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Ouvertüre (Orchestersuite) H-Moll (BACH JOHANN SEBASTIAN)
13.00
Ouvertüre (Orchestersuite) H-Moll (BACH JOHANN SEBASTIAN)
Partition de Poche
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Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that...
(+)
Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach ’s extremely productive time in Cöthen which ended in 1721. Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”. At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suites nowpresents the Urtext as found in the “New Bach Edition” i. e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a “Violino concertato” part. - Urtext editions of these important works. - Newly engraved parts and fully realized continuo. - For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included. - Full scores, study scores and performance material available for sale./ Répertoire / Partition de Poche
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Couverture
Ouvertüre (BACH JOHANN SEBASTIAN)
13.00
Ouvertüre (BACH JOHANN SEBASTIAN)
Partition de Poche
[Partition]
Barenreiter
Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that...
(+)
Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach ’s extremely productive time in Cöthen which ended in 1721. Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”. At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach ’s great four suitesnow presents the Urtext as found in the “New Bach Edition” i. e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a “Violino concertato” part. - Urtext editions of these important works. - Newly engraved parts and fully realized continuo. - For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with “Violino concertato” is included. - Full scores, study scores and performance material available for sale./ Répertoire / Partition de Poche
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Couverture
Ouvertüre (BACH JOHANN SEBASTIAN)
15.80
Ouvertüre (BACH JOHANN SEBASTIAN)
Partition de Poche
[Partition]
Barenreiter
Overture. Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belo...
(+)
Overture. Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach ’s extremely productive time in Cöthen which ended in 1721. Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”. At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach ’s great four suitesnow presents the Urtext as found in the “New Bach Edition” i. e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a “Violino concertato” part. - Urtext editions of these important works. - Newly engraved parts and fully realized continuo. - For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with “Violino concertato” is included. - Full scores, study scores and performance material available for sale./ Répertoire / Partition de Poche
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Sinfonia N.4 Op. 98 E Minor (BRAHMS JOHANNES)
12.10
Sinfonia N.4 Op. 98 E Minor (BRAHMS JOHANNES)
Partition de Poche
[Partition]
Dover Publications
Par BRAHMS JOHANNES. One of the most original of Brahms symphonic works, the Fou...
(+)
Par BRAHMS JOHANNES. One of the most original of Brahms symphonic works, the Fourth Symphony is endlessly resourceful in its melodic beauty, the ingenuity of its structure, and in the fine balance between its movements, from the wistful air of its opening measures toits splendid and formidable passacaglia finale. Published here in full Study Score format, with bar-numbered movements. One of the most original of Brahms' symphonic works, the Fourth Symphony is endlessly resourceful in its melodic beauty, the ingenuity of its structure, and in the fine balance between its movements, from the wistful air of its opening measures to its splendid and formidable passacaglia finale. Published here in full Study Score format, with bar-numbered movements./ Répertoire / Partition de Poche
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Couverture
Ouvertüre (BACH JOHANN SEBASTIAN)
14.50
Ouvertüre (BACH JOHANN SEBASTIAN)
Partition de Poche
[Partition]
Barenreiter
Orchester-Suite. Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suit...
(+)
Orchester-Suite. Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach ’s extremely productive time in Cöthen which ended in 1721. Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”. At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach ’s great four suitesnow presents the Urtext as found in the “New Bach Edition” i. e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a “Violino concertato” part. - Urtext editions of these important works. - Newly engraved parts and fully realized continuo. - For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included. - Full scores, study scores and performance material available for sale./ Répertoire / Partition de Poche
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4 Orchestral Suites (BACH JOHANN SEBASTIAN)
8.40
4 Orchestral Suites (BACH JOHANN SEBASTIAN)
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[Partition]
Dover Publications
Par BACH JOHANN SEBASTIAN. The four orchestral suites of J. S. Bach, are superb ...
(+)
Par BACH JOHANN SEBASTIAN. The four orchestral suites of J. S. Bach, are superb examples of the composer's innovative mastery of the many dance forms popular in the courts of the 18th century. Reproduced from the authoritative Bach-Gesellschaft edition, this volume contains: Suite No. 1 in C major (BWV 1066) for two Oboes, Bassoon, Strings and Continuo Suite No. 2 in B minor (BWV 1067) for solo Flute, Strings and Continuo - renowned for the 'Badinerie', Suite No. 3 in D major (BWV 1068) for three Trumpets, Timpani, two Oboes, Strings and Conituno - well known for the lovely 'Air on G String' Suite No. 4 in D major (BWV 1069) for three Trumpets, Timpani, three Oboes, Strings and Conituno. All works appear in full score. At a moderate cost, this high quality edition is ideal for study purpose./ Répertoire / Partition de Poche
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Sérénade In Es (MOZART WOLFGANG AMADEUS)
19.60
Sérénade In Es (MOZART WOLFGANG AMADEUS)
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[Partition]
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a 6 et a 8. Par MOZART WOLFGANG AMADEUS. The Serenade in E-flat, K. 375, exists ...
(+)
a 6 et a 8. Par MOZART WOLFGANG AMADEUS. The Serenade in E-flat, K. 375, exists in two versions, one for two clarinets, two horns and two bassoons, and another for the same forces plus two oboes, forming an octet. From Mozart himself we know a fair amount about the occasion that led to the first, six-instrument version of this work and about its early performances. Written for the sister-in-law of the court painter Hickl, it probably originated toward the end of September or the beginning of October in 1781 and was first performed on 15 October, the name-day of St. Theresa. The octet version probably arose in the summer of the following year. It is far more than a mechanical expansion of the sextetwith the oboes merely reinforcing the clarinets colla parte. Not only did Mozart take advantage of the occasion to make changes in the articulation and the dynamics, he also altered the work's melodic substance and formal design. The two additional high-register instruments allowed him to achieve more subtle distinctions and gradations of timbre, thereby enabling him, for example, to vary the timbral homogeneity of the two clarinets. The opportunity arose to divide melodic phrases among the clarinets and oboes or to make them more brilliant and incisive by doubling them at the unison or octave. - Urtext of the New Mozart Edition - Parts sextet version (BA5333), octet version (BA5334) and study score both versions format 22. 5 x 16. 5cm (TP315) available for sale/ Répertoire / Partition de Poche
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Wie Schön Leuchtet Der Morgenstern (BACH JOHANN SEBASTIAN)
13.80
Wie Schön Leuchtet Der Morgenstern (BACH JOHANN SEBASTIAN)
Partition de Poche
[Partition]
Barenreiter
Par BACH JOHANN SEBASTIAN. Wie Schön Leuchtet Der Morgenstern (How Bright And F...
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Par BACH JOHANN SEBASTIAN. Wie Schön Leuchtet Der Morgenstern (How Bright And Fair The Morning Star) BWV 1. Cantata for the Feast of Annunciation Day. The cantata “ Wie Schön Leuchtet Der Morgenstern ” BWV 1 was written for 25 March 1725, when the Feast of the Annunciation of the Blessed Mary coincided with Palm Sunday. It forms the conclusion of Bach ’s cantata cycle of 1724/25. The anonymous librettist retained the outer verses 1 and 7 of Philipp Nicolai’s text (1599) which is assigned to the feast of Epiphany according to old tradition but was also sung at the Annunciation of the Blessed Mary. Verses 2 to 6 form the basis for the Tenor and Bassrecitatives and the Soprano and Tenor arias. Bach ’s composition has a particularly festive brilliance with his use of 2 Horns, 2 Oboes Da Caccia and the two concertante solo Violins. The Violins’ lively figurations clearly reflect an image of the shining morning star. - Urtext of the New Bach Edition. - Original German text with English singing translation. - Idiomatic and easy-to-play Piano reduction. - Performance material (BA10001), vocal score (BA10001-90) & study score (TP1001) available for sale./ Répertoire / Partition de Poche
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