SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3116412

Cantata for the 13th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 2. Composed 1725. BWV 164. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.164/12. Published by Carus Verlag (CA.3116412).

ISBN 9790007209032. Text language: German/English.

Thi s six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score and part available separately - see item CA.3116400.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3116413

Cantata for the 13th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Whitsun. Single Part, Viola. Composed 1725. BWV 164. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.164/13. Published by Carus Verlag (CA.3116413).

ISBN 9790007209049. Text language: German/English.

Thi s six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score and part available separately - see item CA.3116400.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3116411

Cantata for the 13th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 1. Composed 1725. BWV 164. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.164/11. Published by Carus Verlag (CA.3116411).

ISBN 9790007209025. Text language: German/English.

Thi s six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score and part available separately - see item CA.3116400.

By Arnold Schonberg. Arranged by Christian Martin Schmidt. (Study Score). Schott. Hardcover. Size 7.5x10.75 inches. 510 pages. Published by Eulenburg.

(2D1.2.2.2/4.4.3.0,timp,p erc,str)

SKU: TM.06215SET

Composed by Jules Massenet. Set Type: D. Set of parts. Lucks Music Library #A1691. Published by Lucks Music Library (TM.06215SET).

March, Air de Ballet, Angelus, Fete Boheme.

(2.2.0.2+1/2.2.3.0,timp,s tr,SATB chorus)

SKU: TM.03523SET

Composed by Franz Joseph Haydn. Set Type: A. Set of parts. Lucks Music Library #A2864. Published by Lucks Music Library (TM.03523SET).

Scena e Cavatina. Vocal score pages 146-161. Also includes: O madre mia; Come poteva un angelo.

(2+1.2+1.2+1.2/4.3.3.0,ti mp,perc,hp,cel,banda,str, vocal soli,chorus)

SKU: TM.04712SET

Composed by Giacomo Puccini. Set Type: A. Set of parts. Lucks Music Library #A3430. Published by Lucks Music Library (TM.04712SET).

This vocal score contains only Il Tabarro. See #04710 or #04711 for the vocal score containing Suor Angelica, Gianni Schicchi, and Il Tabarro.

(2.1.2.2/2.2.3.0,timp,2 perc,hp,str)

SKU: TM.05300SET

Composed by Samuel Coleridge-Taylor. Arranged by Baynes. Set Type: D. Set of parts. Published by Lucks Music Library (TM.05300SET).

God Rest Ye Merry, Gentlemen; Hark the Herald Angels Sing. Thought to have been from incidental music for his children's play, The Forest of Wild Thyme.

(2+1.2.2.2/4.2.3.1,timp,p erc,str)

SKU: TM.05299SET

Composed by Samuel Coleridge-Taylor. Set Type: D. Set of parts. Lucks Music Library #A6072. Published by Lucks Music Library (TM.05299SET).

Vocal score= Grossman trans. Vocal score includes Suor Angelica, Gianni Schicchi, and Il Tabarro.

(2+1.2+1.2+1.2/4.3.3.0,ti mp,perc,hp,cel,str,vocals )

SKU: TM.04710SET

Composed by Giacomo Puccini. Set Type: A. Set of parts. Lucks Music Library #A7693. Published by Lucks Music Library (TM.04710SET).

Vocal score= Grossman trans. Vocal score includes Suor Angelica, Gianni Schicchi, and Il Tabarro.

(0.2.0.0/0.2.0.0,str)

SKU: TM.05304SET

Composed by Ferdinando Bertoni. Edited by Aurelio Bonelli. Set Type: B. Set of parts. Lucks Music Library #A7512. Published by Lucks Music Library (TM.05304SET).

This vocal score contains only Il Tabarro. See #04710 or #04711 for the vocal score containing Suor Angelica, Gianni Schicchi, and Il Tabarro.

(2D1.1.2.1/2.2.1.0,timp,3 perc,hp,cel,str)

SKU: TM.04722SET

Composed by Giacomo Puccini. Edited by Panizza. Set Type: A. Set of parts. Lucks Music Library #A5384. Published by Lucks Music Library (TM.04722SET).

Ed. by Panizza. Vocal score=Grossman trans. Vocal score also contains Suor Angelica and Il Trittico.

(2.1.2.2/2.2.3.0,timp,2 perc,hp,str)

SKU: TM.05300SC

Composed by Samuel Coleridge-Taylor. Arranged by Baynes. Score. Published by Lucks Music Library (TM.05300SC).

God Rest Ye Merry, Gentlemen; Hark the Herald Angels Sing. Thought to have been from incidental music for his children's play, The Forest of Wild Thyme.

(2.1.2.1/2.2.1.0,timp,AT sax,str)

SKU: TM.08623SET

Composed by Erno Rapee. Arranged by Roberts. Set Type: C. Set of parts. Published by Lucks Music Library (TM.08623SET).

P/C in set. Jingle Bells, Silent Night, O Come All Ye Faithful, Hark the Herald Angels Sing. Flutes or Piccolos. No organ in set - part cued through the set.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 3 horns, 3 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.3710509

Christmas oratorio. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. 1x 37.105/21 flute 1, 1x 37.105/22 flute 2, 1x 37.105/23 oboe 1, 1x 37.105/24 oboe 2, 2x 37.105/25 2 bassoons, 1x 37.105/31 horn 1, 1x 37.105/32 horn 2, 1x 37.105/33 horn 3, 4x 37.105/34 trumpet/timpani. Gottfried August Homilius - Selected Works. Die Freude Der Hirten Ga 5. Innovative practice aids, Sacred vocal music, Oratorios, Christmas. Set of Orchestra Parts. HoWV I.1. 68 pages. Duration 45 minutes. Carus Verlag #CV 37.105/09. Published by Carus Verlag (CA.3710509).

ISBN 9790007214333. Language: German. Text: Buschmann, Ernst August. Text: Ernst August Buschmann.

After the Passions-Cantate ,,Ein Lammlein geht und tragt die Schuld of 1775, the Christmas Oratorio is the second major vocal work by Homilius to appear in print during his lifetime. With an unusually large instrumental contingent, Homilius set the, at that time, much beloved pastoral theme of the shepherds in a most sophisticated manner. Each movement presents a clearly differentiated, atmospheric scene, distinct from all the other movements. This applies to the varied pastoral music, as well as to the representation of the mighty God by an angel, whose entrance is accompanied by trumpets and timpani. Score and parts available separately - see item CA.3710500.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 3 horns, 3 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.3710519

Christmas oratorio. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. Gottfried August Homilius - Selected Works. Die Freude Der Hirten Ga 5. Innovative practice aids, Sacred vocal music, Oratorios, Christmas. Set of Orchestra Parts. HoWV I.1. Duration 45 minutes. Carus Verlag #CV 37.105/19. Published by Carus Verlag (CA.3710519).

ISBN 9790007134327. Language: German. Text: Buschmann, Ernst August. Text: Ernst August Buschmann.

After the Passions-Cantate ,,Ein Lammlein geht und tragt die Schuld of 1775, the Christmas Oratorio is the second major vocal work by Homilius to appear in print during his lifetime. With an unusually large instrumental contingent, Homilius set the, at that time, much beloved pastoral theme of the shepherds in a most sophisticated manner. Each movement presents a clearly differentiated, atmospheric scene, distinct from all the other movements. This applies to the varied pastoral music, as well as to the representation of the mighty God by an angel, whose entrance is accompanied by trumpets and timpani. Score and parts available separately - see item CA.3710500.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 horns, 2 violin, viola, basso continuo - Level 3

SKU: CA.3410409

Passions-Oratorium . Composed by Johann Christoph Friedrich Bach. Edited by Ulrich Leisinger. This edition: urtext. 1x 34.104/21 flute 1, 1x 34.104/22 flute 2, 1x 34.104/23 oboe 1, 1x 34.104/24 oboe 2, 1x 34.104/31 horn 1, 1x 34.104/32 horn 2. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Oratorios, Passions, Lent and Passiontide. Set of Orchestra Parts. BR JCFB D 1. 24 pages. Duration 135 minutes. Carus Verlag #CV 34.104/09. Published by Carus Verlag (CA.3410409).

ISBN 9790007212568. Language: German.

An unknown work from the so-called Buckeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. An additional figure, an angel, lends this representation of the Passion a heightened form for communicating the importance of the suffering of Christ.. Score and parts available separately - see item CA.3410400.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 horns, 2 violin, viola, basso continuo - Level 3

SKU: CA.3410419

Passions-Oratorium . Composed by Johann Christoph Friedrich Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Oratorios, Passions, Lent and Passiontide. Set of Orchestra Parts. BR JCFB D 1. Duration 135 minutes. Carus Verlag #CV 34.104/19. Published by Carus Verlag (CA.3410419).

ISBN 9790007134280. Language: German.

An unknown work from the so-called Buckeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. An additional figure, an angel, lends this representation of the Passion a heightened form for communicating the importance of the suffering of Christ.. Score and parts available separately - see item CA.3410400.