Instrumental Play-Along-Solo arrangements of thirteen songs from the beloved Boublil and Schonberg musical.Songs include At The End of The Day and Bring Him Home.

Instrumental Solos for Horn-13 songs from the musical: At the End of the Day * Bring Him Home * Castle on a Cloud * Do You Hear the People Sing' * Drink with Me (To Days Gone By) * Empty Chairs at Empty Tables * A Heart Full of Love * I Dreamed a Dream * InMy Life * A Little Fall of Rain * On My Own * Stars * Who Am I'.

50 Duets that Can Be Played by Any Combination of Wind Instruments-The intention of Compatible Christmas Duets For Winds is to provide instrument players the opportunity to play fifty popular Christmas carols in arrangements for two instruments.These duets will work with any combination of any two instruments so you can play carols with your friends no matter what instrument they play. There are endless possibilities for using duet combinations for fun and entertainment around the holidays. You can play for family friends or in a concert setting.Compatible Christmas Duets For Winds provides you with interesting and playable arrangements. It can also help to make practice time fun around theholidays and can be used with friends and teachers as well. One of the best ways to improve as a player is to play in small chamber groups and duets are the easiest way to get started. Playing duets with others of similar ability levels or even of greater ability will help to stimulate the growth of your playing.

for Horn. Instrumentalists will love this jam-packed collection of 101 timeless pop hits and favorite standards/ Recueil / Cor

This massive collection will keep instrumentalists busy with 101 pop hits to learn and play! Songs include: All About That Bass - All of Me - Brave - Breakaway - Call Me Maybe - Clocks - Fields of Gold - Firework - Hello - Hey, Soul Sister - Ho Hey - I Gotta Feeling - I Will Remember You - Jar of Hearts - Love Story - 100 Years - Roar - Rolling in the Deep - Royals - Say Something - Shake It Off - Smells like Teen Spirit - Uptown Funk - When You Say Nothing at All - and more. / Cor

Timeless Cornish Melodies-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the

KV 447-The Bärenreiter piano reduction of Mozart's Horn Concerto No.3 In E Flat K.447 (BA5312a) has an idiomatic and uncluttered keyboard part. The reduction is conceived for performances with keyboard as well as for rehearsal purposes for renditions with orchestra.Franz Giegling?s editorial work on the concertos in the New Mozart Edition is the definitive scholarly-critical publication and is based naturally on every known source.The publication reflect the needs of performers today. It contains clearly laid out solo horn parts in E-flat and F a detailed historical preface commenting on the sources and a special brochure containing cadenzasand ? Eingänge ?. The cadenza and ? Eingänge ? brochure offers for the first time in print the important cadenzas by Dennis Brain Timothy Brown and Dominic Nunns. The cadenzas are presented in E-flat and then in a slightly altered version for the natural horn. All of the material has also been transposed and presented for the valve horn.

Imagine playing the exact parts of some of the most memorable and consequential songs of our time note-for-note exactly as the legends played them. This unique series features transcriptions of all the horn parts included on the original recordings with a separate staff for each horn. Perfect for cover bands! The books also include vocal melody lines complete lyrics and chord symbols.This volume features 15 jazzy rockin' gems: And When I Die • Does Anybody Really Know What Time It Is? • Feelin' Stronger Every Day • Get It On • Honky Cat • The Horse • The Letter • Love Is on the Way • Make Me Smile • Mercy Mercy Mercy • Penny Lane • Proud Mary • Shake a TailFeather • So Very Hard to Go • Subway to Venus.

Extended instrumental solo taken from MacMillan's 70-90-minute 'Since it was the day of Preparation ? ' for voices and ensemble, commissioned by the Hebrides Ensemble, Edinburgh International Festival, Soli Deo Gloria and Kings Place, and first performed by the Hebrides Ensemble at the 2012 Edinburgh Festival.The parent work sets the Resurrection narratives from St John's Gospel. Five instrumental solos for different instruments (theorbo, cello, clarinet, harp, horn) are reproduced unabridged. They serve as prologue and interludes at respective points of the work. / Cor

A simple fun way to learn the basics of improvisation!-Easy Improvisation is a great way to learn the basics of improvising on your own with friends or with the whole band! Musicians are given guidance to play along in parts to play along with written-out solos or to improvise on their own. The audio tracks include demonstration of the music on the page or just the background rhythms and chords. 30 different styles are included: rock 'n' roll hip-hop jazz EDM country Bossa Nova calypso cha-cha reggae and more. Use sample solos and other tips to start improvising today!