A selection of folk ballads from England Ireland Scotland and Wales.A ballad is the blending of words the beauty of melody tone rhythm and expression. They reflect the history of a people their legends religion love and work. British ballads are renouned for their verse melodic construction and for the enormous range of expression.1 The Lass of Richmond Hill is a poem by Leonard McNally a barrister about a lass who became his wife in 1787. The music is by James Hook (1746 1827).2 Sally in our Alley. The words are by Henry Carey who also wrote the original music but this was replaced by the tune we now know an English traditionalmelody in 1790.3 Caller Herrin'. The poem is by Lady Nairne (1766 1845). Nathaniel Gow the famous Scottish violinist wrote the music in 1798 as a harpsichord piece combining the traditional Edinburgh fish wives cry Caller Herrin' with the bells of St Andrew's Church Edinburgh.4 Men of Harlech. The music is traditionally Welsh and the ballad probably originated from North Wales where the native princes had ruled the longest.5 David of the White Rock (Dafydd y Garres Wen). Sir Walter Scott (1771-1832) wrote the words to this ballad The Dying Bard. David Owen the Welsh bard of the ballad composed the tune on his death-bed on awakening from a trance in which be believed himself to have heard the tune in heaven.6 Oft in the Stilly Night. The words describe an old man's memories of the smiles the tears of boyhood years. The eyes that shone now dimmed and gone and how oft in the stilly night he remembers other days. The ballad is by the Irish poet Thomas Moore (1779 1852) who set the words to a traditional air.7- The Meeting of the Waters. Written by Thomas Moore music Irish traditional.The Meeting of the Waters is the confluence of the rivers Avonmore and Avonberg in a beautiful valley near Avoca County Wicklow.8 Oh! Charlie is my Darlin'. The

Par WEILL KURT. 10 songs from three of Kurt Weill's most famous stage works are presented here in easy arrangements for cello and piano. Players of any age will relish the chance to play these famous tunes. The CD provides invaluable listening material and an alternative accompaniment in the absence of a pianist. Includes: The Ballad of Mack the Knife, Polly's Song (The Threepenny Opera) Alabama Song, Jenny's Song (Rise and Fall of the City of Mahagonny) Don't be Afraid, The Liquor Dealer's Dream (Happy End )… and more./ Recueil / Violoncelle et Piano

Meditation On A Norfolk Ballad by John McCabe for Tenor Recorder and String Quartet. Score and Parts.

Book with Online Audio Tracks-Even novices will sound great with Cello Easy Instrumental Play-Along: Disney featuring 10 songs carefully selected and arranged for first-year instrumentalists. Audio demonstration tracks featuring real instruments are available via download to help you hear how the song should sound.Once you've mastered the notes download the backing tracks to play along with the band.Songs include The Ballad of Davy Crockett Can You Feel the Love Tonight Mickey Mouse March Part of Your World You Can Fly! You Can Fly! You Can Fly! and more.

Par CLARKE GENE. Easy to Play Cello Airs and Ballads is a collection of 25 nineteenth-century and early twentieth-century folk and popular songs from England, Scotland, Ireland, and the United States. All of the songs are written in easy rhythms, entirely in first position, with bowing indications and suggested guitar chords. Each tune corresponds with the same song in Easy to Play Violin Airs and Ballads and Easy to Play Viola Airs and Ballads. / Niveau : Facile / Date parution : 2023-06-01/ Recueil / Violoncelle

Cette partition BALLADE POUR UN 3/4 de Thirault Marc-Didier a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB3793. Cette oeuvre d'une durée de 00:02:00 est idéale pour les musiciens pratiquant Violoncelle. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Violoncelle Et Piano / Partition

As performed by Olivia Rodrigo. Drivers License is the debut single by the young American singer Olivia Rodrigo. The song, a power ballad inspired by heartbreak, received critical acclaim upon its release, with reviewers lauding Rodrigos song writing skills and singing voice. Arranger Anthony Gröger did not fail to notice this mega hit, taking the beautiful ballad and creating an intense and passionate arrangement for string quartet.

This lyrical ballad was released by Billy Joel in 1977 and has gained popularity recently when it was used for a John Lewis television advert.

Nouvelle collection play-along disponible ! 15 tubes presentes avec une demo professionnelle et des pistes d'accompagnement pour que vous puissiez jouer et sonner comme un pro ! Titres inclus : Evermore - Into the Unknown - It's All Right - Remember Me (Ernesto de la Cruz) - Speechless - Try Everything - You're Welcome - et bien d'autres. L'acces aux fichiers audio se fait en ligne a l'aide du code qui se trouve a l'interieur du recueil et peut tre ecoute ou telecharge. Les fichiers audio comprennent un PLAYBACK , un lecteur audio multifonctionnel qui vous permet de ralentir l'audio, de definir des boucles, de changer de tonalite et de faire un panoramique a gauche ou a droite.
1. It's All Right
2. Speechless
3. Never Too Late
4. Touch The Sky
5. Lava
6. Try Everything
7. How Far I'll Go
8. You're Welcome
9. Evermore
10. How Does a Moment Last Forever
11. Remember Me (Ernesto de la Cruz)
12. The Place Where Lost Things Go
13. The Ballad Of The Lonesome Cowboy
14. Into the Unknown
15. Lead The Way
/ Partitions variété - pop - rock / Musique films - comédies musicales / / HAL LEONARD

Par ADES THOMAS. Composed in 1994 and now firmly established as part of the contemporary string quartet repertoire, Arcadiana is one of Thomas Adès’s early masterpieces. Six of its seven movements evoke various vanished or vanishing idylls. The odd-numbered movements are all aquatic. I might be the ballad of some lugubrious gondolier; III takes a title and a figuration from a Schubert Lied; in V a ship is seen swirling away to L’Isle Joyeuse; VII is the River of Oblivion. The second and sixth movements inhabit pastoral Arcadias, respectively: Mozart’s ‘Kingdom of Night’, and more local fields. The joker in this pack is the fourth movement, the literal dead centre: Poussin’s tomb bearing the inscription ‘Even in Arcady am I’. / Ensemble Music / Répertoire / Quatuor à Cordes