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Bent Sørensen: String Quartet No.3 'Angel's Music': String Quartet: Instrumental
Quatuor à cordes: 2 violons, alto, violoncelle
Wilhelm Hansen
Parts for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988) Premier...
(+)
Parts for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988) Premiered by the Arditti String Quartet at the Danish Radio Concert Hall 16 November 1988. Score available: KP00250The composer writes:'Even when I was writing 'Adieu' I knew that I wished to write 'Angel’s Music'. The title existed in an incomplete form in my mind and gradually more and more ideas and a few outlines became clear. The actual work on 'Angel’s Music' was started in Rome where I spent the autumn of 1987 staying at 'The Danish Academy'. Whether this stay has influenced the quartet or not is impossible to say. however it is true to say that inthe Roman churches I visited I saw countless angels playing in the top of frescoes and altars. Without these angels together with the many crackled-gold paintings in this city and my general fascination with the Italian renaissance painter Fra Angelico (in fact there are only a few paintings by him in Rome but even his name..!) I am not sure my quartet would have been what it is. Anyway I do feel that there is a bit of Italy in the piece. The angels apart there are in the short rhythmic agitating part of the quartet reminiscences of the Italian medieval Trotto dance and in the most expressive part of the piece there are flashes of Puccini-like music. From the very beginning of my work on the quartet the distant extremely muted sound in the high register which opens the piece was on my mind. A sound satiated with a dense heterophonic and polyphonic texture of elegiac melody and vibrating trills. I imagined that 'little songs' (maybe angel songs) could be created in this density these songs constantly echoing themselves. Gradually as this sound got a more and more concrete musical and instrumental form I felt that not only should the 'little songs' be created played and die out in an echo but also that the general pattern of the quartet should give the feeling of music which from the distance is getting closer and closer
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Space Jump Op. 46
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Qu'est-ce que Fazil Say et le sportif extrême Felix Baumgartner ont en commun? ...
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Qu'est-ce que Fazil Say et le sportif extrême Felix Baumgartner ont en commun? Espace Jump: le saut spectaculaire de la stratosphère. Dans cette composition, Say représente chaque phase du saut, du décollage à l'atterrissage en toute sécurité sur la terre. Intense fascination de Say à cet événement a suscité un travail contenant toutes les émotions qu'il a vécu en tant que spectateur. / Violon, Violoncelle Et Piano
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Tango Passion (DIVERS AUTEURS (ARR)
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2 Violoncelles (duo)
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8 Intermediate-Level Tango Classics. Par DIVERS AUTEURS (ARR.COLLATTI DIEGO). Au...
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8 Intermediate-Level Tango Classics. Par DIVERS AUTEURS (ARR.COLLATTI DIEGO). Authentic tango classics arranged as duets of medium difficulty for 2 cellos - this edition includes the famous tunes of some of the greatest tango compositions the world has ever heard. Tango is full of life and passion - the fact that this love affair of music and rhythm has not lost any of its fascination is demonstrated these classic tango pieces that have been selected for this collection and arranged for two cellos. When Astor Piazolla, Vicente Greco, and Angel Villoldo meet in an edition of tango classics, entertainment and expertise of the highest level are sure to ensue. In addition to one of his own compositions, arranger Diego Collatti has selected some of the most popular tango tunes to be arranged for two cellos, among them 'Libertango', 'El Choclo' and 'A media Luz'. Collatti, who is considered an expert in Argentine tango, has brilliantly and expressively highlighted the two violin parts, which have been essential elements of the tango tradition since its beginning. The duets' characteristic phrasing opportunities combined with their dynamic shading and diverse articulation enhance their value as entertaining concert pieces and deeply authentic ensemble repertory additions. Melancholic tunes, rhythmic precision, and untamed passion can be found in this stylistically diverse collection, the compositional art of which showcases the full emotional range of the tango tradition. - Engaging tango classics by Astor Piazzolla, Vicente Greco, Agostín Bardi, and many other tango composers, selected and arranged by Argentine tango expert Diego Collatti - The clearly structured instrumental parts communicate with each other and remain true to the originals in their range of articulation and dynamics - The stylistic variety, expressiveness, imagination and multicultural influences of the genre are wonderfully combined in this collection / Niveau : Intermédiaire / Recueil / 2 Violoncelles
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Hugh Wood: String Quartet No.5 Op.45: String Quartet: Study Score
22.99
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Commissioned by the Lyndsay Quartet in 2000 to celebrate the opening of an arts ...
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Commissioned by the Lyndsay Quartet in 2000 to celebrate the opening of an arts studio in Sheffield with the premiere on 5th October 2001. Wood's 5th quartet pays respects to the Classical heritage of the form returning to theuse of discrete movements two of which reveal the composer's love and fascination of the scherzo. Includes a foreword and description by the composer.
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Dualities (HOWARD EMILY) (HOWARD EMILY)
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Par HOWARD EMILY. Dualities by Emily Howard is a contemporary work for an Ensemble of 14 players. The work is an expression of the fascination with the juxtaposition of extremes and explores relationships between emotion and reason, constructivism and spontaneity, complexity and simplicity. The resultant musical structure is an accumulation of transitions between contrasting soundworlds. Dualities was commissioned by Ensemble 10/10, the Contemporary Music Group of the Royal Liverpool Philharmonic who gave the first performance on 5 October 2005 at the Eleanor Rathbone Theatre, University of Liverpool. / Date parution : 2023-03-11/ Répertoire / Ensemble
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Bent Sørensen: Angels' Music String Quartet No.3: String Quartet: Study Score
26.99
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Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
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Wilhelm Hansen
The full score for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988...
(+)
The full score for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988) Premiered by the Arditti String Quartet at the Danish Radio Concert Hall 16 November 1988. Parts available: KP00249The composer writes:'Even when I was writing 'Adieu' I knew that I wished to write 'Angel’s Music'. The title existed in an incomplete form in my mind and gradually more and more ideas and a few outlines became clear. The actual work on 'Angel’s Music' was started in Rome where I spent the autumn of 1987 staying at 'The Danish Academy'. Whether this stay has influenced the quartet or not is impossible to say. however it is true tosay that in the Roman churches I visited I saw countless angels playing in the top of frescoes and altars. Without these angels together with the many crackled-gold paintings in this city and my general fascination with the Italian renaissance painter Fra Angelico (in fact there are only a few paintings by him in Rome but even his name..!) I am not sure my quartet would have been what it is. Anyway I do feel that there is a bit of Italy in the piece. The angels apart there are in the short rhythmic agitating part of the quartet reminiscences of the Italian medieval Trotto dance and in the most expressive part of the piece there are flashes of Puccini-like music. From the very beginning of my work on the quartet the distant extremely muted sound in the high register which opens the piece was on my mind. A sound satiated with a dense heterophonic and polyphonic texture of elegiac melody and vibrating trills. I imagined that 'little songs' (maybe angel songs) could be created in this density these songs constantly echoing themselves. Gradually as this sound got a more and more concrete musical and instrumental form I felt that not only should the 'little songs' be created played and die out in an echo but also that the general pattern of the quartet should give the feeling of music which from the distance is getting closer and
26.99 GBP - vendu par Musicroom GB
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Hugh Wood: String Quartet No.5: String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
Commissioned by the Lyndsay Quartet in 2000 to celebrate the opening of an arts ...
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Commissioned by the Lyndsay Quartet in 2000 to celebrate the opening of an arts studio in Sheffield with the premiere on 5th October 2001. Wood's 5th quartet pays respects to the Classical heritage of the form returning to the use of discrete movements two of which reveal the composer's love and fascination of the scherzo. Includes a foreword and description by the composer.
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STRING QUARTET NO. 1 OP. 7 (BARTOK BELA) (BARTOK BELA)
14.77
STRING QUARTET NO. 1 OP. 7 (BARTOK BELA) (BARTOK BELA)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
G. Henle
Par BARTOK BELA. Béla Bartók?s six string quartets, composed between 1908 and ...
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Par BARTOK BELA. Béla Bartók?s six string quartets, composed between 1908 and 1940, are 20th-century milestones of the genre. His First String Quartet is closely linked to his unhappy love for the violinist Stefi Geyer, to whom he sent the initial measures of its first movement in early 1908 with the remark: ?My song of death?. When he completed all three movements of the work a year later, he had, according to his friend and colleague Zoltán Kodály, written himself ?back into life?. In this First Quartet, Bartók combines late-Romantic sounds with elements of the folk music that had since 1905 been a source of increasing interest to him. This definitive edition, supervised by Bartók scholar László Somfai, is the first-ever Urtext edition of this work. It takes into account both manuscript and printed sources, as well as letters and notes by the composer in which he recorded matters such as modifications to tempo markings. The Henle edition thus offers a musical text edited to the highest scholarly standards, with fascinating information on the work?s compositional history and performance practice. Sensible page turns and cue notes help to make this edition a real ?must have?. / Date parution : 2023-05-06/ Répertoire / Quatuor à Cordes
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Angela East: Play Baroque!: Cello: Instrumental Album
13.50
Angela East: Play Baroque!: Cello: Instrumental Album
Violoncelle
Stainer and Bell
This fascinating introduction to the world of Baroque style and technique is per...
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This fascinating introduction to the world of Baroque style and technique is perfect for players both young and adult who are learning on the modern Cello. Play Baroque! contains Twenty-six masterpieces from the Baroque period arranged and edited for Cello with teaching notes and Piano accompaniments. Angela East provides lively insights into bowing fingering vibrato and other aspects of baroque performance practice that are sure to enhance the study of this repertoire for all teachers. This book will also appeal to those who wish to study a historical style to enhance their experience of learning the instrument.Suitable for performers of a wide range of abilities from beginners to confident performances at an intermediate level this practical accessible guide is of invaluable benefit to any cellist who wants to learn about the Baroque style.
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Richard Danielpour: String Quartet No. 2 (Shadow Dances): String Quartet: Score
57.50
Richard Danielpour: String Quartet No. 2 (Shadow Dances): String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
Associated
Score and Parts-A fascinating and deeply personal work from a major contemporary...
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Score and Parts-A fascinating and deeply personal work from a major contemporary composer. Duration ca. 22 minutes.
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Bernard Herrmann: Echoes For String Quartet (Parts): String Quartet: Parts
16.99
Bernard Herrmann: Echoes For String Quartet (Parts): String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Novello & Co Ltd.
This single-movement for String quartet employs some of the more familiar elemen...
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This single-movement for String quartet employs some of the more familiar elements of Herrmannâ??s compositional style: short musical phrases repeated and then repeated again in other positions sharp use of dynamics among them. It is a fascinating sidelight into the work of one of the 20th centuryâ??s most brilliant composers.Bernard Herrmann was among the greatest of all composers of music for cinema and there are many who avow that he was the greatest of all. A very short list of the films for which this award-winning composer created soundtracks includes Citizen Kane The Man Who Knew Too Much Vertigo Jason and Argonauts Fahrenheit 451 Obsession and Taxi Driver. He had along and fertile association with Alfred Hitchcock during the most productive period of Hitchcockâ??s career and with Orson Welles from the time of the Mercury Theatre on the Air. In addition to his conducting and composing work for the entertainment world Herrmann wrote concert pieces including a symphony opera and cantata.
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Stephen: Cello Globetrotters: Cello: Instrumental Album
14.75
Stephen: Cello Globetrotters: Cello: Instrumental Album
Violoncelle
Oxford University Press
Cello Globetrotters brings together toe-tapping original tunes in styles from ar...
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Cello Globetrotters brings together toe-tapping original tunes in styles from around the world - from Arabic to Chinese and from klezmer to the Argentinian tango - for the budding cellist. This unique book presents a kaleidoscope of musical traditions with supporting background information and backing tracks that capture each sound-world.To help with technique and interpretation every piece includes tailored warm-ups and stylistic tips from the author. With options for cello or piano accompaniment and an inspirational CD Cello Globetrotters is the ultimate resource for aspiring cellists looking to go travellin'... 12 fun pieces in styles from around the world Suitable for young cellists everywhere (3+ years' playing experience/grades 2-4) Range of styles including bossa nova klezmer blues Cajun Greek and West African Fascinating background information and tailored warm-ups for every piece Includes cello accompaniments for a teacher or more experienced pupil and piano accompaniments with guitar chords CD with performances and backings for every piece recorded by renowned world-music performers Ros StephenRos Stephen is a violinist and composer based in Bristol. She is a founder member of the UK's leading tango ensemble Tango Siempre with whom she has toured internationally and recorded several albums and she leads the Sigamos String Quartet. Ros is also a committed string teacher and enjoys working with students of all ages and experience. Her first book in the Globetrotters series Violin Globetrotters was published in 2010 to popular and critical acclaim.
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Allain Gaussin: Les Céphéides Trio For Violin Cello and Piano: Piano Trio:
26.99
Allain Gaussin: Les Céphéides Trio For Violin Cello and Piano: Piano Trio:
Piano Trio: piano, violon, violoncelle
Leduc, Alphonse
For more than forty years Allain Gaussin fascinated by astrophysics has found...
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For more than forty years Allain Gaussin fascinated by astrophysics has found a major source of inspiration in observing the cosmos as attest a number of works going from Vent solaire (1974) to Philae (2015) by way of L’Harmonie des sphères (2006). Ten years later the 'Messiaen du Pays de la Meije' Festival hosted the first performance of the piano trio Les Céphéides. The musical journey enables the listener to enter a space 'just as impalpable and fragile' as that in which moves each Cepheid variable – this star whose brightness varies over regular periods according to two elements: the diameter of the heavenly body and thetemperature reading of its surface. How does one translate such a change in music? The bow's sautillé gettato on the violin and cello gives the score's opening pages this granular glittering that leads us 'towards the centre of the Cepheid variables'. From there a stream of colourful arabesques – the composer's 'ribbon figures' – gushes forth. After a weightless transition the cello unfurls its contemplative meditation which ends up in a suspended coda open onto the infinity of the starry vault. As musicologist Michèle Tosi accurately says so it is that the full richness 'of a teeming imaginary universe' unfolds.
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Michael Berkeley: String Quartet No. 2: String Quartet: Parts
20.50
Michael Berkeley: String Quartet No. 2: String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
Oxford University Press
Berkeley's second string quartet uses a free random presentation of thematic ma...
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Berkeley's second string quartet uses a free random presentation of thematic material. There is a sharp contrast between the tight and rhythmic central section and the final passage which dispenses with barlines altogether providing a fascinating journey through interrelated and continuous sections.
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Michael Berkeley: String Quartet No. 2: String Quartet: Score
14.50
Michael Berkeley: String Quartet No. 2: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
Oxford University Press
Berkeley's second string quartet uses a free random presentation of thematic ma...
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Berkeley's second string quartet uses a free random presentation of thematic material. There is a sharp contrast between the tight and rhythmic central section and the final passage which dispenses with barlines altogether providing a fascinating journey through interrelated and continuous sections.
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Piano Trio In E Flat Major Op. 100 D 929
110.78
Piano Trio In E Flat Major Op. 100 D 929
Piano Trio: piano, violon, violoncelle
[Fac-similé]
G. Henle
The autograph of a composition always makes fascinating reading - and this is pa...
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The autograph of a composition always makes fascinating reading - and this is particularly true of Schubert's Trio in Eb major op. 100, as it underwent many changes during its composition. The manuscript, parts of which were greatly revised, bears eloquent witness to this and offers an opportunity to trace the intricacies of Schubert's phrasing and articulation. This source is in a private collection and our facsimile makes it accessible to the public for the very first time. It is, of course, in proven Henle quality, in lavish four-colour printing and with an extensive introductory text with in-depth information about the work. In a letter to his publisher in 1828, Schubert explicitly dedicated the work to 'no one, save those who find pleasure in it?. / Trio De Pianos
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Casals/Tobel: Violoncelloschule Bach (BACH JOHANN SEBASTIAN)
62.80
Casals/Tobel: Violoncelloschule Bach (BACH JOHANN SEBASTIAN)
Violoncelle
[Partition]
Carus Verlag
Par BACH JOHANN SEBASTIAN. With his cello technique Pablo Casals set standards n...
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Par BACH JOHANN SEBASTIAN. With his cello technique Pablo Casals set standards new at the time, and with his interpretation and warm, singing tone he helped even little, improbable compositions achieve great effectiveness. By means of his interpretative art he rescued Bach's Cello Suites from oblivion, and he occupied himself with them throughout his life, fascinating his public with his renditions of these suites over and over in new ways./ Répertoire / Violoncelle
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Per Nørgård: Out Of The Cradle Endlessly Rocking: Chamber Ensemble: Score
Clarinette, Violon, Violoncelle, Piano
[Conducteur]
-
Intermédiaire/avancé
Wilhelm Hansen
Out Of The Cradle Endlessly Rocking 'Wave Music' (2007-08) by Per Nørgård. Sco...
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Out Of The Cradle Endlessly Rocking 'Wave Music' (2007-08) by Per Nørgård. Scored for Clarinet Violin Cello and Piano. Parts available: WH30883A Programme note The work was commissioned by the Ebb and Flow Ensemble for premiere at the Maui Arts and Cultural Center Kahului Hawaii 23 November 2008. The premiere performers will be (as of 241108: were) Scott Anderson clarinet Ignace Jang violin Mark Votapek cello and Robert Pollock piano.The title is borrowed from the first line of American poet Walt Whitman’s magnificent poem SEADRIFT a tribute to the sea. The poem forms part of Whitman’s magnum opus LEAVES OF GRASS which he revised extended and worked on practically all his writing life.I had previously drawn some lines from the poem SEADRIFT for another work of mine a work likewise entitled SEADRIFT (1978) for soprano and ensemble.In this present new piece I did not set out to depict in music ‘the soul of the sea’ or anything like that. I did however have an intention of making the piece a sort of outstretched hand from one small country with a multitude of islands and – necessarily – a lot of water around it (I am referring of course to my native Denmark) to another country with many islands: Hawaii with its far-away exotic appeal (at least for a Scandinavian) and its remoteness thousands and thousands of nautical miles away. Folkloristic Hawaiian chant (alluring samples of which were kindly forwarded to me from the commissioner of the work) fascinated and impressed me so much that my melodic repertoire in the new piece sometimes echo a Hawaiian Melodybrother.A latent wave-character is characteristic of the piece. You will hear a simultaneity of different ‘wavelengths’ and often a dense and complex melodic and rhythmic
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Judith Weir: Piano Quartet: Chamber Ensemble: Instrumental Work
Trio à Cordes: violon, alto, violoncelle
[Partition]
Chester
Judith Weir: My Piano Quartet (2000) is part of an extended series of works for ...
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Judith Weir: My Piano Quartet (2000) is part of an extended series of works for piano and strings which I have written over the last twenty years - although I didn¹t know it was going to be a series when I wrote the first of these works Music for 247 Strings in 1980. During this period it has been far more usual for composers to write for mixed wind and string ensembles. But I continued (and still continue) to be fascinated by the potential of strings and piano; particularly the chance to write for the instruments as soloists or as a group and often to use both these options simultaneously.String Parts.Premiered July 2000 at the Cheltenham Festival by the SchubertEnsemble.Piano Score available: CH61794
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Triple Set (JALBERT PIERRE)
78.81
Triple Set (JALBERT PIERRE)
Flûte Traversière, Clarinette et Piano
[Conducteur et Parties séparées]
Schott
For Flute, Clarinet In Bb, and Piano. Par JALBERT PIERRE. Triple Set was commiss...
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For Flute, Clarinet In Bb, and Piano. Par JALBERT PIERRE. Triple Set was commissioned by the Flute/Clarinet Duos Consortium, an organization of 17 groups which will give the premiere performances of the work. I’ve always been fascinated by the flute and clarinet, and when I was approached by my colleagues at Rice (Leone Buyse and Michael Webster) to write a piece for flute, clarinet and piano (I’m a pianist myself), for the Flute/Clarinet Duos Consortium, I was happy to oblige. Both of my sons also play the clarinet, so many of these sounds are around me all the time. The piece is in three contrasting movements. The first movement, Driving, marked “With great energy”, is rhythmically propelled forward by the piano’s muted strings and the flute and clarinet playing at first in rhythmic unison, then each taking a turn at solos while the other participates in the accompanimental syncopations. The second movement, Still, is marked “Timeless” and slowly unfolds its melodic and harmonic ideas. The third movement, Relentless, is a kind of 6/8 scherzo, which vigorously and relentlessly propels itself forward to the end, with just two minor interruptions of quasi-cadenza like passages for flute and clarinet duo. - Pierre Jalbert/ Répertoire / Flûte Traversière, Clarinette et Piano
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Restoration Music For Three Violins (HOLMAN PETER)
191.64
Restoration Music For Three Violins (HOLMAN PETER)
3 Violons, Bas Viol et Basse Continue
Stainer and Bell
Par HOLMAN PETER. Music for three violins and bass formed a small yet distinctiv...
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Par HOLMAN PETER. Music for three violins and bass formed a small yet distinctive corpus of instrumental music at the Restoration court of Charles II and in the Catholic chapel of James II. Introduced to England by the German violinist Thomas Baltzar, the genre was adopted by John Jenkins, whose ten late fantasia-suites for three violins, bass viol and continuo, together with Gottfried Finger’s five sonatas for the same group of instruments, constitute the bulk of this volume. Other representative works include Baltzar’s own Suite in C major and Bartholomew Isaack’s Ground in A minor, all fascinating progenitors of Purcell’s crowning contributions to the repertoire, his Pavan in G minor and ‘Three Parts upon a Ground’. / Date parution : 1905-07-10/ Répertoire / 3 Violons, Bas Viol et Basse Continue
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String Quartet #2
58.83
String Quartet #2
Quatuor à cordes: 2 violons, alto, violoncelle
Schott
Bien que le Quatuor À cordes deuxième de Paul Dessau est très étroitement li...
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Bien que le Quatuor À cordes deuxième de Paul Dessau est très étroitement liée à la musique de douze-note, on ne peut dire à envers son inspiration à la méthode série au sens strict du terme. René Leibowitz avait introduit le compositeur pour le monde fascinant de la musique de douze-note de Schoenberg au cours de sa première période de l'exil à Paris. Avec ce Quatuor À cordes de Dessau a fonctionné alors sa propre façon de jouer avec l'esthétique de la composition moderne. Dessau travaille dodécaphonique constructions dans les deux mouvements longues - Andante con tenerezza et Adagio - sans leur imposer de façon dogmatique. Disciplinée de travail thématique est développé dans un contexte densément polyphonique pour créer un paysage fortement structuré de sententiousness laconique. / Quatuor A Cordes
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Epitaphs
83.25
Epitaphs
Quatuor à cordes: 2 violons, alto, violoncelle
Bote and Bock
Dense movement structures dialogizing in pairs and a darkened overall sound are ...
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Dense movement structures dialogizing in pairs and a darkened overall sound are what Mozart, Schubert and Brahms already thought to be fascinating in the genre of string quartet. Following this tradition, the composer and violist Brett Dean created 'Epitaphs', an homage to five recently departed colleagues and friends to each of whom is dedicated one movement of the 20-minute work. It was premiered at the Cheltenham Festival 2010 by Dean and the Australian String Quartet. / Quatuor A Cordes
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STRING QUARTET NO. 1 OP. 7 (BARTOK BELA) (BARTOK BELA)
25.32
STRING QUARTET NO. 1 OP. 7 (BARTOK BELA) (BARTOK BELA)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
G. Henle
Par BARTOK BELA. Béla Bartók?s six string quartets, composed between 1908 and ...
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Par BARTOK BELA. Béla Bartók?s six string quartets, composed between 1908 and 1940, are 20th-century milestones of the genre. His First String Quartet is closely linked to his unhappy love for the violinist Stefi Geyer, to whom he sent the initial measures of its first movement in early 1908 with the remark: ?My song of death?. When he completed all three movements of the work a year later, he had, according to his friend and colleague Zoltán Kodály, written himself ?back into life?. In this First Quartet, Bartók combines late-Romantic sounds with elements of the folk music that had since 1905 been a source of increasing interest to him. This definitive edition, supervised by Bartók scholar László Somfai, is the first-ever Urtext edition of this work. It takes into account both manuscript and printed sources, as well as letters and notes by the composer in which he recorded matters such as modifications to tempo markings. The Henle edition thus offers a musical text edited to the highest scholarly standards, with fascinating information on the work?s compositional history and performance practice. Sensible page turns and cue notes help to make this edition a real ?must have?. / Date parution : 2023-05-06/ Répertoire / Quatuor à Cordes
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Edward Elgar: Concerto: Cello: Instrumental Work
21.00
Edward Elgar: Concerto: Cello: Instrumental Work
Violoncelle, Orchestre
Barenreiter
e minor-Edward Elgar's concerto for violoncello his last major work is a clean...
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e minor-Edward Elgar's concerto for violoncello his last major work is a cleanly structured and emotionally charged composition. It is no wonder that this work is of central importance in the cello literature. Jonathan Del Mar's editorial skills show themselves in the exacting placement of dynamics articulation and expression markings.The edition restores all Elgar's solo cello fingerings and bowings and offers a facsimile of the original solo cello part in the critical commentary. Jonathan Del Mar also documents the performing tradition of the work and its recording under Elgar's baton. This is the last word on this famous work a reference edition for everycellist!First ever critical editionAll existing sources consultedFirst ever critical commentary'I highly recommended this purchase even if you own a well-worn copy of another edition.'(American String Teacher vol. 56 No. 3 August 2006)'Ownership of this fine masterly authoritative and elegantly printed edition coupled with the fascinating Critical Commentary must be obligatory for all cellists!'(ESTA News and Views Autumn 2006)
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Esa-Pekka Salonen: Homunculus: String Quartet: Parts
19.99
Esa-Pekka Salonen: Homunculus: String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
Homunculus is a short (circa 12 minutes) work for string quartet which the comp...
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Homunculus is a short (circa 12 minutes) work for string quartet which the composer wrote during the Autumn months of 2007 for the Johannes Quartet.He wanted to compose a piece that would be very compact in form andduration but still contain many different characters and textures. In other words a little piece that behaves like a big piece.He has long been fascinated (and amused) by the arcane spermists’ theory who held the beliefthat the sperm was in fact a 'little man' (homunculus) that was placed inside a woman for growth into a child. This seemed to them to neatly explain many of the mysteries of conception. It was later pointed out that if the spermwas a homunculus identical in all but size to an adult then the homunculus may have sperm of its own. This led to a reductio ad absurdum with an endless chain of homunculi. This was not necessarily considered by spermists afatal objection however as it neatly explained how it was that 'in Adam' all had sinned: the whole of humanity was already contained in his loins.He decided to call my piece Homunculus despite the obvious weaknesses of thespermists’ thinking as he found the idea of a perfect little man strangely moving.
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Morganstern Daniel - Practice For Performance - Cello
12.75
Morganstern Daniel - Practice For Performance - Cello
Violoncelle
[Livre]
-
Facile
Mel Bay
Media Type : Book Level : Beginning-Intermediate Musical Genre : All Styles Numb...
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Media Type : Book Level : Beginning-Intermediate Musical Genre : All Styles Number of pages : 40 Practice for Performance provides a rare and intimate view into a very thoughtful and successful performer's personal toolkit. Set in the context of his own personal history of growth as a performer, cellist Daniel Morganstern (principal cellist for the Lyric Opera of Chicago and the American Ballet Theatre at the Metropolitan Opera House in New York) displays rare honesty in discussing the problems that faced him at various point of his career, and the ways to solve them. The discoveries sensibly unfold in a fascinating account of experiences with many notable artists whose comments and examples shaped the author's thinking. These ideas are not to be found in any other treatise on the subject of musical preparation. The examples in this book, both musical and non-musical, offer a foundation to help evoke instinctive musical responses in the mechanical processes of playing the cello, and have been advantageously applied to other instruments as well, including voice.
12.75 EUR - vendu par Woodbrass
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Esa-Pekka Salonen: Homunculus: String Quartet: Score
17.99
Esa-Pekka Salonen: Homunculus: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
Homunculus is a short (circa 12 minutes) work for string quartet which the comp...
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Homunculus is a short (circa 12 minutes) work for string quartet which the composer wrote during the Autumn months of 2007 for the Johannes Quartet.He wanted to compose a piece that would be very compact in form andduration but still contain many different characters and textures. In other words a little piece that behaves like a big piece.He has long been fascinated (and amused) by the arcane spermists’ theory who held the beliefthat the sperm was in fact a 'little man' (homunculus) that was placed inside a woman for growth into a child. This seemed to them to neatly explain many of the mysteries of conception. It was later pointed out that if the spermwas a homunculus identical in all but size to an adult then the homunculus may have sperm of its own. This led to a reductio ad absurdum with an endless chain of homunculi. This was not necessarily considered by spermists afatal objection however as it neatly explained how it was that 'in Adam' all had sinned: the whole of humanity was already contained in his loins.He decided to call my piece Homunculus despite the obvious weaknesses of thespermists’ thinking as he found the idea of a perfect little man strangely moving.
17.99 GBP - vendu par Musicroom GB
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Muros de dolor VI (SOTELO MAURICIO)
26.59
Muros de dolor VI (SOTELO MAURICIO)
Violoncelle
Universal Edition
Par SOTELO MAURICIO. The sixth installment of Sotelo's series of Muros de dolor ...
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Par SOTELO MAURICIO. The sixth installment of Sotelo's series of Muros de dolor focuses on the cello and its minutest possibilities. He explores the micro world in tones and intervals, along with soaring passages, to bring about exquisite anguish in the unique sound of the instrument. Watch a fascinating YouTube performance by Ryou Onoki. For advanced performers./ Répertoire / Violoncelle
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Non-canonic variations (BABA NORIKO)
34.70
Non-canonic variations (BABA NORIKO)
Flûte, Clarinette, Alto et Violoncelle
[Partition]
Jobert
Par BABA NORIKO. Cela ne fait pas longtemps que je connais le monde de l'orgue ...
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Par BABA NORIKO. Cela ne fait pas longtemps que je connais le monde de l'orgue à tuyaux et son histoire, mais aujourd'hui je suis fascinée par cet instrument, et tout particulièrement par les oeuvres que J.S. Bach lui a consacrées. Les Variations canoniques sont l'un des chefs-d'oeuvre du compositeur, basé sur un chant de Noël 'Vom Himmel hoch, da komm ich her' (je viens du haut des ciels) et sur la règle du canon. Pour mes variations, j'ai décidé de faire quelque chose de non canonique, et j'ai commencé par une harmonisation du choral de Bach suivi sans interruption de variations, comme dans l'une de ses partitas d'orgue, par des transformations continues de couleur et d'atmosphère./ Répertoire / Flûte, Clarinette, Alto et Violoncelle
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