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Couverture
A Festival of Violin & Fiddle Styles for Cello: Cello Solo: Instrumental Tutor
18.99
A Festival of Violin & Fiddle Styles for Cello: Cello Solo: Instrumental Tutor
Violoncelle
[Partition + Accès audio]
Hal Leonard
Book with Audio and Video Access. Preface by Jay Ungar, composer of Ashokan Fare...
(+)
Book with Audio and Video Access. Preface by Jay Ungar, composer of Ashokan Farewell. A Festival of Violin and Fiddle Styles presents 23 styles and is chock full of right- and left-hand techniques, exercises, and advice designed to help violinists, violists and cellists step into inclusive, 21st century skills as well as repertoire. This jam-packed book includes tips from an incredible array of multi-genre and roots-specific players including: Jay Ungar, Bruce Molsky, Darol Anger, Mark Wood, Aly Bain, Roby Lakatos, Don Roy, Calvin Vollrath, Paul Anastasio, and more. Styles include old-time, bluegrass, Cajun, Franco-American, western swing, blues, swing, pop/rock, Irish, Scottish, Shetland Islands, Cape Breton, Hungarian, Ukrainian, Klezmer, Roma, Calentano, Galician, Afro-Cuban, tango, Swedish, Bollywood, Quebecois, and Metis. Online audio includes playing examples of all the fiddle tunes in the book, followed by background music so you can continue to play on your own. Videos include expert instruction on fiddle techniques like bowing, slurs, slides, vibrato, and ornamentation.
18.99 GBP - vendu par Musicroom GB
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Motet II
4.67
Motet II
Violoncelle
Boosey and Hawkes
Extended instrumental solo taken from MacMillan's 70-90-minute 'Since it was the...
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Extended instrumental solo taken from MacMillan's 70-90-minute 'Since it was the day of Preparation ? ' for voices and ensemble, commissioned by the Hebrides Ensemble, Edinburgh International Festival, Soli Deo Gloria and Kings Place, and first performed by the Hebrides Ensemble at the 2012 Edinburgh Festival.The parent work sets the Resurrection narratives from St John's Gospel. Five instrumental solos for different instruments (theorbo, cello, clarinet, harp, horn) are reproduced unabridged. They serve as prologue and interludes at respective points of the work. / Violoncelle
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ROBIN YANN - DRAFT IV - VIOLONCELLE
23.00
ROBIN YANN - DRAFT IV - VIOLONCELLE
Violoncelle
Jobert
Création
22/07/2017 - Cordes sur ciel (France), Festival Musique sur ciel,...
(+)
Création
22/07/2017 - Cordes sur ciel (France), Festival Musique sur ciel, Eglise Saint Michel - Eric-Maria Couturier (vlc), Quatuor Tana, Centre Henri Pousseur (ingénierie sonore)
Dédicace
à Eric-Maria Couturier
/ Partitions classique / Cordes / Violoncelle / JOBERT
23.00 EUR - vendu par Woodbrass
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Rolf Wallin: Stream: Cello: Instrumental Work
8.99
Rolf Wallin: Stream: Cello: Instrumental Work
Violoncelle
[Partition]
Chester
The piece is a stream of impressions coming to one's mind where the direct rela...
(+)
The piece is a stream of impressions coming to one's mind where the direct relation between one event and the next can seem irrational. But the sum of all events creates a certain soundspace a certain direction. And althoughfragmented the form is the result of the interaction between three carefully calculated waveforms.Stream was commissioned by the Cologne Philharmonic for the 1999 Bach Festival as a part of a series of concertsfeaturing 6 leading cellists each playing one Bach solo suite and one commissioned work. Composition commissioned by Koln Musik.
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Anthony Gilbert: Osanna For Lady O: Cello: Instrumental Work
15.00
Anthony Gilbert: Osanna For Lady O: Cello: Instrumental Work
Violoncelle
[Partition]
University Of York Music Press
For Cello and Piano commissioned by Ralph Kirshbaum for the Manchester Internat...
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For Cello and Piano commissioned by Ralph Kirshbaum for the Manchester International Cello Festival. First performed by Alban Gerhardy and Simon Parkin Manchester 3rd May 1998.
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Esa-Pekka Salonen: YTA III: Cello: Instrumental Work
13.99
Esa-Pekka Salonen: YTA III: Cello: Instrumental Work
Violoncelle
[Partitions]
Chester
Esa-Pekka Salonen's YTA III for solo Cello. This work was written for Anssi Kart...
(+)
Esa-Pekka Salonen's YTA III for solo Cello. This work was written for Anssi Karttunen who gave the first performance at the Musiikin aika Festival Viitasaari Finland on 23rd July1987.'I began to work on the YTA series in 1982. The first piece was for solo alto flute the second for pianoand the third for cello. The title ‘Yta’ is a Swedish word meaning ‘surface’. I wanted to writeverydemanding virtuoso music where the surface is extremely busy but the formal process partly hiddenbehind the frenetic stream of fast gestures is considerably slower.I tried to imagine what happens to the famous moth thatcircles around a lamp in Skryabin’s Versla flamme after the wings have finally touched the flame. A series of gestures is introduced in thebeginning. Each gesture undergoes an individual development culminating in spasms beforedyingaway. YTA III is a study of the death of an organism; the music is violent and ugly.' - Esa-Pekka Salonen
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Carl Philipp Emanuel Bach: Violoncello Concerto in A Minor Wq170/h432: Cello
19.99
Carl Philipp Emanuel Bach: Violoncello Concerto in A Minor Wq170/h432: Cello
Violoncelle
[Partition + CD]
Music Minus One
Music Minus One Cello-A beautiful baroque concerto for violoncello by Carl Phili...
(+)
Music Minus One Cello-A beautiful baroque concerto for violoncello by Carl Philipp Emanuel Bach youngest son of J.S. Bach. We can't recommend this gorgeous work enough - filled with beautiful opportunities for the soloist and a magnificent accompaniment. No baroque enthusiast will want to miss out on this rewarding work. Includes a high-quality printed music score and a compact disc containing a complete performance with soloist then a second version with the orchestral accompaniment minus you the soloist. Performed by Marcy Chanteaux violoncello Accompaniment: Stuttgart Festival Orchestra
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James Weeks: Tide: Cello: Score
5.95
James Weeks: Tide: Cello: Score
Violoncelle
[Partition]
University Of York Music Press
For solo Cello and Bach Bow.First performed by Anton Lukoszevieze Spitalfields ...
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For solo Cello and Bach Bow.First performed by Anton Lukoszevieze Spitalfields Winter Festival January 2009.
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Carl Vine: Strutt Sonata: Cello: Instrumental Work
15.99
Carl Vine: Strutt Sonata: Cello: Instrumental Work
Violoncelle
[Partition]
Faber Music Limited
Carl Vine’s engaging Strutt Sonata for cello and piano was premiered at t...
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Carl Vine’s engaging Strutt Sonata for cello and piano was premiered at the 2017 Huntington Estate Music Festival by Julian Smiles and Ian Munro. Named after John Strutt and commissioned by his wife Josephine this single 15-minute movement includes a lyrical aria that returns in darkly mirrored form and a joyous presto finale.
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Robert Saxton: Sonata for Solo Cello on a Theme of William Walton: Cello:
13.00
Robert Saxton: Sonata for Solo Cello on a Theme of William Walton: Cello:
Violoncelle
[Partition]
University Of York Music Press
For solo Cello.Published 1999.Commissioned by Steven Isserlis with funds from th...
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For solo Cello.Published 1999.Commissioned by Steven Isserlis with funds from the John S Cohen Foundation.First performance: Steven Isserlis Aldeburgh Festival 10th June 2000.Score.
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Kaija Saariaho: Petals: Cello: Instrumental Work
22.99
Kaija Saariaho: Petals: Cello: Instrumental Work
Violoncelle
Wilhelm Hansen
This composition was written quickly in a matter of days however the composer d...
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This composition was written quickly in a matter of days however the composer describes the longer process of writing the piece as unconscious preparation. There are opposite elements on display within the piece fragile coloristic passages give birth to energetic events with clear rhythmic and melodic charachter.More sharpely focused figures pass through different transformations then finally merge back to less dynamic but no less intensive filigration. In bringing these compositional elements together and by forcing opposite modes of expression the composer has aimed to force the listener to stretch their own sensibility. Work for Cello and Electronics which waspremiered by Anssi Karttunen at the Musica Nova Festival Bremen in May 1988.
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John Tavener: Chant For Cello: Cello: Instrumental Work
7.99
John Tavener: Chant For Cello: Cello: Instrumental Work
Violoncelle
[Sheet music]
Chester
A short piece for unaccompanied cello all of which is notated in treble clef an...
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A short piece for unaccompanied cello all of which is notated in treble clef and which will no doubt prove to be an excellent exercise in upper range intonation as well as a satisfying piece of music.First performed by StevenIsserlis at the Cricklade Music Festival October 1995.
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Karsten Fundal: Figure and Ground Study I: Cello: Score
17.99
Karsten Fundal: Figure and Ground Study I: Cello: Score
Violoncelle
[Partitions]
Wilhelm Hansen
The image and concept of this piece is easiest to describe by using the visual i...
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The image and concept of this piece is easiest to describe by using the visual images of the Dutch artist M. C. Escher. He made many woodcuts where the whole surface of the picture has a figurative function often just in black and white. For example a row of white ducks 'transversing' the painting which are described by black ducks transversing in the opposite direction. In this way the two figures describe each other so to speak.In this piece melody has been approached in a similar way: a melody is used which can be framed in rhythmically different groupings - in groups of fours or fives etc- thus creating new hierarchical melodies which grow more and moreobvious to the ear. The initial melody then becomes background to the new melody until disappearing and a new rhythmical pattern is imposed on the second melody and so forth. Later the different 'rhythm melodies' are woven together creating a new perceptual image one that is at the same time actually a 'holographic' reproduction of the initial melody. The latter situation is similar to the way Bach makes hidden 3- or 4-part counterpoints in his Cello suites by intersecting the parts successively into beautifully interwoven patterns.The very static sections of the piece are chiefly inspired by the powerful singing of the buddhist-monks of Tibet who are able to relax their vocal chords to such an extent that they create an overpowering deep note not normally thought to be produced by a human voice. Figure and Ground Study I was first performed by Mats Olofson at the Numus Festival 1995.
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Pop Trios For All - Revised And Updated
12.15
Pop Trios For All - Revised And Updated
Violoncelle
Alfred Publishing
Pop Trios for All is a versatile, educational, and fun series intended for like ...
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Pop Trios for All is a versatile, educational, and fun series intended for like or mixed instruments to perform in any size group or combination of instruments. All books are in score format with each line increasing in difficulty from Grade 1 to Grade 3-4. Alternate passages and notation are included to suit instrumental ranges. With no page turns required, the songs and measures are consistent which makes finding rehearsal points quick and convenient. Perfect for concerts with family and friends, recitals, auditions, and festivals. Available for brass, woodwinds, strings, and percussion. / Violoncelle
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Celtic Play Along
22.20
Celtic Play Along
Violoncelle
[Partition + CD]
Universal Edition
Arrangeur: Martin Tourish. Martin Tourish is an accordionist, composer and music...
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Arrangeur: Martin Tourish. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic? presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal?, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic? is available in six formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet or saxophone (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán./ Recueil / Violoncelle et Piano
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Pop Duets For All - Revised And Updated
12.15
Pop Duets For All - Revised And Updated
Violoncelle
Alfred Publishing
Pop Duets for All est un, l'éducation, et une série de plaisir versatile desti...
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Pop Duets for All est un, l'éducation, et une série de plaisir versatile destinés à des instruments similaires ou mixte à effectuer dans n'importe quel groupe de taille ou d'une combinaison d'instruments. Tous les livres sont au format score à chaque ligne de plus en plus difficile de niveau 1 au niveau 3-4. Passages alternatifs et la notation sont inclus pour convenir plages instrumentales. En l'absence page se tourne nécessaire, les chansons et les mesures sont conformes qui permet de trouver des points de répétition rapide et pratique. Parfait pour des concerts avec la famille et les amis, récitals, auditions et festivals. Disponible pour les cuivres, vents, cordes et percussions. / Violoncelle
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Mark Tanner: French Baguettelles: Cello: Instrumental Album
12.95
Mark Tanner: French Baguettelles: Cello: Instrumental Album
Violoncelle
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Facile
Spartan Press
Favourtie French Melodies-In creating these dozen arrangements I am unashamedly ...
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Favourtie French Melodies-In creating these dozen arrangements I am unashamedly cherry-picking from a long and rich seam of French music. I feel confident that younger players and those relatively new to the cello will enjoy my selection. Forgive my tongue-in-cheek title for the book French Baguettelles (I'm half French so I don't feel too guilty!) for the music herein has more than a hint of garlic about it. Although there are certainly serious overtones to one or two pieces there is a healthy dollop of silliness to lighten the mood. Apart from Sur la Pont d'Avignon which was reportedly written in the 15th century Frère Jacques which was a popular 18th century song and Tambourin which wasin all probability also written in the 18th century (Gossec did however live well into the 19th century) all of the pieces come from composers who lived in the Romantic period. Ravel and Debussy were of course known for their impressionistic colours though for the most part it is the accompaniments which reveal this characteristic most fully. I have endeavoured to keep the piano parts playable by mere mortals conscious of the fact that cello teachers may not possess a virtuosic piano facility but may nevertheless wish to turn their hand to accompanying pupils for concerts festivals exams etc. Many of the pieces were originally written for the piano either in its solo capacity (Ravel's Pavane Pour une Infante Défunte Chabrier's Idylle Satie's Gymnopedie 1 Debussy's La Fille aux Cheveux de Lin) or in duet form (Fauré's Berceuse from 'Dolly Suite'). Three orchestral pieces Bizet's L'Arlésienne Offenbach's Can-Can and Saint-Saëns's Danse Macabre lend a welcome dramatic overtone to the book while Franck's exquisite Panis Angelicus originally conceived as a choral piece rounds off the selection admirably. In the main it is the cello's capacity for lyricism that has steered my choice of music so really open up your sound and enjoy yourself with these ageless melodies.I wish you bonne chance!Baguette: a thin loaf of
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