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3 Romantic Piano Concertos
26.61
3 Romantic Piano Concertos
2 Pianos, 4 mains
[Partition]
Hal Leonard
Three of the most beloved Romantic piano concertos are now available in one volu...
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Three of the most beloved Romantic piano concertos are now available in one volume: Schumann's Concerto in A minor, Op. 54, Grieg's Concerto in A minor, Op. 16, and Rachmaninoff's Concerto #2 in C minor, Op. 18. The orchestra parts for transcribed for a second piano, making these ideal for private study or preparation for competitions. Two copies are necessary for performance. / 2 Pianos
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Dinner For Two (DIVERS AUTEURS / ARR)
24.97
Dinner For Two (DIVERS AUTEURS / ARR)
2 Pianos, 4 mains
Universal Edition
5 Romantic Arrangements. Par DIVERS AUTEURS / ARR.CORNICK MIKE. Mike Cornick has...
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5 Romantic Arrangements. Par DIVERS AUTEURS / ARR.CORNICK MIKE. Mike Cornick has compiled several excellent sets of arrangements of some of the most popular light music from the last 100+ years, and this latest album offers some delightful romantic music. He invites you to imagine being seated in an intimate, candle-lit restaurant, being serenaded by two pianists at a shiny grand piano: except this time you are one of the pianists! Mike's arrangements include a CD that provides for each title, as well as a full, inspirational recording, play-along tracks so that you can take over either the primo or secondo part. When you have mastered them, of course you will be ready to play the pieces live with your partner. 'Dinner for Two” includes five romantic arrangements that will be very familiar: Martini's 'Plaisir d'Amour, Arndt's 'Nola”, 'Santa Lucia” (trad.), Marchetti's 'Fascination” and Kern's 'They Didn't Believe Me”. Intermediate level players will quickly master these arrangements and can then explore similar albums by Cornick, such as 'Charleston for Two”, 'Pink Panther for Two” and several more collections. 5 romantic pieces arranged for piano duet Entertaining for both performers and their audience For intermediate-level players The CD includes recordings of each duet as well as rehearsal tracks for primo and secondo players Perfect as concert items or just for fun/ Recueil / Piano 4 Mains
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Cinderella - 8 Easy Pieces (STEENHUYSE-VANDEVELDE CHRISTA)
34.61
Cinderella - 8 Easy Pieces (STEENHUYSE-VANDEVELDE CHRISTA)
2 Pianos, 4 mains
Metropolis Music Publishers
Par STEENHUYSE-VANDEVELDE CHRISTA. Christa Steenhuyse-Vandevelde has been teachi...
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Par STEENHUYSE-VANDEVELDE CHRISTA. Christa Steenhuyse-Vandevelde has been teaching for over 30 years with unbridled enthusiasm and unparalleled creativity. Throughout her career she inspired more than a thousand piano students, which she brought into contact with masters from the past and the present. Christa's own compositions have a high romantic style with a flowing melody and a beautiful harmonic accompaniment. Christa Steenhuyse-Vandevelde has been teaching for over 30 years with unbridled enthusiasm and unparalleled creativity. Throughout her career she inspired more than a thousand piano students, which she brought into contact with masters from the past and the present. Christa's own compositions have a high romantic style with a flowing melody and a beautiful harmonic accompaniment./ Répertoire / 2 Pianos
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Fantaisie-Tableaux (Suite No. 1), Op. 5 (RACHMANINOV SERGEI)
19.93
Fantaisie-Tableaux (Suite No. 1), Op. 5 (RACHMANINOV SERGEI)
2 Pianos, 4 mains
Alfred Publishing
Par RACHMANINOV SERGEI. This large four-movement work, written in 1893, was prem...
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Par RACHMANINOV SERGEI. This large four-movement work, written in 1893, was premiered by Rachmaninoff and Pavel Pabst in Moscow. It is dedicated to Peter Ilyich Tchaikovsky. A few lines of poetry by Romantic poets preface each movement. The theme of love in the first two movements is brought to life by the two pianos with colorful, passionate writing. The final two movements feature the sound of bells---the third movement inspired by cathedrals bells that Rachmaninoff heard as a youngster, and the fourth movement capturing the jubilant sound of Easter carillon./ Répertoire / 2 Pianos
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Grand duo - Franz Schuberts Grosse Fantasie (LISZT FRANZ)
126.55
Grand duo - Franz Schuberts Grosse Fantasie (LISZT FRANZ)
2 Pianos, 4 mains
[Partition]
EMB (Editio Musica Budapest)
New Liszt Edition III Vol. 1. Par LISZT FRANZ. Composed in 1834, Liszt's Grand d...
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New Liszt Edition III Vol. 1. Par LISZT FRANZ. Composed in 1834, Liszt's Grand duo is based on material from three pieces from the first book (op. 19b) of Mendelssohn's Songs without Words (no. 1 in E major, no. 6 in G minor, and no. 3 in A major). While Liszt made an almost literal transcription of the first piece, he gave the second and third pieces a much freer arrangement, in the style of concert paraphrases. The large-scale concert piece was premiered by Liszt and Chopin on Christmas Day 1834 in a salon in Paris. The Grand duo was not published in Liszt's lifetime, and has survived as a draft. Schubert's Fantasy in C major (also known as the 'Wanderer' Fantasy) was a defining musical experience for the young Liszt. He arranged this masterpiece of Romantic piano literature for piano and orchestra in 1851, at the beginning of his Weimar period, and it was premiered by Julius Egghard in Vienna in December of that year. By 1855, Liszt had transcribed this arrangement for two pianos, because it was played on 22 October 1855 at a concert held in Weimar in honour of his birthday. With the version for piano and orchestra, Liszt attuned the fantasy to the requirements of the concert hall, reinforcing the orchestral effects inherent in Schubert's composition. His aim with the two-piano version was to achieve a similarly grand effect in spaces too small for an orchestra. The arrangement for piano and orchestra appeared in print in 1857, followed by the two-piano version in 1862. This volume comes complete with a detailed preface in English, German, and Hungarian containing new research findings, several manuscript facsimiles, and a critical report in English. / Date parution : 2023-03-11/ Répertoire / 2 Pianos
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Alla Turca Jazz op. 5b (SAY FAZIL / CETINER YUDUM (Arr)
11.10
Alla Turca Jazz op. 5b (SAY FAZIL / CETINER YUDUM (Arr)
2 Pianos, 4 mains
[Partition]
Schott
Fantasie über das Rondo aus der Klaviersonate in A-Dur KV 331 von Wolfgang Amad...
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Fantasie über das Rondo aus der Klaviersonate in A-Dur KV 331 von Wolfgang Amadeus Mozart. Par SAY FAZIL / CETINER YUDUM (Arr.). The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazil Say's arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work's improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart's interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation. / Date parution : 2021-12-09/ Répertoire / 2 Pianos
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Cyril Scott: Lotus Land Op.47 No.1 For Two Pianos: Piano Duet: Instrumental Work
14.99
Cyril Scott: Lotus Land Op.47 No.1 For Two Pianos: Piano Duet: Instrumental Work
2 Pianos, 4 mains
[Partition]
Novello & Co Ltd.
Cyril Scott was an English composer writer and poet. He was essentially a lat...
(+)
Cyril Scott was an English composer writer and poet. He was essentially a late romantic composer whose style was at the same time strongly influenced by impressionism. His harmony was notably exotic. Scott wrote around four hundred works which include two mature symphonies three operas three Piano concertos concertos for Violin Cello Oboe and Harpsichord several overtures four oratorios as well as a mass of chamber music.Scott is undoubtedly best known for the solo Piano piece Lotus Land which is transcribed here for two Pianos. LotusLand seems impossibly modern for 1905 and additionally possesses a preternatural sense of jazziness. It has been recorded over fifty times both in its original form for Piano and in a wide variety of arrangements from vocals to jazz groups and from Brass bands to Synthesizer. Later Scott also wrote a poem with the same name.
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