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Popular Repertoire For String Quartet Parts Plus Score 3 (BEATLES THE)
34.20
Popular Repertoire For String Quartet Parts Plus Score 3 (BEATLES THE)
Quatuor
[Partition]
Novello & Co Ltd.
Par BEATLES THE. A series of popular music for working string quartets. Light en...
(+)
Par BEATLES THE. A series of popular music for working string quartets. Light enjoyable repertoire pieces and entertaining encores. Each folio contains five pieces. Contents: Eight Days A Week , I Feel Fine , Michelle , Norwegian Wood , Strawberry Fields Forever . / Rép International / Recueil / Quatuor
34.20 EUR - vendu par LMI-partitions
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Les Miserables - Solos From The Movie
11.83
Les Miserables - Solos From The Movie
Violoncelle
-
Facile
Hal Leonard
Ce portefeuille comprend 14 classiques de l'adaptation du film oscarisé de Boub...
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Ce portefeuille comprend 14 classiques de l'adaptation du film oscarisé de Boublil et Schönberg superlatif musicale, Les Misérables, savamment arrangé pour violoncelle. Comprend la nouvelle chanson coup et: Suddenly and: At the End of the Day - Bring Him Home - Castle on a Cloud - Do You Hear the People Sing? - Drink with Me (To Days Gone By) - Empty Chairs at Empty Tables - A Heart Full of Love - I Dreamed a Dream - In My Life - A Little Fall of Rain - On My Own - Stars - Who Am I? / Violoncelle
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Les Misérables For Classical Players - Online Accompaniments (BOUBLIL ALAIN / SCHOENBERG CLAUDE-MICHEL)
24.64
Les Misérables For Classical Players - Online Accompaniments (BOUBLIL ALAIN / SCHOENBERG CLAUDE-MICHEL)
Violoncelle, Piano
[Partition + Accès audio]
Hal Leonard
Cello and Piano with Online Accompaniments (Score and Solo Part). Par BOUBLIL AL...
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Cello and Piano with Online Accompaniments (Score and Solo Part). Par BOUBLIL ALAIN / SCHOENBERG CLAUDE-MICHEL. Retrouvez 12 chansons extraites de la fameuse comédie musicale, arrangées pour instrumentistes solistes avec les accompagnements de piano enregistrés par des professionnels, et disponibles en téléchargement ou streaming. Parmi la sélection : At the End of the Day · Bring Him Home · Castle on a Cloud · Do You Hear the People Sing? · Drink With Me (To Days Gone By) · Empty Chairs at Empty Tables · I Dreamed a Dream · A Little Fall of Rain · On My Own · Stars · The Thénardier Waltz of Treachery · Who Am I? Les pistes audio sont accessibles en ligne à l'aide du code unique qui se trouve à l'intérieur du livre et peuvent être écoutées en streaming ou téléchargées. Le fichier audio comprent PLAYBACK +, un lecteur audio multifonctionnel qui permet de ralentir l'audio sans changer le ton, de définir des points de boucle, de changer de tonalité et de régler la balance à gauche ou à droite./ Recueil / Violoncelle et Piano
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Playing with the Orchestra vol. 1 (SCHWARZ OTTO M)
23.43
Playing with the Orchestra vol. 1 (SCHWARZ OTTO M)
Violoncelle
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Symphonic Dimensions Publishing
Violoncello. Par SCHWARZ OTTO M.. Le recueil: Playing with the Orchestra VOL. I ...
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Violoncello. Par SCHWARZ OTTO M.. Le recueil: Playing with the Orchestra VOL. I est conçu pour flûte en ut, clarinette en sib, hautbois, trompette sib, cor en fa, violon et violoncelle. Dans le recueil est imprimée chaque voix originale des instruments de l’orchestre symphonique. Les enregistrements ont été effectués par un orchestre symphonique de 80 excellents musiciens professionnels (BSO Bratislava – direction David Hernando Rico). De nombreuses pièces à succès du compositeur Otto M. Schwarz telles Around the world in 80 Days, Nostradamus, Dragon Fight, The Story of Anne Frank et récemment The White Tower ont été distinguées dans le classement mondial des 40 meilleures nouveautés classiques sur Spotify et ont été remarquées dans le monde entier./ Recueil / Violoncelle
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Alain Boublil Claude-Michel Schönberg: Les Mis?rables: Cello Solo: Instrumental
7.99
Alain Boublil Claude-Michel Schönberg: Les Mis?rables: Cello Solo: Instrumental
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13 songs from the musical: At the End of the Day • Bring Him Home • Ca...
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13 songs from the musical: At the End of the Day • Bring Him Home • Castle on a Cloud • Do You Hear the People Sing? • Drink with Me (To Days Gone By) • Empty Chairs at Empty Tables • A Heart Full ofLove • I Dreamed a Dream • In My Life • A Little Fall of Rain • On My Own • Stars • Who Am I?.
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A Prayer for Peace: Hebrew Folk Songs (BOBROWITZ DAVID (Arr)
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for String Orchestra Score and Parts. Par BOBROWITZ DAVID (Arr.). Our world coul...
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for String Orchestra Score and Parts. Par BOBROWITZ DAVID (Arr.). Our world could use some peace these days, and this traditional Hebrew tune is great for multi-cultural exposure, plus learning augmented 2nds and melodic/countermelody adventures for everyone but the basses, who provide the rhythmic drive in addition to optional tambourine./ Répertoire / Orchestre à Cordes
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The Four Quarters (ADES THOMAS)
29.57
The Four Quarters (ADES THOMAS)
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[Partition]
Faber Music Limited
Par ADES THOMAS. Thomas Adès’s second work for string quartet, The Four Quart...
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Par ADES THOMAS. Thomas Adès’s second work for string quartet, The Four Quarters was written for the Emerson Quartet and was premiered by them at Carnegie Hall in 2011. The winner of the 2012 British Composer Award for Chamber Composition, the 20-minute work charts the progress of a day. Glassy harmonics typify the opening movement Nightfalls, whilst playful pizzicati abound in Serenade – Morning Dew. A sombre third movement, Days, is underpinned by a searching ostinato before the work breaks free from conventional time in The Twenty-Fifth Hour, the glittering finale which swings and dances in the unusual time signature of 25/16. / Ensemble Music / Répertoire / Quatuor à Cordes
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Ballads of Britain: String Quartet: Instrumental Album
6.95
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Quatuor à cordes: 2 violons, alto, violoncelle
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A selection of folk ballads from England Ireland Scotland and Wales.A ballad ...
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A selection of folk ballads from England Ireland Scotland and Wales.A ballad is the blending of words the beauty of melody tone rhythm and expression. They reflect the history of a people their legends religion love and work. British ballads are renouned for their verse melodic construction and for the enormous range of expression.1 The Lass of Richmond Hill is a poem by Leonard McNally a barrister about a lass who became his wife in 1787. The music is by James Hook (1746 1827).2 Sally in our Alley. The words are by Henry Carey who also wrote the original music but this was replaced by the tune we now know an English traditionalmelody in 1790.3 Caller Herrin'. The poem is by Lady Nairne (1766 1845). Nathaniel Gow the famous Scottish violinist wrote the music in 1798 as a harpsichord piece combining the traditional Edinburgh fish wives cry Caller Herrin' with the bells of St Andrew's Church Edinburgh.4 Men of Harlech. The music is traditionally Welsh and the ballad probably originated from North Wales where the native princes had ruled the longest.5 David of the White Rock (Dafydd y Garres Wen). Sir Walter Scott (1771-1832) wrote the words to this ballad The Dying Bard. David Owen the Welsh bard of the ballad composed the tune on his death-bed on awakening from a trance in which be believed himself to have heard the tune in heaven.6 Oft in the Stilly Night. The words describe an old man's memories of the smiles the tears of boyhood years. The eyes that shone now dimmed and gone and how oft in the stilly night he remembers other days. The ballad is by the Irish poet Thomas Moore (1779 1852) who set the words to a traditional air.7- The Meeting of the Waters. Written by Thomas Moore music Irish traditional.The Meeting of the Waters is the confluence of the rivers Avonmore and Avonberg in a beautiful valley near Avoca County Wicklow.8 Oh! Charlie is my Darlin'. The
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Da Pacem Domine (PART ARVO)
14.98
Da Pacem Domine (PART ARVO)
Orchestre à Cordes
Universal Edition
Par PART ARVO. Arvo Pärt wrote the prayer of peace Da pacem Domine to fulfil a ...
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Par PART ARVO. Arvo Pärt wrote the prayer of peace Da pacem Domine to fulfil a commission from Jordi Savall. He began to set this ninth-century Gregorian antiphon two days after the Madrid bombings on 11 March 2004 as his personal tribute to the victims. Since then Da pacem Domine has been performed every year in Spain to commemorate the victims of this terrorist attack. Even while originally composing this four-voice piece, Pärt made allowances for variable scorings. As a result, it exists in several versions, not only for voice but also entirely for instruments. Wolfgang Sandner Da pacem Domine in diebus nostris quia non est alius qui pugnet pro nobis nisi tu Deus noster./ Répertoire / Orchestre à Cordes
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Fiser Lubos - Variations On An Unknown Theme - For String Quartet
26.40
Fiser Lubos - Variations On An Unknown Theme - For String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
Barenreiter
Lubo? Fi?er (1935?1999) was one of the most distinctive figures of Czech music i...
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Lubo? Fi?er (1935?1999) was one of the most distinctive figures of Czech music in the 20th century and composed the Variations on an Unknown Theme in 1976. The ?unknown theme? was a prankish eight-bar theme from Fi?er?s student days. In the elation following the home-team win over Canada on 15 March 1959, he made a bet with his colleague Kalach to compose a concert piece for violin and orchestra with the working title ?Canada-Rondo?. The whimsical contest was abandoned, but Fi?er did not forget the theme and he later created variations on it for his new composition for the Talich Quartet. The Variations on an Unknown Theme have now been published for the first time ever. This edition is based on the autograph of the score which is housed in the Czech Museum of Music in Prague.
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Fantasy Pieces For Violoncello And Piano Op. 73
14.40
Fantasy Pieces For Violoncello And Piano Op. 73
Violoncelle, Piano
Wiener Urtext
Written in just two days in February 1849, Robert Schumann's Fantasy Pieces Op. ...
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Written in just two days in February 1849, Robert Schumann's Fantasy Pieces Op. 73 were first performed by his wife Clara and the clarinettist Johann Gottlieb Kotte. Initially entitled Soirée Pieces, the composer later had the works published under the name of Fantasy Pieces, thus establishing a connection with poetical aspects. The first edition published in July 1849 contained not only a clarinet part but also a violin and cello part. Since then, they have become an integral part of the Romantic repertoire for cello and piano. This edition is based on the text of the first edition as well as on subsequent corrections from Schumann's personal copy, with the extant composition manuscript serving as an important corrective. / Violoncelle Et Piano
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Rued Langgaard: String Quartet No. 4 'Sommerdage': String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
-
Intermédiaire/avancé
Rued Langgaard Edition
String Quartet No. 4 'Sommerdage'/'Summer Days' was composed by Rued Langgaard i...
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String Quartet No. 4 'Sommerdage'/'Summer Days' was composed by Rued Langgaard in 1914-18 rev. 1931. BVN 215.
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Rued Langgaard: String Quartet No. 4 'Sommerdage': String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
-
Intermédiaire/avancé
Wilhelm Hansen
String Quartet No. 4 'Sommerdage'/'Summer Days' was composed by Rued Langgaard i...
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String Quartet No. 4 'Sommerdage'/'Summer Days' was composed by Rued Langgaard in 1914-18. BVN 215
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The Four Quarters (ADES THOMAS)
21.19
The Four Quarters (ADES THOMAS)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Faber Music Limited
Par ADES THOMAS. Thomas Adès’s second work for string quartet, The Four Quart...
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Par ADES THOMAS. Thomas Adès’s second work for string quartet, The Four Quarters was written for the Emerson Quartet and was premiered by them at Carnegie Hall in 2011. The winner of the 2012 British Composer Award for Chamber Composition, the 20-minute work charts the progress of a day. Glassy harmonics typify the opening movement Nightfalls, whilst playful pizzicati abound in Serenade – Morning Dew. A sombre third movement, Days, is underpinned by a searching ostinato before the work breaks free from conventional time in The Twenty-Fifth Hour, the glittering finale which swings and dances in the unusual time signature of 25/16. / Ensemble Music / Répertoire / Quatuor à Cordes
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3 Quartets For Pianoforte, Violin, Viola And Violoncello Woo 36 (BEETHOVEN LUDWIG VAN)
62.64
3 Quartets For Pianoforte, Violin, Viola And Violoncello Woo 36 (BEETHOVEN LUDWIG VAN)
Piano Quatuor: piano, violon, alto, violoncelle
[Partition]
Barenreiter
Score Parties. Par BEETHOVEN LUDWIG VAN. When Beethoven wrote these three quar...
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Score Parties. Par BEETHOVEN LUDWIG VAN. When Beethoven wrote these three quartets he was 15 years old and a composition student of Christian Gottlob Neefe in Bonn. They reveal a strong Mozartian influence while the brilliant piano writing already gives a sense of the mature Beethoven. He may conceivably have written the works for the wealthy Mastiaux family in Bonn, as he gave piano lessons to one of the daughters and the other three siblings played violin, viola and violoncello. The sole source for the quartets is the autograph score which contains many overwritings that shed light on the works' original conception and possible alternative readings. Although Beethoven never published the pieces in his lifetime and is not known to have performed them, he reused their melodic and thematic material in later compositions. Beethoven preserved the autograph score to the end of his days ? perhaps an indication that the quartets meant a great deal to him. The first edition was published by Artaria in Vienna one year after his death, albeit with the pieces in a different order and with many errors in the musical text. Bärenreiter's scholarly performing edition of the Piano Quartets WoO 36 is edited by the Italian pianist Leonardo Miucci, a specialist in the performance practice of keyboard music from this period. The edition not only presents the correct readings, it also sheds light on the young Beethoven's expressive notation and provides a plausible explanation for the distinction he made between dots and strokes to indicate staccato./ Répertoire / Quatuor pour Piano, Violon, Alto et Violoncelle
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M. Cohen: Bags Of American Folk: Cello: Instrumental Album
5.99
M. Cohen: Bags Of American Folk: Cello: Instrumental Album
Trio à Cordes: violon, alto, violoncelle
Faber Music Limited
Presents an introduction to the wonderful world of traditional music - favourite...
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Presents an introduction to the wonderful world of traditional music - favourite tunes passed down from one generation to the next many from the early pioneer days. This collection available for violin viola and cello includes music of many different styles and moods.
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Septet (LANGGAARD RUED)
29.04
Septet (LANGGAARD RUED)
Ensemble de Vents
[Conducteur]
Wilhelm Hansen
Par LANGGAARD RUED. Langgaard sketched out the work at the Tyringe Badesanatoriu...
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Par LANGGAARD RUED. Langgaard sketched out the work at the Tyringe Badesanatorium in Scania (Sweden) in the course of just three summer’s days in 1915 – 28-30 June/ Répertoire / Ensemble de Vents
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Kaija Saariaho: Petals: Cello: Instrumental Work
22.99
Kaija Saariaho: Petals: Cello: Instrumental Work
Violoncelle
Wilhelm Hansen
This composition was written quickly in a matter of days however the composer d...
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This composition was written quickly in a matter of days however the composer describes the longer process of writing the piece as unconscious preparation. There are opposite elements on display within the piece fragile coloristic passages give birth to energetic events with clear rhythmic and melodic charachter.More sharpely focused figures pass through different transformations then finally merge back to less dynamic but no less intensive filigration. In bringing these compositional elements together and by forcing opposite modes of expression the composer has aimed to force the listener to stretch their own sensibility. Work for Cello and Electronics which waspremiered by Anssi Karttunen at the Musica Nova Festival Bremen in May 1988.
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Tzigane
10.15
Tzigane
Violoncelle
Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Jos...
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In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane? and both versions remain a 'must? for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition - one of the available sources, consulted for the first time, was a copy of 'Tzigane? from the estate of Jelly D'Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.- First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano- Includes Jelly D'Aranyi's fingering / Violoncelle
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Wolfgang Amadeus Mozart: Mozart S Choral Favourites: String Quartet:
10.95
Wolfgang Amadeus Mozart: Mozart S Choral Favourites: String Quartet:
Quatuor à cordes: 2 violons, alto, violoncelle
Spartan Press
Three arrangements including Ave Verum Corpus and the Lacrimosa from the Requiem...
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Three arrangements including Ave Verum Corpus and the Lacrimosa from the Requiem.During the year 1771 when Mozart was 15 years old he and his father Leopold were touring Italy which was at that time the most formidable citadel of the music world. In the following four years the young Mozart was received at the homes and villas of Italy's aristocracy. He met the most famous musicians of the time including Niccolo Piccinni operatic rival to Gluck and Padre Martini from whom he was to benefit from studies in counterpoint. He also met many noted male soprano singers and for one the celebrated Venanzio Rauzzini he wrote in 1773 the motet Exsultate Jubilate from whichcomes the well known Alleluia.At the end of his life only 19 years later in Vienna 1791 Mozart was very ill and working on a number of massive works such as the operas The Magic Flute and Titus also the Requiem. Titus was completed in 18 nerve-shattering days as it had to be performed in Prague in September 1791. At its premiere it was a complete flop. This affected the now overworked almost penniless composer's spirit and he returned to Vienna suffering from mental and physical exhaustion. Rest was denied him. The Magic Flute had to be finished for its premier on September 30th 1791. The task of the Requiem still faced him. In this weakened state Mozart thought that he was in fact writing his own requiem reading evil omens into the commissioning of the work. He thought someone had calculated the precise time of his death and was thus troubled with sombre thoughts. He completed the first two of the twelve parts. The next six parts were in an unfinished state and his manuscript ceased at the Lacrimosa. Süssmayer who was working closely with Mozart at the time was given the task of finishing the Requiem.Ave Verum Corpus is also one of his final works. It is a setting of an anonymous hymn written as a motet for Anton Stoll the choirmaster at Baden in June 1791.Mozart was a composer of great genius who
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Hans Abrahamsen: Hymne: Cello: Instrumental Work
10.99
Hans Abrahamsen: Hymne: Cello: Instrumental Work
Violoncelle
-
Intermédiaire/avancé
Wilhelm Hansen
Hans Abrahamsen HYMNE for cello solo (1990) Edited by Morten Zeuthen or for vio...
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Hans Abrahamsen HYMNE for cello solo (1990) Edited by Morten Zeuthen or for viola solo Version 1994 Edited by Claus Myrup Programnote Hans Abrahamsen HYMN The work is written to Louise (Lerche) for the 25th anniversary of the Lerchenborg Music Days. The work is a variation for cello solo on a theme from Poul Rovsing Olsen's LUNA (from THE PLANETS). Hans Abrahamsen 1990
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The Joy of Freedom (SAMITZ NICO)
35.21
The Joy of Freedom (SAMITZ NICO)
Quintette de Cuivres
[Conducteur et Parties séparées]
Symphonic Dimensions Publishing
Par SAMITZ NICO. 'Nico Samitz has been composing for chamber ensembles since his...
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Par SAMITZ NICO. 'Nico Samitz has been composing for chamber ensembles since his school days. For over ten years he has been writing works in a wide variety of genres for the „BlechReiz BrassQuintett“ ensemble, in which he himself plays trumpet and piano. His field of expertise ranges from classical pieces to jazz and meditative music—and even to pop-oriented compositions. While honing his skills in ear-training and composition at the Mozarteum, Salzburg, Nico became acquainted with a wide repertoire of works as a trumpet player with the Munich Symphony Orchestra, The Munich Philharmonic Orchestra, and the Bavarian State Opera, all of which have influenced his writing style. The driving force behind his creative work is a winning combination of passion, the fun of music-making and a desire to express, through the medium of music, feelings that are difficult to put into words. Like many of his works, Nico composed The Joy of Freedom for the „BlechReiz BrassQuintet“. The catchy tune is reworked in a variety of styles throughout the entire work, giving it the quality of a true ‘earworm’. ' / Date parution : 2021-12-09/ Répertoire / Quintette de Cuivres
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Sonata No. 2 In G Minor Op. 117 (FAURE GABRIEL)
20.57
Sonata No. 2 In G Minor Op. 117 (FAURE GABRIEL)
Violoncelle, Piano
G. Henle
Sonata no. 2 in g minor op. 117 for Violoncello and Piano. Par FAURE GABRIEL. In...
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Sonata no. 2 in g minor op. 117 for Violoncello and Piano. Par FAURE GABRIEL. In contrast to the first cello sonata (HN 1357) composed four years earlier, this substantially more catchy and playful second sonata enjoyed great success with audiences and critics right from the start. Friend and associate Vincent d'Indy wrote to Fauré the day after the premiere in May 1922: I would like to tell you how much I am still charmed by your so beautiful sonata. In it I found what is seemingly forgotten these days: music.” It therefore comes as no surprise that the sonata rapidly found its way into the concert repertoire, where it maintains an uncontested position to this today. The duo David Geringas and Markus Bellheim provided fingerings. / Classique / Répertoire / Violoncelle et Piano
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A Prayer for Peace: Hebrew Folk Songs
7.88
A Prayer for Peace: Hebrew Folk Songs
Orchestre à Cordes
[Conducteur]
Hal Leonard
for String Orchestra Score. Our world could use some peace these days, and this ...
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for String Orchestra Score. Our world could use some peace these days, and this traditional Hebrew tune is great for multi-cultural exposure, plus learning augmented 2nds and melodic/countermelody adventures for everyone but the basses, who provide therhythmic drive in addition to optional tambourine./ Répertoire / Orchestre à Cordes
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Haflidi Hallgrímsson: Verse 1 for Flute and Cello: Flute & Cello: Instrumental
10.99
Haflidi Hallgrímsson: Verse 1 for Flute and Cello: Flute & Cello: Instrumental
Flûte, Violon, Violoncelle et Piano
[Partition]
Chester
'Verse 1' marks the beginning of a more ambitious and intense style of compositi...
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'Verse 1' marks the beginning of a more ambitious and intense style of composition. The ideas are relatively simple and develop gradually in a cyclic fashion within a one movement sectional design. Progressively faster tempi leadto the main climax of the work near the end of the piece. Then a short coda leads to a very quiet ending and a return to the original tonal centre of C.Quoting composer:'In April 1975 I occupied a flat in Aldeburgh Suffolk near the seafront. As a member of the English Chamber Orchestra I had come to work for a week on a recording of Britten’s opera ‘Death in Venice’ so the real and suggested sound of the sea was in my ears so to speak for dayson end. A few weeks later when I started work on 'Verse 1' it became clear in the first few bars that I was recalling and suggesting the sea and the beach at Aldeburgh. I am not aware of any direct influence from Britten’smusic but I do however quote a small fragment from a theme to be found in a piano quartet by Mahler played early in the piece by the flute (bars 6 & 7).This work was awarded the First Prize in the Viotti InternationalCompetition for composers in Italy in 1975.
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Cello Fake Book (DIVERS AUTEURS / KOEPPEN GABRIEL (ARR)
27.75
Cello Fake Book (DIVERS AUTEURS / KOEPPEN GABRIEL (ARR)
Violoncelle
[Partition]
Schott
Par DIVERS AUTEURS / KOEPPEN GABRIEL (ARR.). This collection is for classical Ce...
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Par DIVERS AUTEURS / KOEPPEN GABRIEL (ARR.). This collection is for classical Cellists and presents a broad selection of well-known pieces from the repertoire of classical music, opera, musicals, jazz and tunes from all over the world for all occasions, from solemn ceremonies to happy celebrations. This includes performances as part of public or private ceremonies to mark birthdays, weddings, funerals, anniversaries and jubilee celebrations as well as concerts in schools. The selection ranges from popular classical works such as Bach's 'Air', Mozart's 'Little Night Music' or Schumann's 'Reverie' and well-known operatic melodies through to medleys featuring waltzes, Dixieland or folk songs through to tangos and a few jazz standards. As the second cello part includes symbols for harmonies, it can also be played at will on keyboard, guitar and/or bass. Enjoy your gig!/ Recueil / Violoncelle
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101 Most Beautiful Songs
23.65
101 Most Beautiful Songs
Violoncelle
[Partition]
Hal Leonard
for Cello. Instrumentalists will love this jam-packed collection of 101 timeless...
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for Cello. Instrumentalists will love this jam-packed collection of 101 timeless pop hits and favorite standards/ Recueil / Violoncelle
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Eric Coates 100Th Anniversary (Pno/Vcl) (COATES ERIC)
21.19
Eric Coates 100Th Anniversary (Pno/Vcl) (COATES ERIC)
Violoncelle, Piano
[Partition]
Faber Music Limited
Par COATES ERIC. This edition of the most popular of Eric Coates' compostions wa...
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Par COATES ERIC. This edition of the most popular of Eric Coates' compostions was published to commemorate the 100th anniversary of his birth. Includes the Dambuster's March and 'By the Sleep Lagoon' (the famous theme tune to Desert Island Discs). All the pieces are arranged for Piano Solo, except for Bird Songs At Eventide, I Heard You Singing, I Pitch My Lonely Caravan At Night, Star Of God and The Green Hills O'Somerset , which are arranged for Voice and Piano accompaniment. / Niveau : Intermédiaire à Avancé / Recueil / Violoncelle et Piano
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Christopher Norton: Sonatina For Cello And Piano: Cello: Instrumental Work
11.99
Christopher Norton: Sonatina For Cello And Piano: Cello: Instrumental Work
Violoncelle, Piano
[Partition]
80 Days Publishing
Christopher Norton's Sonatina for Cello and Piano.
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Easy to Play Cello Airs and Ballads (CLARKE GENE)
19.22
Easy to Play Cello Airs and Ballads (CLARKE GENE)
Violoncelle
[Partition]
-
Facile
Mel Bay
Par CLARKE GENE. Easy to Play Cello Airs and Ballads is a collection of 25 ninet...
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Par CLARKE GENE. Easy to Play Cello Airs and Ballads is a collection of 25 nineteenth-century and early twentieth-century folk and popular songs from England, Scotland, Ireland, and the United States. All of the songs are written in easy rhythms, entirely in first position, with bowing indications and suggested guitar chords. Each tune corresponds with the same song in Easy to Play Violin Airs and Ballads and Easy to Play Viola Airs and Ballads. / Niveau : Facile / Date parution : 2023-06-01/ Recueil / Violoncelle
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