16 Pieces. Par JOHOW JOACHIM. Les joueurs de flûte à bec n'ont plus à regarder avec envie les instruments klezmer typiques : la clarinette et le violon. Inspiré par de vieilles mélodies klezmer, Joachim Johow a écrit 16 compositions sur mesure pour la flûte à bec et a reconstitué des scènes d'une ville juive, dont 'Am Morgen in der Gasse' [Le matin dans la ruelle], 'Auf dem Jahrmarkt' [À la foire], 'Schlittenfahrt' [Balade en traîneau], 'Tanz der Großeltern' [Danse des grands-parents], ' Am Abend' [Le soir]. Un vrai enrichissement du répertoire ! Jouable avec accompagnement de piano ou de guitare. De plus, une partie de basse est disponible en téléchargement. Tous les morceaux sont disponibles au format mp3 en version complète et en version play-along. / Niveau : 2-3 / Musique traditionnelle / Recueil / Flûte à Bec Alto et Piano

A superb collection of classical favourites, show tunes and Latin-American dances, as well as ragtime and enticing new pieces by John Pitts, arranged and graded for Recorder players of any age. Designed to be used alongside the best-selling Treble Recorder From The Beginning tutor series. Pieces begin using the first eight notes taught in the tutor book, before steadily increasing. The pieces themselves are absorbing and exciting, offering inspiration and incentive to develop new skills and rhythmic awareness. You will also find eight duets - a superb chance to experience the wonders of small-ensemble performance, either with a teacher or a fellow pupil! / Flûte A Bec Alto Et Piano

L'édition fait partie du syllabus Trinity 2007 (5e) / Flûte A Bec Alto Et Piano

Par JOPLIN SCOTT. A- Flûte à Bec - Piano/ Recueil / Flûte à Bec Alto et Piano

L'édition fait partie du syllabus Trinity 2007 (5e) / Flûte A Bec Alto (Flûte Traversière) Et Piano

Par BONSOR BRIAN. The best way to learn any instrument is to have lessons from a good, experienced teacher. Although, happily, the number of such teachers is constantly growing, the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves. This series of books sets out to help learners of all ages in all three situations. Experienced teachers, who may choose to disregard much of the text as personal demonstration is always clearer than the written word, will find exercises and fine tunes a-plenty to support their own mathod at each stage. The less experienced willbenefit from many valuable teaching hints culled from long experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation. Those learning by themseves - and I started in this way - are urged to work carefully and systematically through the books, taking plenty of time to assimilate each point before moving on. For them, without the personal model provided by a live teacher, it is vitally important to listen as often as possible to fine players, in person or on record, so that they have in their mind's ear a clear notion of the kind of sound they would like to produce. But however they start, I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle, delightful and sociable of instruments. (Brian Bonsor) “...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James, Contact Magazine) These two tutors, with accompanying teacher's books, are for newcomers to the instrument who are beginning on the treble and so assume no previous knowledge either of the instrument or of musical notation. / Pédagogie / Recueil / Flûte à Bec Alto et Piano

Par SCHUBERT FRANZ. Presented for alto recorder and piano, the two most famous Ave Marias in music. Gounod’s, based on Bach’s first prelude and Schubert’s equally well known composition. They offer an undemanding blow for treble recorder in these arrangements by Sylvia Corinna Rosin or, perhaps a little more challenging, the Schubert will fit the tenor recorder, whose mellower tone will suit the music perfectly./ Répertoire / Flûte à Bec Alto et Piano

Ces pièces ont, pour l'essentiel, été pris des collections compilé et arrangé par Alfred Moffat pour violon et Piano. Composé à l'origine au cours de la periond lorsque l'enregistreur était un instrument favori en Angleterre, on peut supposer que bon nombre de t / Flûte A Bec Alto Et Piano (Clavecin)

Dans ce travail récent Genzmer fusionne le langage musical d'une chanson d'amour anglais traditionnel avec son propre idiome infailliblement contemporaine. Les quatre Variations et Coda sont un prendre joliment différent sur une mélodie de vieux préférée. / Flûte A Bec Alto Et Piano

Incroyables Solos sont incroyablement vaste sélection de pièces faciles. De Bach à Bernstein, une grande variété de styles musicaux est incluse - mélodies folkloriques de jazz en Angleterre et au Pérou, baroque et classique ' lollipos ' et des classiques modernes. Une colle unique / Flûte A Bec Alto Et Piano