Par BRUCKNER ANTON. Bruckner?s mighty Mass in F minor is one of his most significant creations and one of the great 19th-century choral works. The composer uniquely succeeds in exploring faith through the lens of music. In doing so, he ventures into extreme forms of expression, which caused some disgruntlement among the musicians at rehearsals for the premiere in November 1868. In subsequent years, however, the work has gradually become more accepted, and today presents a highly appealing challenge to advanced choirs. The Carus edition presents the Mass in F minor as the final 1893 version based on the autograph and the surviving copies from the copyist. As an Urtext edition it follows the latest scholarly standards ready for the Bruckner anniversary year in 2024! / Date parution : 2023-06-01/ Répertoire / Solistes [SATB], Double Choir et Piano

Instrumentation : SATB a cappellaCHORAL VIVACE is a major new choral series by the internationally-acclaimed Australia composer Sandra Milliken. Contact us to receive your free CHORAL VIVACE sampler CD Content : The series consists of a varied collection of choral music for upper and mixed voices and is graded into three levels - easy, intermediate and advanced.

Bob Chilcott's Ophelia Caliban And Miranda for SATB Piano and optional Saxophone Bass and Drum kit. This is the part for Saxophone Bass and Drums. Ophelia Caliban And Miranda puts a jazzy twist on three Shakespearean characters. With newly written texts by Charles Bennett each of the three movements focuses in on Ophelia from Hamlet and Caliban and Miranda from The Tempest. In the funky opener 'River Bride' the upper voices take the part of Ophelia while the tenors and basses play a lover figure. Caliban's song 'Ariel taught me how to play' is a reflective ballad in which theslave tells Miranda who has escaped his advances about the spirit helper Ariel teaching him to play the Saxophone. The final movement 'All good things come to an end' is a sassy yet tender number where Miranda bids farewell to her beloved husband Ferdinand declaring: 'I've gone back to the island to remember who I am'. The Saxophone Bass Piano and Drum kit parts may be played as written or serve as a guide.

Choral Vivace is a major choral series by the internationally acclaimed Australian composer Sandra Milliken. A noted choir director, clinician, adjudicator, accompanist and singing teacher, Sandra Milliken's work is ideally written for voices, and is particularly appealing to youth choirs. A varied collection of choral music for upper, lower and mixed voices- Graded into three levels - easy, intermediate and advanced- Ideal for both youth and adult choirs, either unaccompanied or with piano. These new anthologies of carefully selected Choral Vivace titles are a cost-effective way to explore the series. / Choeur SSAA Et Piano

This exciting work for more advanced choirs depicts how the earth welcomes the life-giving rain. The text alternates in Swahili and English. Building rhythms and percussion propels the choir to a jubilant ending. Percussion scoreand parts available separately. Duration: ca. 3:20.

Having been considered as a 'fashionable' and 'cliché' composer of his day Hahn's compositions are possibly not as well-known as they ought to be. Rondels for SATB choir and Piano however shatter these prejudices held representing the engaging diversity of the composer's music. Venezuelan born Reynaldo Hahn (1875-1947) entered the Paris Conservatoire at 10 years old. He received a high standard of musical education from Decombes Lavignac Dubois and Massenet before becoming a prolific and versatile composer himself writing works for all genres. For Hahn music was a magical art and his compositionsoften contain expressions of his otherwise hidden emotions and moods. Rondels is made up of twelve movements depicting different aspects of nature. Hahn's Rondels contains a variety of different features making for a pleasant and evocative work for advanced choirs.

A comprehensive guide to instrumental composition score reading and orchestral techniques. Who is it for? Music students preparing for advanced graded theory examinations 'O' levels 'A' levels IB or university examinations. Music Theory Teachers who teach advanced level music theory composition and arrangement. Part I: Every orchestral instrument is described and discussed in detail -its mechanism its range tone and timbre techniques and limitations. Facts are supported with clear illustrations - photographs graphics and musical scores. Period instruments the predecessors of the modernmakes are presented in the context of their usage and existence. The combined effects of each ensemble - the string quartet the woodwind choir the brass choir and percussion ensemble are presented as unique entities. It is simply about all you need to know including Keyboards and Voices in a style suited to the needs of the modern musician. Part II: Beyond instruments is the realm of orchestration; or namely instrumentation. From the mature Baroque to the twentieth century representative works of the greatest orchestrators are presented with annotations that analyze and discuss their prominent features. The mystery soon unravels as the author guides the readers through these timeless works.

for Clarinet Choir-Here is an original work especially written for clarinet choir. This very beautiful work is made up of The Worker • The Dreamer • The Player. Young@Heart is both rewarding and challenging for advanced ensemble groups.

Par WILLLIAM BAY. The arts flourished in the Baroque period. Music from that time is still performed worldwide by symphonies, opera companies, choirs, chamber ensembles and soloists on many instruments. The period was characterized by the works of such great artists as J. S. Bach (b. 1685), Handel (b. 1685), Telemann (b. 1681) and many others. These composers defined the rich, ornate and melodic Baroque style of music which we categorize in the classical realm. There was another genre of music flourishing during this period, and that was the 'common' or folk music style characterized by such composers as Ireland's legendary harpist, Turlough O'Carolan (b. 1670). In composing music for this book the author recreated harmonic and melodic elements of this great musical age, while adding some contemporary twists. All of the etudes are original and will serve to enhance guitar technique, phrasing, expression, note- reading ability, and knowledge of the entire guitar fingerboard. Fingering and string markings are included where appropriate. In addition to facilitating the many technical and aesthetic aspects of performing at an advanced level on the guitar, these etudes may be used successfully in concerts or recitals. This book is an ideal companion for the other books in the Mel Bay 'Achieving Guitar Artistry' series, which is designed to condition and guide the developing guitarist to an advanced level of proficiency, regardless of the style of music performed./ Recueil / Guitare

Par JOHNSON CRAIG HELLA. Perhaps one of the most important major works of our time. The Chicago Tribune wrote: Moving among styles ranging from Lutheran hymnody to blues to Broadway, this modern-day Passion will move many listeners to tears even as it reaches beyond tragedy to peace, understanding and forgiveness. For the advanced choir looking to make an impact on students and community this is worth every bit of effort it requires./ Répertoire / SATB

This classic edition of a delightful baroque masterwork is accessible to the medium/advanced choir. Orchestral parts available for rental. For details see www.waltonmusic.com. Duration: ca. 25:00.

By choosing to set this text, which speaks of charity and the love of God, for treble voices, Douglas Pew seeks to create images of celestial bodies and celestial spheres where this type of sacred love can exist in its full capacity. Using the full range of the mature voice, this will be a wonderful addition to your advanced women's choir literature. / Choeur SSSAAA A Cappella Et Soprano

One of Howard Goodall’s most popular choral settings Love Divine has been skilfully arranged for brass band by Andrew Wainwright with the approval of the composer. This version is based on the setting with piano and strings and can be performed as a self-standing concert work or as an accompaniment for performance by a large choir. Brass Band Grade 4: Advanced Youth and 3rd Section Duration: 8 minutes

This Ojibway text, adapted by the composer, explores the beloved 'flower of the forest, Sky-treading bird of the prairie, wonderful fawn-eyed one.? Opening with a joyful fanfare-like exclamation of the word 'Awake' and ending as though in soaring flight, this is an excellent selection for advanced women's choir repertoire. / Choeur SSAA Et Piano