Urtext. Par SCHUMANN CLARA. Schumann's horn sonatas were composed in 1936/37. Considering the slim repertoire offered horn players from this period, it is more than surprising that these two masterpieces could have slumbered for so long. Both sonatas are similar in structure, with op. 118 being one Schumann's few three-movement sonatas. The first movements of the pieces sparkle with melancholically lyrical melodies, whereas passages strongly marked rhythmically, variously shape the two outer movements. Virtuoso moments can be found, respectively, in the final movements, bringing the works to a brilliant close. The horn parts predominantly range within the full, sonorous middle register, where occasional 'outbursts” up to the notated a flat'' are also not lacking. The clever handling of the balance of sounds, the possibilities on the early valve horn as well as the inner interweaving of themes differentiating horn and piano make the sonatas an exceedingly vivid testimony to Schumann's mature compositional art. Schumann's horn sonatas are a crucial enhancement to each horn player's repertoire. / Date parution : 2019-08-22/ Répertoire / Cor et Piano

Par SCHUMANN ROBERT. Editeur(s) d'origine: Draheim, Joachim/ Répertoire / Cor ou Violon et Violoncelle et Piano

Classical Highlights' presents the best-known and most popular performance pieces of the classical repertoire in arrangements for horn and piano. The comprehensive selection of works enables the musician to access classical masterpieces - from Handel and Bach via Schubert, Mendelssohn, Schumann and Wagner to Fauré, Elgar, Debussy and Satie. There will be something for any hornist who is looking for a popular classical work for teaching or performing purposes. / Cor Et Piano

Par STRAUSS RICHARD. Strauss composed his Violin Concerto in 1882, closely followed by the Horn Concerto that same year; it has remained a favorite in the repertoire ever since. The music, especially in the first movement, is reminiscent of Beethoven and Schumann, with a touch of the late Romantic style. Strauss was 19 when he composed the Horn Concerto; surely it was this astonishing maturity which moved Hans von Bülow (who conducted the premiere performance in 1885) to call him a 'stripling born old.' / Répertoire d'Examen / Répertoire / Cor et Piano

Par TIPPETT MICHAEL SIR. Like Robert Schumann who often favoured the horn, Sir Michael Tippett who died on 8 January 1998 makes full use of the instrument‘s tonal possibilities in this work. He translated the Romantic genre of horn quartet into a modern tonal language: “All movements contain characteristic calls and triad arpeggios. Sometimes the call itself is the theme, as in the fugue. Sometimes the calls are the accompaniment to a solo, such as in the nocturne.” (Tippett) The forms of the four movements, however, are traditional. The structure of the ?rst movement is reminiscent of the form of a strophic song. The second movement is an allegro, the slow third a nocturne in the traditional ABA form. And ?nally the last movement is a capricious fugue./ Répertoire / 4 Cors

Piano / Keyboard / Organ optional. Par SCHUMANN ROBERT. / Niveau : Elémentaire / Répertoire / 2 Cors et Piano ou Orgue

Extraits du Concert and répertoire lyrique. Accompagner l'ensemble de 3 CDs disponibles, consultez MP 8663. Ces enregistrements orchestrales présentent l'extrait complet et l'instrument spécifique n'est pas omis. / Cor (Extraits D'Orchestre)

Dix-huit classiques préférés pour jeunes joueurs. Maintenant tous les musiciens peuvent jouer ainsi que pour les classiques avec ce livre fantastique et CD. Comprend des oeuvres de Haendel, Haydn, Mozart, Beethoven, Schumann, Brahms et beaucoup d'autres. / Cor / niveau : Facile / Partition + Cd