Le livre Berklee de l'harmonie jazz
Série : Berklee Guide Éditeur : Berklee Press Format : Couverture souple Audio en ligne Auteurs : Joe Mulholland, Tom Hojnacki
Apprenez l'harmonie du jazz, comme enseigné au Berklee College of Music. Ce texte fournit une base solide dans les principes harmoniques, soutenant une étude plus approfondie de la composition, de l'arrangement et de l'improvisation de jazz. Il couvre les types d'accords de base et leurs tensions, avec des démonstrations pratiques de leur utilisation dans des contextes caractéristiques du jazz et un enregistrement d'accompagnement qui vous permet d'entendre comment ils peuvent être appliqués. Le prix de ce livre comprend l'accès aux pistes audio en ligne, en téléchargement ou en streaming, en utilisant le code unique à l'intérieur du livre. L'audio comprend PLAYBACK , un lecteur audio multifonctionnel qui vous permet de ralentir l'audio sans changer la hauteur, de définir des points de boucle, de changer les touches et de faire un panoramique à gauche ou à droite - disponible exclusivement chez Hal Leonard.
Avenants
« Lorsque les êtres futurs découvriront les artefacts de notre culture, le Jazz Harmony Book se démarquera comme le résumé le plus complet de l'harmonie diatonique moderne utilisée dans le jazz et la musique populaire de cette époque. Ce livre est détaillé, sophistiqué et étonnamment branché. J'ai particulièrement apprécié le chapitre sur le blues ainsi que la façon dont les auteurs ont noté l'effet du placement des battements sur les choix harmoniques. Cette phrase m'a frappé : « Nous pouvons entendre et sentir un accord fonctionner dans un sens lorsqu'il arrive, mais notre interprétation de cet accord peut également s'ajuster rétroactivement ». Le livre regorge de descriptions similaires donnant à ce sujet compliqué une vie propre, au-delà des mathématiques et de la terminologie habituelles. -Dave Liebman
« Le Berklee Book of Jazz Harmony est éminemment lisible et convivial. Les auteurs présentent les principes de l'harmonie jazz et de la théorie des gammes d'accords de manière claire et invitante. ? Keith Waters, pianiste de jazz, théoricien et auteur de The Studio Recordings of the Miles Davis Quintet, 1965-68
« Clair, complet et pratique, le Jazz Harmony Book est en effet une clé bienvenue pour comprendre non seulement la richesse et l'ordre de l'harmonie jazz, mais aussi les nombreux styles musicaux profondément touchés par la large influence de l'harmonie jazz. ? Michael Rendish, président fondateur de l'harmonie, Berklee College of Music
/ Partitions jazzandblues / Tous instruments par tonalité / Tous instruments / BERKLEE

Learn the rules of harmony with this easy-to-follow guide. How To Blitz! Four-Part Harmony is the perfect resource for musicians of all ages. Designed to be a quick reference book rather than anintricate explanation of the workings of four-part harmony this book uses the figured bass system to indicate types of chord. How To Blitz! Four-Part Harmony works in conjunction with the blitzbooks.com website where you can download all sorts of free resources to help you with your study including games manuscript test papers and materials to help with practical exampreparation. Written by renowned educator and author Samantha Coates the BlitzBooks series has brought fun and laughter to the areas of music theory instrumental technique and sight reading. Coates' engagingapproach to theory and sight reading has already made BlitzBooks the most popular range of theory and sight reading books in Australia and they are now finally available in the UK. 

The ABC Of Harmony series is an all new series of harmony textbooks with a simple and consise approach for all teachers and students. Perfect for a systematic study of harmony for the general musician as well as for requirements of the ABRSM AMEB and other examinining bodies. Book Two looks at: Melodic decorations Suspensions Domiant seventh chord Modulation Analysis questions are also included.

The ultimate compact reference book of theory and harmony. Contains essential basic information relating to all aspects of music rudiments counterpoint harmony and orchestration. An excellent guide for both amateur andprofessional musicians. Compiled and edited by Joe Dineen and Mark Bridges.

This book explores the main elements of tonal harmony. Students using this book will acquire a secure knowledge of the basics of harmonic practice. Singing playing and completing the exercises and studying the music examples will provide essential experience of the 'tools of the trade'. More than 280 music examples illustrate the author's clear and direct exposition of the history and practice of harmony while the student will be able to work through over 190 exercises.

George Heussenstamm composer of more than 85 published works and author of The Norton Manual of Music Notation taught college-level theory for several decades. Unable to find what he considered a suitable text he wrote his own honing it through practical classroom experience. It is now published for the first time as Hal Leonard Harmony & Theory.This book is designed for anyone wishing to expand their knowledge of music theory whether beginner or more advanced. The first two chapters deal with music fundamentals and may be skipped by those with music reading experience. Each chapter contains many examples that clearly illustrate the conceptspresented. Written exercises at the end of each chapter allow the reader to test and apply their knowledge.Topics include: basic music-reading instruction; triads in root position; triads in inversion; cadences; non-harmonic tones; the dominant seventh chord; other seventh chords; and more.

Ouvrage de référence pour tous ceux qui souhaitent comprendre, pratiquer, improviser...dans le jazz. Ce livre se divise en cinq parties : Théorie : Accords et GammesImprovisation : Jouer sur les GaillesRéharmonisationLe répértoireLe reste / Théorie Solfège

' Ce livre contient plus de pages d'exemples musicaux - environ 90 - que de pages de texte - approximativement 85. Je considère cela comme un de ses avantages. Son objectif est de donner des conseils aussi courts que possible tout en les illustrant abondamment. Je le considère comme un supplément à mon HARMONIELEHRE (TRAITE D'HARMONIE) qui sera bientôt publié [en anglais]. Le chapitre II, toutefois, résume brièvement les Principes de l'Harmonie, ce qui sera utile aux étudiants s'ils ont été instruits par d'autres voies.Ce livre contient de nombreuses nouvelles méthodes théoriques et pédagogiques que j'ai développées moi-même durant 50 années d'enseignement. Je tiens particulièrement à attirer votre attention sur l'Evaluation des Régions (chapitre IX) tant son efficacité est importante pour l'analyse (chapitre X, etc.). Je souhaite évoquer également les conseils théoriques et pratiques concernant le traitement des progressions harmoniques (chapitre XI), un des points les plus importants de la construction formelle. Enfin, ce livre donne des descriptions et des définitions de nombreuses formes qui n'ont pas encore été traitées. 'Arnold Schoenberg, 1948 ' Nos critiques et théoriciens d'aujourd'hui [?] ont rempli les revues, les journaux et même des volumes de commentaires brillants, profonds [?]. Quelques semaines après leur parution il n'en reste généralement pas grand-chose [?]. Mais, il y a trente-six ans que le Traité d'harmonie fut écrit et, aujourd'hui encore, il sert. Il en ira encore ainsi pendant pas mal de temps et il en ira de même pour les Fonctions structurelles de l'harmonie. Je conseille la lecture de ce livre à ceux qui veulent vraiment apprendre quelque chose. 'René Leibowitz, 1947 / Livre

From basic musical concepts to harmonizing a melody Volume 1 contains basic tools to get you started in this field.Enric Herrera attended classical studies of harmony counterpoint fugue composition orchestration and piano at the Conservatory of the Lyceum and the Conservatorio Superior de Música de Barcelona.

At just 34 years of age Théodore Dubois became a professor of harmony at the Paris Conservatoire. Whilst much of his compositional works have disappeared from primary classical repertoire his teaching has had a lasting influence. Having taught successful composers including Paul Dukas it is clear that Dubois' Traité D'Harmonie is well-informed. This music theory study guide covers a considerable range of theoretical aspects from the varying musical clefs to the use of pedal notes as well many other harmonic devices with expertise. In the preface Dubois explains the need for his book stating that it fills gaps in harmonic theory exercises which preceding guides had missed. With no harmonic elements left out this Théodore Dubois theory guide is necessary to accompany all music studies.

Treatise of Harmony – Bass and Voices is an absolute must-have volume on harmonies by Théodore Dubois. Written in the last century (1921) this book includes the two parts of the treatise: Part 1 – Basses and Part 2 – Voices. This volume is quite complex requires some strong theory knowledge and would be playable by upper-advanced players and professionals. It also features numerous examples. The two parts contains the following sub-sections: Part 1 – Basses:  - Consonant harmonies - Dissonant harmonies - Alterations - Delays - Pedals - Appendix Part 2 – Voices:  - Consonant harmonies - Dissonant harmonies - Alterations - Delays Pedals… - Appendix

Revised 4th Edition With Answers-This revised 4th edition of Practice in Music Theory Grade 6 comes complete with detachable Model Answers! The success of its previous editions for the past two decades has prompted the need for more definitive solutions. Based on the ABRSM theory examination syllabus it is the first of three comprehensive coursebooks leading to Grade 8 and beyond. Students are guided to achieve a high theoretical standard with competent knowledge in harmony counterpoint melodic writing and score analysis. The J Koh?s instructional approach is academic and systematic; yet musically conceived with graphical layouts and selective examples. There are 2 parts to thiscoursebook. Part I ? Harmony The principles of harmony are introduced here: 4-part writing 2-part counterpoint concepts of traditional chord progression use of inversions principles of voice-leading and the use of non-harmony notes. Harmonic guidelines and rules are clearly explained with relevant examples. Exercises are progressively structured to ensure a strong grasp of the theoretical concepts. Part II ? Melodic Composition and Analysis Meloic composition is taught through an analytical approach. The concepts of phrasing use of motifs modulations and melodic contour are illustrated with authentic extracts. By taking students through the works of the great masters their technical skills are sharpened enhanced with useful tools for the creative compositional process. Skills in score analysis involve the acquisition of sound musical knowledge - the study of forms genres history of western music that spans 4 centuries along with the composers? works and styles. Appendices II and III provide guidance for basic research needed at this level. The essential and highly recommended reference texts are: Musical Forms and Terms and Understanding Orchestration The Orchestra and Its Instruments.

Jazz Theory Resources is a jazz theory text in two volumes. Volume I (HL00030458) includes: review of basic theory rhythm in jazz performance basic tonal materials triadic generalization diatonic harmonic progressions and harmonic analysis substitutions and turnarounds common melodic outlines and an overview of voicings.Volume II (HL00030459) includes: modes and modal frameworks quartal harmony other scales and colors extended tertian structures and triadic superimposition pentatonic applications coloring outside the lines and beyond analysis and expanding harmonic vocabulary.Appendices on chord/scale relationships elaborations ofstatic harmony endings composing tips and theory applications are also included.