| Momentum Sequences Ensemble de cuivres [Conducteur et Parties séparées] Norsk Noteservice
Par SCHJELDERUP FREDRICK. Momentum Sequences was commissioned by Skjold Skoles M...(+)
Par SCHJELDERUP FREDRICK. Momentum Sequences was commissioned by Skjold Skoles Musikkorps (Norway) for their 60th Anniversary in 2021 (later adapted for brass band to Smørås Skolemusikk). The title of the term Momentum can be explained by an event that creates extra energy, or the driving force of a moving object. In this case, both the driving force, The energy and the object can be translated to the music, the conductor and the band. The piece is divided in three movements; «I.Signals», «II.Light» and «III.Finale» which builds up the Momentum of the piece’ character and theme. / Date parution : 2023-07-31/ Répertoire / Ensemble de Cuivres
226.38 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Griffenfeldt Ensemble de cuivres [Conducteur et Parties séparées] Norsk Noteservice
Par . Here we present 'Griffenfeldt», a folk-dance in the style of a Norwegian ...(+)
Par . Here we present 'Griffenfeldt», a folk-dance in the style of a Norwegian «reinlender». This arrangement can be used as the first item in a concert, or after an interval. The musicians can come on stage as they join in. That is why two of the measures are notated 'repeat till ready', here you have to wait until everyone is in place! If everyone is ready from the start, the repetition can be omitted. Be sure to play with a bouncy but singing style, not with short and harsh articulations. Do the trills on the beat, but these can also be omitted if it makes it too difficult. To bring out the folk music style a little extra, you can ask the musicians to play on the 'backbeat', i.e. emphasize the last half of each quarter-note. In addition, the music will really come to life if all 'solo' places are done standing up. The musician Ånon Egeland tells this story: «This song got its name from a party where it all just got a bit too lively: one of the party-goers started shooting into the ceiling with a gun just as this reinlender was being played. The fiddler - or was it the man with the gun? - was called Griffenfeldt, and that gave the name for the song.» / Date parution : 2023-07-31/ Répertoire / Ensemble de Cuivres
150.22 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Torstein Aagaard-Nilsen:
Circius: Brass Band:
Score Ensemble de cuivres Gobelin Music Publications
Composed during the summer of 1988. Commissioned by The Norwegian Brass Band Clu...(+)
Composed during the summer of 1988. Commissioned by The Norwegian Brass Band Club First performed in the Grieg Hall¬? at the 10th Anniversary Concert for the Norwegian Championship Bergen February 1989. EBML conducted by Michael Antrobus. The work is important for me because it was my first piece to be played outside Norway. Black Dyke/David King performed it and did a recording of it in 1991. The composer: In the original score I quote a Swedish bishop (Olaus Mangnus) who lived in the 15th century. He travelled around Scandinavia and drew maps - very important historic material. When he came to the north of Norway (where I come from) hedescribed the wind from the north as Ciricus: (something like) Worst of all winds is Circius that revolves(?= turn upside down) heaven and earth. (Well not a good translation I¬?m afraid). The fast sections reflects the mighty winds from the north. In the middle section I borrowed a folksong-like tune (by C. Elling a norwegian composer). The text (by Kristoffer Janson) tells about old times when the fishermen used open boats: they had to put their lives in the hands of God. De opening en het slot van dit werk beschrijven 'Circius' de wind die hemel en aarde verwoest. Het middendeel is een bewerking van het Noorse volkslied 'The fisherman's speech to his son'. De inhoud van het lied komt overeen met Circius. De vader verzoekt zijn zoon de krachten van de natuur te trotseren maar bovenal te respecteren. Een kort doch spectaculair concertwerk dat het gehele orkest in de greep heeft.
18.99 GBP - vendu par Musicroom GB |
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| Tribute To Whitney
Houston (HOUSTON WHITNEY
/ BROWN MICHAEL (Arr) Ensemble de cuivres [Conducteur et Parties séparées] Hal Leonard
How Will I Know ? Saving All My Love For You ? I Wanna Dance With Somebody ? I W...(+)
How Will I Know ? Saving All My Love For You ? I Wanna Dance With Somebody ? I Will Always Love You. Par HOUSTON WHITNEY / BROWN MICHAEL (Arr.). Dix années se sont écoulées depuis la disparition de la chanteuse américaine Whitney Houston, mais le monde n?a pas oublié sa voix sublime. Ses tubes intemporels ? ballades ou chansons bourrées d?énergie ? s?entendent toujours à a radio. Cet irrésistible medley comprend certains de ses plus grands succès : « How Will I Know », « Saving All My Love for You », « I Wanna Dance with Somebody » et « I Will Always Love You ». / Date parution : 2022-03-15/ Recueil / Brass Band
88.73 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Tribute To Whitney
Houston (HOUSTON WHITNEY
/ BROWN MICHAEL (Arr) Ensemble de cuivres [Conducteur] Hal Leonard
How Will I Know ? Saving All My Love For You ? I Wanna Dance With Somebody ? I W...(+)
How Will I Know ? Saving All My Love For You ? I Wanna Dance With Somebody ? I Will Always Love You. Par HOUSTON WHITNEY / BROWN MICHAEL (Arr.). Dix années se sont écoulées depuis la disparition de la chanteuse américaine Whitney Houston, mais le monde n?a pas oublié sa voix sublime. Ses tubes intemporels ? ballades ou chansons bourrées d?énergie ? s?entendent toujours à a radio. Cet irrésistible medley comprend certains de ses plus grands succès : « How Will I Know », « Saving All My Love for You », « I Wanna Dance with Somebody » et « I Will Always Love You ». / Date parution : 2022-03-15/ Recueil / Brass Band
19.71 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Poul Ruders: glOrIA:
Brass Ensemble: Score Ensemble de cuivres Wilhelm Hansen
Ruders writes: 'gl0rIA' is subtitled: 'a relique for large chorus and 12 brass-i...(+)
Ruders writes: 'gl0rIA' is subtitled: 'a relique for large chorus and 12 brass-instruments. At the same time it is an exercise for chorus because only vowels do occur or virtually no consonants are heard. The second part of the Missa Ordinarium the Gloria in Exelcis Deo makes the literary basis of 'g10rIA' but I employ only the vowels which in their full context form a 'non-language' - fragments of a tradition. A less dim vision of the 'severed body' appears in the center of the piece where the Domini Fili-section surfaces in its original shape. 'gl0rIA' is a 20th century composer’s hommage to the innocent faith of bygone days and a fanfare in honour of ClaudioMonteverdi; thus the ever present elaborations of the introduction to the Vespro Della Beate Vergine. Superimposed on the 'torso' of Latin I wedge in a quotation from the Spanish renaissance poet Gonzalo de Berceo’s 'Duelo de la Virgen' a surrealistic Lamento in which the Jews sent by Pilate to stand guard at the tomb of Christ mock and ridicule Maria Jesu mother. Thus a shadow has been cast over the jubilant religious appraisal of the past which today’s knowledge of atrocities and enormities engineered by Mankind has - alas - made so hard to repeat.
60.99 GBP - vendu par Musicroom GB |
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| Torstein Aagaard-Nilsen:
Introduction: Brass Band:
Score & Parts Ensemble de cuivres Gobelin Music Publications
The composer: A short concert-opener where I use Norwegian folk-tunes. I wanted ...(+)
The composer: A short concert-opener where I use Norwegian folk-tunes. I wanted to create a short musical picture of the Vikings running from the seashore towards some people they wanted to fight down. They used to drink something made of mushrooms and became very wild. They didn¬?t feel any pain they didn¬?t feel any fear. They where called the Berserkings! Ze voelden geen pijn en kenden geen angst... de Vikingen! Na het drinken van een speciale drank van paddenstoelen konden ze de hele wereld aan. Fraaie Noorse volksmelodieën gebruikend schetst Aagaard-Nilsen het hero?sche beeld van aanvallende Vikingen. Klaar om de kust te bestormen...
57.99 GBP - vendu par Musicroom GB |
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| Torstein Aagaard-Nilsen:
Introduction: Brass Band:
Score Ensemble de cuivres Gobelin Music Publications
The composer: A short concert-opener where I use Norwegian folk-tunes. I wanted ...(+)
The composer: A short concert-opener where I use Norwegian folk-tunes. I wanted to create a short musical picture of the Vikings running from the seashore towards some people they wanted to fight down. They used to drink something made of mushrooms and became very wild. They didn¬?t feel any pain they didn¬?t feel any fear. They where called the Berserkings! Ze voelden geen pijn en kenden geen angst... de Vikingen! Na het drinken van een speciale drank van paddenstoelen konden ze de hele wereld aan. Fraaie Noorse volksmelodieën gebruikend schetst Aagaard-Nilsen het hero?sche beeld van aanvallende Vikingen. Klaar om de kust te bestormen...
8.50 GBP - vendu par Musicroom GB |
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| Michael Nyman: For John
Cage Brass Ensemble:
Brass Ensemble: Score Ensemble de cuivres [Partition] Chester
Score for this piece which was comissioned by London Brass and first performed ...(+)
Score for this piece which was comissioned by London Brass and first performed in 1992.Quoting composer: The piece was completed without title on 12th August 1992. A title once considered was Canons Chorales and Waltzes butthis was dropped since there was only one canon (the opening) and only genuine waltz (apart from a passage towards the end which superimposes the canon over a waltz rhythm). The following day I read the paper that John Cage haddied - the day I finished writing. For this reason but mainly because Cage was the most revolutionary practical music thinker of the 20th century this piece is dedicated to him. His influence on my music may be perceived underthe 'very un-Cagein' surface: though stylistically there may be little in For John Cage that may have been to his taste I hope he would at least have appreciated its diversity its non-simultaneous multiplicity.Parts areavailable on hire or special order. Duration 15 minutes.
13.99 GBP - vendu par Musicroom GB |
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| Eric Whitacre: October:
Brass Ensemble Ensemble de cuivres [Conducteur et Parties séparées] Hal Leonard
October. Note from the composer: ?I cam across David Miller's arrangement of Oct...(+)
October. Note from the composer: ?I cam across David Miller's arrangement of October on YouTube a couple of years ago. As soon as I heard it, I knew we should make this available for more ensembles. Thank you, Dave.?
Please note: the corresponding choral work is entitled ?Alleluia.?
32.50 GBP - vendu par Musicroom GB Délais: En Stock |
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| Leslie Pearson: Christmas
Is Coming: Brass
Ensemble: Score and Parts Ensemble de cuivres Brass Wind Publications
London Brass Band Series-Leslie Pearson's Christmas Is Coming scored for 3 Trum...(+)
London Brass Band Series-Leslie Pearson's Christmas Is Coming scored for 3 Trumpets 3 Trombones Tuba 2 Percussion ÂOrgan and Keyboard. 'When I set out to arrange traditional Christmas carols I was determined that they should not be yet another run-of-the-mill strophic verse-by-verse version of our Christmas heritage. I have tried to treat each carol in the collection as the basis for a Petite Fantasie - a continuous single-movement of variations on the original tune. Of course the carol is heard in its traditional form at some point during the arrangement but hopefully its appeal is enhanced without destroying the traditional concept. Inparticular White Christmas Silent Night and the middle sections of Hark the Herald and Christmas is Coming have the soft 'lush' treatment. Christmas is Coming has a humorous opening and a 'Noblimente' end. The collection is in all a delightful mixture of musical styles through the ages.' Leslie Pearson
17.75 GBP - vendu par Musicroom GB |
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| Sir Malcolm Arnold:
English Dances Set 1
Op. 27: No. 1: Brass
Band: Score and Ensemble de cuivres [Conducteur et Parties séparées] De Haske Publications
Andantino-English Dances Set I opus 27 is a light classic composition that wa...(+)
Andantino-English Dances Set I opus 27 is a light classic composition that was written for orchestra by the British composer Malcolm Arnold in 1950. The set contains four dances that continue without pause: the individual movements are indicated by the tempo markings. The work came about at the request of Bernard de Nevers at the time the head of publisher Alfred Lengnick and Co. who asked Arnold to write a suite of dances as an English counterpart to Dvo ákâ??s Slavonic Dances and Bartókâ??s Romanian Folk Dances. The première took place in the spring of 1951 played by the London Philharmonic Orchestra conducted by Sir Adrian Boult. Following the success of the first set DeNevers asked the composer to write a second one which Arnold completed the next year (Op. 33). The Andantino from the first set has been skilfully arranged and orchestrated for brass band by Ray Farr. English Dances Set I opus 27 is a light classic composition that was written for orchestra by the British composer Malcolm Arnold in 1950. The set contains four dances that continue without pause: the individual movements are indicated by the tempo markings. The work came about at the request of Bernard de Nevers at the time the head of publisher Alfred Lengnick and Co. who asked Arnold to write a suite of dances as an English counterpart to Dvo ákâ??s Slavonic Dances and Bartókâ??s Romanian Folk Dances. The première took place in the spring of 1951 played by the London Philharmonic Orchestra conducted by Sir Adrian Boult. Following the success of the first set DeNevers asked the composer to write a second one which Arnold completed the next year (Op. 33). The Andantino from the first set has been skilfully arranged and orchestrated for brass band by Ray Farr.
61.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| Torstein Aagaard-Nilsen:
Elegy and March: Brass
Band: Score Ensemble de cuivres Gobelin Music Publications
Commissioned by the Norwegian Band Federation and Tom Brevik. Composed in 1991. ...(+)
Commissioned by the Norwegian Band Federation and Tom Brevik. Composed in 1991. The composer:Elegy and March was one of my first original compositions (no quotations no folk-tunes) and it was one of my earliest attempts to experiment with form. The elegy-part is quite obvious but the march is not quite a march. If the elegy-part tells a sad story then the march should tell a happy story. My problem is that I don¬?t think life is like that. Result: the march collapses! De liefhebbers van de muziek van de Scandinaviër Aagaard-Nilsen kunnen hun hart ophalen bij dit bijzondere werk. In de tweedelige compositie zijn de delen thematisch aan elkaarverwant. De Elegy is een verstild werkje met prachtige klankvelden. Alle instrumenten komen aan bod maar nooit tegelijk. Hoe anders is dat in de mars waarbij ragfijn orkestspel wordt gevraagd. De componist: Elegy and March was een van mijn eerste originele werken (geen citaten geen volksliedjes) en het was een van mijn eerste pogingen om te experimenteren met vorm. De elegie deel is vrij duidelijk maar de mars is niet helemaal een mars. Als het elegie-deel een triest verhaal vertelt dan zou de mars een gelukkig verhaal moeten vertellen. Mijn idee is dat dat in het echte leven ook niet zo is. Resultaat: de mars stort totaal in!Weer iets totaal anders van de Noorse meester!
12.99 GBP - vendu par Musicroom GB |
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| Torstein Aagaard-Nilsen:
Elegy and March: Brass
Band: Score & Parts Ensemble de cuivres Gobelin Music Publications
Commissioned by the Norwegian Band Federation and Tom Brevik. Composed in 1991. ...(+)
Commissioned by the Norwegian Band Federation and Tom Brevik. Composed in 1991. The composer:Elegy and March was one of my first original compositions (no quotations no folk-tunes) and it was one of my earliest attempts to experiment with form. The elegy-part is quite obvious but the march is not quite a march. If the elegy-part tells a sad story then the march should tell a happy story. My problem is that I don¬?t think life is like that. Result: the march collapses! De liefhebbers van de muziek van de Scandinaviër Aagaard-Nilsen kunnen hun hart ophalen bij dit bijzondere werk. In de tweedelige compositie zijn de delen thematisch aan elkaarverwant. De Elegy is een verstild werkje met prachtige klankvelden. Alle instrumenten komen aan bod maar nooit tegelijk. Hoe anders is dat in de mars waarbij ragfijn orkestspel wordt gevraagd. De componist: Elegy and March was een van mijn eerste originele werken (geen citaten geen volksliedjes) en het was een van mijn eerste pogingen om te experimenteren met vorm. De elegie deel is vrij duidelijk maar de mars is niet helemaal een mars. Als het elegie-deel een triest verhaal vertelt dan zou de mars een gelukkig verhaal moeten vertellen. Mijn idee is dat dat in het echte leven ook niet zo is. Resultaat: de mars stort totaal in!Weer iets totaal anders van de Noorse meester!
81.99 GBP - vendu par Musicroom GB |
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| So In Love (PORTER COLE) Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Arr. Kazuhiro Morita_Klaas Van Der Woude. Par PORTER COLE. L’auteur-compositeu...(+)
Arr. Kazuhiro Morita_Klaas Van Der Woude. Par PORTER COLE. L’auteur-compositeur américain Cole Porter (1891-1964) est initié au piano dès son plus jeune âge. Plus tard, il suit un cursus universitaire à Yale puis à Paris. Sa vie a suscité bien des commentaires. En 1918, il épouse Linda Lee Thomas. Le couple partage sa vie entre Paris, Venise, New York et Hollywood où Cole Porter se consacre à la composition de musiques de films. Le mariage est heureux en dépit de l’homosexualité notoire de Cole Porter. En 1937, il est victime d’un grave accident qui le laisse handicapé à vie. Cole Porter restera meurtri par cette expérience. Son épouse meurt en 1954. Quatre ans plus tard, il est amputé de la jambe droite. Son appétit de vivre et saflamme créatrice s’éteignent. Il meurt en 1964. Cole Porter a composé de superbes chansons et comédies musicales dont certaines sont encore très appréciées de nos jours. Il suffit d’évoquer I’ve Got You Under My Skin ou Every Time We Say Goodbye. Sa musique a été reprise par de nombreux artistes : des crooners et grandes vedettes du jazz telles que Frank Sinatra, Ella Fitzgerald et Oscar Peterson aux cantatrices Renée Fleming et Kiri Te Kanawa. Certains artistes pop, notamment U2 ou Tom Waits, ont également fait une incursion dans son riche répertoire. So in Love est une chanson romantique extraite de la comédie musicale Kiss Me Kate (1948). / Niveau : 3 / TV, Film, Comédie musicale / Recueil / Brass Band
73.93 EUR - vendu par LMI-partitions Délais: Sur commande |
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| So In Love (PORTER COLE) Ensemble de cuivres [Conducteur] - Intermédiaire De Haske Publications
Arr. Kazuhiro Morita_Klaas Van Der Woude. Par PORTER COLE. L’auteur-compositeu...(+)
Arr. Kazuhiro Morita_Klaas Van Der Woude. Par PORTER COLE. L’auteur-compositeur américain Cole Porter (1891-1964) est initié au piano dès son plus jeune âge. Plus tard, il suit un cursus universitaire à Yale puis à Paris. Sa vie a suscité bien des commentaires. En 1918, il épouse Linda Lee Thomas. Le couple partage sa vie entre Paris, Venise, New York et Hollywood où Cole Porter se consacre à la composition de musiques de films. Le mariage est heureux en dépit de l’homosexualité notoire de Cole Porter. En 1937, il est victime d’un grave accident qui le laisse handicapé à vie. Cole Porter restera meurtri par cette expérience. Son épouse meurt en 1954. Quatre ans plus tard, il est amputé de la jambe droite. Son appétit de vivre et saflamme créatrice s’éteignent. Il meurt en 1964. Cole Porter a composé de superbes chansons et comédies musicales dont certaines sont encore très appréciées de nos jours. Il suffit d’évoquer I’ve Got You Under My Skin ou Every Time We Say Goodbye. Sa musique a été reprise par de nombreux artistes : des crooners et grandes vedettes du jazz telles que Frank Sinatra, Ella Fitzgerald et Oscar Peterson aux cantatrices Renée Fleming et Kiri Te Kanawa. Certains artistes pop, notamment U2 ou Tom Waits, ont également fait une incursion dans son riche répertoire. So in Love est une chanson romantique extraite de la comédie musicale Kiss Me Kate (1948). / Niveau : 3 / TV, Film, Comédie musicale / Recueil / Brass Band
22.67 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Shaker Suite: Brass
Ensemble: Score Ensemble de cuivres Canadian Brass
For Brass Quintet and Concert Band-Legendary composer arranger and author Rayb...(+)
For Brass Quintet and Concert Band-Legendary composer arranger and author Rayburn Wright is responsible for initiating the storied jazz program at the Eastman School of Music and was also a composer for film and television. His masterful setting of Shakermelodies includes the familiar Simple Gifts along with The Happy Journey and I've Set My Face for Zion's Kingdom. Used to feature a separate brass quintet or with members within an ensemble's brass section this is truly a memorable setting adapted by current Eastman Wind Ensemble conductor Mark Davis Scatterday. Dur: 9:50 (Grade 5)Audio recorded by the Canadian Brass and the Eastman Wind Ensemble on Manhattan Music (OD7368) – Mark Davis Scatterday conductor
15.99 GBP - vendu par Musicroom GB |
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| Shaker Suite: Brass
Ensemble: Score & Parts Ensemble de cuivres Canadian Brass
for Brass Quintet and Concert Band-Legendary composer arranger and author Rayb...(+)
for Brass Quintet and Concert Band-Legendary composer arranger and author Rayburn Wright is responsible for initiating the storied jazz program at the Eastman School of Music and was also a composer for film and television. His masterful setting of Shakermelodies includes the familiar Simple Gifts along with The Happy Journey and I've Set My Face for Zion's Kingdom. Used to feature a separate brass quintet or with members within an ensemble's brass section this is truly a memorable setting adapted by current Eastman Wind Ensemble conductor Mark Davis Scatterday. Dur: 9:50 (Grade 5)Audio recorded by the Canadian Brass and the Eastman Wind Ensemble on Manhattan Music (OD7368) – Mark Davis Scatterday conductor Dur: 9:50
176.50 GBP - vendu par Musicroom GB |
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| Per Nørgård: Musaic:
Brass Ensemble: Score Ensemble de cuivres Wilhelm Hansen
Musaic (1969) by Per Nørgård - for Brass Ensemble and Electronics. Instr.: 5 C...(+)
Musaic (1969) by Per Nørgård - for Brass Ensemble and Electronics. Instr.: 5 Cornets 3 Trombones and Electronics Progamme Note Among my compositions for brass band three (“Backlight” “Massifs” - crystals - cascades” “Musaic”) all belong to a three-dimensional space. Thus “Massifs - crystals - cascades” was proclaimed from a mountainside towards the audience in the Norwegian town Tromsø and “Backlight” to the special room of the new concert hall at The Music Conservatory of Jutland Denmark. “Musaic” was composed in 1969 for the inauguration of Edition Wilhelm Hansen’s new branch in Århus Jutland. Short movements for brass were intermittently heard on the street. In the concert hall all the movements were however heard - also the ones already played; by means of a continuous tape individual fragments of the ´street music´ were gradually collected into one concluding uninterrupted piece lasting all in all 10 minutes a mus(a)ic/muza(i)k… A synthesis can be heard on a CD from 2007 (by the Brass Ensemble of The Royal Danish Conservatory Jutland) with the note that the work might be much longer when performed live. Per Nørgård (2007) Parts available: KP01903A
42.50 GBP - vendu par Musicroom GB |
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| Per Nørgård: Musaic:
Brass Ensemble: Parts Ensemble de cuivres Wilhelm Hansen
Musaic (1969) by Per Nørgård - for Brass Ensemble and Electronics. Instr: 5 Co...(+)
Musaic (1969) by Per Nørgård - for Brass Ensemble and Electronics. Instr: 5 Cornets 3 Trombones and Electronics Progamme Note Among my compositions for brass band three (“Backlight” “Massifs” - crystals - cascades” “Musaic”) all belong to a three-dimensional space. Thus “Massifs - crystals - cascades” was proclaimed from a mountainside towards the audience in the Norwegian town Tromsø and “Backlight” to the special room of the new concert hall at The Music Conservatory of Jutland Denmark. “Musaic” was composed in 1969 for the inauguration of Edition Wilhelm Hansen’s new branch in Århus Jutland. Short movements for brass were intermittently heard on the street. In the concert hall all the movements were however heard - also the ones already played; by means of a continuous tape individual fragments of the ´street music´ were gradually collected into one concluding uninterrupted piece lasting all in all 10 minutes a mus(a)ic/muza(i)k… A synthesis can be heard on a CD from 2007 (by the Brass Ensemble of The Royal Danish Conservatory Jutland) with the note that the work might be much longer when performed live. Per Nørgård (2007)
57.50 GBP - vendu par Musicroom GB |
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| Chorale And Canzone
(HASSLER / GIOVANNI
TAEGGIO) Ensemble de cuivres [Conducteur et Parties séparées] - Facile De Haske Publications
based on 'From Highest Heaven I Come to Tell'. Par HASSLER / GIOVANNI TAEGGIO. T...(+)
based on 'From Highest Heaven I Come to Tell'. Par HASSLER / GIOVANNI TAEGGIO. The words and lyrics of the Christmas Carol From Highest Heaven I Come To Tell were written by the great Martin Luther (1483-1546) and can be found in The Hymns of Martin Luther. Martin Luther expressed radical views which began the reformation movement. His followers protested at the treatment given to Martin Luther, the event from which the term 'Protestant' was derived. It was first published in Joseph Klug's Gesangsbuch in around 1535. Add a majestic Baroque feel to any concert with this simple yet effective arrangement. / Niveau : 2 / Musique religieuse / Répertoire / Brass Band
73.93 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Jubilation! (CURNOW
JAMES) Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Par CURNOW JAMES. In 1868 William Francis Allen published a collection of spirit...(+)
Par CURNOW JAMES. In 1868 William Francis Allen published a collection of spirituals, songs sung by slaves whilst they worked. This book started a flood of enthusiasm for the spiritual which continues to this day. Jubilation (a time for celebration) uses the spiritual 'My Lord, What A Morning' as the main melody for transitions and modulations throughout and to introduce three further spirituals: I'm Gonna Sing, Steal Away and Ev'ry Time I Feel the Spirit. / Niveau : 3 / Hymnes et chorals / Répertoire / Brass Band
83.80 EUR - vendu par LMI-partitions Délais: Sur commande |
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| John Wilbye: 3 Madrigals:
Brass Ensemble: Score and
Parts Ensemble de cuivres Associated
Score and Parts-For Brass Quintet. Contents: Fall I Fall O Stay Mee £ I Alwa...(+)
Score and Parts-For Brass Quintet. Contents: Fall I Fall O Stay Mee £ I Always Beg Yet Never £ Yee Restles Thoughts.
19.99 GBP - vendu par Musicroom GB |
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