Easy String Quartets Book 3 is the third volume in this highly popular collection of classics. Each piece has been easily arranged for String Quartet by Watson Forbes , and is designed to give developing string players the chance to rehearse and perform in ensemble as early as possible. Each work is well known and relatively straightforward, enabling the musicians to obtain a sense of achievement and maximum enjoyment from their playing. Watson Forbes (1909-1997) was a British Viola player, arranger and broadcaster. He studied both Violin and Viola at the Royal Academy of Music, before specialising on the Viola with Sevcik. He played with many famous string ensembles during his performing career, before becoming Head of Music for BBC Scotland in 1964. His is best remembered for his extensive series of educational arrangements of classical music for various string instruments, both solo and in ensemble. / Quatuor A Cordes

Easy String Quartets Book 2 is the second volume in this highly popular collection of classics. Each piece has been easily arranged for String Quartet by Watson Forbes , and is designed to give developing string players the chance to rehearse and perform in ensemble as early as possible. Each work is well known and relatively straightforward, enabling the musicians to obtain a sense of achievement and get maximum enjoyment from their playing. Watson Forbes (1909-1997) was a British Viola player, arranger and broadcaster. He studied both Violin and Viola at the Royal Academy of Music, before specialising on the Viola with Sevcik. He played with many string ensembles during his career, before becoming Head of Music for BBC Scotland in 1964. His is best remembered for his extensive series of educational arrangements of classical music for various string instruments, both solo and in ensemble. / Quatuor A Cordes

Par NODAIRA ICHIRO. Une oeuvre pour quatre violoncelles basée sur la Suite no5 pour violoncelle solo de J.S.Bach. Elle fait partie de la série 'Transformation' qui cherche à transformer l'oeuvre de Bach dans l'ère moderne, à convertir l'écriture de Bach en celle d'aujourd'hui. L'oeuvre se compose de quatre parties jouées successivement. Bien que la sonorité soit complètement différente, chaque partie est étroitement liée à cette Suite no5. Partie 1 Densité : chaque note de la double-croche au début du prélude est prolongée pour former des accords denses. Partie 2 Chant : une nouvelle ligne de chant est née à partir de différentes transpositions des lignes mélodiques de Sarabande. Partie 3 Tempus fugit : les fragments de Courante traversent rapidement, tandis que le rythme de base de Gigue se répète sans relâche. Partie 4 Dans le temps qui s'étire : le sujet de Fugue dans la seconde moitié du Prélude s'étend une dizaine de fois, apportant divers développements. Ichiro Nodaïra / Musique contemporaine / Répertoire / 4 Violoncelles

A work for four cellos based on J. S. Bach's Suite n.5 for solo cello. It is part of the 'Transformation' series that attempts to transport Bach's oeuvre into the modern era to convert Bach's writing into that of today. The work is composed of four successively played parts. Though the sonority is completely different each part is closely related to Suite n.5.Part 1 Densité (density): each semiquaver from the beginning of the prelude is extended to form dense chords.Part 2 Chant (song): a new melodic line emerges from different transpositions of the Sarabande's melodic lines.Part 3 Tempus fugit: fragments from the Courante pass quickly while the Gigue's basic rhythmis repeated relentlessly.Part 4 Dans le temps qui s'étire (as time stretches): the Fugue subject from the second half of the Prelude appears about ten times bringing various developments.

Score + Parties. Par SCHWARZ OTTO M.. Agrandir l'image Suite for Woodwind Quartet No. 1 Référence SDP019.20 Numéro d'edition : SDP 019.20 Indication de stock :Stock élevé (plus de 20 ex. commandables) In this suite we are immersed in the musical world of Otto M. Schwarz in all its variety. From light-hearted and tongue-in-cheek, through wild-romantic elements all the way to stylistic imitation and complex rhythmic passages, this work combines many different facets. In performance, this suite is sure to be an entertaining experience for musician and listener alike. The movements can be played sequentially or individually, as desired./ Répertoire / 4 Instruments à Vent

Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Violoncelle

Arrgt: Michel Trux. Formation : Musique de Chambre, Orchestre - Instrumentation : Violons 1 (6 partitions) Violons 2 (6 partitions) Altos (4 partitions) Violoncelles (3 partitions) Contrebasses (2 partitions) Piano (optionnel) (1 partition) Glockenspiel (optionnel) (1 partition) - Niveau de Difficulté : 2/6 - Facile - Durée : 1 mn 20 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : ANONYMOUS - Arrangeur : Michel TRUX / Niveau : Facile / Classique / Recueil / Violon 1 (6 parts) Violon 2 (6 parts) Alto (4 part

Arrgt: Eric Vireton. Par MOZART WOLFGANG AMADEUS. Formation : Musique de Chambre, Orchestre - Instrumentation : Violons 1 (6 partitions) Violons 2 (6 partitions) Altos (4 partitions) Violoncelles (3 partitions) Contrebasses (2 partitions) - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 2 mn 25 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Wolfgang Amadeus MOZART - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Classique / Répertoire / Violon 1 (6 parts) Violon 2 (6 parts) Alto (4 part

Par TRUX MICHEL. Formation : Musique de Chambre, Orchestre - Instrumentation : Violons 1 (6 partitions) Violons 2 (6 partitions) Altos (4 partitions) Violoncelles (3 partitions) Contrebasses (2 partitions) Piano (optionnel) (1 partition) - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 2 mn 15 s - Style Musical : Classique - Catégorie : Composition Originale - Compositeur : Michel TRUX - / Niveau : Intermédiaire / Classique / Répertoire / Violon 1 (6 parts) Violon 2 (6 parts) Alto (4 part

Romantic Pieces for 4 Violoncelli. Par GRIEG EDVARD / RIBKE. / Recueil / 4 Violoncelles

Version For Cello Quartet-Set of parts for Hans Abrahamsen's 10 Preludes - Version for Cello Quartet (2013). Score: WH33003 The original version Preludes 1-10 for String Quartet was composed in 1973 : WH29531B

Brentwood-Benson Music Publications presents Vol. 4 in its Instrumental Worship Series with I Could Sing of Your Love Forever: 12 instrumental duets for piano and cello. These tasteful, worship-centric arrangements by Christopher Phillips, Music Director at Christ Church Nashville, are perfect for offertories, postludes, or as intimate, stand-alone performances. With a focus on flexibility, these inspiring arrangements also offer the solo instrumental part transposed to include C instruments (Violin/Flute/etc.) and Bb instruments (Trumpet/Clarinet/etc.).As an added bonus, this folio comes with a complete demonstration listening CD which can be used both as a reference recording for your rehearsals or simply for your own listening pleasure and quiet times of reflection and worship.Further enhancing the value and usability of this featured publication, a CD Piano Accompaniment Track is available as a separate purchase. This enables the solo instrumentalist to perform these arrangements without the need of live piano accompaniment. / Violoncelle Et Piano

Par . This book presents the most widely played fiddle tunes in easy-to-read arrangements for cello. The cello edition features the same tunes in the same keys as the author?s original The Fiddlin? Workshop and The Fiddlin' Workshop for Viola, so the instruments could conceivably jam together. Includes helpful hints for fingerings and bowing as well as a bit of fiddlin? history and related folklore. Designed for beginning through intermediate players, the arrangements are progressively arranged with suggested guitar accompaniment chords. Includes access to an excellent online audio recording of all tunes and variations. / Date parution : 2022-02-03/ Recueil / Violoncelle

This anonymous sextet arrangement of Beethoven's Fourth Piano Concerto was highly popular in Vienna during the composer's lifetime.We know this from at least two sets of handwritten parts which were then in circulation.No piano part has been handed down- indeed, the original sets of parts probably omitted the piano.The soloist presumably studied his part from the first edition of the solo part, published with the original performance material in 1808. (The full score did not appear until 1861).The sextet version deftly integrates the original wind parts into the string texture.The arrangement stands in the tradition of piano reductions with chamber music accompaniment, of the sort which were also made for Mozart's piano concertos K. 413 to 415 and later for the Chopin concertos.This Urtext edition, edited by the renowned Beethoven scholar Jonathan Del Mar, presents this arrangement for the first time in print. The musical text is supplemented by an informative Introduction and a Critical Commentary.- First ever publication of this arrangement- Includes a separate solo part as was customary in Beethoven's day- Provides new possibilities for soloists to perform this work / Quatuor A Cordes Et Piano

Arrangements for string quartet of 'Romance for string orchestra, op 11' (1928), 'Elegy for violin and piano, op 22' (1940), and 'Prelude for string orchestra, op 25' (1940s). 'Romance' (8 mins) was first performed in 2009 by the Finzi Quartet at London's Wigmore Hall, and has been recorded by them on Resonus Classics RES 10109. 'Elegy' (9 mins) and 'Prelude' (5 mins) were first performed in 2014 by the Marilla Quartet at Downe House School, Berkshire, UK. The arrangements are presented as three separate works and form an attractive addition to the string quartet repertory.Difficulty:Prelude: intermediateRomance and Elegy:intermediate/advanced. / Quatuor De Cordes