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English Madrigals: Wind Ensemble: Score and Parts
10.50
English Madrigals: Wind Ensemble: Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
Spartan Press
Madrigals are vocal compositions and can be traced back to 13th Century Italy. D...
(+)
Madrigals are vocal compositions and can be traced back to 13th Century Italy. During the latter part of the 16th Century Nicholas Yonge of St. Paul's Cathedral in London published a collection of Italian Madrigals and translated the words into English. Thomas Morley organist of St. Pauls and around the same time as nicholas Yonge wrote many of the finest madrigals of this the greatest madrigal period. It was a very rich period of English musical compoosition made so by such illustrious names as Byrd Gibbons Tallis and Weelkes. Madrigal societies are still active and date from 1741 when the first was formed in the City of London. America also has participated in therevival of singing madrigals and has activated madrigal singing in universities and high schools.
10.50 GBP - vendu par Musicroom GB
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Paul Lewis: English Suite For String Quartet: String Quartet: Instrumental Work
Quatuor à cordes: 2 violons, alto, violoncelle
Goodmusic Publishing
English Suite For String Quartet
10.75 GBP - vendu par Musicroom GB
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Sassmannshaus H. / Close J. Peter - Early Start On The Double Bass Vol.3
19.00
Sassmannshaus H. / Close J. Peter - Early Start On The Double Bass Vol.3
Trio à Cordes: violon, alto, violoncelle
Barenreiter
The long awaited Sassmannshaus method ?Early Start on the Double Bass? is now he...
(+)
The long awaited Sassmannshaus method ?Early Start on the Double Bass? is now here. At last students of the largest instrument in the string family can make use of this tried and tested method for beginners, developed by Egon Sassmannshaus for the other string instruments and applied here to the double bass by Holger Sassmannshaus and J. Peter Close. This method will meet the needs of the growing number of young bass students.?Early Start on the Double Bass? encompasses everything that one would expect from a Sassmannshaus method: an easy start, progression at a suitable rate, many cross-references to the other string instruments, songs and scales in different positions from early on, as well as many duets. Lively and colourful illustrations by Charlotte Panowsky complete the edition.For more than three decades ?The Sassmannshaus Tradition? has been the household name for excellence in beginner string methods in German-speaking countries. The English editions for violin, viola and violoncello, which were introduced to the international market in 2008, have proven to be very successful, particularly in the United States.Kids to the Bass!While children learning other string instruments can start as early as the age of four, the appropriate age to begin the double bass is approximately eight (possibly even six); this allows for a faster progression than on the other string instruments, and the method consists of only three volumes. The first volume will be published separately in an English and a German edition; the following two volumes will have German and English text in each book. Original compositions by Boguslaw Furtok enrich the volumes.- Based on the tried-and-tested Sassmannshaus methods for violin, viola and cello- Volume 1: Separate editions in German and English- Volumes 2 and 3: Bilingual, German/English editions- Moderate increase in difficulty- Position playing, duets- Includes new original compositions to B. Furtok- Volume 3 with piano accompaniments to 7 piecesThe authorsHolger Sassmannshaus is a double bass player with the Niederrheinische Sinfoniker in Mönchengladbach/Krefeld. He also teaches the double bass and performs with several other ensembles.J. Peter Close is a teacher for violoncello and double bass in Munich.
19.00 EUR - vendu par Woodbrass
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Bärenreiter's Sassmannshaus - The Sassmannshaus Tradition. Early Starton The Cello, Vol.4 (SASSMANNSHAUS EGON / SASSMANNSHAUS KURT)
18.60
Bärenreiter's Sassmannshaus - The Sassmannshaus Tradition. Early Starton The Cello, Vol.4 (SASSMANNSHAUS EGON / SASSMANNSHAUS KURT)
En Français
Violoncelle
[Partition]
Barenreiter
Par SASSMANNSHAUS EGON / SASSMANNSHAUS KURT. For more than three decades the ‘...
(+)
Par SASSMANNSHAUS EGON / SASSMANNSHAUS KURT. For more than three decades the ‘Sassmannshaus Tradition’ has been the household name for excellence in beginner string methods in German-speaking countries. More than half a million students have successfully learned to play string instruments using this publication. The publication of the four Violin books in 2008 in a fully adapted English version has been a big success. On the back of this success story Bärenreiter has now published the four books for Cello in a newly adapted version for today’s English speaking children. What makes this Cello method so unique? The leading German Cello method now available in English. - Large print notes andtexts as well as many colourful illustrations are ideal for pre-school as well as school children. - Note reading is emphasised from the first lesson, encouraging ensemble playing from the very beginning. - Songs and scales in different positions are easily mastered within the first year of playing to ensure that children are not confined to first position playing. - Advanced Cello techniques such as varied bow strokes and shifting are introduced in a basic form./ Méthode / Violoncelle
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Bärenreiter's Sassmannshaus - The Sassmannshaus Tradition. Early Starton The Cello, Vol.3 (SASSMANNSHAUS EGON / SASSMANNSHAUS KURT)
18.60
Bärenreiter's Sassmannshaus - The Sassmannshaus Tradition. Early Starton The Cello, Vol.3 (SASSMANNSHAUS EGON / SASSMANNSHAUS KURT)
Violoncelle
[Partition]
Barenreiter
Par SASSMANNSHAUS EGON / SASSMANNSHAUS KURT. For more than three decades the ‘...
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Par SASSMANNSHAUS EGON / SASSMANNSHAUS KURT. For more than three decades the ‘Sassmannshaus Tradition’ has been the household name for excellence in beginner string methods in German-speaking countries. More than half a million students have successfully learned to play string instruments using this publication. The publication of the four Violin books in 2008 in a fully adapted English version has been a big success. On the back of this success story Bärenreiter has now published the four books for cello in a newly adapted version for today’s English speaking children. What makes this Cello method so unique? - The leading German Cello method now available in English. - Large print notes andtexts as well as many colourful illustrations are ideal for pre-school as well as school children. - Note reading is emphasised from the first lesson, encouraging ensemble playing from the very beginning. - Songs and scales in different positions are easily mastered within the first year of playing to ensure that children are not confined to first position playing. - Advanced Cello techniques such as varied bow strokes and shifting are introduced in a basic form./ Méthode / Violoncelle
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Arnold Bax: A Folk-Tale (Conte Populaire) for Cello And Piano: Cello:
10.99
Arnold Bax: A Folk-Tale (Conte Populaire) for Cello And Piano: Cello:
Violoncelle, Piano
Chester
Sir Arnold Edward Trevor Bax (1883-1953) was an English composer and poet. He st...
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Sir Arnold Edward Trevor Bax (1883-1953) was an English composer and poet. He studied Piano and composition at the Royal Academy of Music and was considered for a time to be in the leading group of British composersalong with Ralph Vaughan Williams and William Walton. He was appointed Master of the King’s Music in 1942.A Folk Tale (Conte Populaire) is scored for Cello and Piano. It is dedicated to Felix Salmond(1888-1962) an English cellist and teacher who enjoyed much success during his lifetime both in the UK and in north America.
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Bent Sørensen: The Lady Of Shalott: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
Wilhelm Hansen
The Composer writes: 'In February 1987 I saw in the Tate Gallery in London a pai...
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The Composer writes: 'In February 1987 I saw in the Tate Gallery in London a painting by the Victorian English painter John William Waterhouse. The painting kept haunting my memory and as I at the same time planned to write a piece for solo Viola my ideas for the music and the memory of the painting fused more and more. I decided then to let my piece borrow the title of Waterhouse’s painting: The Lady Of Shalott. The picture of a mad-like pale and perhaps singing woman alone in a boat without sculls which calmly slips out from the rush growth of the river is an illustration for the ending of Alfred Tennyson’s poem by the same title which again plaits into theold English legends about King Arthur. My piece tries to meander - like the river at Camelot - among these sources.' As suggested above the piece was originally written for Viola solo. This version for String Quartet is from 1993.
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Richard Rodney Bennett: Six Country Dances (Cello/Piano): Cello: Instrumental
13.99
Richard Rodney Bennett: Six Country Dances (Cello/Piano): Cello: Instrumental
Violoncelle, Piano
[Partition]
-
Intermédiaire
Novello & Co Ltd.
Six Country Dances is an anthology of tunes from Playford’s ‘The En...
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Six Country Dances is an anthology of tunes from Playford’s ‘The English Dancing Master’ selected and arranged by Richard Rodney Bennett. Playford’s collection was first published in 1651 and contained 535 popular tunes for country dancing. Richard Rodney Bennett’s skilful and inspired arrangements are perfect for intermediate standard players adding as they do a contemporary slant to these classics of the English folk repertoire. This edition is for Viola and Piano.
13.99 GBP - vendu par Musicroom GB
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Edward Elgar: Cello Concerto Miniature Score: Cello: Score
34.99
Edward Elgar: Cello Concerto Miniature Score: Cello: Score
Violoncelle
[Partition]
Novello & Co Ltd.
Edward Elgar's Cello Concerto in E minor Op. 85 his last notable work is a co...
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Edward Elgar's Cello Concerto in E minor Op. 85 his last notable work is a cornerstone of the solo Cello repertoire. In contrast with Elgar's earlier Violin Concerto which is lyrical and passionate the Cello Concerto written in the aftermath of the First World War is for the most part contemplative and elegiac. The four-movement concerto scored for solo Cello 2 Flutes 2 Oboes 2 Clarinets in A 2 Bassoons 4 Horns in F 2 Trumpets in C 3 Trombones Tuba Timpani and Strings did not achieve wide popularity until the 1960s however is now regarded to 'rank not only among his finest works but among the greatest ofits kind' (Michael Kennedy).Sir Edward William Elgar was an English composer many of whose works have entered the British and international classical concert repertoire. Although Elgar is often regarded as ‘typically English’ most of his musical influences were not from England but from continental Europe.
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Bent Sørensen: Lady Of Shalott: String Quartet: Instrumental Work
Quatuor à cordes: 2 violons, alto, violoncelle
Wilhelm Hansen
Version for String Quartet.Score available: KP00510The composer writes: 'In Febr...
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Version for String Quartet.Score available: KP00510The composer writes: 'In February 1987 I saw in the Tate Gallery in London a painting by the Victorian English painter John William Waterhouse. The painting kept haunting my memory and as I at the same time planned to write a piece for solo viola my ideas for the music and the memory of the painting fused more and more. I decided then to let my piece borrow the title of Waterhouse’s paint-ing: 'The Lady of Shalott'. The picture of a mad-like pale and perhaps singing woman alone in a boat without sculls which calmly slips out from the rush growth of the river is an illustration for the ending of Alfred Tennyson’s poemby the same title which again plaits into the old English legends about King Arthur. My piece tries to meander - like the river at Camelot - among these sources. As suggested above the piece was originally written for viola solo. The version for string quartet is from 1993.'
17.99 GBP - vendu par Musicroom GB
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Vihuela Chord Dictionary (ALFARO GUADALUPE)
19.22
Vihuela Chord Dictionary (ALFARO GUADALUPE)
Orchestre à Cordes
Mel Bay
Presented In English And Spanish. Par ALFARO GUADALUPE. A dedicated vihuela chor...
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Presented In English And Spanish. Par ALFARO GUADALUPE. A dedicated vihuela chord book, in English and Spanish, with over 300 chords for the vihuela. Chords are presented in easy to read and understand chord diagrams. Exact fingerings are shown for each diagram. Chords shown include major, minor, 7, min7, maj7, b5, sus4, aug, dim, 6, m6, 6/9, m7b5, 11, 13 and many more. Mel Bay's Vihuela Chord Book is one of the most comprehensive on the market, perfect for the aspiring mariachi. / Niveau : Débutant à Intermédiaire / All Styles - Methods / Répertoire / Orchestre à Cordes
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6 Suites A Violoncello Solo Senza Basso Bwv 1007-1012 (BACH JOHANN SEBASTIAN)
62.64
6 Suites A Violoncello Solo Senza Basso Bwv 1007-1012 (BACH JOHANN SEBASTIAN)
Violoncelle
[Partition]
Barenreiter
Scholarly-Critical Performing Edition. Par BACH JOHANN SEBASTIAN. This scholarly...
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Scholarly-Critical Performing Edition. Par BACH JOHANN SEBASTIAN. This scholarly-critical edition which consists of a musical text in modern engraving as well as facsimiles of the five sources now includes a text booklet in German and English. This replaces the previous editions BA 5215 (with German booklet) and BA 5216 (with English booklet)./ Répertoire / Violoncelle
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Crisantemi E 3 Minuetti Per Quart. D'Archi (PUCCINI GIACOMO)
20.70
Crisantemi E 3 Minuetti Per Quart. D'Archi (PUCCINI GIACOMO)
Quatuor à cordes: 2 violons, alto, violoncelle
Ricordi
Par PUCCINI GIACOMO. Full Score and complete set of Parts for Giacomo Puccini's ...
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Par PUCCINI GIACOMO. Full Score and complete set of Parts for Giacomo Puccini's Crisantemi and three Minuets. Scored for String Orchestra with foreword in English, German and Italian. Full Score and complete set of Parts for Giacomo Puccini's Crisantemi and three Minuets. Scored for String Orchestra with foreword in English, German and Italian./ Répertoire / Quatuor à Cordes
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Konzert Für Zwei Violinen (BACH JOHANN SEBASTIAN)
11.90
Konzert Für Zwei Violinen (BACH JOHANN SEBASTIAN)
2 Violons, Instruments à Cordes et Basse Continue
[Partition]
Barenreiter
for two Violins, Strings and Basso continuo. Par BACH JOHANN SEBASTIAN. In 2001 ...
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for two Violins, Strings and Basso continuo. Par BACH JOHANN SEBASTIAN. In 2001 Bärenreiter issued a newly engraved keyboard reduction and solo parts to this concerto based on the acclaimed New Bach Edition. The present expanded new publication goes a step further in that it offers not only the two solo Violin parts as presented in the New Bach Edition, but also two additional parts with fingerings and bowings by the baroque specialist Andrew Manze. Manze also offers players enlightened comments (English/German) on historical performance practices dealing with how the instrument was held, fingerings, bowing, shifting, the use of open strings and much much more. Full score & parts (BA5188), 2 Violins and Pianoreduction (BA5188-90) and study score (TP284) available for sale./ Répertoire / 2 Violons, Instruments à Cordes et Basse Continue
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Partita (LAMPEL DAVID)
15.85
Partita (LAMPEL DAVID)
Violoncelle, Piano
Alfonce Production
Par LAMPEL DAVID. Langue: Italian/English(UK)/ Répertoire / Violoncelle et Pian...
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Par LAMPEL DAVID. Langue: Italian/English(UK)/ Répertoire / Violoncelle et Piano
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Septett (BONIS MEL)
74.80
Septett (BONIS MEL)
2 Flûtes Traversières, Quatuor à Cordes
[Conducteur et Parties séparées]
Kossack
2 Floten & Streichquartet. Par BONIS MEL. Langue: English(UK)/Deutsch/ Répertoi...
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2 Floten & Streichquartet. Par BONIS MEL. Langue: English(UK)/Deutsch/ Répertoire / 2 Flûtes Traversières, Quatuor à Cordes
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Sämtliche Sonaten Für Violoncello Und Basso Continuo (VIVALDI ANTONIO)
43.50
Sämtliche Sonaten Für Violoncello Und Basso Continuo (VIVALDI ANTONIO)
Violoncelle, Basse continue
[Conducteur et Parties séparées]
Barenreiter
Performance Score and Parts. Par VIVALDI ANTONIO. This scholarly-critical editio...
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Performance Score and Parts. Par VIVALDI ANTONIO. This scholarly-critical edition is based on all the known sources, whether printed or handwritten, that have come down to us for these frequently played pieces. By closely scrutinizing the source material, the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc’s 1740 print of Sonatas I to VI – an edition probably made without the composer’s consent – the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi’s direct supervision. The editor has also managed to identify a previously unknown source for Sonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading, including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment, with a section on performance practice offering valuable suggestions on interpretation. This scholarly-critical edition is based on all the known sources, whether printed or handwritten, that have come down to us for these frequently played pieces. By closely scrutinizing the source material, the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc's 1740 print of Sonatas I to VI & an edition probably made without the composer's consent & the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi's direct supervision. The editor has also managed to identify a previously unknown source forSonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading, including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment, with a section on performance practice offering valuable suggestions on interpretation. All of Antonio Vivaldi's works for violoncello and continuo in a single edition Scholarly-critical edition for performance purposes Detailed preface on sources and performance practice (German/English) With new findings that considerably differ from earlier editions 'This edition is invaluable for all performers of the Sonatas . ' (Ensemble January 2004) 'This is certainly the definitive edition of these works. '(Strings August/September 2003) / Répertoire d'Examen / Répertoire / Violoncelle et Basse Continue
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Romantic Trio Music For Beginners - Ensemble Cordes
24.30
Romantic Trio Music For Beginners - Ensemble Cordes
Trio à Cordes: 2 violons, violoncelle
EMB (Editio Musica Budapest)
Transcrit et édité par Pejtsik Árpád, Vigh LajosInstrument: TriosSérie: Mus...
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Transcrit et édité par Pejtsik Árpád, Vigh LajosInstrument: TriosSérie: Music for BeginnersGenre: RomanticLangue: Hungarian, English, German, FrenchPages: 100 ppDate du parution: Février 2007
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Son Calligraphié III (TAKEMITSU TORU)
28.58
Son Calligraphié III (TAKEMITSU TORU)
Ensembles de Cordes
-
Intermédiaire
Salabert
Pour 8 Instruments À Cordes. Par TAKEMITSU TORU. Langue: English(US) / Niveau :...
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Pour 8 Instruments À Cordes. Par TAKEMITSU TORU. Langue: English(US) / Niveau : Intermédiaire / Date parution : 1905-07-10/ Répertoire / Ensembles de Cordes
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3 Poemi (MORRICONE ENNIO)
64.08
3 Poemi (MORRICONE ENNIO)
Flûte Traversière Clarinette et Basson
[Conducteur et Parties séparées]
Ricordi
Per Flauto, Clarinetto E Fagotto - Partitura E Parti. Par MORRICONE ENNIO. Langu...
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Per Flauto, Clarinetto E Fagotto - Partitura E Parti. Par MORRICONE ENNIO. Langue: English(US)/Deutsch/Français/Nederlands/ Répertoire / Flûte Traversière Clarinette et Basson
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Fantasia E Fuga Su Temi Gregoriani (BETTINELLI BRUNO)
32.04
Fantasia E Fuga Su Temi Gregoriani (BETTINELLI BRUNO)
Orchestre à Cordes
[Conducteur]
Ricordi
Per Orchestra D'Archi. Par BETTINELLI BRUNO. Langue: English(UK)/Deutsch/França...
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Per Orchestra D'Archi. Par BETTINELLI BRUNO. Langue: English(UK)/Deutsch/Français/Nederlands / Musique contemporaine / Date parution : 1905-06-06/ Répertoire / Orchestre à Cordes
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Trio For Beginners - Two Violins And Violoncello
27.40
Trio For Beginners - Two Violins And Violoncello
Trio à Cordes: 2 violons, violoncelle
-
Débutant
EMB (Editio Musica Budapest)
partition et partiesTranscrit et édité par Soós AndrásInstrument: TriosSéri...
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partition et partiesTranscrit et édité par Soós AndrásInstrument: TriosSérie: Music for BeginnersGenre: Pedagogical performance piecesLangue: Hungarian, English, German, FrenchPages: 106 ppDate du parution: Août 2003
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Latin Philharmonic
13.26
Latin Philharmonic
Violoncelle, Contrebasse (duo)
Alfred Publishing
Bring the excitement of traditional Latin dance to the string orchestra with thi...
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Bring the excitement of traditional Latin dance to the string orchestra with this collection. Explore the 'clave,' or rhythmic groove styles, such as the Merengue, Tango, Mambo, and others in a flexible format. All instruments have the melody, a harmony part, and an accompaniment/bass line. Easy hand percussion parts are included for the string players to perform or the optional drumset part can be used. The use of piano and guitar is recommended for authenticity but not necessary. All text appears in both English and Spanish. / Violoncelle Et Contrebasse
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Resolutio Op. 74 (AMANTI LUCIO)
49.95
Resolutio Op. 74 (AMANTI LUCIO)
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
-
Avancé
Schott
Impressions On Beethoven's Harp Quartet. Par AMANTI LUCIO. When Cuarteto Casals ...
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Impressions On Beethoven's Harp Quartet. Par AMANTI LUCIO. When Cuarteto Casals approached me with the idea of illuminating Beethoven´s quartets anew, you can imagine the many thoughts and feelings that where going through my mind: what a joy, what a great honor… What an intriguing head-scratcher! How can you possibly shine a new light on something that is already perfect? Weeks, months went by in search of a common ground between the Master and myself until I finally found it in the realization that a word lays “hidden” in the St. John’s hymn that gave musical notes their original name: ‘Re, Sol, Ut, Io’ (D, G, C, B in English music notation) Perfect! “Resolutio” in Latin means both the resolution of a problem and the re-solution: a re-blend of many elements that will eventually coagulate to make something new. There was finally the melodic and a rhythmical canvas for my piece. On this canvas I wrote the story of a funny little contest, played on a sunny Mediterranean square, between street musicians and Cuarteto Casals just minutes before they are about to go on stage to perform Beethoven´s “Harp Quartet”. After all the characters, each in his own way, had the chance to tell their story, a gentle rain starts to fall, dissolving (Re-solving) again the music sheet to eventually leave us with just a white piece of paper for somebody else to continue the Work. (Lucio Franco Amanti) / Niveau : Avancé / Répertoire / 2 Violons, Alto et Violoncelle
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Addii (LOMBARDI LUCA)
64.08
Addii (LOMBARDI LUCA)
Trio
[Conducteur et Parties séparées]
Ricordi
Trio Per Violino, Violoncello, Pianoforte (1995-1996). Par LOMBARDI LUCA. Langue...
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Trio Per Violino, Violoncello, Pianoforte (1995-1996). Par LOMBARDI LUCA. Langue: English(US)/Deutsch/Français/Nederlands / Musique contemporaine / Date parution : 1905-06-30/ Répertoire / Trio
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7 Bagatelles (HOPKINS JOHN)
13.79
7 Bagatelles (HOPKINS JOHN)
Violoncelle
-
Intermédiaire
Ricordi London
for Cello solo. Par HOPKINS JOHN. English / Niveau : Intermédiaire / Répertoi...
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for Cello solo. Par HOPKINS JOHN. English / Niveau : Intermédiaire / Répertoire / Violoncelle
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Improvisation IV (NUNES EMMANUEL)
41.90
Improvisation IV (NUNES EMMANUEL)
Quatuor à cordes: 2 violons, alto, violoncelle
Ricordi
Par NUNES EMMANUEL. Langue: Italian/English(UK)/ Répertoire / Quatuor à Cordes...
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Par NUNES EMMANUEL. Langue: Italian/English(UK)/ Répertoire / Quatuor à Cordes
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Frank Bridge: Three Pieces For String Quartet: String Quartet: Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
S J Music
Frank Bridge wrote these three light-hearted and fairly easy String Quartets for...
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Frank Bridge wrote these three light-hearted and fairly easy String Quartets for the English String Quartet of which he was a member to play at the Annual General Meeting of the Royal College of Music Union in 1904. Accessible for advanced school students they are published with the kind permission of the Frank Bridge Trust and transcribed from the original manuscript.
12.95 GBP - vendu par Musicroom GB
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Piano Trio (HOPKINS JOHN)
46.83
Piano Trio (HOPKINS JOHN)
Piano Trio: piano, violon, violoncelle
[Conducteur et Parties séparées]
-
Intermédiaire
Ricordi London
For Violin, Cello And Piano. Par HOPKINS JOHN. English / Niveau : Intermédiaire...
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For Violin, Cello And Piano. Par HOPKINS JOHN. English / Niveau : Intermédiaire / Répertoire / Violon, Violoncelle et Piano
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Man-Nam III (PAGH-PAAN YOUNGHI)
98.59
Man-Nam III (PAGH-PAAN YOUNGHI)
Violon, Alto, Violoncelle et Accordéon
Ricordi
Par PAGH-PAAN YOUNGHI. Langue: English(UK) / Date parution : 1905-07-01/ Répert...
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Par PAGH-PAAN YOUNGHI. Langue: English(UK) / Date parution : 1905-07-01/ Répertoire / Violon, Alto, Violoncelle et Accordéon
98.59 EUR - vendu par LMI-partitions
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