Play 10 classical pop selections arranged for piano and optional cellos as performed by the Piano Guys on their brand new holiday album! Includes: Angels We Have Heard on High - Christmas Morning - Good King Wenceslas - O Come O Come Emmanuel - Still Still Still - Where Are You Christmas? - Winter Wind - and more. Includes separate pull-out cello part. / Violoncelle Et Piano

Par GOODALL HOWARD. This is the cello part for The Lord is My Shepherd (Psalm 23),  available as a special print-on-demand copy. This piece is best known as the theme tune to the award-winning BBC TV series The Vicar of Dibley starring Dawn French. Goodall's setting of Psalm 23 is warm and melodious and has been, and will continue to be, popular with choirs everywhere. Alternative accompaniments for strings have been made available and complement the SATB version that can be found in the Faber Choral Signature Series (0571520480). / Choral Music, Instrumental Music / Répertoire / Violoncelle

A series of popular music for working string quartets. Light enjoyable repertoire pieces and entertaining encores. Each folio contains five pieces. Contents: Get Back' , Good Day Sunshine , Hey Jude , World Without Love , Yesterday . Score and Parts. / Scores

Par GERSHWIN GEORGE. A collection of pieces that pay tribute to Gershwin's unique melodic genius, which gave us such gems as Embraceable You, Summertime, I Got Rhythm, 'S Wonderful, and Lady Be Good. These and other favourites are arranged here as impressive Cello solos with Piano accompaniment. / Niveau : Assez Facile / Date parution : 1996-01-18/ Recueil / Violoncelle et Piano

Par GOODMAN KEITH. / Date parution : 2022-01-14/ Répertoire / Hautbois et Cordes

Par DUCKETT BULL / GOODBORN. For everyone who wants to play strings. Team Strings is ideal for individual, mixed instrument groups or class tuition. Allows violin and viola, or cello and bass to be taught in the same lesson - integrates with Team Brass, Team Woodwind, Team Recorder and Team Percussion to provide mixed instrumental ensembles - contains carefully graded music in a wide variety of styles, from Baroque and Classical to Folk, Film and Jazz - develops instrument-related aural skills, improvisation and composition - offers helpful notes for the teacher, together with piano accompaniments, ensemble scores and parts for wind, brass and percussion. Includes a 2-Octave Scale in the key of C Major. This edition includes a CD of over 75 digital backing tracks of all the melodies, excerpts and pieces for individual and group use. / Niveau : Facile / Recueil / Violoncelle

This eclectic collection for solo Flute will delight film fans of all ages! 101 Movie Hits contains a dazzling selection of favourites from the silver screen, including Diamonds Are A Girl's Best Friend (Gentlemen Prefer Blondes), Eye Of The Tiger (Rocky III), Hallelujah (Shrek), Happy (Despicable Me 2), Mrs. Robinson (The Graduate), The Dreame (Sense And Sensibility), Let It Go (Frozen), Summer Nights (Grease), The Music Of Goodbye (Out Of Africa) and more. / Violoncelle

Alban Berg's String Quartet can be considered to be one of the founding works of the Second Viennese School. Already composed in 1910 and first published in 1920, it was the last composition the 25-year-old wrote under the tutelage of Arnold Schoenberg, who admired 'the fullness and unconstraint of his musical language, the strength and sureness of its presentation, its careful working and significant originality?. Even today the extremely complex work places the highest technical demands on the interpreters - for this reason our edition contains parts that are especially good to play from, in which each musician can also follow what is going on in the other parts. / 2 Violons, Alto Et Violoncelle

David Knotts' Coyote Star Song for Piano Trio.American Indian myth tells the story of Coyote who makes a ladder stretching from earth to sky. Five wolves climb up to have a closer look at the two grizzly bears they can see from down below. Coyote warns them not to get too close but their curiosity gets the better of them. The wolves look at the bears: the bears look at the wolves. ‘that looks good’ thinks Coyote so he leaves them there. Coyote makes pictures of stars all over the sky. - David KnottsCommission made possible by Judy Blendis.

This comprehensive technique and musicianship book provides an abundance of enjoyable repertoire and musical results-driven exercises (including scales etudes chorales classical repertoire and more) that will help yourstudents develop solid accurate technique. Establishing a strong foundation with good left and right hand technique will result in outstanding musical performances and will help open your students’ world to a vast wealth ofincredible literature. Perfect for intermediate level students in class or private studio settings.

Par ZARATE JOSE. 'Gabon' ('good night' in the basque language) (2001), is a work where the composer investigates and delves into his personal idealization of the relationship of the text and its interpretation as poetic-musical recital. The piece tries to propose to the musician certain meaningful poetical concepts, with the requirement of a meticulous willingness to sing, to recite, and to feel. / Date parution : 2021-11-03/ Répertoire / Orchestre à Cordes

Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions. ‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Piano

Le Bon Pasteur par Pam Wedgwood est disponible pour une gamme de intruments solo avec accompagnement de piano. Il a présenté ici dans une version pour violoncelle et piano. / Violoncelle Et Piano

Par KASTELEIN JAAP. Play the Blues is meant for players who, depending on the instrument, have studied music for about 2 to 3 years. The pieces of music in this volume have all been written in the twelve-bar blues style and have been arranged in two parts, but it is possible to play just the treble and still sound good. The CD features accompaniments for all 9 duets and also includes tuning notes. / Niveau : Facile à Intermédiaire / Jazz / Recueil / Flûte Traversière Hautbois, Violon ou Instruments