Cello, Bass. Par DUNCAN CRAIG. Cette collection contient 14 arrangements de 22 airs traditionnels de l'Irlande et l'Ecosse dans une variété de styles, y compris les gabarits, bobines, hornpipes, glissement turluttes, des strathspeys, valses et airs. Les harmonies sont écrites afin que les diverses combinaisons de solo instrument avec piano, de duos et trios, pour quatuor à cordes/orchestre complet sont possibles. Le livre de violoncelle comprend violoncelle mélodie (solo), harmonie violoncelle, basse et accompagnement au piano. Tous les Celtic Tunes for Solo et Ensemble de livres (violon, alto et violoncelle/basse) sont écrites en livres ensemble, donc ils peuvent être joués comme les livres en solo ou ensemble comme ensemble. / Niveau : Débutant à Intermédiaire / Celtic/Irish - Ensemble / Recueil / Violoncelle et Basse

Arrangeur: Martin Tourish. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic? presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal?, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic? is available in six formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet or saxophone (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán./ Recueil / Violoncelle et Piano

With Online Audio-This collection features 47 traditional Celtic tunes arranged by Renata Bratt for two Cellos with rockin' groove and chop-based accompaniments.Celtic Grooves For Two Cellos includestunes from Ireland Scotland the Shetland Isles and Canada in duet arrangements all chosen with cellists in mind and in a variety of styles including jigs slip jigs reels strathspeys planxtys and airs in traditionalkeys.Performing in the groove is so important for string players that the American String Teachers Association recognises this skill as a separate category in their Alternative String Style Awards. Playing theseidiomatic and often syncopated accompanimental patterns is a great way to learn these styles. Includes access to online audio with all arrangements performed by the author.

This quartet was written in the spring of 1995 and reflects something of my interest in Celtic poetry. While not overtly programmatic an echo of the powerful nostalgia that is such a potent characteristic of Celtic verse may be detected in the music.

Renata Bratt's The Fiddling Cellist is a comprehensive resource designed to prepare intermediate and advanced Cello students to play fiddle music. Eighteen fiddle tunes with chords in stylesfound in typical fiddle jam sessions - Celtic Old Time and Bluegrass. Each tune arranged for two or three Cellos and accompanied by short studies teaching idiomatic bass lines and back-up harmony as well as improvisationalsoloing over the chord changes. The companion audio download available online includes all examples with Guitar accompaniment.

Pops For String Quartet-The energetic style of Celtic fiddling music continues to be a hit with the incredible success of both the Lord of the Dance and Riverdance stage productions. With this new arrangement for string quartet you can perform the exciting contemporary stylings of this traditional music. It's tuneful rhythmic and fun to play.

Three vamp parts are layered on each other in this innovative improvisation collection allowing soloists to join in as they please.Some vamps are simple others more challenging. Improvising becomes accessible with soloing guidelines and tips. 35 different styles are covered including jazz classical hip-hop rock country-western Asian African Celtic Latin Gregorian and more.Each page has sugested notes for soloing so your solo will always fit with the other players. These volumes are available for four instruments ? Violin Viola and Cello/String Bass ? so string players can improvise together.

Le jeune violoncelliste dynamique Natalie Haas, avec deux violonistes virtuoses, apporte un arsenal d'idées musicales, des exercices, des rythmes, des accords, des gorges et des grands airs de cette leCon complète sur la faCon de sauvegarder instruments mélodiques jouant de la musique celtique.Tunes comprennent Highland Laddie (mars), Athol Brose (strathspey), entre (gabarit), Brose et beurre (slipjig), où j'étais la nuit dernière (gaélique air) et plus.Pour le niveau intermédiaire précoce. / Violoncelle

L'édition fait partie du syllabus Trinity 2007 (grade 1 and 5). / Violoncelle Et Piano