parution : 2023-08-12/ Répertoire / Opéra

An Opera in One Act. Par SHORE DAN. / Date parution : 2023-06-01/ Répertoire / Opéra