In 1887 Antonin Dvorak revised several of the works he had composed in the 1860s and 1870s, most of which he then published for the first time. In this context he asked the music critic Ludevit Prochazka to return a manuscript copy of the Piano Quintet in A major op. 5 (B 28), composed 15 years earlier. But after thoroughly revising the work he declined to publish it - instead, he wrote a new piano quintet in the same key - the famous op. 81. And so, the manuscript copy he requested from Prochazka remains the sole source for this early piece of chamber music. Dvoraks first Piano Quintet was never published during his lifetime. This edition presents the musical text from the Complete Edition of the Works of Antonin Dvorak, IV/11. / Quintette Avec Piano

Par DVORAK ANTONIN. For several years following composition of his first piano quartet, Dvorák?s publisher Simrock pushed him to compose a follow-up piece in the genre. The work, written during a few short weeks in summer 1889, fulfilled Simrock?s wishes. With his op. 87, Dvorák delivered a challenging and mature work in which a mastery of form is combined with memorable themes and surprising harmonic turns, leading it quickly to conquer the hearts of both performers and audiences. The engraver?s model for the first edition is lost; but together with the first edition the autograph survives as a second source for our critical edition, with which Henle continues its series of Urtext editions of this composer. / Date parution : 2023-05-06/ Répertoire / Quatuor avec Piano

Par DVORAK ANTONIN. Cette partition classique, String Quartet 13 Gmaj Op106 Parts de Dvorak Antoninéditée au 2ème semestre 2011 a été avant tout composée pour Musique de Chambre. Bien qu'ayant aucun Cd avec, elle vous apportera tout ce que vous recherchez. Les éditions Baruk ont choisi de l'éditer sous la référence 1801732000/ Répertoire / Quatuor à Cordes

With Additional Horn 3 Part In F. Par DVORAK ANTONIN. with additional Horn 3 part in F / Rahmer, Dominik / Répertoire / 2 Hautbois, 2 Clarinettes (Sib/La), 2 Bassons, Con

Arrangeur: R. Boulier. Par DVORAK ANTONIN. Arr. : R. Boulier / Niveau : 3ème Cycle / Répertoire / Violon et Orchestre à Cordes

Arranged For Violoncello et Piano. Par DVORAK ANTONIN. In 1891 Dvorák arranged the final eighth dance of his popular first set of the Slavonic Dances Op. 46 for violoncello and piano. The Czech composer Jirí Gemrot, born in 1957, has followed his example and has arranged the remaining dances for the same scoring. However in order to approach Dvorák’s ideal sound Gemrot based his arrangements on the composer's orchestral score. Dvorák’s own arrangement of Slavonic Dance No. 8 has been taken from the Complete Edition of the Works of Antonín Dvorák, Volume IV/3 (Compositions for Violoncello). First complete edition of the first set of Slavonic Dances arranged for violoncello and pianoby Jirí Gemrot Includes Dvorák’s own arrangement of Dance No. 8 With fingering and bowing by Tomáš Jamník Foreword (Cz/Eng/Ger) by Eva Velická / Niveau : 3 / Répertoire / Violoncelle et Piano

Par DVORAK ANTONIN. Dvorák's 'String Quintet in G major” op. 77, had five movements when it was premiered on 18 March 1876. Its second movement was the 'Intermezzo” from his 'String Quartet in E minor” (1870). Later Dvorák removed this movement from the quintet, expanded it, and published it as a separate 'Notturno” for string orchestra op. 40. The 'Intermezzo” is included in its original version in the appendix of the score. This edition is based on the 'Complete Edition of the Works of Antonín Dvorák”, the principal source being the first edition of 1888, for which Dvorák subjected the work to revision. - Dvorák's famous quintet with double bass - New detailed foreword by Dvorák scholar David Beveridge (Eng/Cz/Ger) - Musical text based on the 'Complete Edition of the Works of Antonín Dvorák” (series IV, vol. 8)/ Répertoire / Quatuor à Cordes

Par DVORAK ANTONIN. Composé à l’automne 1881, l’opus 61 est le dernier des quatuors de Dvorák appelés, chronologiquement parlant, quatuors «du milieu», et dont les modèles déterminants furent Beethoven et Schubert. Dans cette œuvre en Ut majeur, c’est surtout l’influence de Beethoven qui se fait plus particulièrement sentir, de la construction thématique jusqu’au travail motivique, et c’est seulement dans le Finale que l’inflexion si typiquement slave coutumière à Dvorák se fait plus fortement entendre. Par manque de temps, le compositeur - à l’opposé de ses habitudes - a fait appel, dans trois des quatre mouvements, à d’anciens thèmes d’autres œuvres, rejetés ou non publiés. Cette édition Urtext parfaitement fiable s’inscrit dans la continuité de la vaste série d’œuvres significatives de musique de chambre de Dvorák chez Henle./ Répertoire / Quatuor à Cordes

Par DVORAK ANTONIN. Composé à l’automne 1881, l’opus 61 est le dernier des quatuors de Dvorák appelés, chronologiquement parlant, quatuors «du milieu», et dont les modèles déterminants furent Beethoven et Schubert. Dans cette œuvre en Ut majeur, c’est surtout l’influence de Beethoven qui se fait plus particulièrement sentir, de la construction thématique jusqu’au travail motivique, et c’est seulement dans le Finale que l’inflexion si typiquement slave coutumière à Dvorák se fait plus fortement entendre. Par manque de temps, le compositeur - à l’opposé de ses habitudes - a fait appel, dans trois des quatre mouvements, à d’anciens thèmes d’autres œuvres, rejetés ou non publiés. Cette édition Urtext parfaitement fiable s’inscrit dans la continuité de la vaste série d’œuvres significatives de musique de chambre de Dvorák chez Henle./ Répertoire / Quatuor à Cordes

In G Major. Par DVORAK ANTONIN. The performance material available up till now for Dvorák’s sun-filled cheerful Symphony No. 8 has been notorious for its myriad mistakes. The challenge of correcting it has now been taken over by the editor Jonathan Del Mar. He has taken into account the engraver’s copy, which was actually discovered in a rubbish bin at Novello’s in 1964. Its title page bears the words “Copied from my original manuscript” in Dvorák’s hand. This source proves that many of the readings contained in the first edition and faithfully adopted in all subsequent editions, were simply slips of the copyist’s pen. This new edition with score and orchestral parts in an enlarged format is accompanied bya detailed Critical Commentary on the sources and alternative readings. It also contains important facsimile pages to clarify problematical readings. Score and orchestral parts in an enlarged format Informative Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) on sources and alternative readings With facsimile pages/ Répertoire / Violoncelle (Partie Séparée)

Par DVORAK ANTONIN. / Date parution : 2023-03-21/ Répertoire / Violoncelle et Piano