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Sondheim For Classical Players (SONDHEIM STEPHEN)
26.61
Sondheim For Classical Players (SONDHEIM STEPHEN)
Violoncelle, Piano
[Partition + Accès audio]
-
Intermédiaire
Hal Leonard
12 Selections from Sondheim Musicals. Par SONDHEIM STEPHEN. This collection feat...
(+)
12 Selections from Sondheim Musicals. Par SONDHEIM STEPHEN. This collection features intermediate-level arrangements for cello and piano accompaniment in a range flattering to the cello. The music has been edited with added dynamics, articulations and phrasing, making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic grand piano. Includes separate pull-out solo part. Songs include: Agony · Anyone Can Whistle · The Ballad of Sweeney Todd · Children Will Listen · Green Finch and Linnet Bird · Johanna · Night Waltz · Not While I'm Around · Pretty Women · Send in the Clowns · Sunday · With So Little to Be Sure Of. The price of this book includes a unique code that provides access to audio tracks online, for download or streaming. The tracks include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right - available exclusively from Hal Leonard. / Niveau : Moyen / Recueil / Violoncelle et Piano
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I Could Sing Of Your Love Forever Vol.4
22.58
I Could Sing Of Your Love Forever Vol.4
Violoncelle, Piano
Hal Leonard
Brentwood-Benson Music Publications presents Vol. 4 in its Instrumental Worship ...
(+)
Brentwood-Benson Music Publications presents Vol. 4 in its Instrumental Worship Series with I Could Sing of Your Love Forever: 12 instrumental duets for piano and cello. These tasteful, worship-centric arrangements by Christopher Phillips, Music Director at Christ Church Nashville, are perfect for offertories, postludes, or as intimate, stand-alone performances. With a focus on flexibility, these inspiring arrangements also offer the solo instrumental part transposed to include C instruments (Violin/Flute/etc.) and Bb instruments (Trumpet/Clarinet/etc.).As an added bonus, this folio comes with a complete demonstration listening CD which can be used both as a reference recording for your rehearsals or simply for your own listening pleasure and quiet times of reflection and worship.Further enhancing the value and usability of this featured publication, a CD Piano Accompaniment Track is available as a separate purchase. This enables the solo instrumentalist to perform these arrangements without the need of live piano accompaniment. / Violoncelle Et Piano
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Karen Tanaka: Metal Strings: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
Scored For String Quartet. Commissioned by the New Arts String Quartet first pe...
(+)
Scored For String Quartet. Commissioned by the New Arts String Quartet first performed in Tokyo November 1996.Quoting Tanaka: The title Metal Strings suggests speed metal rock music which I have been listening to a lotin recent years. I find an explosive energy in its music that people of today thirst for. Previously I have explored solid speedy and metallic sound in pieces such as 'Wave Mechanics' (1994) 'Wave Mechanics II' (1994) and'Metalic Crystal' (1994-95). This idea has been extended and developed in my string quartet Metal Strings.Score only edition separate parts are also available on sale.
16.99 GBP - vendu par Musicroom GB
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Two Nocturnes (DAVIES PETER MAXWELL)
16.65
Two Nocturnes (DAVIES PETER MAXWELL)
Piano Quatuor: piano, violon, alto, violoncelle
[Conducteur et Parties séparées]
Schott
for piano quartet. Par DAVIES PETER MAXWELL. The two nocturnes were composed imm...
(+)
for piano quartet. Par DAVIES PETER MAXWELL. The two nocturnes were composed immediately after major surgery, against a deadline, and, despite the music sounding unlike anything I have written before, I decided to keep them exactly as they turned out. 2010 is a Chopin year, and I made this pair of nocturnes into a little tribute, after playing through and listening to most of his output. Never before had I composed under these drugged conditions – the musical dimensions were enormously exaggerated, with each interval and each phrase being elongated out of all proportion, and the whole few minutes filling the whole of time and space. The orchestration, for piano quartet, was influenced by the very neo-classical feel of the chamber version of the concertos, and the harmonic language very much the result of pondering Chopin’s very individual take on J.S Bach. They are dedicated to James MacMillan and Amelia Freedman respectively. Sir Peter Maxwell Davies (2010)/ Répertoire / Piano, Violon, Alto et Violoncelle
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Karen Khanagov: My Very Best Christmas Cello Edition: String Ensemble:
16.99
Karen Khanagov: My Very Best Christmas Cello Edition: String Ensemble:
Violoncelle
[Partition + Accès audio]
Mel Bay
The seventeen Christmas songs in this volume arranged in comfortable keys can ...
(+)
The seventeen Christmas songs in this volume arranged in comfortable keys can be used for players at different levels and for all kinds of occasions. All three editions (Violin Viola and Cello) include two parts foreither solo or duet performance and Piano accompaniment. The three books are all compatible so that ensembles may mix and match parts as desired. Suzuki groups may particularly enjoy these arrangements. The audio providesthe piano accompaniments alone. It can be used for back-up improvisatory play-along or for pleasant listening by itself. Includes two 24-page pull-out parts for Cello I and Cello II and access to online audio.
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Karen Tanaka: Metal Strings: String Quartet: Instrumental Work
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
Scored For String Quartet. Commissioned by the New Arts String Quartet first pe...
(+)
Scored For String Quartet. Commissioned by the New Arts String Quartet first performed in Tokyo November 1996.Quoting Tanaka: The title Metal Strings suggests speed metal rock music which I have been listening to a lot in recent years. I find an explosive energy in its music that people of today thirst for. Previously I have explored solid speedy and metallic sound in pieces such as 'Wave Mechanics' (1994) 'Wave Mechanics II' (1994) and 'Metalic Crystal' (1994-95). This idea has been extended and developed in my string quartet Metal Strings.
14.99 GBP - vendu par Musicroom GB
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Four Strings Vol. 2 (NEUMANN EVA-MARIA (Arr)
42.74
Four Strings Vol. 2 (NEUMANN EVA-MARIA (Arr)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Breitkopf & Härtel
20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.)...
(+)
20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.). Making music in a quartet uniquely nurtures young string players’ musical development, ensemble playing, listening to each other, and intonation. So, what could be more obvious than introducing the scoring of this genre, often referred to as chamber music’s supreme discipline, as early as possible. Indeed, composers have all along advised the classical string quartet’s outstanding compositions, but they are hardly easy to play for beginners. Here, with the present collection, is where Eva-Maria Neumann comes in. The two volumes include A total of 20 easy to intermediate arrangements of pieces from Bach to Bartók, together with specifically composed ones in string-quartet friendly keys - Reading scores and individual parts - additionally, individual part for violin III instead of viola - Tips on warming up, intonation, bowing, fingering, tempos, dynamics, and playing musically - Specific instructions for the individual pieces - Lists of supplementary original literature The pieces are also effective as scored for chorus./ Recueil / Quatuor à Cordes
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Trio in A minor ?Havträsk-Trio? JS 207 (SIBELIUS JEAN) (SIBELIUS JEAN)
44.30
Trio in A minor ?Havträsk-Trio? JS 207 (SIBELIUS JEAN) (SIBELIUS JEAN)
Piano Trio: piano, violon, violoncelle
[Set de Parties séparées]
Breitkopf & Härtel
Par SIBELIUS JEAN. Five multi-movement trios for piano and two string instrument...
(+)
Par SIBELIUS JEAN. Five multi-movement trios for piano and two string instruments by Sibelius are known from the years 1883?1888. The ?large? trios, such as the Havträsk and Korpo Trio (JS 207, JS 209), were written for the classical piano trio scoring of violin, violoncello and piano. Apparently, Sibelius kept composing trios to play among his family and friends, having in mind to be one of the musicians himself. Chamber music was an essential part of social life. When listening to Sibelius? trios, one cannot help but notice that the repertoire included many works of Viennese Classicism. Although Sibelius's feelings towards his youthful works were not exactly uncomplicated, Sibelius biographer Otto Andersson later reported ?that the master, in later years, missed [the Korpo Trio] very much and would have been very pleased to see [it] preserved.? / Date parution : 2023-06-01/ Répertoire / Violon, Violoncelle et Piano
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Four Strings Vol. 1 (NEUMANN EVA-MARIA (Arr)
42.74
Four Strings Vol. 1 (NEUMANN EVA-MARIA (Arr)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Breitkopf & Härtel
20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.)...
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20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.). Making music in a quartet uniquely nurtures young string players’ musical development, ensemble playing, listening to each other, and intonation. So, what could be more obvious than introducing the scoring of this genre, often referred to as chamber music’s supreme discipline, as early as possible. Indeed, composers have all along advised the classical string quartet’s outstanding compositions, but they are hardly easy to play for beginners. Here, with the present collection, is where Eva-Maria Neumann comes in. The two volumes include A total of 20 easy to intermediate arrangements of pieces from Bach to Bartók, together with specifically composed ones in string-quartet friendly keys - Reading scores and individual parts - additionally, individual part for violin III instead of viola - Tips on warming up, intonation, bowing, fingering, tempos, dynamics, and playing musically - Specific instructions for the individual pieces - Lists of supplementary original literature The pieces are also effective as scored for chorus./ Recueil / Quatuor à Cordes
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Cello Prep Test: Cello: Instrumental Reference
5.95
Cello Prep Test: Cello: Instrumental Reference
Violoncelle
-
Facile
ABRSM Publishing
The ABRSM Cello Prep Test has been specially designed to be taken by Cellists wh...
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The ABRSM Cello Prep Test has been specially designed to be taken by Cellists who have been learning for a few terms. Built into are all the sorts of skills that they will be developing at this stage such as a sense of pitch and rhythm controlled and even playing accuracy and quality of tone. Includes tunes pieces and listening games as well as information about all parts of the test.
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Songs Vcl/P. (WEILL KURT)
37.68
Songs Vcl/P. (WEILL KURT)
Violoncelle, Piano
[Partition + CD]
Universal Edition
Par WEILL KURT. 10 songs from three of Kurt Weill's most famous stage works are ...
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Par WEILL KURT. 10 songs from three of Kurt Weill's most famous stage works are presented here in easy arrangements for cello and piano. Players of any age will relish the chance to play these famous tunes. The CD provides invaluable listening material and an alternative accompaniment in the absence of a pianist. Includes: The Ballad of Mack the Knife, Polly's Song (The Threepenny Opera) Alabama Song, Jenny's Song (Rise and Fall of the City of Mahagonny) Don't be Afraid, The Liquor Dealer's Dream (Happy End )… and more./ Recueil / Violoncelle et Piano
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John McCabe: String Quartet No.7 - Summer Eves: String Quartet: Score
24.99
John McCabe: String Quartet No.7 - Summer Eves: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Novello & Co Ltd.
Commissioned by the Presteigne Festival of Music and the Arts Limited with fund...
(+)
Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'
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Polichinelle (KREISLER FRITZ)
21.65
Polichinelle (KREISLER FRITZ)
Trio à Cordes
[Conducteur et Parties séparées]
Schott
Serenade. Par KREISLER FRITZ. Apart from the collection of Classical Manuscripts...
(+)
Serenade. Par KREISLER FRITZ. Apart from the collection of Classical Manuscripts composed by the violin virtuoso Fritz Kreisler (1875-1962) which he had passed off as transcriptions of settings of old masters, the violinist published original works early on as well. Kreisler himself liked to play them as encore pieces, thus sweetening many a concert with this 'musical confectionery'. Famous tunes are, for example, Liebesfreud, Liebesleid and Schön Rosmarin, his old Viennese dance tunes, in which Kreisler evoked the coffee-house atmosphere of his home town with beautiful melodies and mellifluous harmonies. Another wonderful example is his Marche miniature viennoise, with its humorous theme and a rather march-like middle section - and everywhere, Kreisler takes the audience by surprise with a little Viennese snide humour. Kreisler's original compositions are lovely miniatures, lively and catchy, even with a touch of melancholy - yet full of charm and elegance. Arranged for string trio, they are enjoyable to play and worth listening to and a valuable addition to the repertoire - ideal for sociable music-making or as pieces to end a 'serious' concert./ Répertoire / Trio à Cordes
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A Cello Top Ten: Cello: Instrumental Album
10.99
A Cello Top Ten: Cello: Instrumental Album
Violoncelle
Kevin Mayhew
Here are ten of the most famous melodies beautifully arranged for Cello and Pian...
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Here are ten of the most famous melodies beautifully arranged for Cello and Piano. You'll love playing them and others will enjoy listening. A Cello Top 10 includes Air from Suite no. 3 (Bach) Barcarolle (Offenbach) Berceuse from ‘Dolly Suite’ (Fauré) Gymnopédie I (Satie) Largo from ‘Serse’ (Handel) Meditation from‘Thaïs’ (Massenet) Nimrod from ‘Enigma Variations’ (Elgar) Panis angelicus (Franck) Salut d’amour (Elgar) and The swan (Saint-Saëns).
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Superduets. Book 1 (Cello Duet) (COHEN MARY)
9.90
Superduets. Book 1 (Cello Duet) (COHEN MARY)
2 Violoncelles (duo)
[Partition]
-
Facile
Faber Music Limited
Par COHEN MARY. 'Superduets for cello' provides a wonderful new repertoire of or...
(+)
Par COHEN MARY. 'Superduets for cello' provides a wonderful new repertoire of original and entertaining duets for beginner cellists. It can be started as soon as pupils have mastered basic playing technique and learned octave scales in keys D and G major. Encouraging rhythmic confidence and listening skills, and exploring a wide range of techniques, sound effects and movements, Mary Cohen's 'Superduets' are tailor-made for players at the very earliest stages of learning. These delightful pieces serve as a unique introduction to the joys of social music-making and help pupils to develop the invaluable skills required for ensemble playing at an early stage.The cello books are also compatible with the violin books opening up possibilities for mixed ensemble playing / Niveau : Facile / Recueil / 2 Violoncelles
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Trio in D major ?Korpo-Trio? JS 209 (SIBELIUS JEAN) (SIBELIUS JEAN)
44.29
Trio in D major ?Korpo-Trio? JS 209 (SIBELIUS JEAN) (SIBELIUS JEAN)
Piano Trio: piano, violon, violoncelle
[Set de Parties séparées]
Breitkopf & Härtel
Par SIBELIUS JEAN. Five multi-movement trios for piano and two string instrument...
(+)
Par SIBELIUS JEAN. Five multi-movement trios for piano and two string instruments by Sibelius are known from the years 1883?1888. The ?large? trios, such as the Havträsk and Korpo Trio (JS 207, JS 209), were written for the classical piano trio scoring of violin, violoncello and piano. Apparently, Sibelius kept composing trios to play among his family and friends, having in mind to be one of the musicians himself. Chamber music was an essential part of social life. When listening to Sibelius? trios, one cannot help but notice that the repertoire included many works of Viennese Classicism. Although Sibelius's feelings towards his youthful works were not exactly uncomplicated, Sibelius biographer Otto Andersson later reported ?that the master, in later years, missed [the Korpo Trio] very much and would have been very pleased to see [it] preserved.? / Date parution : 2023-06-01/ Répertoire / Violon, Violoncelle et Piano
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Waltzes (LERDAHL FRED)
105.45
Waltzes (LERDAHL FRED)
Violon, Alto, Violoncelle et Contrebasse
[Conducteur et Parties séparées]
Schott
Par LERDAHL FRED. Waltzes, a cycle of twelve virtuoso waltzes for violin, viola,...
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Par LERDAHL FRED. Waltzes, a cycle of twelve virtuoso waltzes for violin, viola, cello, and double bass, was commissioned by the Spoleto Festival USA in Charleston, where the first nine waltzes were premiered in 1981. Soon thereafter I composed the final three waltzes. The violinist Rolf Schulte led the first performance of the complete work in New York City in 1983. Waltzes lasts about 22 minutes and is dedicated to the violist Scott Nickrenz, who directed the chamber music series at Spoleto. In arranging the commission, Mr. Nickrenz made three stipulations: make my modernist idiom accessible for summer-festival listening, provide a challenge for brilliant string players accustomed to 19th-century repertory, and give the piece a loud ending. The idea of composing a set of waltzes came from the pleasure I took in playing waltzes by Schubert and Chopin at the piano. Waltzes incorporates occasional references to the music of past composers, but always in ways that fit within my own musical language. Its instrumentation for “low” string quartet is reminiscent of Schubert’s Vienna./ Répertoire / Violon, Alto, Violoncelle et Contrebasse
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Midnight Mischief (SPATA DOUG)
75.49
Midnight Mischief (SPATA DOUG)
Orchestre à Cordes
[Conducteur et Parties séparées]
Alfred Publishing
Par SPATA DOUG. Beginning string students will have a diabolically good time wit...
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Par SPATA DOUG. Beginning string students will have a diabolically good time with this all-pizzicato selection. Gleefully sinister melodies pass between all sections and simple quarter and half note accompaniment parts help keep everyone together. The optional piano accompaniment sets the pace with even 8th notes, helping young players subdivide their rhythms. Part independence and note range are minimized while doubling and repetition are emphasized, making this an easy piece for kids to master. Midnight Mischief by Doug Spata is a fun piece that kids will love to play while supporting essential ensemble playing and listening skills. (2:05). / Date parution : 2022-10-12/ Répertoire / Orchestre à Cordes
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Marche miniature viennoise (KREISLER FRITZ)
21.65
Marche miniature viennoise (KREISLER FRITZ)
Trio à Cordes: violon, alto, violoncelle
Schott
Par KREISLER FRITZ. Apart from the collection of Classical Manuscripts composed ...
(+)
Par KREISLER FRITZ. Apart from the collection of Classical Manuscripts composed by the violin virtuoso Fritz Kreisler (1875-1962) which he had passed off as transcriptions of settings of old masters, the violinist published original works early on as well. Kreisler himself liked to play them as encore pieces, thus sweetening many a concert with this 'musical confectionery'. Famous tunes are, for example, Liebesfreud, Liebesleid and Schön Rosmarin, his old Viennese dance tunes, in which Kreisler evoked the coffee-house atmosphere of his home town with beautiful melodies and mellifluous harmonies. Another wonderful example is his Marche miniature viennoise, with its humorous theme and a rather march-like middle section - and everywhere, Kreisler takes the audience by surprise with a little Viennese snide humour. Kreisler's original compositions are lovely miniatures, lively and catchy, even with a touch of melancholy - yet full of charm and elegance. Arranged for string trio, they are enjoyable to play and worth listening to and a valuable addition to the repertoire - ideal for sociable music-making or as pieces to end a 'serious' concert./ Répertoire / Trio à Cordes
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The Lehmann Discontinuity (D'ADAMO DANIEL)
39.56
The Lehmann Discontinuity (D'ADAMO DANIEL)
Quatuor à Cordes et Electronique
Chant du Monde
Par D'ADAMO DANIEL. The starting point for the composition of this piece was the...
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Par D'ADAMO DANIEL. The starting point for the composition of this piece was the musical observation of sound materials that were both tiny and extremely detailed, expressing a strong musical potential. Nano-sounds, materials which belong to a relatively small and hardly perceptible acoustic world which through composition, are projected on a much wider listening scale. This change of perspective, both real and imaginary, takes place through the composition of the score and of the electroacoustic part, but especially through the amplification and diffusion of the instrumental and the electronic sound on the loudspeakers. / Date parution : 2022-02-03/ Répertoire / Quatuor à Cordes et Electronique
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10 Fugues For String Quartet - Book 2 (BACH JOHANN-SEBASTIAN)
29.10
10 Fugues For String Quartet - Book 2 (BACH JOHANN-SEBASTIAN)
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
Spartan Press
10 Fugues For String Quartet Vol. 2. Par BACH JOHANN-SEBASTIAN. The idea for the...
(+)
10 Fugues For String Quartet Vol. 2. Par BACH JOHANN-SEBASTIAN. The idea for these arrangements came to me whilst listening to the Hagen Quartet's beautiful recording of the fugues that form part of Haydn's 'Sun Quartets', Op. 20. The spirit and influence of J.S. Bach, in particular his Well Tempered Clavier, Book II, courses through these three miraculous Haydn fugues. Like the viol consort, the string quartet suits this kind of composition (the fugue), with all four instruments sufficiently similar in character to each other to match the extraordinary unity and economy of the counterpoint. A string quartet playing Bach fugues is a good example of a harmonious relationship between form andcontent: just as there is a unifying principle behind the construction of the four string instruments, so there is (usually) a single theme or subject that unifies the construction of a four-part fugue. Thus the form enacts the content, telling you something about the text and message within. Apart from Haydn's and a handful of other composers' wondrous creations, there's little fugal writing for string quartet, at least in comparison with the abundance of other forms. This was another reason to make these arrangements. The quartet offers a melodic independence impossible to achieve on a single instrument. And I believe the technical and interpretative challenges posed by this repertoire and ndash - lightness of sound and rhythmic fluidity, for example - will be very valuable to quartets seeking the holy grail: a unified sound. Perhaps the simplest and most compelling reason for this work is that I just love this music more than I can say. These dazzling pieces, mostly fast, bright and in major keys, show Bach at his most playful, funny and mischievous, composing for an instrument rarely associated with these qualities. And so I'm very happy to offer string quartets these little know fugues, written by my favourite composer - a violinist and violist himself, but above all a master / Classique / Date parution : 2018-05-04/ Répertoire / Quatuor à Cordes
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Essential Elements 2000 For Strings - Book 1
17.73
Essential Elements 2000 For Strings - Book 1
Violoncelle
[Sheet music + CD + DVD]
-
Débutant
Hal Leonard
(Essential Elements for Strings and Essential Elements Interactive are fully com...
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(Essential Elements for Strings and Essential Elements Interactive are fully compatible with Essential Elements 2000 for Strings)Essential Elements for Strings offers beginning students sound pedagogy and engaging music, all carefully paced to successfully start young players on their musical journey. EE features both familiar songs and specially designed exercises, created and arranged for the classroom in a unison-learning environment, as well as instrument-specific exercises to focus each student on the unique characteristics of their own instrument. EE provides both teachers and students with a wealth of materials to develop total musicianship, even at the beginning stages.Books 1 and 2 also include access to Essential Elements Interactive (EEi), the ultimate online music education resource - anywhere, anytime, and on any device. Go to www.essentialelementsinteractive.com to learn more!Method features:- Enhanced Starting System- Optimum Reinforced Learning- Pacing- Theory, History, Cross-Curriculum and Creativity- Performance SpotlightsBook also includes My EE Library* (www.myeelibrary.com) - Instant Stream/Download/CD-ROM*- Start-up video Learn the basics- Play-along mp3 tracks for all exercises Features a professional orchestra- Duets and trios Print and play parts with friends- Music listening library Hear great pieces for orchestra!*Internet access required for My EE Library. Book includes instructions to order free opt. CD-ROM. / Violoncelle
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Anna Thorvaldsdottir: Transitions: Cello: Instrumental Work
8.99
Anna Thorvaldsdottir: Transitions: Cello: Instrumental Work
Violoncelle
Chester
The theme of this work is ‘man & machine’ as commissioned by Michae...
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The theme of this work is ‘man & machine’ as commissioned by Michael Nicolas. The theme is represented in that the Cellist becomes both in the piece – man & machine – where man indicatesperforming expressively with emotion and a musical approach to the music and machine indicates more precise rhythmic and technical accuracy a somewhat stricter approach to the music. These two approaches gradually transitionfrom one to another throughout the work. Anna Thorvaldsdottir frequently works with large sonic structures that tend to reveal the presence of a vast variety of sustained sound materials reflecting her senseof imaginative listening to landscapes and nature. Her music tends to portray a flowing world of sounds with an enigmatic lyrical atmosphere.
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John McCabe: String Quartet No.7 - Summer Eves (Parts): String Quartet: Parts
29.99
John McCabe: String Quartet No.7 - Summer Eves (Parts): String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Novello & Co Ltd.
Commissioned by the Presteigne Festival of Music and the Arts Limited with fund...
(+)
Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note.'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'
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Duo II (HOLLIGER HEINZ)
23.30
Duo II (HOLLIGER HEINZ)
Violon, Violoncelle (duo)
Schott
Par HOLLIGER HEINZ. Here's proof, if you ever needed it, that contemporary music...
(+)
Par HOLLIGER HEINZ. Here's proof, if you ever needed it, that contemporary music can be humourous. Want to hear Mendelssohn's Wedding March beefed up with Wagner's Tristan? And enjoy listening out for the well-known melody of 'Tea for two' in the escapades of 'Three for two'? The entertaining collection were composed individually, and for a variety of purpose - some were congratulatory messages for well-known fellow musicians such as Elliott Carter or Thomas Demenga, but some were just composed while waiting at a bus stop! Hence, the pieces can be played either as effective encore pieces./ Répertoire / Violon et Violoncelle
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10 Fugues (BACH JOHANN-SEBASTIAN)
29.10
10 Fugues (BACH JOHANN-SEBASTIAN)
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
Spartan Press
For String Quartet Volume 1. Par BACH JOHANN-SEBASTIAN. The idea for these arran...
(+)
For String Quartet Volume 1. Par BACH JOHANN-SEBASTIAN. The idea for these arrangements came to me whilst listening to the Hagen Quartet's beautiful recording of the fugues that form part of Haydn's 'Sun Quartets', Op. 20. The spirit and influence of J.S. Bach, in particular his Well Tempered Clavier, Book II, courses through these three miraculous Haydn fugues. Like the viol consort, the string quartet suits this kind of composition (the fugue), with all four instruments sufficiently similar in character to each other to match the extraordinary unity and economy of the counterpoint. A string quartet playing Bach fugues is a good example of a harmonious relationship between form andcontent: just as there is a unifying principle behind the construction of the four string instruments, so there is (usually) a single theme or subject that unifies the construction of a four-part fugue. Thus the form enacts the content, telling you something about the text and message within. Apart from Haydn's and a handful of other composers' wondrous creations, there's little fugal writing for string quartet, at least in comparison with the abundance of other forms. This was another reason to make these arrangements. The quartet offers a melodic independence impossible to achieve on a single instrument. And I believe the technical and interpretative challenges posed by this repertoire and ndash - lightness of sound and rhythmic fluidity, for example - will be very valuable to quartets seeking the holy grail: a unified sound. Perhaps the simplest and most compelling reason for this work is that I just love this music more than I can say. These dazzling pieces, mostly fast, bright and in major keys, show Bach at his most playful, funny and mischievous, composing for an instrument rarely associated with these qualities. And so I'm very happy to offer string quartets these little know fugues, written by my favourite composer - a violinist and violist himself, but above all a / Classique / Date parution : 2018-05-04/ Répertoire / Quatuor à Cordes
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Measures Of Success For String Orchestra: Cello 1: Cello: Instrumental Tutor
Violoncelle
[Partition + DVD]
FJH
A comprehensive musicianship String method.About The Book:Unique chapter layout ...
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A comprehensive musicianship String method.About The Book:Unique chapter layout provides a goal-orientated format organised by school quarter.4 full-page assessments include:- Critical Listening- Playing By Ear- Theory and Terminology- Composing Arranging and Improvisation- Performance- Advanced Bow StudiesWealth of classical and world music.8 arrangements and original compositions for String Orchestra.Duets rounds and a solo with Piano accompaniment.Play-along accompaniments feature demo and performance tracks with professionalmusicians.Featured in SmartMusic.Correlates with science and world history.Fully integrated with the National Standards for Music Education.Video tutorials with master teachers and students. About The Accompaniment Tracks:Each track includes a demo version with professional musicians followed by accompaniment only.Outstanding accompaniments explore a wide variety of musical styles to make practice exciting and fun.Play classical and world melodies with characteristic accompaniments that include:Full OrchestraRockLatinJazzFunkCountryElectronicWorld MusicMedia Options:DVD Features:Video tutorialsAccompaniments for the entire bookAbility to transfer MP3 files to a computer or portable deviceOnline Features:Stream or download all accompaniments at no chargeStream all video tutorials at no charge
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Nature (DAVIES TANSY)
39.43
Nature (DAVIES TANSY)
Piano et Orchestre
[Partition]
Faber Music Limited
Par DAVIES TANSY. Nature, Tansy Davies gloriously offbeat concerto for piano and...
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Par DAVIES TANSY. Nature, Tansy Davies gloriously offbeat concerto for piano and ten instruments from 2012, teems with invention. This 20-minute work was inspired by shamanic rituals and the supernatural, and Davies describes the piano as part moth, part Maenad . There is a feral quality to much of the tumultuous solo writing all hyperactive trills and gutsy bass eruptions, shot through with rare and unexpected moments of calm. Brilliantly imaginative, and packed full of glistening, ever-changing ensemble textures, this remarkable reimagining of the concerto form sees Davies craft yet another thrilling and wholly distinctive soundworld. ARRANGEMENT Piano and ensemble of ten players: Alto Flute, Cor Anglais, Bass Clarinet, Horn, Percussion (1 player), Harp, Violin, Viola, Cello, Double Bass. / Scores / Répertoire / Piano et Ensemble De Chambre
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Quartet For Heart And Breath
19.50
Quartet For Heart And Breath
Quatuor à cordes: 2 violons, alto, violoncelle
[Livre]
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Intermédiaire/avancé
Chester
Richard Reed Parry's Quartet For Heart And Breath is an innovative and original ...
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Richard Reed Parry's Quartet For Heart And Breath is an innovative and original piece based on the performers' own bodily rhythms. This sheet music is for String Quartet (Violin/Violin/Viola/Cello).Richard Reed Parry is familiar to millions as the lead singer of rock band Arcade Fire, yet his foray into classical music is equally worthy of attention. Quartet For Heart And Breath is an experiment into using the performers' heartbeats and breathing to dictate the tempo. The performers are instructed to wear stethoscopes in order to listen to their heartbeats closely, while one complete breath corresponds to one bar and two heartbeats equal two crotchets.The result is a quiet and subtle piece, as each instrument has to play softly so as to be able to keep in time. The piece also has a naturally occurring dynamism in that the players' heart rates constantly change as the performance goes on, with each instrument falling in and out of sync sometimes culminating in a beautiful moment of all heartbeats matching each other. Interestingly, this unique aspect means that no performance will ever be the same, meaning to hear or play this composition will be a truly once in a lifetime experience.Quartet For Heart And Breath is a superbly one-of-a-kind composition by Richard Reed Parry. Commissioned by the Kronos Quartet, this piece makes for a wonderfully distinctive performance, with fascinating implications for the connection between the music and the body. / Quatuor A Cordes
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Sonata (LARCHER THOMAS)
17.76
Sonata (LARCHER THOMAS)
Violoncelle
Schott
for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voi...
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for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voice range or orchestration, but for musicians, for people. It is almost impossible for me to produce a piece without having a particular person in mind or to hear him/her inwardly. No matter how standardized the interpretation of classical music is, and no matter how many coordinates have been fixed and defined, I do not want to have them seen (and therewith the notation) as determining and limiting signs, but rather as guideposts towards the creation of vital, organic music. In differentiated music, two participants are necessary in order for a piece to evolve-- the composer and the musician. Just as there is no one way for a composer to express himself or to notate music, etc., neither is there one way for a musician to read the notation, to interpret, or to live. We find ourselves, for this reason, in a network of meanings, gestures, and signs which have to be fathomed and expanded together. The tone, the breath, the gestures, the dedication, and the potentialities of a musician were also ultimately decisive for the form of this piece. It is music which pushes the expressive and technical possibilities of the instrument to its very limits. It is music in which the musician has to transport the contexts and expression over and above the notation. It was not necessary for me to find a new form for this piece; it is a work which can and should be performed in a ‘normal’ concert situation. I deliberately wanted to integrate the perhaps new and unusual content into a familiar form (thus the title ‘Sonata’) And I also wanted to embed the aforementioned extreme situations (in which the technical extremes are synonyms for tension, isolation, loss or tenderness) in an organic process in order for the listener to be able to empathize with and comprehend what is expressed in the piece. I would like to thank Natalie Clein, to whom the Sonata is dedicated, for inspiring this piece and for the path that led to the realization of the music. Thomas Larcher/ Répertoire / Violoncelle
17.76 EUR - vendu par LMI-partitions
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